Search dance music

Notes: From bare bones rock n' roll to a mellow folk ensemble, the 10 input, 2 bus Xenyx 1002 can give an intimate performance the vibe it needs to sound great in the crowd as well as on record. It's simple to transport, simple to use and simply essential.

The Xenyx 1002 has two Xenyx mic preamps with +48V phantom power, making it possible to use two dynamic or condenser microphones. The 3 band British EQ ensures warm, musical sound. Simple controls with rich musicality make it possible to create beautiful mixes with minimal technical expertise.

Play music between sets via the RCA CD/tape inputs (assignable to main mix or control room/phones outputs) and record your performance to an outboard recording device via the RCA outputs.
FX Send

Add some outboard digital magic to your sound using the FX SEND. Simply connect an outboard device to apply effects such as reverb or delay.

Weighing in at just 2.3 pounds (1.05 kg), the Xenyx 1002 is the portable, practical way to turn a small performance with two vocalists into an arresting sonic spectacle.

Notes: The Xenyx 1002B is built to the same exacting standards as Behringer's larger format Xenyx mixers and is housed in an equally rugged steel chassis. It is the ideal choice for keyboardists who need to mix down multiple instruments or sound modules for live or recording applications. Singers who perform with backing tracks, as well as instrumentalist/singers, will find the Xenyx 1002B indispensable for patching into house systems.

Its compact size and flexible input scheme also make it the natural choice of sports announcers for calling play-by-play game action. Likewise, radio and TV reporters especially like the Xenyx 1002B for its ease-of-use, remarkable fidelity and rugged reliability. And the 9V battery option allows newscasters and correspondents to use the 1002B in remote locations where power is hard to come by. 2 9V alkaline batteries are required for normal operation, 3 for phantom power

Notes: From basic rock to rootsy folk, the Xenyx 1002FX lends immeasurable vibe to intimate performances with an internal 24 bit FX processor. It's light, easy to use and waiting to make your next performance three dimensional.

The 10 input, 2 bus Xenyx 1002FX has two Xenyx mic preamps with +48V phantom power, making it possible to use two dynamic or condenser microphones. The three band British EQ is famous for its warm, musical sound. Simple, high quality controls make it possible to create beautiful mixes with minimal technical expertise.

The Xenyx 1002FX has 10 inputs and a FX send control for each channel. Additionally, assignable CD/tape inputs have been incorporated for routing flexibility.

Play music between sets via the RCA CD/tape inputs (assignable to main mix or control room/phones outputs) and record your performance to an outboard recording device via the RCA outputs.

Add some digital trickery to your sound using the internal FX processor. You can also connect an outboard device to apply additional effects to any channel.

Weighing in at just 2.3 pounds, the Xenyx 1002FX is the portable, practical way to turn a small performance with two vocalists into a mesmerizing event. Keep it casual, or dress it up in a 24 bit digital ball gown - with the Xenyx 1002FX, anything is possible

Notes: Legendary Analog VCO/VCF/VCA Module for Eurorack

The 80s was the golden age of electronic music. Synthesizers were at their prime and almost every hit song and movie soundtrack at that time had a synth in one form or another. Modular synths have become more and more popular with professionals and enthusiasts over the years and they're about to get even better.

This is the Behringer System 100 110 VCO/VCF/VCA Module. An authentic reproduction of the original "System 100M" circuitry from the 80s that can fit in a standard Eurorack case. The best part? It's at a very affordable price. Mix the 110 in with your existing rig or start your modular synth journey from here. Either way you're sure to have a lot of fun!

The 110 comes with a complete synth voice with an internally patched signal flow for ease of use and to save patching time so you can focus on your music. You can vary the VCO section by selecting one of three waveforms; triangle, ramp and Pulse Width Modulation which can be adjusted by the Mod Manual knob. The VCO also offers pitch and range control knobs as well as one audio output, which can be routed to another source, and two CV inputs.

The VCF features cutoff frequency and resonance sliders while the VCA comes with two audio outputs (low/high). Both the VCF and VCA each feature two audio inputs and two CV inputs that allow for other sources to be plugged into the 110, making it a must-have in any modular synth.

Installing the 110 VCO/VCF/VCA is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and mount the module using the included screws. This allows for the 110 VCO/VCF/VCA to be mixed with other synth modules for a truly unique set up.

Whether you're just getting into modular synths or looking to complete your collection, the 110 VCO/VCF/VCA module from Behringer is a great tool to have when creating amazing music.

Specification:

Inputs
Pulse width mod
Type
3.5 mm TS jack, DC coupled

Impedance
>70 kO, unbalanced

Maximum input level
0 V to +10 V, 4% per volt

Signal input
Type
Impedance
>50 kO, unbalanced

Max input level
+17 dBu @ unity gain

VCO mod input
Type
2 x 3.5 mm TS jacks, summed

Impedance
>50 kO, unbalanced

CV range
0 V to +10 V, 1 V/oct

VCF mod input
Type
2 x 3.5 mm TS jacks, summed

Impedance
>50 kO, unbalanced

CV range
0 V to +10 V, 1 V/oct

VCA mod input
Type
2 x 3.5 mm TS jacks, summed

Impedance
>50 kO, unbalanced

CV range
0 V to +10 V, typically 1 V per 10 dB

Outputs
VCO output
Type
3.5 mm TS jack, DC coupled

Impedance
1 kO, unbalanced

Max output level
10 V p-p

Frequency range with no external CV
<10 Hz to 500 Hz

Frequency range using external CV
<1 Hz to 30 kHz

VCA output
Type
2 x 3.5 mm TS jacks, AC coupled

High impedance
1 kO, unbalanced

Low impedance
3 kO, unbalanced

High max output leve
+18 dBu

Low max output level
-2 dBu

High output noise
<-60 dBu, 22 Hz -22 kHz

Low output noise
<-80 dBu, 22 Hz -22 kHz

Controls
Pulse width manua
50% to min

Waveform
Triangle, sawtooth, pulse

Range
32', 16', 8', 4', 2'

Pitch
2 octave range

Cutoff frequency
20 Hz to 20 kHz

Resonance
Off to self oscillation

Sig in level
-8 to unity gain

Mod in level
-8 to unity gain

VCA initial gain
Power
Power supply
Eurorack

Current draw
80 mA (+12 V), 50 mA (-12 V)

Physical
Dimensions
81 x 129 x 46 mm (3.2 x 5.1 x 1.8")

Rack units
16 HP

Weight
0.19 kg (0.42 lbs)

Notes: Eurorack module; two identical analog VCOs in one module.

Selectable waveforms: triangle, sawtooth and squarewave/pulse; adjustable pulsewidth and PWM CV input with attenuator; octave-switch and fine-tune control knob; hard and soft sync; 3 pitch CV inputs with attenuators;

Power consumption: 130mA (+12V) / 70mA (-12V); width: 16 HP; depth: 46mm

Notes: The XENYX 1202 is built to give an intimate performance the tone it needs to sound great in the audience as well as on record. If you need it done quickly and need it to sound fantastic, you need the XENYX 1202.
The Ins and Outs of Brilliance

The 12-input, 2-bus XENYX 1202 has four XENYX mic preamps with +48 V phantom power, making it possible to use four dynamic or condenser microphones. The three-band British EQ ensures warm, musical sound every time. Simple, high-quality controls make it possible to create beautiful mixes with minimal technical expertise.

Play music between sets via the RCA CD/tape inputs (assignable to main mix or control room/phones outputs) and record your performance to an outboard recording device via the RCA outputs.

Add some outboard digital magic to your sound using the FX SEND. Simply connect an outboard device to apply effects such as reverb or delay.

Weighing in at just 3 pounds (1.35 kg), the XENYX 1202 is the sleek, smart way to make a small performance with multiple vocalists sound like a high-budget affair. Keep it real, or use your outboard effects collection to take it to another dimension. The XENYX 1202 is with you all the way.

Notes: Be it bone simple rock or classic folk, the XENYX 1202FX gives mind blowing voice to intimate performances with an internal 24 bit FX processor. It's simple, lightweight and just waiting to make you sound amazing.

The 12 input, 2 bus XENYX 1202FX has four XENYX mic preamps with +48 V phantom power, making it possible to use four dynamic or condenser microphones. The three band British EQs on each channel are famous for warm, musical sound. Simple, high quality controls make it possible to create beautiful mixes with minimal technical expertise.

Play music between sets via the RCA CD/tape inputs (assignable to main mix or control room/phones outputs) and record your performance to an outboard recording device via the RCA outputs.

Add some digital trickery to your sound using the internal FX processor. It gives you 100 excellent effects presets for delay, reverb and other time-tested favorites. You can also connect an outboard device via an auxiliary send with stereo returns.

The XENYX 1202FX is the compact, crowd pleasing way to turn a small performance with multiple vocalists into an unforgettable experience. Keep it organic, or decorate your mix with warm, 24 bit effects. The XENYX 1202FX puts real sonic sorcery at your fingertips.

Notes: Perfect for a small live-performance mixer, as well as home-based recording setup, the 1204USB provides four mono channels with premium Xenyx mic preamps, neo-classic 3-band British-style EQ and 2 stereo input channels. Far from being a bare-bones mixer, all mono channels feature Behringer's 1-knob studio-grade compressor and 2 x AUX sends (one each pre- and post-fader). 2 stereo AUX returns are included for use with external FX modules. The built-in USB audio interface provides bi-directional transfer of signals between the mixer and computer.

All Xenyx mixers have one thing in common, great-sounding, high headroom Xenyx mic preamps. These state-of-the-art mic pres represent a major step in the evolution of audio technology, and they can easily hold their own, even when compared to the most expensive stand-alone mic preamps. The Xenyx preamps offer a staggering 130 dB of dynamic range, with a bandwidth that extends from below 10 Hz to well above 200 kHz. Armed with these outstanding mic preamps, the Xenyx mixers provide such transparent, crystal-clear performance you just might think someone upgraded your mics while you weren't looking.

The British consoles of the 1960s and '70s changed the sound of rock and roll, without them the British Invasion might not have happened. Those legendary mixing desks soon became the envy of engineers and producers all over the world. The channel EQ on Behringer's Xenyx mixers is based on that very same circuitry, allowing you to imbue signals with incredible warmth and detailed musical character. Even when applied generously, these equalizers exhibit sweet forgiveness and superb audio quality.

Furthermore, the Behringer's one-knob compression is available on all mono channels and is easy to operate, even for entry-level users. With this one knob, you can easily dial in the perfect amount of compression for instruments and vocals, creating powerful mixes with punch and clarity. This is indeed a rare feature for products in this class-but standard on all Xenyx USB mixers.

Notes: Another module inspired by Roland's System 100, the 121 dual VCF offers tons of filtering options for very little money thanks to a pair of matching low-pass filters with built-in mixers and high-pass options.

Supplier's Notes:
This is the Behringer SYSTEM 100 121 DUAL VCF Module. An authentic reproduction of the original System 100M circuitry from the 80s that can fit in a standard Eurorack case, at a very affordable price. Mix the 121 DUAL VCF in with your existing rig or start your modular synth journey from here.

The 121 DUAL VCF features 3 CV inputs and 3-channel mixers per VCF; allowing you to independently mix all input signals. All of these inputs have their own attenuators to provide you more control over each signal that goes into the module.

Each VCF has its own output accompanied by a resonance slider that boosts resonance frequencies and a cutoff control to adjust the cutoff frequency of the lowpass filter. The 121 DUAL VCF also features a 3-mode Fixed HPF switch where you can select between Off, 1 (1 kHz), 2 (2 kHz) or 3 (5 kHz). Combine this with the resonance and cutoff sliders to create intricate and interesting patches.

Installing the 121 DUAL VCF is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 121 DUAL VCF to be mixed with other synth modules for a truly unique set up.

Notes: This is the Behringer SYSTEM 100 130 DUAL VCA. An authentic reproduction of the original System 100M circuitry from the 80's that can fit in a standard Eurorack case- at a very affordable price. Mix the 130 DUAL VCA in with your existing rig or start your modular synth journey from here.

Each VCA in the 130 DUAL VCA comes equipped with three Sig In signal input jacks with their own gain controls. These inputs can accept audio signals via a 3.5 mm jack. The VCA's in the 130 also have a manual gain control, a low and high output as well as signal and clip indicators to keep an eye on your signal's levels. The low output can be connected to guitar amplifiers or mixers while the high output can connect to line level inputs in mixers or powered speakers. The outputs can be further modified to be linear or exponential via a switch located next to the gain knob.

The 130 DUAL VCA can also accept signals from other modules via the 3.5 mm Mod In jacks to shape the waveforms of the Sig In signals. These inputs have also have their own Mod In Knobs that control the amount of signal that goes through the Mod In jacks.

Installing the 130 DUAL VCA is designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 130 to be mixed with other synth modules for a truly unique set up.

Notes: Inspired by circuits from the classic Roland System 100 modular system, the 140 combines two independent envelope generators and CV-controllable LFO. Both envelopes offer two positive outputs plus one inverted.

Supplier's Notes:
This is the Behringer SYSTEM 100 140 DUAL ENVELOPE/LFO. An authentic reproduction of the original System 100M circuitry from the 80's that can fit in a standard Eurorack case. The best part? It's at a very affordable price. Mix the 140 DUAL ENVELOPE/LFO in with your existing rig or start your modular synth journey from here. Either way you're sure to have a lot of fun.

The 140 DUAL ENVELOPE/LFO features 2 independent ADSR envelope generators that can be controlled via an external gate or manual triggering. Each envelope generator comes with a Manual Gate that you can press and hold to start the envelope cycle; independent Attack, Decay, Sustain and Release controls to adjust the rate of these parameters and 3.5 mm envelope outputs that allows you to send up to two positive wave forms out to two modules and one negative wave form.

The LFO on the 140 comes with 5 waveforms: sine, triangle, square, ramp and saw tooth. The Frequency Range switch which sets the oscillating frequency of the LFO along with the Frequency and Delay sliders gives the 140 unparalleled flexibility when it comes to shaping LFO's. You can also connect an external trigger switch which can work with the Delay control to phase lock the LFO to your keyboard playing.

Installing the 140 DUAL ENVELOPE/LFO is designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 140 to be mixed with other synth modules for a truly unique set up.

Notes: This is the Behringer SYSTEM 100 150 RING MOD/NOISE/S&H/LFO. An authentic reproduction of the original System 100M circuitry from the 80's that can fit in a standard Eurorack case- at a very affordable price. Mix the 150 RING MOD/NOISE/S&H/LFO in with your existing rig or start your modular synth journey from here. Either way you're sure to have a lot of fun.

The 150 RING MOD/NOISE/S&H/LFO comes with a ring modulator to create some metallic and bell-like sounds that can be applied to any signal such as a sine wave or a signal from an LFO via the EXT SIG X/NOISE and EXT SIG Y/LFO jacks and out the RING MOD output. The LFO features 5 waveforms including sine, triangle square, ramp and sawtooth. Parameters can be further adjusted by the FREQ and DELAY sliders.

If you want to start layering your song on a droning note or maybe just create some ambience in your music, then you can connect any external signal source into the S&H circuit. A 3-way selector switch allows you to select which type of signal being introduced into the SIG IN jack whether its External Input, LFO or Noise.

Installing the 150 RING MOD/NOISE/S&H/LFO is designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 140 to be mixed with other synth modules for a truly unique set up.

Notes: This is the Behringer SYSTEM 100 173 QUAD GATE/MULTIPLES. An authentic reproduction of the original System 100M circuitry from the 80s that can fit in a standard Eurorack case. The best part? It's at a very affordable price. Mix the 173 QUAD GATE/MULTIPLES in with your existing rig to expand its capabilities and you're sure to have a lot of fun.

The SYSTEM 100 173 QUAD GATE/MULTIPLES Module features 4 signal gates (switches) with buffered audio inputs and outputs for immediate signal switching. This provides users the option to choose between a control gate operation, non-inverting (active high) input or an inverting (active low) input.

6-channel multiples, each with 4 floating parallel connectors, are available for optimal signal integrity. You can now send out your signal to other modules to help you create more intricate patches and deliver more compelling sounds from one source.

Installing the SYSTEM 100 173 QUAD GATE/MULTIPLES is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the SYSTEM 100 173 QUAD GATE/MULTIPLES to be mixed with other synth modules for a truly unique set up.

Notes: The Behringer EURORACK EARS (70 HP) is a pair of mounting brackets that allow Behringer synthesizers and other 3U format equipment to fit in all 70 HP EURORACK chassis.

Notes: The Behringer EURORACK EARS (80 HP) is a pair of mounting brackets that allow Behringer synthesizers and other 3U format equipment to fit in all 80 HP EURORACK chassis.

Notes: The Behringer 1C-BK two way monitors merge stunningly accurate sound reproduction with neo classic design. They are the ideal choice for fixed installations, such as stereo and surround applications, home recording studios, restaurants, as well as audio and video production suites.

These 100 watt passive two way loudspeakers derive their great sound from their powerful 5.5" cellulose cone woofers and high resolution 0.5" tweeters. The internal crossover provides auto overload tweeter protection, and the high precision components and design ensure absolute phase linearity. The result is full power, ultra linear frequency response ranging from 60Hz all the way up to 23KHz.

Place the 1C-BK in bookshelves, on desktops or hang them from the rafters. You'll find dozens of applications for these great sounding little speakers.

Notes: Semi-modular analog synthesizer with 3 VCOs and multi-mode VCF in 8U rackmount format.

An ultra-affordable and even more feature-packed homage to that iconic synthesizer comes in the form of the Behringer 2600. Conjure up the virtually any sound imaginable with incredible finesse and ease. The pure analog signal path is based on the authentic ARP 2600 circuitry from the 70s with matched transistors and JFETs. Owning a 2600 is like having your piece of history enabling you to re-create timeless classics or forge your own musical path.

Great care has been taken in engineering the 2600, including the true-to-the-original analog circuitry, semi-modular architecture and triple VCO designs that come together to recreate classic tones that are evocative of classic electronic music. This highly focused attention to detail is what gives the 2600 its ultra-flexible sound shaping capability. It gives you the ability to cover a lot of amazing tones from super-fat bass, tasty leads - all the way to full on dreamy ambience from the far reaches of your imagination.

Specification

Input
VCO 1 / 2 / 3
Frequency modulation (FM) control
11 x 3.5 mm TS jacks, CV range: -10 V to +10 V

Pulse width modulation (PWM)
2 x 3.5 mm TS jack, CV range: -5 V to +5 V, 1 V/10%

VCF
Audio
5 x 3.5 mm TS jacks, 50 kO unbalanced

Control
3 x 3.5 mm TS jacks, CV range: -10 V to +10 V

ADSR / AR envelope generator
S&H clock
1 x 3.5 mm TS jack, threshold: > 6 V

Gate in
1 x 3.5 mm TS jack, threshold: +4 V

Trig in
1 x 3.5 mm TS jack, threshold: +5 V

VCA
Audio
2 x 3.5 mm TS jacks, 50 kO unbalanced

Control (linear
1 x 3.5 mm TS jack, CV range: -10 V to +10 V

Control (exponential)
1 x 3.5 mm TS jack, CV range: -10 V to +10 V

Mixer / Reverb
Audio
2 x 3.5 mm TS jacks, 50 kO unbalanced

Left / right inputs
2 x 3.5 mm TS jacks, 50 kO unbalanced

LFO
Ext vib in
1 x 3.5 mm TS jack, 50 kO unbalanced

Notes: Behringer Eurorack Stand 3-Tier; desktop stand for mounting up to 3 Eurorack 104 cases (item 463669), or 3 Behringer synthesizers (e.g. Pro-1, Wasp Deluxe, K-2, Neutron, Model D, Cat).

Variable width (70 HP, 80 HHP or 104 HP); rugged aluminum/steel construction.

Notes: The Behringer XENYX 302USB is ideally suited for a small home studio or the on-the-go recording enthusiast.

At approximately 4" long and 5" wide (117mm x 135mm), the Behringer XENYX 302USB respects your desk space, while providing an XLR & 1/4" combination socket, stereo USB/line channel plus a dedicated 2-track input.

Don't let the XENYX 302USB's diminutive size fool you, this little gem is loaded with features typically reserved for larger, more expensive mixers. For instance, Behringer equipped the mic input with their XENYX mic preamp, which is legendary for its sonic clarity and high-headroom performance. Behringer also gave the mic and line/USB channels our 2-band British-style EQs (low and high) and provide a 2-track input that can be assigned to either the main mix or phones.

You can even power the XENYX 302USB from your computer's USB port, which is great for capturing the sounds of migratory birds in flight, or for posting your podcast straight to the web. sports announcers, radio and TV reporters will definitely want one of these in their field bag.

Notes: Legendary Analog Parametric EQ, Mixer and Output Module for Eurorack.

This is the Behringer System 100 305 EQ/MIXER/OUTPUT Module. A parametric EQ, mixer/oscillator and headphone amp combo that's an authentic reproduction of the original "System 100M" circuitry from the 80s that can fit in a standard Eurorack case. The best part? It's at a very affordable price! Mix the 305 in with your existing rig or start your modular synth journey from here. Either way you're sure to have a lot of fun!

The 305 allows for maximum tone shaping with its 4-channel EQ section complete with level, bandwidth and frequency controls that span a wide frequency spectrum from 20 Hz all the way up to 20 kHz. Using the two outputs of this section, you can then patch signals to two different modules for some extra modulation and waveform sculpting possibilities and even switch between EQ'd and Bypass modes for a quick comparison.

For added mixing capabilities, you can use the 305's 4-input mixer with individual pan and level controls. The output signal can be in either mono or stereo via 3.5mm and 14" jacks. Monitor your overall signal though the independent headphone output and its included level control.

Installing the 305 EQ/MIXER/OUTPUT is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and mount the module using the included screws. This allows for the 305 EQ/MIXER/OUTPUT to be mixed with other synth modules for a truly unique set up.

Notes: Got a solo gig at the local coffee shop? Need to make a quick public announcement? Simple sound calls for the simply excellent Xenyx 502, the Behringer mixer with everything you need to give an intimate setting incredible sound. And with the new addition of +48 V phantom power, the possibilities are even greater.

The 5-input, 2-bus Xenyx 502 with Xenyx mic preamp can accommodate either a dynamic or condenser microphone. The two-band British EQ is famous for its warm, musical sound. Play music between sets via the RCA CD/ Tape inputs (assignable to main mix or control room/phones outputs) and record your performance to an outboard recording device via the RCA outputs.

Weighing in at 1.2 pounds, the Xenyx 502 is the portable, practical way to turn a speech or scaled-down performance into a sound to behold. Schools, meeting rooms, coffee shops and songsmiths the world-round agree this mighty mite is a high-fidelity lifesaver.

Notes: Need to accommodate a vocal duo in a hurry? Got a small choir in need of a little projection? The Behringer 802 mixer has everything you need to give a small multi-vocal performance a robust sound.

The 8 input, 2 bus Xenyx 802 has two Xenyx mic preamps with +48V phantom power, making it possible to use two dynamic or condenser microphones. The three-band British EQ is lauded throughout the sound engineering world for its warm, musical sound. You can also use the 802's effects send and return jacks to hook up to an external effects processor. Play music between sets via the CD/ Tape inputs (assignable to main mix or control room/ phones outputs) and record your performance to an outboard recording device via the RCA outputs.

Weighing in at just 2.2 pounds, the Xenyx 802 is the portable, practical way to turn a small performance with multiple vocalists into a sonic gem. Choirs, folk duos, coffee shops and karaoke lounges agree the 802 packs superior sound into small places.

Notes: Enter the Behringer 902 VOLTAGE CONTROLLED AMPLIFIER. An authentic reproduction of the circuitry from the Modular 55, 35 and 15 series attenuators used by the world's most famous pop, rock and jazz musicians. Now you can build your very own, unique synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that'll fulfill any synth geek's wildest dreams.

The 902 module features two signal inputs and two signal outputs that can be used to amplify two sources, either audio or control voltage, at the same time via a 3.5 mm connector. A rocker switch allows you to toggle between linear and logarithmic response modes while you can manually set the control voltage with the Fixed Control Voltage knob. Control inputs at the bottom of the module can accept control voltage signals from other modules to be change the amplification level.

Installing the 902 is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 902 to be mixed with other synth modules for a truly unique set up.

Notes: Enter the Behringer 903A RANDOM SIGNAL GENERATOR Module, a vintage-sounding noise generator from the '70s. An authentic reproduction of the circuitry from the "Modular 55" series used by the world's most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

Enter the Behringer 903A RANDOM SIGNAL GENERATOR Module, a vintage-sounding noise generator from the '70s. An authentic reproduction of the circuitry from the Modular 55 series used by the world's most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

The 903A RANDOM SIGNAL GENERATOR generates both white and pink noise via two 3.5 mm outputs each allowing you to send different signals to other modules in your rig.

Installing the 903A RANDOM SIGNAL GENERATOR is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 903A RANDOM SIGNAL GENERATOR to be mixed with other synth modules for a truly unique set up.

Notes: No prizes for guessing that this one's inspired by the legendary Moog 904-A filter, but offered at Behringer's hugely tempting affordable price point. Silky, fat filter with tons of character.

Supplier notes:
Enter the Behringer 904A VOLTAGE CONTROLLED LOW PASS FILTER Module. A vintage-sounding authentic reproduction of the circuitry from the Modular 55, 35 & 15 Series from the 70s used by the world's most famous pop, rock and jazz musicians for their shows. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

FILTER Module. A vintage-sounding authentic reproduction of the circuitry from the Modular 55, 35 & 15 Series from the 70s used by the world's most famous pop, rock and jazz musicians for their shows. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

The 904A VOLTAGE CONTROLLED LOW PASS FILTER features a cutoff frequency knob that lets you decide which frequencies to attenuate. The resulting frequency is determined by this knob giving you the ability to change your sound with one turn.

Three Control Inputs plus audio ins and outs are available to send the processed signal to other modules and to connect voltage signals from other modules to affect the cutoff frequency.

The 904A VOLTAGE CONTROLLED LOW PASS FILTER provides you control of the resulting frequency and internal feedback with the Fixed Control Voltage and the Regeneration knob. A switch also allows you to command the frequency range by letting you decide which frequency band you want to operate in. This gives you real-time access to all important parameters with one module.

Notes: Enter the Behringer 904B VOTLAGE CONTROLLED HIGH PASS FILTER Module. A vintage-sounding authentic reproduction of the circuitry from the Modular 55 & 35 Series used by the world's most famous pop, rock and jazz musicians for their shows. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

The 904B VOLTAGE CONTROLLED HIGH PASS FILTER allows you to attenuate low frequencies and accentuate higher ones in a signal. With the Fixed Control Voltage knob, also known as a cutoff frequency, determines the frequencies attenuated below a certain point. Switch the Frequency Range between Low (4 Hz to 20 kHz) or High (10Hz to 50 kHz) to select what frequencies the Fixed Control Voltage affects. You can use the 904B to let you cut through a mix for some searing lead tones or pair it with the Behringer 904A VOLTAGE CONTRLLED LOW PASS FILTER and be prepared to hear some very interesting sounds.

Audio in and out connectors are available on the 904B that let you process an incoming signal before sending it to another module via a 3.5 mm TS cable. You can also use the Control Inputs to connect voltage signals from other modules to affect the cutoff frequency. Use this module to add distinct tweaks to your patches so you can create more unique sounds.

Installing the 904B VOLTAGE CONTROLLED HIGH PASS FILTER is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 904B VOLTAGE CONTROLLED HIGH PASS FILTER to be mixed with other synth modules for a truly unique set up.

Notes: Enter the Behringer 911 Analog Envelope Generator. An authentic reproduction of the circuitry from the Modular 55, 35 and 15 series envelope generators used by the world's most famous pop, rock and jazz musicians. Now musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match with specific modules to customize your synth to complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that'll fulfill any synth geek's wildest dreams.

The 911 Module allows you to create a deeply contoured signal with its 4 independent controls for Attack (T1), Decay (T2), Release (T3) and Sustain levels from 0 to +5 Volts. Create snappy and percussive sounds or long evolving drones perfect for a funky groove or a brooding soundtrack to your latest cyberpunk epic.

For a more flexible setup, the 911 features a trigger input where you can connect an external trigger system like a keyboard via a 3.5mm TS cable as well as an output to send the envelope to another module

Installing the 911 is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 911 to be mixed with other synth modules for a truly unique set up.

Notes: Enter the Behringer 911A DUAL TRIGGER DELAY. An authentic reproduction of the circuitry from the Modular 55 series used by the world's most famous pop, rock and jazz musicians. Now you can build your very own, unique synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that'll fulfill any synth geek's wildest dreams.

The 911A comes with two delay triggers with their own delay time controls ranging from 2 ms up to 10 seconds and their own 3.5 mm S-Trig ins and outs. Connect the 911A to the Behringer 911 ENVELOPE GENERATOR module and turn your Attack/Decay/Sustain/Release (ADSR) module into a Delay/Attack/Decay/Sustain/Release (DADSR) module. Rather than just playing the note when the signal is triggered, the 911A creates a nice volume swell effect, rising from 0 until the peak volume then going through the rest of the phases set in the envelope generator.

The delays in the 911A can be coupled in three different ways. In the Off setting, the delays are triggered separately via the trigger inputs. In Parallel mode, the trigger connected to the input at the top section will activate both delays at the same time. Switching the knob to Series will trigger the top section first then the lower section after.

Installing the 911A is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 911A to be mixed with other synth modules for a truly unique set up.

Notes: Enter the Behringer 914 FIXED FILTER BANK module. An authentic reproduction of the discrete I/O circuitry from the Modular 55 Series. The world's most famous pop, rock and jazz musicians use this for their shows. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

The 914 features 12 active bandpass filters ranging from 125 Hz - 5.6 kHz with additional Low Pass and High Pass filters to allow you users to adjust the gain on each of the indicated frequencies to fully shape and control a signal's timbre and resonance.

Mix the 914 in with your other modules via the dual 3.5 mm input and output jacks. The inputs are wired in parallel to allow the signal source to be filtered and to pass on the unfiltered signal to another module at the same time while the outputs can send two different signals to separate modules.

Installing the 914 FIXED FILTER BANK is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and mount the module using the included screws. This allows for the 914 FIXED FILTER BANK to be mixed with other synth modules for a truly unique set up.

Notes: The 921 VOLTAGE CONTROLLED OSCILLATOR module features six selectable waveforms (sine, triangle, saw, inverted saw, square and inverted square). These can be adjusted via the Frequency and Range controls to change the tonality of your signal. Finer frequency control is provided via the Scale and Coarse RNG switches. Patch in some control voltages via the two CTRL IN jacks and adjust with the Rectangular Width knob to create some fat Pulse Width Modulation sounds.

Multiple ins and outs are available on the 921 VOLTAGE CONTROLLED OSCILLATOR. Three summed Frequency Control Inputs as well as auxiliary and waveform outputs can be used to introduce modulation signals into the 921 VOLTAGE CONTROLLED OSCILLATOR and out to other modules to create complex patches that are perfect for your next studio session or jam.

Installing the 921 VOLTAGE CONTROLLED OSCILLATOR is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 921 VOLTAGE CONTROLLED OSCILLATOR to be mixed with other synth modules for a truly unique set up.

Notes: Enter the Behringer 921A OSCILLATOR DRIVER. An authentic reproduction of the circuitry from the Modular 55 and 35 series oscillator drivers used by the world's most famous pop, rock and jazz musicians. Now you can build your very own, unique synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that'll fulfill any synth geek's wildest dreams.

The 921A OSCILLATOR DRIVER module features a frequency knob that can adjust between either octave or semitone frequencies. The included rocker switch can be used to select between the two frequency types. The width of the rectangular wave is adjusted via a control knob that goes from 10% up to 90%. You can also connect any incoming control voltage or modulation signal into either of the 3.5 mm Frequency or Width inputs.

The 921A not only controls just one 921B Oscillator, but 12 of them- providing you with more flexibility and more nuanced waveforms.

Installing the 921A is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 921A to be mixed with other synth modules for a truly unique set up.

Notes: Clone of the Moog 921B module, a free-running LFO or oscillator driven by the accompanying 921A oscillator driver module. An affordable entry point to classic Moog-inspired sounds.

Supplier's Notes:
Enter the Behringer 921B OSCILLATOR. An authentic reproduction of the circuitry from the "Modular 55 and 35" series oscillators used by the world's most famous pop, rock and jazz musicians. Now you can build your very own, unique synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that'll fulfill any synth geek's wildest dreams.

The 921B OSCILLATOR module is controlled by the Behringer 921A OSCILLATOR DRIVER or can be used as a free-running LFO. Separate Frequency and Range knobs allow you to adjust the frequency range in semitones and in octaves. The 921B along with the 921A modules form the foundation of a proper modular synthesizer and the basis for some really great music.

The 921B OSCILLATOR features independent audio outs for each of the 4 waveforms which include sine, triangular, sawtooth and rectangular which can be patched out to different modules to unlock even more creative possibilities. A dedicated oscillator sync input and switch can be used to sync the 921B to a signal introduced into the Sync In jack. Parallel link jacks allow the 921B to link to other 921B in the chain.

Installing the 921B OSICLLATOR is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 921B OSICLLATOR to be mixed with other synth modules for a truly unique set up.

Notes: Enter the Behringer 923 FILTERS. An authentic reproduction of the circuitry from the Modular 35 and 15 series filters used by the world's most famous pop, rock and jazz musicians. Now you can build your very own, unique synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that'll fulfill any synth geek's wildest dreams.

The 923 features separate Low and High Pass filters each with their own dedicated frequency cutoff controls. The Low Pass filter control will roll off all frequencies above the set threshold frequency from 10Hz to 10KHz while the High Pass filter control will roll off frequencies below the set frequency. Each filter comes with their own 3.5 mm ins and outs giving you the ability to route incoming signals through the IN jack, through the filter and back out the OUT jack.

For you to shape an endless number of tones, the 923 comes with a white and pink noise generator. Use the parallel jacks for each of the noise sources to send out a white or pink noise signal and start sweeping frequencies to build tension and excitement in your songs, or use them to create some percussive sounds for a real groovy drum beat.

Installing the 923 is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 923 to be mixed with other synth modules for a truly unique set up.

Notes: An authentic reproduction of the circuitry from the Modular 55 series used by the world's most famous pop, rock and jazz musicians. Now you can build your very own, unique synthesizer that can fit in a standard EURORACK case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that'll fulfill any synth geek's wildest dreams.

The 960 SEQUENCER CONTROLLER is an 8-step sequencer with 3 rows of CV controls for adjusting the pitch of a signal at that stage. An additional 9th step can be used to stop the sequence. Plug in a Behringer 962 SEQUENTIAL SWITCH and transform the 960 from an 8-step sequencer into a 24-step giant capable of creating more intricate sequences and beats.

More sequence variations can be achieved by switching any of the desired Stage Mode switches to Normal, which lets the current stage proceed to the next one; Skip, which lets you bypass the stage; or Stop, to freeze the sequence. You can even manually trigger each stage by pressing the respective Set button. Create an 8-step sequence then set the 960 to skip every other stage to have a staccato rhythm and spice up a song.

The 960 also comes with an oscillator where you can adjust the oscillator range or pitch with the Frequency Range knob and fine tune that with the Frequency Vernier knob. You can also manually start or stop the oscillator with the on and off buttons or connect an external gate signal to control the on/off status. A control input is available for you to connect another module to tweak the oscillator frequency of the 960 and expand its flexibility.

Installing the 960 SEQUENCER CONTROLLER is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and mount the module using the included screws. This allows for the 960 SEQUENCER CONTROLLER to be mixed with other synth modules for a truly unique set up.

100 mA +12V
50 mA -12V
0 mA 5V
47 mm deep
O 5.00

Inputs:
Oscillator on/off
Type
2 x 3.5 mm TS jacks, AC coupled

Impedance: >3 kO, unbalanced

Maximum input level : +5 V

Minimum switching threshold:
Control input
Type: 3.5 mm TS jack, 1 V/oct

Impedance: 100 kO, unbalanced

Maximum input level : i2 V, vernier set to 5

Shift input
Type: 3.5 mm TS jack, DC coupled

Impedance: 7 kO, unbalanced

Maximum input level : i5 V

Minimum switching threshold: +1.5 V

Stage triggers: Type
8 x 3.5 mm TS jacks, AC coupled

Impedance: >3 kO, unbalanced

Maximum input level : +5 V

Minimum switching threshold: +3.5 V trigger

Outputs
Row outputs
Type: 6 x 3.5 mm TS jacks, DC coupled

Impedance: 500 O, unbalanced

Maximum output level: +8 V (range X4)

Stage trigger outputs: Type
8 x 3.5 mm TS jacks, DC coupled

Impedance: 250 O, unbalanced

Maximum output level: +5 V, active high

Oscillator output
Type: 3.5 mm TS jack, DC coupled

Impedance: 4 kO, unbalanced

Maximum output level: +4 dBu

Duty cycle: 90%

Controls:
Frequency range:
1 (0.04 to 0.5 Hz), 2 (2.75 to 30 Hz)

3 (0.17 to 2 Hz), 4 (11 to 130 Hz)

5 (0.7 to 8 Hz), 6 (44 to 500 Hz)

Frequency vernier: Tune the oscillator range, 3 octave range

Oscillator on/off
Manually start or stop the oscillator

Voltage knobs
-8 to max voltage set by the range switch

Mode switch
Skip stage, play stage, stop sequencer

Set
Manually select stage

Range switches
X1 (+2 V), X2 (+4 V), X4 (+8 V) max. output

Timing on/off
Allows 3rd row knobs to control stage duration

Shift button
Manually skip to next stage

Power supply: Eurorack

Current draw: 100 mA (+12 V), 50 mA (-12 V)

Physical Dimensions: 284 x 129 x 47 mm (11.2 x 5.1 x 1.9")

Rack units: 56 HP

Weight: 0.64 kg (1.41 lbs)

Notes: Enter the Behringer 961 INTERFACE Module. An authentic reproduction of the circuitry from the Modular 55 Series used by the world's most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

The 961 features an audio to V-Trig Converter, allowing you to plug in any audio source and transform it into a voltage trigger to drive other modules in your rig. Dual S-Trig to V-Trig and a multichannel V-Trig to S-Trig converters on the 961 can be utilized to switch or control a particular function on other modules.

Controls on the 961 include a Sensitivity knob that adjusts the gain of the audio signal coming into the module via the Audio In jack. Column B in each V-Trig In bank has a Switch-On Time knob you can use to manually control how short or long the "ON" duration is for S-Trig signals. This feature is normally used to drive the 911 envelope generator. Add a 960 sequential controller to release the full creative potential of this interface module.

Installing the 961 INTERFACE is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and mount the module using the included screws. This allows for the 961 INTERFACE to be mixed with other synth modules for a truly unique set up.

Notes: Enter the Behringer 962 SEQUENTIAL SWITCH Module. An authentic reproduction of the discrete circuitry from the Modular 55 Series used by the world's most famous pop, rock and jazz musicians for their shows. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

The 962 is used as a latch, shifter and signal selector. Depending on the number of input jacks plugged into the module, the 962 can alternate between two or three signal inputs. It can also be used to expand the Behringer 960 SEQUENTIAL CONTROLLER from an 8-step sequencer up to a 24-step sequencer.

The 962 SEQUENTIAL SWITCH features 3-channel V-Trig inputs for selecting CV input channels and separate V-Trig outputs per channel. Triggers from other modules can be connected via 3.5 mm cables and can be manually selected with the Trigger buttons.

The SIG IN jacks are what allow the 962 to alternate between inputs. Connect an input signal to input 1 or 2 and the 962 will alternate between these two inputs. If all three inputs are used, then the module will automatically alternate between the three stages.

Installing the 962 SEQUENTIAL SWITCH is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 962 SEQUENTIAL SWITCH to be mixed with other synth modules for a truly unique set up.

Notes: Enter the Behringer 992 CONTROL VOLTAGES Module. An authentic reproduction of the circuitry from the Modular 55 & 35 Series used by the world's most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

The 992 CONTROL VOLTAGES features 4 channels for CV signals routing to the 904A LPF module. This allows your sound to be freely connected/disconnected with a flip of a switch. Putting the switch in its up position means that you are allowing your signals to connect to other modules and vice versa.

An external input is available If you have an additional input you want to connect to the 992 CONTROL VOLTAGES module. And with the inverting Attenuator knob, you can adjust the CV level of this signal by turning it clockwise to adjust the CV level from 0 to 10 or counterclockwise to change it from 0 to -10.

3 switched and summed CV inputs are present for the frequency control of VCF modules which can be connected via 3.5 mm TS cables. The 992 CONTROL VOLTAGES allows you to send out the combined voltage from all 4 inputs via 3 parallel CV outputs; which can drive multiple 904A LPF and 904B HPF modules for an unlimited number of sonic combinations.

Installing the 992 CONTROL VOLTAGES is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and mount the module using the included screws. This allows for the 992 CONTROL VOLTAGES to be mixed with other synth modules for a truly unique set up.

Notes: Enter the Behringer 994 MULTIPLES Module. An authentic reproduction of the circuitry from the Modular 55 Series used by the world's most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

The dual 4-socket multiples of the 994 MUTLIPLES allows you to split CV or audio signals to multiple destinations. Now, one signal can control several modules.

Installing the 994 MULTIPLES is simple as it was designed to fit into a standard Eurorack case. This allows for the 994 MULTIPLES to be mixed with other synth modules for a truly unique set up.

Notes: Enter the Behringer 995 ATTENUATORS. An authentic reproduction of the circuitry from the Modular 55 and 15 series attenuators used by the world's most famous pop, rock and jazz musicians. Now you can build your very own, unique synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that'll fulfill any synth geek's wildest dreams.

The 995 features three separate attenuators each with their own independent inputs and outputs. The attenuators can be used to adjust the level of the input signal passively from - 8 to unity gain and accept both audio and CV signals. Connecting a single signal to the first input will allow it to pass to all 3 outputs for up to 3 variable outputs of a single signal source. Introducing a signal into the subsequent outputs will break the chain from the previous input. For example, if you have a signal in input 2, then this will feed into input 3 leaving input 1 to feed out of output 1.

Installing the 995 is simple as it was designed to fit into a standard Eurorack case. This allows for the 995 to be mixed with other synth modules for a truly unique set up.

Notes: The A500 reference amplifier is the ideal choice for recording studios, post-production suites, or anyone seeking audiophile-grade performance without the audiophile-grade sticker shock.

Professional audio engineers around the world are impressed by the A500's performance and surprised by its affordability. Capable of delivering 2 x 300W into 4 Ohms or 600W into 8 Ohms bridged, the A500 has enough headroom to always keep you on the safe side. Advanced convection-type cooling technology ensures stable, noise-free operation, while its servo-controlled design can drive virtually any passive speaker.

A precise level meter and clip indicators are provided for accurate performance monitoring. Input connections are provided in the form of balanced XLR and 1/4" TRS connectors, as well as unbalanced RCA sockets, ensuring you have loads of input options. Plus, the speaker outputs give you the choice between professional touch-proof binding posts and 1/4" TS connectors.

To ensure years of trouble-free operation, Behringer use only Toshiba or Fairchild high-power transistors that are known for their rock-solid reliability. In addition, an independent thermal overload protection system, with LED indicators for each channel, automatically protects both your amplifier and your speakers. Last but not least, Behringer use tough, high-current toroidal transformers for absolute reliability and the lowest possible noise interference.

Audiophile-grade performance, ultra-reliable and undeniable affordability, the Behringer A500.

www.youtube.com/watch?v=RWj5CUl7rio

Notes: The Reference Amplifier A800 is the ideal choice for home and professional recording studios, post-production suites, or anyone seeking audiophile-grade performance - without the audiophile-grade price tag! A professional 800-Watt ultra-linear power amplifier, the A800 provides stunningly-accurate audio reproduction - without the slightest hint of distortion or artificial coloration common to many competing products. Thanks to its ingenious servo-controlled design, and the high-level components used throughout, the A800 boasts remarkable specs and unrivaled sonic performance.

Professional audio engineers the world over are impressed by the A800's performance and surprised by its affordability. Capable of delivering 2 x 400 Watts (4 Ohms) and 800 Watts 8 Ohms in bridged-mono mode, the A800 exhibits massive headroom for the utmost in pristine audio reproduction. The A800's advanced convection-cooling technology ensures stable, noise-free operation - while the servo-controlled design allows it drive virtually any passive speaker system.

A precise level meter with input clip and channel protection LEDs are provided for accurate performance monitoring. Input connections are provided in the form of balanced XLR and 1/4" TRS connectors, as well as unbalanced RCA sockets, ensuring you have loads of input options. Plus, the speaker outputs give you the choice between professional twist-lock and binding post connectors.

Thanks to High-Density Class-D amplifier Technology, the Reference Amplifier A800 gives you enormous power and incredible sonic performance in an easy-to-use, ultra-portable and lightweight package. Class-D amplification makes all the difference, offering the ultimate in energy efficiency - and eliminating the need for heavy power supplies and massive heat sinks. This amazing technology makes it possible to design and build extremely-powerful products that are significantly lighter in weight than their traditional counterparts, while using less energy and protecting the environment.

The new SmartSense Technology puts the punch back into Class-D amplification, providing vastly improved full-range frequency response with more powerfully-dynamic bass, and smoother high-frequency reproduction. The resulting output is no longer dependent on the actual load, but is rendered perfectly ruler flat via impedance compensation. A800's design also incorporates a significantly-higher damping factor that yields better amplifier control over the loudspeaker for stronger audio reproduction - especially in the LF area.

Notes: For an unplugged sound that's rich, loud and electrifying, step on the V Tone Acoustic Driver DI ADI21. This amazing little box is essential for piezo equipped guitars and will make your acoustic guitar sound come to life!

By their very nature, piezo pickups tend to be very bright, with somewhat reduced bass response and warmth. The ADI21 combines the features of an active DI (direct injection) box with our proprietary microphone/tube emulation. If you don't want to use the emulation feature, the ADI21 also functions as a superb active DI box. The blend control allows you to mix the amount of modeled tone with your instrument's normal output. The resulting sound is more natural with smooth saturation, just as if your guitar were being miked.

Armed with an onboard 3 band EQ, with sweepable mids to keep feedback under control, the ADI21 effectively eliminates the harsh harmonics of piezo pickups. The output is laid out on 1/4" TS or balanced gold plated XLR connectors, which can be used to send a low impedance signal to the mixing console or straight to tape. You also get a ground lift switch to eliminate annoying ground loop hum problems. You can power this little lifesaver with a 9V battery or Behringer's PSU-SB DC power supply (not included).

Notes: If you're tracking more than one musician at a time, or if everyone in a group wants to listen to a playback, you need a monitor distribution system. The compact, flexible AMP800 can power up to 8 pairs of headphones and up to 2 different stereo mixes.

The Behringer AMP800 features 4 totally independent stereo high power amplifier sections, each with dual outputs. You can use the phones level control plus the accurate 6 digit LED output meter per channel for easy level monitoring. There are 2 balanced stereo main inputs with independent level and balance controls for individual mixes, selectable for all 4 of the headphone amplifiers.

If you must accommodate more than 8 listeners, a parallel link output enables cascading of several AMP800s. Long term reliability is guaranteed thanks to high quality potentiometers and illuminated switches, and Behringer's ultra low noise audio operational amplifiers provide outstanding sound performance. In addition, all Mini Series Behringer models can be stacked to create an ultra compact signal processing solution.

Notes: The cardioid-diaphragm B-1 microphone is a home recording enthusiast's dream come true. This professional-quality condenser microphone is designed to capture your sounds with incredible realism, sensitivity and accuracy.

Condenser microphones are the ideal choice for capturing vocals and acoustic instruments. They're the primary type of microphone used in recording studios and radio stations. They are capable of capturing much more detail than dynamic microphones because of their wider, flatter frequency response. Another difference between condenser and dynamic mics is they contain active circuitry that requires phantom power (+48V DC) for operation. You can power them from any phantom power equipped Behringer XENYX mixer, plus enjoy the benefits of our state-of-the-art XENYX mic preamps.

The B-1 is an affordable, high-quality way to put this essential studio tool to work for you. Thanks to its 1.0" capsule, it captures sound with incredible realism and sensitivity. It boasts a wide frequency response from 20Hz to 20 kHz, enhanced by a pronounced presence boost. With its excellent transducer and gold-plated XLR output, the B-1 truly delivers on the promise of noise-free transmission. The B-1 also gives you a switchable -10dB attenuator to capture high-volume signal sources without distorting, as well as a low-cut filter to eliminate infrasonics caused by floor rumble and other turbulence.

The B-1 is built to be your go-to condenser mic for years to come. Its tough, nickel-plated brass body can withstand all the rigors of bleary-eyed late-night recording marathons. And with its foam-padded, aluminum carrying case, it travels in safety and style. We also included a heavy-duty suspension mount and windscreen.

This condenser mic is an excellent choice for live and studio applications, and it's available at a price that will leave you with enough cash left over to secure other recording essentials.

Notes: Behringer B105D is a fantastic multi-purpose, 50-Watt speaker for vocal and keyboard monitoring, multi-media, press conferences and home recording studio use. Feel free to connect your iPod*, iPhone*, iPad* or any other audio-streaming device via Bluetooth for great sound.

Revolutionary Class-D amplifier technology provides enormous power, incredible sonic performance while also being super lightweight. With a 5" premium-quality and full-range driver, this product has ultra-low noise 3-channel mixer with 3-band EQ. 2 "Invisible" Mic Preamps comes with phantom power for condenser microphones and 1 instrument ready input.

Product contains a dedicated stereo input for keyboards, MP3, CD, and a Mic stand integration system for use with stand. In addition, it comes loaded with internal switch-mode power supply for noise-free audio, superior transient response and very low power consumption. Overall, this speaker is super-tough and have impact-resistant enclosure with integrated top carry handle great for a wide range of uses.

Notes: The EUROLIVE B108D is a super compact, exceptional 2-way, 300-Watt PA sound-reinforcement loudspeaker with Wireless Option that is ideal for live sound, portable PA, monitor wedge and House of Worship applications. This amazingly-versatile active loudspeaker is ultra-lightweight thanks to our revolutionary Class-D amplifier technology - and it comes "Wireless-ready" for use with our incredible ULM Digital Wireless Microphones. A convenient Line Output allows you to connect multiple B108D speakers, or any of Behringer's other high quality active loudspeakers. Sound reinforcement has never been so easy!

Get wireless-ready with the built-in, dedicated connectivity of our ULTRALINK ULM Series wireless microphone system (to be ordered separately). Wireless gives you maximum freedom and mobility without the need to run cables. The highest-quality sound is provided thanks to the ULM's digital, license-free 2.4 GHz frequency spectrum.

The ULM wireless system combines professional-quality sound with simple setup and an intuitive interface for legendary audio performance right out of the box. Just plug in the ULM receiver "dongle", and instantly you have an exceptional wireless mic system. Freeing you from cables is the simply easy way to own the stage.

Flexibility rules the day on the B108D, with input options for your choice of an ultralow noise Mic or Line input with a dedicated Volume control and Clip LED. Tone shaping options such as a dedicated 2-band EQ plus integrated sound processor are included for the ultimate in system control, as well as speaker protection. The additional Line Output allows you to connect multiple B108D units, or any of our other high-quality active loudspeakers.

Thanks to the revolutionary Class-D amplifier technology, the B108D is able to provide you with enormous power and incredible sonic performance in an easy-to-use, ultraportable and lightweight package. Class-D amplification makes all the difference, offering the ultimate in energy efficiency and eliminating the need for heavy power supplies and massive heat sinks. This amazing technology makes it possible to design and build extremely-powerful products that are significantly lighter in weight than their traditional counterparts, while using less energy and protecting the environment.

The B108D features a powerful 8" long-excursion low-frequency driver for solid bass, a 1.35'' aluminum diaphragm compression driver mounted on an ultra-wide dispersion, large-format exponential horn for crystal-clear high-frequency reproduction. These speaker components were designed specifically as a perfect match for the amplifiers that drive them, ensuring excellent performance and amazing sound every time!

Versatile and extraordinarily user-friendly, the B108D offers convenient expandability, allowing your sound system to grow as your coverage requirements change. Thanks to the trapezoidal enclosure design, the B108D can also be used as a monitor wedge, making this solution ideal for a wide range of applications. The additional Line Output allows linking multiple speaker systems to form a larger array, and the 35-mm pole socket allows mounting on speaker stands at the optimal height for maximum coverage.

As your system needs grow, you can easily pole mount your B108D speakers atop a pair of B1200D Active Subwoofers to add some serious bottom-end to your mix. The B108D features the highest-quality components throughout - and the exceptionally-rugged chassis and enclosure build ensures many years of top-notch performance. When you add it all up: superb sound quality; high output power; lightweight portability and scalability - plus wireless mic ease-of-use and rugged-durability, the EUROLIVE B108D will elevate your sound-quality to the next level.

Notes: The EUROLIVE B110D is a super-compact, exceptional 2-way, 300-Watt PA sound-reinforcement loudspeaker with Wireless Option that is ideal for live sound, portable PA, monitor wedge and House of Worship applications. This amazingly-versatile active loudspeaker is ultra-lightweight thanks to our revolutionary Class-D amplifier technology - and it comes "Wireless-ready" for use with our incredible ULM Digital Wireless Microphones. A convenient Line Output allows you to connect multiple B110D speakers, or any of our other high-quality active loudspeakers.

Get wireless-ready with the built-in, dedicated connectivity of our ULTRALINK ULM Series wireless microphone system (to be ordered separately). Wireless gives you maximum freedom and mobility without the need to run cables. The highest-quality sound is provided thanks to the ULM's digital, license-free 2.4 GHz frequency spectrum.

The ULM wireless system combines professional-quality sound with simple setup and an intuitive interface for legendary audio performance right out of the box. Just plug in the ULM receiver dongle, and instantly you have an exceptional wireless mic system. Freeing you from cables is the simply easy way to own the stage.

Flexibility rules the day on the B110D, with input options for your choice of an ultra-low noise Mic or Line input with a dedicated Volume control and Clip LED. Tone shaping options such as a dedicated 2-band EQ plus integrated sound processor are included for the ultimate in system control, as well as speaker protection. The additional Line Output allows you to connect multiple B110D units, or any of our other high-quality active loudspeakers.

Thanks to our revolutionary Class-D amplifier technology, we are able to provide you with enormous power and incredible sonic performance in an easy-to-use, ultra-portable and lightweight package. Class-D amplification makes all the difference, offering the ultimate in energy efficiency and eliminating the need for heavy power supplies and massive heat sinks. This amazing technology makes it possible to design and build extremely-powerful products that are significantly lighter in weight than their traditional counterparts, while using less energy and protecting the environment.

The B110D features a powerful 10" long-excursion low-frequency driver for solid bass, a 1.35'' aluminum-diaphragm compression driver mounted on an ultra-wide dispersion, large-format exponential horn for crystal-clear high-frequency reproduction. These speaker components were designed specifically as a perfect match for the amplifiers that drive them, ensuring excellent performance and amazing sound every time.

Versatile and extraordinarily user-friendly, the B110D offers convenient expandability, allowing your sound system to grow as your coverage requirements change. Thanks to the trapezoidal enclosure design, the B110D can also be used as a monitor wedge, making this solution ideal for a wide range of applications. The additional Line Output allows linking multiple speaker systems to form a larger array, and the 35-mm pole socket allows mounting on speaker stands at the optimal height for maximum coverage.

As your system needs grow, you can easily pole mount your B110D speakers atop a pair of B1200D Active Subwoofers to add some serious bottom-end to your mix. The B110D features the highest-quality components throughout - and the exceptionally-rugged chassis and enclosure build ensures many years of top-notch performance. When you add it all up: superb sound quality; high output power; lightweight portability and scalability - plus wireless mic ease-of-use and rugged-durability, the EUROLIVE B110D will elevate your sound-quality to the next level.

Notes: The Eurolive B1200D packs everything there is to love about these powerful systems into a more compact, easy to transport enclosure, making them ideal for smaller venues. Armed with a 500W Class D amplifier and a host of truly professional features, these little brutes crank out tons of tight, low end punch with the definition and clarity typically reserved for much larger systems.

Put simply, these cool running systems provide an impressive power to weight ratio and our no compromise design means you get amazingly deep, chest pounding bass that will keep the party going all night long.

Instead of operating relatively continuously like Class AB circuits, Class D amps switch on and off thousands of times per second, delivering power only when needed. The amplifier is either fully on or fully off, which significantly reduces power losses from the output devices given off as heat. Less heat means our Class D amps don't need massive heat sinks, and that means we can make them lighter. Plus B1200D's amplifier provides all the dynamic punch and fidelity you'd expect from a much larger, more expensive subwoofer.

The transducers (woofers and tweeters) are the only part of a sound system you actually hear, Behringer never cut corners, and never just grab whatever happens to be on the shelf. They custom design their own so they are the perfect match for both the amplifier and the application. They wind their own voice coils, process the paper pulp into cones and even machine their own backplates. This enables Behringer to control the quality, and frankly, make better components. The 12" long excursion, low frequency transducer was designed specifically for use in the Eurolive B1200D.

The B1200D features balanced XLR inputs and outputs, as well as balanced XLR Thru jacks for connecting additional enclosures. A boost frequency knob lets you boost any frequency between 45Hz and 90Hz. Then just flick the boost switch to give your selected frequency a +10 dB boost. Behringer have also provided a high cut dial that controls the upper corner frequency for the internal amplifier without affecting thru A/B signals. A level knob controls the input gain, and the phase switch reverses the output phase to compensate for frequency cancellation between the subwoofer and satellite speakers. LEDs show operational status at a glance including power, signal present and input overloads.

Notes: Condenser microphones are the ideal choice for capturing vocals and acoustic instruments. They're the primary type of microphone used in recording studios and radio stations. They are capable of capturing much more detail than dynamic microphones because of their wider, flatter frequency response. Another difference between condenser and dynamic mics is that they contain active circuitry that requires phantom power (+48V DC) for operation. You can power them from any phantom power equipped Behringer XENYX mixer, plus enjoy the benefits of our state-of-the-art XENYX mic preamps.

The B-2 is an affordable, high-quality way to put this essential studio tool to work for you. Thanks to its pressure gradient transducer and shock-mounted 1.0" gold-sputtered dual-diaphragm capsule, the B-2 delivers an open, transparent sound with excellent transient response. It boasts a frequency response from 20Hz to 20 kHz with just a slight boost in the presence range. It has 2 selectable pickup patterns: omni for capturing sound in all directions; and cardioid for picking up your source signal while rejecting off-axis sound. With its excellent transducer and gold-plated XLR output, the B-2 is very neutral sounding and truly delivers on the promise of noise-free transmission.

The B-2 also gives you a switchable -10dB attenuator to capture high-volume signal sources without distorting, as well as a low-cut filter to eliminate infrasonics caused by floor rumble and other turbulence.

The B-2 is built to be your go-to condenser mic for years to come. Its tough, nickel-plate brass body can withstand all the rigors of those late-night recording marathons. And with its aluminum foam-padded carrying case, it travels in safety and style. We also included a heavy-duty suspension mount and windscreen.

This condenser mic is an excellent choice for live and studio applications, and it's available at a price that will leave you with enough cash left over to secure other recording essentials.

Notes: Thanks to Behringer's revolutionary amplifier technology and internal switch mode power supplies, The Eurolive B210D loudspeaker provides a much better power to weight ratio than competing active speakers. Put simply, you get all the power without the back breaking weight. And the sound quality of these lightweight loudspeakers exceeds that of Behringer's extremely popular Eurolive B212A and B215A systems.

Due to their high efficiency design, they crank out200 of the cleanest, punchiest audio watts you've ever heard from a compact loudspeaker system. The integrated sound processor provides total system control, along with dependable protection of the low frequency and high frequency transducers, thanks to the built in active high pass filter, which virtually eliminate distortion - even at extreme operating levels.

In addition, all four models feature an ultra low noise mic/line input with level control and a dedicated 2 band EQ (bass/treble) for easy control.