The More I Love My Life (feat Carlos Santana & Sting & Stevie Wonder)
Hungry 4 U
Take My Breath Away
Close To My Heart
Baby Let's Go
Break Free
Show Me How To Love Again
So Beautiful
I'd Rather Dance With You (feat Cornell CC Carter)
Euphoria (feat Carlos Santana - part 1 - part 2 Jam)
Review: Narada Michael Walden is now 71 years old and has enjoyed a hugely successful career, with his CV boasting extensive work with Quincy Jones, years spent playing with jazz-funk greats, a stint as journey's drummer, and - perhaps most significantly - production credits on huge 1990s releases by Whitney Houston, George Benson and Mariah Carey. Yet instead of retiring or resting on his laurels, he's turned to writing, recording and producing his own music. Euphoria is an undeniably funky, accessible and pop-tinged affair, with Walden adding his own vocals to backing tracks that sit somewhere between 21st century revivalist disco, nu-disco, prime Prince and Radio 2-friendly AOR pop. As you'd expect from someone with his contacts book, there are some high-profile guests dotted across the album, most notably Carlos Santana, Sting and Stevie Wonder.
War Is Coming! War Is Coming! (Disc 1: Platinum Funk)
I Got You
L.A. Sunshine
River Niger
Slowly We Walk Together
Platinum Jazz
Galaxy (Disc 2: Galaxy)
Baby Face (She Said Do Do Do Do)
Sweet Fighting Lady
Hey Senorita
The Seven Tin Soldiers
The Music Band (Disc 3: The music Band)
Corns & Callouses (Hey Dr Shoals)
I'm The One Who Understands
Good, Good Feelin'
Millionaire
All Around The World
You Got The Power (Disc 4: Outlaw)
Outlaw
The Jungle (Medley)
Just Because
Baby It's Cold Outside
I'm About Somebody
Cinco De Mayo
Peace Sign (Disc 5: Peace Sign)
East LA
Wild Rodriguez
I'm The One (Who Understands)
UB OK
Smile For Me
What If
Angel
Review: WAR's The Collection 1977-1994 is a deep celebration of the band's legacy, featuring five remastered albumsiPlatinum Funk (1977), Galaxy (1'977), The Music Band (1979), Outlaw (1982), and Peace Sign (1994)ishowcasing WAR's evolution as a "sophisticated pop machine" with their signature fusion of funk, soul, and rock. The box sets commemorate WAR's 55th anniversary and follow the success of their The World Is a Ghetto: 50th Anniversary Collector's Edition. The previously rare Platinum Funk, which includes hits like 'L.A. Sunshine', and Outlaw, featuring classics such as 'Cinco De Mayo', highlight the band's diverse musical prowess. With over 50 million records sold globally, WAR's rich sound continues to resonate, solidifying their status as one of music's seminal groups. Fans can anticipate these releases as a treasure box of rhythm and history.
The Spinners - "Dont Let The Green Grass Fool You"
Syl Johnson - "Black Balloons"
Peggy Scott & Jo Jo Benson - "Soulshake"
Richie Havens - "I Can't Make It Anymore"
The Exits - "You Got To Have Money"
The Joneses - "Pull My String (Turn Me On)"
The Dells - "Run For Cover"
O.C. Smith - "On Easy Street"
The Radiants - "It Ain't No Big Thing"
Billy Stewart - "Summertime"
Brother To Brother - "In The Bottle"
Baby Huey - "Hard Times"
Johnny Williams - "Maggie"
Joe Simon - "When"
James Carr - "Pouring Water On A Drowning Man"
Roscoe Robinson - "That's Enough"
Blackrock - "Blackrock Yeah Yeah"
American Gypsy - "Golden Ring"
Jon Lucien - "Search For The Inner Self"
The Mist - "Life Walked Out"
Betty Davis - "In The Meantime"
Darrell Banks - "Beautiful Feeling"
Review: Paul Weller is perhaps one of the best non-soul musicians to ask to compile a rare soul compilation. Rather than documenting soul music as it proliferated in the 1960s, Ace Records' soul aim was to capture a genre, fashion and style as one man saw it in retrospect, in light of his involvement in the mod revival of the mid 1970s. Weller would later go onto form and front The Jam, but in late 1974, shortly before his involvement in the punk movement, he was about none of that business at all. Punk partly grew on febrile tissues of mod, which was in turn an offshoot of 60s soul; and it is true that we may hear a foetal form of the sound in the brasher cuts on this record, be it Billy Stewart's 'Summertime' or James Carr's 'Pouring Water'. Also clock Brother To Brother's 'In The Bottle', a super-early drum machine blues gem perfect for the house heads.
Review: As you may well be aware, the Winstons' most significant contribution to musical history was the righteous drum break featured on their 1969 single 'Amen, Brother', a breakbeat that has since become the backbone of countless hip-hop, hardcore and D&B tracks. Yet as good as that break is, there was always much more to love hidden in their catalogue, particularly debut album Color Him, Father. As this surprise reissue on CD proves, it is a genuinely brilliant collection of loved up East Coast soul songs - both dancefloor-friendly and downtempo - which on this edition has been expanded via the addition of a quartet of previous single-only cuts. This, then, is the definitive version of a vitally important soul album.
What Have They Done To My Funk (feat Bootsy Collins/Michael Moon Reuben/Ouiwey Collins/Buckethead) (5:00)
Heapin' Bowl Of Gumbo (feat Leo Nocentelli/Fred Wesley/Stanton Moore) (3:19)
Re-Enter Black Light (Phase II) (feat Sean Ono Lennon) (6:19)
The Big WOO (feat Fred Schneider/Marco Benevento/Steve Scales) (5:22)
Greenpoint (feat Steven Bernstein) (8:42)
Soldiers Of The Stars (feat Daru Jones/Eric McFadden) (4:55)
When The Rain Subsides (feat Will Calhoun) (4:19)
Pedre WOO (feat Mike Watt) (7:23)
Funkadelic - "Contusion" (2:56)
Transcendence (feat Marc Ribot/Norwood Fisher) (16:41)
Wave From The WOOniverse (feat Miho Hatori) (4:03)
Review: Bernie Worrell's posthumous release Wave from the Wooniverse emerges as a brilliant example to his enduring influence and creativity. Hailing from Asheville, NC, Worrell, known for his groundbreaking work with Moog synthesizers and his tenure with Parliament-Funkadelic and Talking Heads, left behind quite a bit of unreleased material upon his passing in 2016. Curated and completed by a stellar lineup including Sean Lennon, Bootsy Collins, and Buckethead among others, this CD collection breathes new life into Worrell's compositions. From funk-infused grooves to ethereal synth landscapes, each track showcases Worrell's lyrical keyboard prowess and musical versatility. The album's diversity reflects Worrell's eclectic career, blending genres seamlessly while maintaining a cohesive sonic narrative. With contributions from original P-Funk members and contemporary collaborators, Wave from the Wooniverse resonates as a fitting tribute to a visionary musician. Whether you're drawn to deep-fried funk or introspective instrumentals, this release is a stunning CD for aficionados of innovative and soul-stirring music.
Love When It Comes Down To It (feat Z-Man & Moniquea)
Dena City Council (feat Blkwest, Pasadena Sean Fka S-Dee, & Gr8 Dane)
Kinda Faded
Under The Sun (Enois Scroggins feat XL Middleton & Dynamite D)
Another Summer
I'm Just Sayin (Blkwest feat XL Middleton)
Shotgun (feat Rev & Bo-Rocc Of The Doveshack)
Too Grown 4 That (The Touch Funk feat XL Middleton & Espe)
Why Don't They Get It (feat Pasadena Sean Fka S-Dee)
Review: A compilation of tracks from past albums, collaborations and formerly unreleased cuts by XL Middleton, G-funk-master extraordinaire from LA. Compiled specifically for XL's recent Japan tour, this release comprises the bulk of remaining copies, which, we can vouch, flew largely off the shelves, and fast. The sole focus on G-funk, albeit in his own signature style, has proven so far effective for XL; his production style tends towards the unmistakably steezy and squeezy, and it also borders on West Coast crunk and DJ Mustard-esque ratchet at points. XL entertains wonky 808s and smooth 2-stepped blears, effectively conveying the mood of "layered back", best enshrined in the happily system-conscious track 'Unemployment'.
Review: Although born and raised in Holland, the duo behind the Yin Yin project "make music for an imaginary tropical Island" based "somewhere between the Netherlands and South East Asia". It's an apt description of their undeniably humid, wide-eyed style, which variously combines elements of surf-rock, dub, psychedelia, ambient, electronica, spaced-out synth-pop and various traditional South East Asian musical tropes. It's a style that makes this long promised debut album a unique, distinctive and hugely vibrant listening experience. While inventive and colourful, their music is also largely dancefloor friendly and highly addictive. In other words, this is one debut album that's well worth picking up.
Review: 'Linear Labs: Sao Paulo' marks Adrian Younge's next chapter, bringing together unreleased tracks from his global collaborations. Known for blending analog warmth with modern sound, Younge delivers an exciting mix of psychedelic soul and hip-hop. The album includes highlights like 'Something About April III' and 'Don't Cry for the Devil' with Snoop Dogg, alongside contributions from artists like ALA.NI, Bilal, and Stereolab's Laetitia Sadier. Each track taps into different influences, from Brazilian samba to Middle-Eastern psych, creating a dynamic sonic experience. This CD release presents Younge's curated vision of musical innovation, a must-have for fans of his boundary-pushing sound.
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