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Review: Last year Detroit techno stalwart Jeff Mills launched a new project, The Zanza, an ever-changing collective of jazz, Latin and electronic musicians who could help him explore his love of a wide variety of styles and genres. Following on from the project's debut release, Mills has now delivered a debut album that once again proves not only his versatility as a producer, but also the vivid, widescreen nature of his musical vision. Wonderland is not an ambient or techno album - though it does contain multiple nods to the latter - but rather a hybrid affair that draws great influence from Latin music (and samba in particular), jazz in many forms, dubbed-out electro, jazz-funk and, on the rushing 'The Time Is Tight', organ and piano-heavy gospel house.

Review: As Jeff Mills returns to his third deepest obsession after 909s and UFOs, he presents an addendum to his renewed Metropolis Metropolis soundtrack which doubles down on three of the themes and gives them a different framework through the lens of a 12". This is still the more cinematic end of the Millsian spectrum, but there's some intensity which may well be of use to the more dramatic or daring techno DJ. 'The Dance Rebellion Starts' is plenty loopy and disorienting, full of interwoven, clangorous patterns which should stay nicely in time if you get them locked in the mix. 'The Other Maria' might well be the star of the show though, a nightmarish, ever-building drone piece with some half-time percussion stalking around the edges for guidance. 'Freder's Reality Switch' completes the picture with a slightly more stable synths n' strings piece, but there's still that innate sense of otherness Mills always threads into his work.