Notes: Monster voice module, straight out of Pennsylvania. Two oscillators, two function generators, two dynamics controllers and an analogue delay, all inspired by the behaviours and systems of the natural world.
Supplier's notes:
The Lifeforms Voltage Lab module is a completely different type of analogue synthesizer, where every function of the instrument has been influenced by the behaviours and systems of the natural world. Wildly experimental and extremely deep, the Lifeforms Voltage Lab module is a sonic playground created to explore the natural systems and lesser known fringes of analogue synthesis. The Voltage Lab module is more than a simple collection of tools and functions, it is a unique modular synthesizer designed to reward deep experimentation and encourage the creation of unique sonic systems.
Generation:
The unique sound palette of the Lifeforms Voltage Lab originates with a complex oscillator pair that utilizes a wide range of shaping and manipulation options to move away from basic geometric shapes to more harmonically rich tones. A custom wave folder with enhanced waveform warping, linear FM, amplitude modulation, ring modulation, waveform cycling, hard sync, and more are available for extreme sonic research.
Manipulation:
A set of multi-function generators work as interactive voltage processing systems to create and modify complex control voltages. The function generators act as voltage controllable envelopes, LFOs, slew generators, and more to produce evolving control signals.
Interaction:
Twin dynamics controllers pull everything together. A unique circuit expanding on the classic low pass gate, the dynamics controller with variable response adds an organic depth to the sound of the Lifeforms Voltage Lab by simulating the natural behaviour of sound. The multi-mode signal processor features a 12db resonant filter, VCA, and percussive low pass gate modes.
Dimensional:
Sound interacts with the world around it. The Voltage Lab uses analogue delay to simulate this interaction and create an artificial sense of time and space. Manipulation of delay time and feedback add depth and warmth through reverb, chorus, flanging, Doppler, slap back, and echo type effects.
Unstable Systems:
Chaos is everywhere. Random gates and control voltages spark uncontrolled reactions, disrupt systems, and generate ideas. The Voltage Lab utilizes noise, stepped random CV, a pseudo-random sequence generator, pitched random CV, pitched random sequences, and random gates to add multiple levels of unpredictability to any patch.
MIDI/Arpeggiator:
Midi to CV converter with assignable CC/Modulation output and variable pitch bend paired with a multi-mode arpeggiator. The arpeggiator offers as played, hold, transpose, multiple octave, random, and 16-step sequencing with rest and note repeat modes. Octave up and down buttons shift the frequency of the oscillator(s) +/- 2 octaves. The arpeggiator can be clocked using the internal tap tempo, external midi clock, or external gate signal.
Primary Oscillator & Secondary Oscillator:
A pair of temperature stabilized, analog saw core oscillators create the foundation of the complex waveforms generator. The seed wave of the primary oscillator is switchable between sine, triangle, saw, and square. However, because the initial waveform passes through multiple wave shapers before reaching the output, the name of the seed wave should be thought of as more of a rough estimate of the actual wave shape. An alternate version of each waveform is available using the warp function. Warp mode changes the shape of a waveform without modifying the harmonic content creating previously impossible timbres when combined with the wave folder. The asymmetry and axis knobs control how the wave folder interprets the initial waveform while timbre modifies the overall intensity of folding. Combining these voltage controlled wave shapers together produces a wide range of unique and complicated waveforms. The primary oscillator also utilizes linear frequency modulation, seed wave cycling, amplitude modulation, and ring modulation to enhance an already deep sonic palette.
The functionality of the secondary oscillator is more focused. The oscillator core creates a fully sweepable frequency range from LFO to high audio utilizing linear FM for pitch modulation effects. MIDI pitch tracking can be disabled for independent frequency control and hard sync is available for frequency tethering to the primary oscillatory. Output of the secondary oscillator is switchable between sine, alpha wave, or both. The voltage controlled alpha wave shifts from a triangle wave with less harmonic content to a square wave with more harmonic content.
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