Juno Recommends Soul: July 2024

Review: Double A's 'Gotta be a Sucka 4 Luv' finally hits vinyl after two years of digital anticipation. This funk and soul-infused track is an instant party starter, boasting snappy drums, a catchy bassline, and horn stabs galore. It's a dancefloor anthem with undeniable energy and groove, perfect for any occasion. On Side-2, King Most's 'Standing Out' delivers classic funk and r&b vibes with a killer male vocal and infectious beats. This fun filled vinyl pressing ensures that these digital-only gems can now spin on turntables, bringing their timeless sounds to both collectors and DJs alike. Don't miss out on these essential additions to your music collection!

Review: The bossa nova remake of Bill Withers' classic 'Lovely Day' by Studio Rio is a masterful mood lifter. Reissued by Mr Bongo, this track was a game-changer at the Shapes festival, transforming a snowy Alpine setting into a feel-good dancefloor. Originating from Studio Rio's 2014 release The Brazil Connection, the Grammy-winning Berman Brothers collaborated with Brazilian legends like Marcos Valle and Roberto Menescal. They used original multitracks to seamlessly blend Withers' soulful vocals with bossa nova rhythms. Joyful horns, a bouncing double bass, and Pretinho da Serrinha's cavaquinho playing create an end-of-night anthem that radiates warmth and positivity.

Review: Crying for Love by Bridge is a highly anticipated 7" release from Izipho Soul. This single highlights two standout tracks from the elusive 1981 album by Paul Tillman Smith's band, originally unreleased and now celebrated as a gem of its genre. On Side-1, 'Crying for Love,' showcases the exceptional production and poignant lyrics by Smith and Michael Robinson, with Debravon Lewis's (RIP) emotive vocals delivering a deeply affecting performance. On Side-2, 'Listen' features a commanding rendition by the legendary Freddie Hughes, complemented by Sonny Lewis's sophisticated saxophone work. This limited 7" pressing resurrects a crucial piece of musical history, offering fans an exquisite taste of rare soul excellence.

Review: Wilfred Luckie's 'My Thing' is a Trini private soul track in the key of Marvin Gaye. This stellar floater features excellent, subtle electronics, making it a top pick. Originally recorded in 1978, this very rare vinyl gem now sees a proper reissue. The smooth jam continues to wow listeners over 40 years later, with its lovemaking and tongue-in-cheek sexual lyrics still bringing smiles. A key element of the song's uniqueness is the strange and spacey electronics in the background, an unusual yet perfect mix for a soul track. This blend of various elements creates a standout piece, making it a true gem and a unique song.

Review: Jimetta Rose and The Voices of Creation's new album, Things Are Getting Better, via Day Dreamer Recordings, is a soul-stirring devotional that blends house, funk, soul, r&b and hip-hop influences. The album opens with the lead single 'Portals,' an invitation to a new way of thinking. With a shuffling groove and soaring vocals, it breaks traditional gospel molds, introducing soulful r&b runs and syncopated verses. Things Are Getting Better is fantastically crafted studio sound, evolving from their raw debut, How Good It Is. The album is composed of non-professional singers and embodies Jimetta's mission to demystify the ministry and spread faith in music's power for positive change. Featuring instrumentalists Isaiah Collier, Ryan Porter, and V.C.R., and recorded at Sunset Sound studios, it encapsulates Jimetta's vision of "Black spiritual classical music". A prolific collaborator with artists like Anderson .Paak and Angel Bat Dawid, Jimetta leads the choir, delivering new mantras for our times. Things Are Getting Better is an example of the power of music, faith, and community.

Review: Betty Black's 'Gypsy Heart' is a sassy, driving dancer, brimming with flair and powerful vocals. The track marries Rhythm and Blues under the watchful eyes of Gospel and African-American Spirituals. It's mystical and cinematic, yet gutsy and funky - a true Roots Revival Soul with a sophisticated twist, perfect for the dance floor. On the flip side, 'Sweet Beautiful Lies' blurs the lines between Motown, Latin Soul, and Funk. Betty is surrounded by a Phil Spector-inspired wall of sound, delivering a 60s aura as she recounts a young woman's encounter with a smooth-talking man. Backing vocals echo the timeless theme with a modern touch. The track boasts fat backbeat drums, roaring bass, a full Latin percussion section, and horns, all crammed into the studio to accompany Betty.

Review: Emilia Sisco's latest 7" single is a testament to the timeless allure of vintage soul music. Backed by the esteemed Timmion Records house band Cold Diamond & Mink, Sisco delivers a stellar double-sider that captivates the listener from start to finish. A-sider 'Lemon Lime Sour' hears Sisco's spirited vocals soar over infectious crossover soul terrain, crafting an irresistible groove that celebrates the bittersweet feeling of falling in love. Meanwhile, the flip reveals the B-side, 'Love Can Carry Me', a soul-stirring beat ballad that flaunts Sisco's growth both as a songwriter and a vocalist. The song's emotive lyrics and dark melodies create an intimate atmosphere, drawing listeners into its introspective narrative of resilience and hope.

Review: Jan Jones' 'Independent Woman,' originally released in 1980, is a rare soul and funk treasure highly sought after by vinyl enthusiasts. This 7" gem exudes a classy, summery vibe, with beautifully sung lyrics and stunning string arrangements. Ahead of its time, the track incorporates subtle disco elements, creating a unique downtempo disco feel. Its depth surpasses the often sterile lyrics of typical disco music, enriched by a soulful flute that adds an extra layer of charm. 'Independent Woman' reissue is here so grab a copy before they're gone.

Review: Numero's Hottest Sounds Around compilation showcases vibrant late-70s grooves from the Greater Antilles. Trinidadian label Semp brought us Wilfred Luckie's funky 'My Thing' and the Hamilton Brothers' infectious calypso-disco hit 'Music Makes The World Go 'Round' in 1978. Meanwhile, over in the Bahamas, Frank Penn's G.B.I studio captured Stephen Colebrook's Doobie Brothers-inspired 'Stay Away From Music,' perfect for the cruise ship crowd. This trio, housed in a bespoke Numero sleeve paying homage to WIRL (West Indies Records Ltd.), celebrates the rich, diverse sounds of the Caribbean. This 45 is a delightful exploration of rare, danceable tracks that epitomize the era's lively musical spirit.

Review: Soul4Real Records presents the third installment in their From Detroit With Love series, transforming the usual 45 RPM format into a robust four-track mini compilation. This release features Kim Weston's emotive 'After The Rain,' the Four Tops' heartfelt 'Just A Little Love (Before My Life Is Gone),' Carolyn Crawford's reflective 'Think Of The Times,' and The Vandellas' tender 'You Taught Me How To Care.' Each track measured the heart of Detroit's soulful legacy, offering a rich array of emotion and melody. Perfect for soul enthusiasts, this compilation delivers a concentrated dose of Motown magic, showing the timeless appeal of these iconic artists.

Review: Durand Jones & The Indications' 'Witchoo' is a brisk and airy soulful number powered by Mike Montgomery's wiggly bassline and the engaging high/low vocal harmonies of Aaron Frazer and Durand Jones. The jazzy keys and ambient conversation add a smoothly celebratory vibe, enhanced by group-chant choruses. With tight musicianship and an irresistible groove, 'Witchoo' is an ode to joyful togetherness, perfectly timed for a hot and long summer. On Side-2, 'Love Will Work It Out' excels with the magical combination of the sweeping strings, strong bassline and wonderful backup voices and harmonies. This smooth and mellow trip to a soul lounge will put you in the mood every time.

Review: Levanna, the celebrated "Northern Soul Girl," shines in her new 'rare soul' series from the Charly vaults. As an influencer, dancer, promoter and DJ, she brings her energetic personality and deep love for Northern Soul to this LP compilation. Gathering her rare grooves in one record, this release is a DJ's delight, eliminating the need for extensive crate digging. Levanna's dedication and passion for Northern Soul music have earned her widespread respect and press acclaim. This collection captures her vibrant spirit and showcases some of the finest, hard-to-find tracks, making it an essential addition for any Northern Soul enthusiast.

Review: Aaron Frazer's Into The Blue is a kaleidoscopic journey through the depths of emotion, blending soul, psychedelia, and hip-hop into a sonic odyssey. Frazer's falsetto soars over cinematic strings and breakbeats, painting a portrait of heartbreak and healing as he ventures from Brooklyn to Los Angeles. Tracks like the haunting title track and the explosive 'Payback' showcase Frazer's mastery of blending raw emotion with intricate production. With Grammy-winner Alex Goose as co-producer, Frazer delves into new sonic territories, incorporating iPhone recordings and samples from unexpected sources like 90s r&b group Hi-Five. The result is a bold and daring album that pushes boundaries while staying true to Frazer's unmistakable style. Into The Blue is not just a record; it's a testament to resilience and the power of music to uplift even in the darkest times.

Review: I Hear A Symphony by the Supremes is a catchy mix of Motown's signature sound and orchestral elegance. The title track, 'I Hear A Symphony,' stands out with its sweeping orchestration, marrying the classic "Wall of Sound' with an expansive musical arrangement. 'My World Is Empty Without You" is another highlight, featuring haunting organ and baritone sax. The album's charm lies in its original tracks, such as 'Any Girl In Love (Knows What I'm Going Through),' showcasing superb backing vocals, and 'Everything Is Good About You,' a precursor to the disco sound. 'He's All I Got' shines with its powerful lyrics and spirited delivery. While the covers songs are pleasant additions that add variety. The Supremes were unstoppable during this time with radio hits - this reissue shows you precisely why.

Review: Thee Sinseers' debut album, Sinseerly Yours, cements their cult status among soul enthusiasts. Led by Joey Quinones, the East Los Angeles band crafts a unique blend of retro soul, low rider ballads, and contemporary R&B. The singles 'Can't Do That To Her' and 'Hold On' showcase their range from upbeat 60s harmonies to somber, old-school ballads. The album's ten tracks offer more of this delightful variety, with highlights like the lush 'Keep On Calling,' 'Give It Up You Fool,' and the title track, reminiscent of the 60s Impressions. Quinones' falsetto evokes the soul of Mark Greene, adding to the intoxicating sound. A standout surprise is 'Taking Back,' a honking-sax instrumental with a live, party vibe. Described as "vintage blissful soul," Sinseerly Yours is poised to be one of the standout soul albums of the year.

Review: Barbara Randolph's 'I Got A Feeling,' originally released on September 14, 1967, is a stellar example of classic soul, now available in a new reissue on 7" vinyl. Barbara Randolph, born May 5, 1942, in Detroit was a notable singer and actress. A former member of The Platters in 1964, she later recorded for Motown during the mid to late 60s. Her standout 'I Got A Feeling,' features uplifting lyrics and a fantastic backing band, reminiscent of The Supremes' sound. The wonderful horns add a vibrant touch. On Side-2, 'You Got Me Hurtin' All Over' bursts with catchy, blistering energy, giving you the magic of 1960s soul. This reissue preserves the original tracklist, offering a delightful experience for funk and soul enthusiasts.

Review: Sooul4Real's From Detroit With Love series is all about offering up EPs featuring some of the best Motown tracks to have never been officially released. This the fourth in the series and comes on 7" with Kim Weston's Northern Soul sounding spinner 'Absent Minded Lover'. Oma Heard's 'Daddy Cool' is a lavish sound with a slow motion but steamy groove, the wonderful Marvin Gaye's 'Just A Little Love (Before My Life Is Gone)' is another heart sweller and last of all Chuck Jackson & Yvonne Fair link up for the upbeat stepper that is 'It Must Be Love Baby.'

Review: Primetime smooth soul on the long-awaited 7" release of the fourth collaborative work between Lagheads and HIMI, 'Dance'. With impeccable production scooping out a thick copse of luscious basses, watery chorused electrics and glittering twinkles, the track is difficult to compare to any other; HIMI's vocals are fay as they are nimble, sounding sultrily pucklike over the sheer sonic city-soul fabric that is the instrumental piece. The B-side hears a remix by Hikaru Arata of WONK!A fame and fleshes out the latent weight of the track for a jazzier hip-hop version.

Review: Alice Taylor, a prominent session singer in the 1970s Philly Soul scene, recorded two tracks in 1974 under producer Emanuel 'Manny' Campbell Jr. and composer Charles R. Bowen at Sound Room Studios. The resulting songs, '(I'm In Love With A) Rock 'n' Roll Singin' Superstar' and 'Sounds Ridiculous,' showcase Taylor's vocal prowess. The former is a pop-soul track capturing the era's fascination with rock 'n' roll, while the latter delves into a girl's affection for a daydreaming boy. Despite the initial poor pressing quality in 1975, Soul Junction has remastered these tracks and included a newly discovered alternate mix of 'Superstar' in a three-track EP, preserving Taylor's legacy for soul aficionados.

Review: La La Lopez's debut single, 'You Can Call Me Rose,' marks her impressive entry on SOLA Records, offering a soulful, modern r&b response to Thee Sacred Souls' classic 'Can I Call You Rose.' Hailing from Albuquerque, New Mexico, La La brings her unique blend of influences, from Mariachi and Rancheras to Soul and oldies, creating a sound that transcends borders. Recorded at SOLA Studios in Los Angeles and OLAH Producciones in Veracruz, this record shows her versatility. On Side-1, 'You Can Call Me Rose,' exudes soulful warmth, while the flip side, 'Deny,' is a vibrant Latin Pop track with English lyrics and rich Latin percussion, perfect for the dance floor. La La's music resonates deeply with her life experiences, a quality evident in her past works and future releases with SOLA Records. 'You Can Call Me Rose' has already garnered praise across generational audiences, affirming La La Lopez as a musical force to watch. Now available on 7" vinyl!

Review: Aaron Frazer's Into The Blue is a daring fusion of soul, psychedelia, disco and hip-hop, reflecting the multi-instrumentalist's range and sonic exploration. Conceived amidst heartbreak and a cross-country move, the album delves into themes of grief, loneliness, and healing, while also celebrating love and new beginnings. Frazer's unmistakable falsetto and classic songwriting shine through, accompanied by live instruments and innovative production techniques. The title track, 'Into The Blue', sets a haunting tone with cinematic strings and breakbeats, while 'Payback' delivers an explosive dancefloor experience. Throughout the album, towering arrangements reminiscent of David Axelrod blend with rawness, incorporating iPhone recordings and one-take vocals. Co-produced by Grammy-winner Alex Goose, Into the Blue also features Frazer's experimentation with samples from unexpected sources. Despite its origins in heartbreak, Into the Blue offers listeners a sense of optimism, reminding them that amidst grief, there can still be moments of joy. Frazer's album showcases his growth as an artist, reaching new heights while exploring the depths of human emotion.

Review: Soul and r&b are rich scenes that often cross-pollinate. Right now, few are doing it better than the organic creative partnership between LA's Jamma-Dee and London's Qendresa. Their new work 'Undercover Lover' finds its roots in Jamma-Dee's robust beat which anchors a tapestry of intricate rhythms and textures that define the West Coast soul-funk scene. Qendresa's adept songwriting adds seamless hooks and flowing vocal melodies that have true bold energy. Gary Gritness's live bassline, born from a spontaneous studio session, injects deep groove into the track while engineer K15 enhances the record with resonant richness.

Review: The Inspirations' 'No One Else Can Take Your Place' is a gem of Northern Soul, revered for its rarity and the myths surrounding it. Produced by Joey Jefferson and recorded in 1966 by the LA vocal group consisting of John Gibson, Huey and Lou Bell, and Charles Perry, the track was shelved due to contractual disputes. Despite limited initial distribution, it became legendary in the Northern Soul scene, with only a few copies known to exist. In the late 70s, collector Neil Rushton discovered Joey Jefferson still had the masters and arranged for a reissue. However, Jefferson mistakenly pressed a version featuring Charles "Diamond" Pennywell, who had recorded his take during the original sessions. This alternate version, while excellent, was distinct from the Inspirations' take. Today, the original Inspirations' 45 is a coveted collector's item, often fetching thousands of pounds, while the Charles Diamond version remains a sought-after rarity. This reissue by Finders Keepers Records brings the story full circle, offering a slice of Northern Soul history for aficionados and collectors alike.

Review: Emilia Sisco's latest 7" vinyl single is a stunning tribute to the enduring charm of vintage soul music. Backed by the renowned Timmion Records house band Cold Diamond & Mink, Sisco delivers a standout double-sided record that captivates from start to finish. On the Side-1, 'Lemon Lime Sour,' Sisco's dynamic vocals glide effortlessly over infectious crossover soul rhythms, crafting an irresistible groove that celebrates the complex emotions of love. The track's upbeat energy beckons listeners to dance along while embracing its uplifting message. Flipping to Side-2 reveals 'Love Can Carry Me,' a soulful beat ballad that highlights Sisco's evolution as both a songwriter and vocalist. With its poignant lyrics and haunting melodies, the song creates an intimate atmosphere, drawing listeners into its introspective tale of resilience and optimism. In today's uncertain climate, these two tracks embody the essence of heartfelt, groove-driven music created by genuine artists. Pairing Sisco's remarkable vocal ability with Cold Diamond & Mink's expert musicality, this new single promises to please soul music lovers worldwide.

Review: We have been waiting for this full length to drop ever since we were tased by the lead single a month or so ago. There was already no doubting James Alexander Bright's chops but this Athens of the North album proves them beyond doubt. It is a vibrant fusion of his multi-instrumentalist skills with boogie, soul, disco and funk all coalescing into something new but run through with a timeless authenticity. 'Straight Line' brings squelchy boogie vibes and a hooky falsetto, while 'Fall For You' is more yacht-rock style soul. There are then bouncy but tender cuts like 'Catch My Breath' and intimate pieces like 'I Feel Alive' (feat Letherette) all making this one of the year's standouts.