Review: Argy's These Days label is an occasional treat in the world of stripped down tech house, and it makes its first appearance for 2016 with a selection of club-ready remixes from the label boss, tackling various productions from German techno mainstay Paul Brtschitsch. The "Floor Adaptation" of "Green" heads into subterranean pastures, albeit with a powerful beat propelling it, and "Eternal Aspects" maintains that underground mood with a warmer synth repertoire. On the more flamboyant B-side, "Squeezed" takes on a wild old-skool quality perfect for more fiery moments on the floor before "Subbass" continues the jacking theme in fine style.
Review: Following on from last year's God Is Change cassette on Opal Tapes, Butler delivers a dance floor EP of sorts for the Black sub-label. "The Chill" is a droning techno track with a difference; underpinned by chattering percussion and mysterious chimes, it also features the sound of iron bars dropping on a concrete floor, looped to infinity. The melancholic synth riffs that soars through the arrangement has some resemblance of Detroit techno, but it is rooted in too much fuzzy abstraction to sound like a retro copy. The mood changes on "Unrepentant"; there, Butler seeks to relive Chicago's glory days, albeit channelled through a degraded Nation filter. Who knows what he'll get up to next?
Review: The fourth installment on Madrid based Night Shift Records is served by label boss Javi Frias, offering a couple of top notch disco edits. 'Just Give It Up' is the A side track, a obscure late 80s boogie track with a house feel that has been retouched and extended to get the maximun pleasure on the dance floor. On the B side you can find 'Come On And Take Me', a disco funk mover with a killer groove, nice vocals and tight synths that surely will make you scream for more.
Review: Mehmet Aslan and Miajica represent some of the finest operators in Basel, and their Fleeting Wax label is on hand to represent what's good in the Swiss scene and beyond. On this latest release they turn to Eva Geist, who has previously been spotted on Macadam Mambo and Elestial Sound with her beautiful mix of synths and vocals, striking a chord between noirish synth pop and heads down club music. "Blumareciano" is a wonderfully seductive, slightly spooky stew of a track which San Proper then injects with his usual freaky energy to make for a more uptempo party version. Then Geist's "Begum" stretches over the B-side in a bubbling blend of delayed voices, tribal percussion and general outernational surrealism.
Le Syndicat - "Prothesis Pack Xtract 08 (1983)" (3:52)
Le Syndicat - "Maximalist" (Ekman remix) (6:05)
Review: Continuing their uncompromising fusions of artists new and old, Contort Yourself return with a punishing array of industrial thuggery from hardware manipulators you wouldn't take home to your mother. Novacom were last seen on Slumdiscs back in 2014 and here bring a fast and gnarly rhythmic tryst to bear before JK Flesh do their own snagging dance with oppressive synths and drums twirling into a heavyweight whole. French brutalists Le Syndicat then dominate the B-side with their confrontational bastardisation of techno and industrial, making the perfect source material for Ekman to get nasty with on his remix of "Maximalist".