Search results: AAA

Review: The Only Music Matters label is slowly but surely building up a fine head of steam as it now offers up a sixth EP in just a couple of years. As always it is an unknown artist behind these stripped-back and direct-to-dancefloor beats and each one goes long for over eight minutes. That playtime is well warranted, too, as 'AAA001A' is the sort of groove you never want to end: dry drums and hits and paddy bass that are tightly woven together into a hypnotic sonic tapestry. 'BBB001B' is a little more gritty and twitchy to fire those sleep-deprived after-party synapses while 'BBB002B' shuts down with some underlapping tech-house funk and tripped-out designs.

Review: New York punks Love Child first burst onto the early 90s scene in the same aeonic breath as Pavement, Sebadoh and Beat Happening. But despite the ignition and hype, their debut seven-inch and subsequent releases have remained long out of print until now. Never Meant to Be: 1988-1993 pulls from these releases and some unreleased radio sessions, unearthing a trove of lost gems by the quadrangle of Will Baum, Alan Licht, Rebecca Odes and Brendad O'Malley. The former obscurity is undeserved and the reissue deserved, as the climaxes on this record - from the garbly top-reg guitar solo on 'Know Its Alright' to the tape-warblings of 'Sofa' (through and despite which we can still make out its humourous lyrics) - are full of forceful punk rapace.