Back catalogue: Funk

Review: Hailing from sunny California, funk/soul/jazz crew The Charities bring heart and grit to a track that delves into the intoxicating pull of a love destined to implode. The song paints a vivid portrait of a desriable yet destructive partner whose charm conceals a narcissistic core. With sharp, emotive lyrics and a bittersweet melody, it yearns for the intensity of love's highs and the sting of its inevitable downfall. It's a classic tale of attraction turning to heartache, delivered with a raw authenticity that lingers. Their third single since forming, 'Fatal Attraction' might just be their best yet, while on the flip side, 'It's Not Our Time' shifts to a softer, more reflective tone. This bittersweet ballad explores the ache of love interrupted, as two lovers part ways with the hope that time and distance will lead to a brighter reunion. The warmth of the band's instrumentation, coupled with tender, heartfelt vocals, makes this track a touching counterbalance to the A-side's intensity. The Charities' ability to channel deep emotion through timeless grooves is soulful storytelling at its finest.

Review:  Loveland, Ohio's Colemine label offer a 7" indie exclusive on this furtive freshener from house engineer and regularly featured artist Leroi Conroy, returning after his last 45 in 2017 with a sharp double-sider flaunting his rhythmatic flair and deeper verbal intuitions. 'No Return' outlays crisp boom-bap drums wrapped in fluttering flute lines from Michael Sarason (of Say She She) and shimmering harp hallelujahs, courtesy of Cincinnati handywoman Rachel Miller. There's a distinct nod to Dorothy Ashby's work here, but reimagined for a 2025 palette; the flip leads the way to the 'Path Of Man', stripping the bark back to murkier moods, pulling from the darker corners of Conroy's upcoming full-length. He's come a long way since vacationing from the cutting lathe, representing himself in a new soulful and cinematic light, one which is yet raw and unpolished where it counts.

Review: Kelly Finnigan reunites with soul veteran Renaldo Domino for a new 7” single on Colemine, ‘Keep Me In Mind’, which hails from Kelly’s A Lover Was Born sessions, reviving a 1967 mid-tempo groove originally by Buffalo duo Samson & Delilah on ABC Records. Tracked entirely to tape across studios in the Bay Area, Ohio and Chicago, the record’s tight rhythm section and horn arrangements form a vibrant foundation for Kelly and Renaldo’s interwoven vocals. Their duet channels the spirit of classic male soul pairs like Sam & Dave and Eddie & Ernie, giving the track a fresh yet familiar energy. The single is primed to win over DJs and soul fans alike.

Review: Ohio-based instrumental organ trio Parlor Greens, known for their blend of soul, funk and blues, return with a new 7" that follows their acclaimed debut from 2024. Side-1 features 'Driptorch', which is driven by crunchy drums from Tim Carman, funky guitar riffs by Jimmy James and Adam Scone's expressive Hammond organ. The track delivers a high-energy, groove-filled adventure. On Side-2 ,'200 Dollar Blues', introduces a fresh, mid-tempo instrumental. This blues shuffle highlights James' searing Stratocaster solos, complemented perfectly by Scone's soulful organ work. Their interplay exudes a raw, electrifying energy, while Carman's steady, dynamic drumming grounds the track, making this one for fans of deep soul and blues.

Review: Chicago multi-genre music collective Patchwork Inc. offer a distinct, subtle blend of pianistic soul and cinematic warmth on their latest 7" for Colemine. Elusively cryptic and seemingly not entirely willing to divulge their membership, we do know that North Carolina native Taylor Williams and Chicago journeyman Wyatt Waddell are nonetheless involved: their conjoined hands craft heartfelt ambles through smoothly arranged backbeats and ride-tsking R&B phrases, evoking farewell-bidding moods and last-ditch begs for togetherness.

Review: A nine-piece instrumental combo hailing from San Diego, California, The Sure Fire Soul Ensemble deliver a heady brew of jazz, funk and global rhythms on their latest offering. Recorded in their homebase of Lemon Grove, the album sees them expanding their sonic palette, drawing on library music, spiritual jazz and exotica. Tracks like 'Makin' Moves' and 'The Grifter' showcase the band's signature funk-driven energy, their tight grooves and soaring horns recalling the classic sounds of Earth, Wind & Fire and Tower of Power. But there's a more introspective side on display too, with tracks like 'Mother Earth' and 'Freddie' evoking the spirits of Freddie Hubbard and Phil Ranelin, their introspective melodies and atmospheric textures adding a layer of depth and complexity. 'Corporatocracy' is a standout, its extended tabla solo and modal funk groove demonstrating the band's willingness to experiment with unconventional sounds and structures. This adventurous spirit is a hallmark of The Sure Fire Soul Ensemble, a band consistently pushing the boundaries of their sound while remaining firmly rooted in the traditions of jazz and funk.

Review: The Sure Fire Soul Ensemble, a soul and funk nonnet from San Diego, have long blessed the Colemine modern funk sceptre with crumbled parfaits of funk topped with crumbly analog psychedelia and Afrobeat. With their new album, they ravage fresher sonic territories. Recorded between 2021 and 2024 in Lemon Grove, California, Gemini centres on their already-laid breakbeat-heavy funk-soul-jazz foundation, heard in tracks like 'Makin' Moves' and 'The Grifter', but they also draw influence from library music, spiritually-inclined jazz and exotica adjacents. Personifying the astrological Gemini - curiosity, versatility - 'Corporatocracy' stands out as special, welding an extended tabla solo to a wordless critique of the world's most egregious mega-firms.