Search results: Double You

Review: During the latter stages of the "Philly Soul" era, New York remixer Tom Moulton delivered a string of inspired, DJ friendly reworks for the Philadelphia International label. For proof, check this fine selection of classic Moulton mixes for the storied imprint. Check first his version of Archie Bell and the Drells' "Where Will You Go When The Party's Over", which he brilliantly teases out and increases in intensity over nine spellbinding minutes. The funkier flex of People's Choice's "Jam, Jam, Jam (All Night Long)" is a sweaty, low-down treat, while the Teddy Pendergrass rework is a soaring disco classic in the Philly Soul style. Best of all, though, is the string-drenched disco celebration that is his mix of Lou Rawls' "See You When I Git There".

Review: Australian DJ and producer Dave Mathmos serves up an obscure edits entree, sampling/reworking a whopping seven disco cuts from the late 1970s and early 1980s, but adding just enough modern flair to essentially make them his own. A well-rounded, sticky quality is heard on this septagonal crock of heaters, with the downtempo slink-funk of 'Late At Night' and the equally sumptuous, string-backed plod of 'Wonderful Feeling' remaining our highlights.

Review: Following a couple of low-key EPs and mini-albums on tiny independent labels, Cousin Kula's debut full-length has been snapped up by Rhythm Section International. It was a shrewd move by boss man Bradley Zero, because Double Dinners is undeniably lovely. Lusciously executed and pleasingly laidback, it sees the Bristol band effortlessly join the dots between horizontal, soft-focus jazz-rock, shuffling downtempo grooves and dewy-eyed soul. It's a far more warming, comforting and meditative affair that some of their more raucous and upbeat output, something that band puts down to composing it during lockdown, when meditative music was a necessity. Even as society begins to open up, it still feels essential - a sign of the album's timeless class.

Review: In 1972, Marvin Gaye set to work recording what was scheduled to become the follow-up to his greatest single studio album, the previous year's "What's Going On". In the end, only one single from that mooted set ever appeared - "You're The Man", a weary assessment of that year's U.S Presidential Election - and Gaye's bitter arguments with Motown continued. This intriguing album tries to set the record straight, gathering together work completed for the shelved album with newly mixed songs based around previously unfinished works. There's much to admire throughout, with the material flitting between the kind of lusciously orchestrated, conscious songs featured on Gaye's previous set and more commercial-sounding Motown pop (much of which was produced by Willie Hutch).

Review: Whether the 42 full-length tracks showcased on this four-CD set really are 'the greatest soul, funk and disco' 12" singles of the 1970s and 80s is open to debate, but there's no denying that it's a fantastic collection of classic cuts and dancefloor anthems from the pre-house era. Much of it will be familiar - see Earth, Wind & Fire's 'Boogie Wonderland', McFadden & Whitehead's 'Ain't No Stopping Us Now', Freeez's 'Southern Freez', Chic's 'Good Times' and so on - but there's no denying the quality. What it really delivers is an instant party-starting set of guaranteed floor-fillers from the 70s and 80s that touches not only on disco, soul and funk, but also jazz-funk, boogie and 80s soul. Plus, any compilation that features Hi-Tension's 'Hi-Tension' is alright by us!