Review: If you're into little-known South American gems from the dim and distant past, Mexico City's Discodelic label has got you covered. This limited-edition "45" marks the second instalment of their ongoing "Nicaraguan Afro-Latin" series and offers-up two deep cuts from the catalogue of tropical Afro-rock kings Bwama. Both tracks were originally featured on the band's second self-titled album in 1972. Our pick of the pair is A-side 'Ritmo Martizon', a richly percussive fusion of Guajira rhythms, salsa style pianos, gravelly funk-rock guitars and life-affirming vocals. That said, flipside 'Pa Goza' - a funky, shoulder-swinging affair featuring duelling organ and guitar lines atop a locked-in Latin beat - is also superb. In a word: essential!
Review: Discodelic comes correct again with a new 7" that features a pair of rather lesser-known and brilliantly obscure Latin psych-rock gems. Conjunto Raza' 'African Dream' is all crackly and immediately nostalgic because of it, with noodle acoustic guitar sounds making way for a more upbeat and driving 60s garage rock sound but all in loveable lo-fi. Add in a red-hot vocal and you have a flame cut full of funk. On the reverse, The Scepters 'Message' is another well-aged jam that brings rawness and emotion in equal measure.
Review: The Scepters, formed in 1967 in Paraiso by guitarist Celso Spencer, were a popular Panamanian band known for their energetic performances across military bases and high school dances in the Canal Zone. Alongside Lionel Best and Jose James, they covered Top 40 hits and iconic rock bands like Santana and Jimi Hendrix. They released two 45s, including 'Message,' which debuted at Panama's first National Soul Music Festival in 1971 and features next here to a jam from Conjunto Raza, another project led by Agustin Leiro, this one with rotating musicians. They released a single 45 on Onda Nueva in the mid-70s and it blends Zonian and Panamanian talent with aplomb.
Review: Discodelic and Groovie Records unveil a pair of rare 1970s Panamanian gems here with forgotten tracks from The Meditators, and Los Misticos. Originally recorded for radio and left in storage, these Latin psych funk bombs capture the underground spirit of Panama's vibrant music scene from more than 50 years ago. Licensed through Tamayo Records, these songs have been beautifully mastered and now the long-lost recordings, which barely made it to vinyl the first time around, become available for all who are keen to drop the heat and learn about Panama's hidden musical treasures at the same time.
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