Back catalogue: Blues

Review: Dark Horse Records has put together this limited edition pressing of Nina Simone's seminal debut studio album, Little Girl Blue, in honour of its 65th anniversary. Originally released in February 1959, this special pink vinyl reissue features a 12x12 insert with an introduction by Dhani Harrison and of course the record itself includes many an iconic track. Take your pick from the likes of 'My Baby Just Cares for Me' and 'I Loves You, Porgy' which showcase Simone's early brilliance and hint at her profound influence on music in the decades to come. This collector's item is a tribute to Simone's timeless sound.

Review: Nina Simone's 1964 album stands as a powerful testament to her unwavering support for the Civil Rights movement, marking one of her most personal and impactful releases during her time with Philips Records. The album captures Simone at her most fervent and fearless, channeling her artistry into a profound expression of social consciousness. Unlike some of her other works, where orchestration sometimes overshadowed her voice, this gem benefits from a minimalistic yet vibrant jazz quartet, which perfectly complements her bold vocal delivery. Tracks like 'Old Jim Crow,' 'Pirate Jenny,' 'Go Limp,' and the titular 'Mississippi Goddam' emerge as potent declarations of African-American pride and resistance, making this album a landmark in the intersection of music and activism. Simone also revisits more traditional material with grace, including her timeless rendition of 'I Loves You, Porgy' and the soulful 'Don't Smoke in Bed.' Verve's Acoustic Sounds series honors this historic album with a meticulously crafted vinyl reissue. Mastered from the original analog tapes and pressed on 180-gram vinyl, the album is packaged in a deluxe gatefold sleeve, offering an audiophile experience that preserves the integrity of Simone's revolutionary work.

Review: It is fair to say that this Nina Simone live album really captures the legendary singer at her raw and most powerful best. Recorded during her 1969 European tour, this live recording showcases Simone's incredible ability to blend genres-jazz, blues, folk, and soul-while delivering deeply emotional performances. Songs like 'Don't Let Me Be Misunderstood' and 'Why? (The King Of Love Is Dead)' reflect her lyrical prowess and elsewhere her activism and social consciousness shine through. Her haunting renditions of classics, combined with virtuosic piano playing, make for a magnetic listen that all these years on is a great record of Simone's enduring brilliance, charisma, and her role as a vital cultural and musical innovator.