Today Only: All genres sale vinyl

Notes: Unique custom design 3.5mm patch cables.

They feature strong, ergonomic barrels which are slim and stubby for max patchability.

Available in various lengths (15, 30, 60, 90 & 120cm) and colours.

Longer 60, 90 & 120 lengths also include ALM cable tie.

Notes: Wow. Oscillators don't come much more special than this. Two contrasting, fully independent VCOs with waveshaping and complex cross-modulations, plus the 'Thru Zero Trinity' of FM, phase and amplitude modulation. Beautiful.

Supplier's Notes:
Thru Zero Complex Oscillator

A new complex oscillator, featuring two independent VCO's. Both voices have a unique signal path and flavour. Complex cross modulations entangle them together, opening up completely new timbral territories.

Features include the Thru Zero trinity; Frequency, Phase and Amplitude modulation.

Each oscillator also has its own Low Pass Filter, which works great to mellow the harsher tones from complex intermodulations.

Each VCO has great tracking and temperature stability, there is no distinction between a carrier and modulator.

The FM bus lets you modulate the index of each individual voice, with linear and exponential inputs for external sources. There are also inputs for Sync in, with both soft and hard sync.

VCO 1

The left VCO signal chain starts with a shape function, that let's you morph between triangle and saw. This waveform is also available as a separate output.

Next is a sinusoidal wavefolder, which changes its response dramaticaly based on shape of the waveform. The circuit is based on a modified version of a design by Barrie Gilbert from 1977, popularized by Open-Music-Labs (used with permission).

This circuit also creates the possibility of Thru Zero Phase Modulation, here the depth is controlled with the third slider. The source is normaled to VCO 2, but external modulation sources can be patched in, and the depth can also be modulated with CV.

Lastly there's a 2-pole Low Pass Filter, before going out the MAIN output. All parameters can be CV controlled, and feature handy attenuators at the inputs.

VCO 2

The first slider is a continuous waveform shaper, that morphs from sine to tri to saw.

This waveform then enters the Thru Zero Amplitude Modulation (Ringmod) section. The slider sets the depth of modulation, with the source normalized to VCO 1. The depth can be CV controlled, and an external source can be patched as well. The result is also available on a separate output, pre wavefolder/filter (VCO 2 sine).

The third slider is a wavefolder, it's based around a novel wavefolding topology, with a unique and more aggressive sound compared to the sinusoidal folder of VCO 1.

The wavefolded signal goes into a 2 pole Low Pass Filter, and out of the MAIN output.

Dimensions
26 HP
27 mm deep

Current Draw
190 mA +12V
190 mA -12V
0 mA 5V

Notes: Reco-Clean, a cleaner developed by Disk Union exclusively for professional use for vinyl records, is highly effective in reducing noise caused by dirt in the sound grooves.

It is designed to balance cleaning power and sound quality to avoid adverse effects on sound quality.

Normally, Reco-Clean alone is effective enough, but Diskunion have developed a special additive (cleaning booster) as a countermeasure for stubborn stains that cannot be removed easily.

How to use

1. Apply a small drop of Reco-Clean PLUS to the required area.
2. Wipe off with a Reco-Cloth, pressing it lightly against the surface of the record as if polishing it.
3. Clean the entire surface again with regular Reco-Clean.
4. Wipe off completely with the Reco-Cloth.

*Always re-clean (rinse) with regular Reco-Clean after use.

Notes: DJ Tech Tools have taken their Chroma Caps and made them shiny and gold.

Super-shiny reflective coating makes these their wildest caps yet.

Durable metal-like exterior coating.

They look great with lighting at indoor gigs and gleam brightly in the sun at outdoor DJ seshes.

Completely Redesigned, More Playable Knobs

Every last detail was upgraded in the redesign to increase playability, including: rounded corners and bright colors with large clear markers for better visibility, and increased widths for a more natural grip.

Knobs You Can See In a Club

Don't kill the dancefloor cause you can't tell the gain from the EQ knob. Chroma Caps come in a wide range of bright colors and materials that makes controls stand out. No more needless mistakes.

Label Functions By Colour

Label functions by color for more playable gear. It's 10X easier to tell an EQ from a filter when everything is labeled by color or material. This means you can focus on the music, not the lighting, while adding a personal touch to your beloved gear.

Technical Details

Sizes:

Note: Diagram shows knobs viewed from below

Encoder knob base diameter: 18.5mm x 15.4 mm tall
Faders: 22mm long x 12mm wide x 14.25mm tall
Faders MK2: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Fatty knob base diameter: 18.5mm x 16 mm tall
Super knob base diameter: 14.2 mm x 19.6 mm tall
Thin Encoders: base diameter: 14.2 mm x 19.6 mm tall
Knobs fit on 6.5mm D shaft pots, check the diagram above to select the right variant for your gear.

Ease of Install:

Chroma caps are very easy to install and require no expertise or hardware. To remove your old knobs use a small plastic object to lever them off without bending the shaft. Avoid metal objects since they might damage the finish on your device.

People commonly use Chroma caps as: DJ knobs, Mixer knobs, on DJ mixers, as replacement knobs, as Pioneer knobs, as EQ knobs, and as Potentiometer knobs. Chroma caps are great DJ Accessories.

Warranty:

Every cap is guaranteed against defect and will be replaced immediately and without any cost to the customer within the first year.

Notes: Do you use pedals that don't match the outputs of your power supply? With EBS new power adapter cables, there's a way to solve most matters.

It sucks when you realize your coolest vintage pedal or latest digital processor-driven unit can't be fed from your pedalboard power supply because they are thirstier or uses different power inputs than your power supply features. At worst, you may even skip bringing your favourite toys to avoid the hassle. However, with the new EBS adapter cables, you can solve many of these issues easily and save the space that those extra power supplies may occupy.

Need to convert a 2.1 mm plug to 2.5 mm? No problem.
Need more current than you get from one output? No problem.
Need 18 or 24V DC power from 9 and 12V outputs? No problem.
You can even change the polarity from the common Center Negative to Center Positive using one of the new EBS adaptor cables.

Here's how you do it:
To go from 2.1 to 2.5 mm, use the DC1-48 90/0 2.5 adaptor.
Want to change the polarity? Use the DC1-48 90/0 RP adaptor.
To increase the current, use the DC1-48 90/0 PAR and connect two outputs from your power supply. The total current will be the current from both outputs added together.*
To increase the voltage, use the DC1-48 90/0 SER and connect two outputs from your power supply. The total voltage will be the voltage from both outputs added together.*

* IMPORTANT! Requires a power supply with isolated, floating outputs.

Review: Nine years after volume one landed in stores, Italian twosome G&D return with a fifth instalment in their occasional edit series. This time they've got company, too. Fellow Italian producer LTJ contributes a brilliant EP-opening edit - the languid, disco-meets-jazz-funk shuffle of 'The Rain Machine', where elastic bass and electric piano solos catch the ear - while Star Creature signees First Touch provide a smoother, chunkier and more synth-heavy rework of the very same track on side B. G&D fill in the gaps, first tweaking a sweaty disco-funk jam ('Ziddy'), before reworking a surging, techno-tempo disco stomper (the wonderfully camp 'Gusto').

Review: Escape the grid to Elias Garcia's subterranean world of mutant techno and oozing sci-fi dub, forever lost in the drip with IDS Recordings. Big Tip!

Notes: The Glorious Vinyl Frame Set lets you display your vinyl cover artfully in any setting. The set consists of three vinyl frames and is suitable for all 7'' record covers. A vinyl cover is often more than just a sleeve for your record - many of them are designed with stunning artworks or were individually signed by artists. To avoid your favourite record covers collecting dust in record boxes, we have developed a suitable frame for them. The sturdy construction with glass cover is designed for 7'' covers and is captivating due to its minimal and stylish design, which is available in three colour finishes. The vinyl frame can either be hung on the wall or placed on even surfaces, thanks to the hinged stand. Display your favourite records in style.

Review: High-kicking, nunchaking, pizza-eating, wise-cracking green dudes incoming. The barnstorming success of Teenage Mutant Ninja Turtles: Shredder's Revenge isn't hard to surmise. The original cartoon itself is a joyous, goofy, good time slice of late 80s / early 90s pop culture, and the modern video game knew exactly how to capture that energy and port it into a highly addictive beat 'em up. The soundtrack is pitched bang on for the occasion as well, running the gamut from electro and funk to jazz, all rendered with that classic chip tune finish. But that's not all - the team also invited a dizzying cast of guests to lend their voices to this project, from Raekwon and Ghostface Killah to Mike Patton and more. To put it another way, it's totally far out.

Review: Any new album from deep house pioneer and all-round legend Larry Heard is good news, but especially so when it's credited to his best-known and best-loved alias, Mr Fingers. Around The Sun Pt 1 is Heard's first album under the alias for four years and, unsurprisingly, it's as musically expansive, evocative, and atmospheric as they come. Naturally, it's rooted in the warming, dreamy, subtly jazz-flecked deep house style he's been tweaking and improving over decades, with occasional forays into sun-kissed downtempo grooves ('Touch The Sky'), angular acid tracks, Heard's take on dub house (the deliciously deep, micro-house influenced 'Marrakesh') and summery Balearic house ('Shimmer'). All in all, it's another masterpiece from deep house's most significant pioneer.

Review: This great release on Dublin's Research imprint was originally released last year on digital, but receives a much deserved vinyl pressing here. It is a double header from two uncompromising artists on the techno scene; on the A side we have local producer Dean Mylar with the body bashing warehouse rave frenzy that is 'Different Youth' which definitely has you sorted for peak time tackle. Over on the slip, the Code Is Law-affiliated Under Black Helmet takes over for a remix and you surely know what to expect on this one: pitch black and austere Berlin-style fury all the way, and not for the faint of heart!

Review: A shining example of soundtrack reggae, 'Sally's Song' was first incarnated in an unlikely spectacle: Tim Burton's A Nightmare Before Christmas. Originally composed by the film's scorer Danny Elfman, reggae reinterpreters Aanant Pradhan and Larry McDonald (of Skatalites fame) here lay down a dour dub cover version. Wistful, moody and clean. The B-side, meanwhile, shows off the pair's knowledge of film music even further - Henry Mancini's 'It Had Better Be Tonight' from the 1963 version of The Pink Panther makes similar waves as a kettle-drum heavy dub version.

Review: XYZ come through with another crucial reissue of a much love Italo classic that is high in drama and packed with 80s charm. It came first in 1987 and represents the biggest tune Roy ever put out - not hard to see why when you hear it withe r- the big camp vocal, the cold and snappy drum machines sounds and dazzling synth arps all elevate mind and body. This version comes with, as ever, a Flemming Dalum that adds some extra melodic brightness, and a DJ TinTin remix that smooths things out and adds some extra warming reverb.

Review: This mini album from Saul, a collaboration-loving duo comprised of Jack Stephenson-Oliver (keys player with Vels Trio) and producer Barney Whittaker AKA Footshooter, could well be one of the most summery-sounding releases of 2022. A gorgeously warm, dreamy and tactile affair that effortlessly joins the dots between classy dancefloor dynamics, laidback electronics, freewheeling jazz musicianship and soulful vocal flavours, it's a genuinely brilliant and highly entertaining affair. Our picks of an extremely strong bunch include the broken beat/electro-boogie fusion of 'Coalesce (featuring Natty Wylah)', the gently two-step influenced deep house soul of Allysha Joy hook-up 'The Light' and the Balearic ambient meets post-dubstep bass music flex of 'Lifted'.