Granular synthesiser with granular effects processor and 128-step sequencer.
Notes: Part of Sonicware's Liven groovebox series, this time focussing on granular synthesis and effects processing. 128-step sequencer and shimmer reverb allow you to create grooves.
Supplier's Notes:
Sample, slice, transform and reconstruct audio to synthesize completely new sounds
The LIVEN Texture Lab offers a wide variety of sound textures ranging from beautifully lush ambient pads to chaotically aggressive experimental noise that will take you to new sonic frontiers.
The Texture Lab uses a granular processor that slices sounds into grains ranging from 2 ms to 1 second in length, then transforms and reconstructs them in a variety of ways, including manipulating grain shape, density, time warp, spatial position, and playback method to create entirely new sounds.
Granular synthesis parameters are easily accessed from 10 knobs and are designed for intuitive control
Granular synthesizer with granular effects processor mode
The LIVEN Texture Lab is a 4-voice polyphonic synthesizer that can record 32 samples of up to 6 seconds, generate grains from any part of a sample, and synthesize them using two modulations sources, an envelope generator, and process the sound through different filter types.
The Texture Lab can also be used as an effects processor for real-time granular processing of stereo signals from the line input. It is also possible to freeze the flowing sounds for 6 seconds to add granulated sound effects.
Shimmer reverb for fantastical and majestic sounding spaces
The LIVEN Texture Lab features six high-quality stereo reverb types. All reverb types have a shimmer parameter that allows you to layer reverb on top of reverb in octaves to create fantastical and majestic sounding spaces.
128-step sequencer with parameter locking
The LIVEN Texture Lab is equipped with a high-performance 128-step sequencer that has earned the LIVEN series a solid reputation. In addition to recording notes, it can also record changes in granular processing parameters over time.
You can record knob operations in real time or directly record parameters to specific steps allowing for more complex sound textures.
Specifications
[Granular processor]
Synthesizer mode
- Sampling up to 6 seconds per sample (16bit - 32kHz mono, Start/end point adjustment)
- Auto start sampling function with the input level (input level can be set)
- Internal resampling function
- 32 sample memory slots
Effects processor mode
- Real-time processing of stereo signals from the line inputs
- Freeze function
- Pitch: Pitch of the sample (i2 octaves)
- Position, Length/FB: The sample range for generating grains (with random position function)
- Speed, Direction: Playback speed, scan direction, and playback direction of the grains.
- Size, Shape: Size and shape of the grains (with random function)
- Timing, Jitter: Interval of generating grains (with our original LUSH setting)
- Density: Number of the grains (up to 64 grains in legato mode)
- Diffusion: Diffusion width of the grains
- Blend: Balance between the sample and the granular sound mix
- Modulation 1: LFO assignable to various parameters (with wave shape selection, start fade-in time, retrigger, and tempo sync)
- Modulation 2: LFO assignable to various parameters (with wave shape selection, retrigger, and tempo sync)
- 4-note polyphonic mode (Up to 16 grains per voice, internal sequencer records up to 3 voices of polyphony)
- Mono mode (Up to 32 grains, adjustable glide time)
- Legato mode (Up to 64 grains, adjustable glide time)
- Arpeggiator modes (Up, Down, UpDown, DownUp, Up&Down, Down&Up, Up+1, Up+2, Down-1, Down-2, Random, Play Order)
[Sequencer]
- 1 track
- Up to 128 steps per pattern
- 128 patterns
- Step length can be set from 1/1 to 1/32
- Real-time recording
- Directly enter notes for each step when sequencer is on or off
- Enter longer notes (Tied notes)
- Metronome and pre-count function
- Undo/Redo function
- Transpose function
- Swing function
- Pattern BPM / Global BPM can be set
- Pattern chain function
- Parameter Lock function to record parameter settings for each step
- RANDOM function to play back steps in random order
- STUTTER function to play back only the step being pressed
[MIDI]
- Notes, control changes, clock input/output
- IMPORT/EXPORT of user data (Including samples) via Sysex
- Firmware update via Sysex
[Unit]
27 keys (with a hold function)
- 15 physical control knobs
- Optional LATCH function prevents jumps in value when knob position and parameter values do not match.
- One physical encoder for fine adjustments.
- LCD dot indicates when a parameter value matches the saved value, or when the value has been changed.
B-STOCK: Box opened, but product is in excellent condition and in perfect working order
Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***
Dreadbox go back to their roots with this reissued analogue beast. Simple but effective single-oscillator monophonic design with a three-pole resonant filter and analogue distortion.
Supplier's Notes:
Dreadbox's highly anticipated Bass Synthesizer is finally back.
Its Deep and Dark sound is here to haunt you ...
All Analogue Bass Synthesizer
Faithful Reproduction of the 2016 Hades
1 Oscillators with 2 Sub Octaves and 2 Waveforms with PW control
3-pole Resonating Low Pass Filter
1 AD/RS envelope and a AR Amp Envelope
OTA VCA
OTA Distortion
Wide Range Triangle LFO
11 patch points for an astonishing spectacular modular experience
Compact, USB powered, Eurorack Format (42HP)
Monophonic Epicness
Super Fat Oscillator
2x Sub Octaves for extra headroom
Special Internal Bass Boost Circuit
Warm Filter
Drive effect for aggressive sounds
CV outputs: Envelope, LFO, Mod Wheel, 1v/oct
CV inputs: PW, Cutoff, VCA, CV, Gate
Specifications & Connections
USB powered (1.5 Watts)
50 Playing hours with 20,000mA portable power bank
MIDI IN via DIN5
14 MONO TS Jack Out
Dimensions: 21.5 x 13 x 6.5 cm
Weight: 0.9 kg
Requirements
USB-A Adapter (5v) with 1000mA or more
MIDI device or keyboard that is equipped with DIN5 midi output
Monitor, Amp or Headphones
Included in the box
Hades Eurorack module
42 HP case
1x DIN5 to 3.5mm adapter (specs as found at midi.org)
1x Ribbon cable
Notes: The Skorn da Bask table top module is the same module as the eurorack version but in a hammond 1590BB enclosure and aluminium panel, it can be powered thru a 2,1mm negative pin power jack, compatible with Boss and Ibanez standard power supplies.
Thanks to their routing options, the VCOs can not only be used to generate audio signals, but for modulating the VCF's cutoff frequency as well. Besides processing internally produced saw tooth waves, the filter is also usable for editing sound coming from other modules. Typical Touell Skouarn, the Skorn da Bask distorts like hell. Primary application: The creation of dirty, experimental sound structures and abstract rhythms.
The front panel of Skorn da Bask shows three areas highlighted in red. These zones contain the connectors and control elements for the oscillators. Each VCO comes equipped with a pitch CV input, a tune potentiometer and two switches for defining the routing as well as the frequency range used. In detail, the oscillators can be connected to the audio or CV input of the filter. Thanks to their range switches, each VCO is able to work with audio or low frequency rates. The pitch input does not follow the standard 1v per octave.
After all, Skorn da Bask is not an ordinary oscillator module, but an experimental sound generator.
The low pass filter features a slope of 24 dB per octave. A potentiometer named FreqaNs regulates the circuit's cutoff parameter, Dasson sets the resonance. For processing external signals, there is an audio input. As long as a cable is plugged into this socket, the VCOs are disconnected from the filter's audio path. Third-company modules, like an envelope or LFO, can influence the VCF's frequency via a CV input. For damping modulation signals coming from the oscillators, there is an attenuator knob. The audio output is equipped with a level potentiometer. High settings lead to juicy overdrive effects.
Notes: Red version of Cyclone's excellent bass synth, replicating the sound of the iconic Roland TB-303. Fully analogue synth with modernised sequencer and classic acid sound.
Supplier's Notes:
A full analogue synth clone of the famous TB303, coming with a lot of new features and improvements, from the sound point of view as well as the ergonomics of the machine and the sequencer.
A new design, new pots very smooth, new features for Live jam, 2 new sequencer modes for even more creativity, added CV / Gate (and even more) outputs to play your favourite synths!
The design of the analogue circuit (composed of 1 VCO) and the audio engine has been improved compared to the previous version, giving it a warm and groovy sound thanks to the addition of the Shuffle (not present on the original).
The very intuitive sequencer takes on the original spirit while bringing new and unique features such as Mute and Hammer, which gives it a great flexibility for live jam and more sound variations, as well as 2 new sequencer modes to create New patterns.
Specifications
Bass Bot TT-303
VCO
Monophonic
Waveforms: Sawtooth or Square
Frequency Range: 20Hz-850Hz
Main Controls
Tempo Knob
Volume Knob
Track/Pattern Bank Selector Knob
Mode Selector Knob
Power On/Off Switch
Down Octave | Up Octave | Accent | Slide
Mute | Hammer | Rest / Tie
Pattern Features
Pattern Length: 1-64 steps
Per-step modifier assignment
Time scales: 16th note, 32nd note, 8th note triplet,
16th note triplet
Assignable pattern LED color
Pattern Copy / Paste functions
Intelligent procedural pattern generator
Pattern-based Arpeggiator
Pattern Mutate function
Track Features
Visual track programming system
Maximum Length: 144 bars | Per-bar transpose option
Global Features
Shuffle Amount | Slide Time | Gate Length |
Illuminated buttons: 26
Tap Tempo Input | Automated VCO calibration |
System LED colour |
MIDI In / Out channels
Outputs
Main Mix (1/4" mono, +15dBu)
Headphone (1/4" stereo, +10dBu)
VCO Waveform (1/8", Sawtooth: 5Vp-p, Square: 3.7Vp-p)
Control Voltage (1/8", 1V/octave, range 1V 5V)
Gate (1/8", 0V 12V)
Accent On (1/8", 0V 5.5V)
Clock (1/8", DIN Sync compatible, 0V 5V)
Start/Stop (1/8", DIN Sync compatible, 0V 5V)
MIDI Out / Thru
Inputs
Filter In (+4dBu nominal, 100kO input impedance)
Power (9VDC, 300mA) | MIDI In
PC Functions
Cyclone Studio application for PC & Mac enables Bass Bot software update and user data backup & restore using MIDI/SysEx transfer.
Physical
Dimensions: L310mm x W130mm x H35mm
Weight: Unit 783g (Boxed with accessories) 1.332kg
Included Accessories: 100-240v Universal Power Adapter | Near Invisible Force Field | Case Transporter | Printed User Manual
Available Accessories: 7 Lines 1/8 to 1/4 output cable snake | Triple 100-240v Universal Power Adapter
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***
The Arpopone from LepLoop is a little synth-voice for generating a melody or bass line and a chord section at the same time. It is based on analog ramp dividers of which each one generates a voltage ramp starting from a master clock that can be internal or external.
Trig1 and Trig2 potentiometers set the number of clock pulses.
With the Trig Mix switch it is possible to select between a single trigger (1 or 2) or both (1+2) to advance the scales.
The Scale Step potentiometer sets the number of steps for the two scale generators.
In the mixer section, the two scales are summed together to obtain a more complex pattern. The amount of each scale can be set by two controls and can be positive (ascending scale) or negative (descending scale).
With the VCO Pitch knob, the melody can be transposed while maintaining the same interval between notes.
The note generated by the VCO is fed to a chain of dividers to obtain four sub harmonics of the original note. One of these is the bass section with its own filter and envelope, the other three form the chord section with their envelope.
The two envelope sections are identical, both have a selector for different trigger sources:
Trig1 & Trig2: the envelope starts at the flash of the green LED (bass) or yellow LED (chord)
SB1 & SB2: the envelope starts at the first step of Scale1 (bass) or Scale2 (chord)
White & Blue: the envelope follows the intensity of the white LED (bass) or the blue LED (chord). Except for this setting the envelope length is set by the two controls Bass ENV and Chord ENV. Additionally, an EXT CV input allows to provide an external envelope.
The bass channel is passed through a resonant low-pass filter with Cutoff and Resonance control.
Finally the Bass and Chord channels are mixed together. The output level is set by the Bass LEV and Chord LEV controls.
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1 in stock$265.92
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