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Notes: 1978 rarity reissued with modern updates and a tiny pico footprint!

The late 1970s rarity Electro-Harmonix Slap-Back Echo pedal is reissued with modern updates and a Pico footprint!

The 50s era gave birth to an iconic sound in which a single, short delay was utilized to add depth and rhythmic effect on countless recordings. The newly reissued all-analog design of the EHX Slap-Back Echo delivers this beloved classic sound and more in a Pico-sized pedalboard-friendly package. With three delay time settings and up to +20dB of boost, the Slap-Back Echo can achieve subtle doubling effects to intense bathroom reflections all with the distinct flavor of bucket-brigade (BBD) circuitry.

Housed in EHX's Pico-sized chassis, the Slap-Back Echo features Gain and Blend knobs as well as a Time switch. The Gain knob controls the input signal before the echo circuit and also adjusts the overall volume at the output with a boost of up to +20dB. The Blend knob mixes the dry signal and the echo signal from 100% dry to 100% echo. The Time switch selects between three different delay times: 45ms, 65ms, and 100ms.

Independent gain and blend knobs
Time switch with 45ms, 65ms, and 100ms delay times
Up to 20dB of boost
True-Bypass
Small, pico-sized chassis
9V power supply included

Specifications:
Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 15mA
Year Released: 2023

Notes: Celebrating the classic, shimmering flanger sounds of Andy Summers, the EHX Walking on the Moon is a tribute to the tones Andy employed while carving his niche in the early days of playing with the Police. Liquid flange effects that hint toward chorus with extra depth and nuance make Andy's sound one of the most coveted in all of the guitar universe.

"This beautiful shimmering which sort of made the sound more bigger and more glamourous - became a sort of characteristic of my guitar sound - A big part of my guitar sound at that time in The Police was the flange sound which we have here today in this great new pedal." - Andy Summers

The Andy Summers Walking on the Moon is an analogue flanger with a simple but powerful control set of RATE, RANGE, and COLOR. RATE sets the speed of modulation which ranges from slow, smooth filter sweeps to jittering vibrato. RANGE controls how narrow or wide the effect sweeps into the bass frequency range. The COLOR control effects the intensity of the flanger effect from subtle chorusing effects to classic jet woosh sounds. These three controls interact to create a wide breath of modulation effects.

Additionally, the Walking on the Moon includes a FILTER MATRIX which disengages the LFO from the flanger circuit, freezing the flanger giving a fixed filter effect, which can add chime or metallic overtones to your sound without the movement of a traditional modulation pedal. A DRY output allows you to split your dry signal from the effected signal.

Special Artist Edition graphics featuring Andy's signature adorn the chassis and a tribute Walking on the Moon poster with art by Laura Josephson is included with each pedal.

Analogue Flanger / Filter Matrix sounds of Andy Summers
RATE sets modulation speed
RANGE adjusts lower limit of flanger sweep
COLOR controls intensity of flanger effect
Dedicated DRY output
Special Artist Edition Graphics
Includes Walking on the Moon poster design by Laura Josephson
True Bypass
9V Power Supply included (optional 9V battery not included)

Specifications
Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included (optional 9V battery not included)
Dimensions (in): 4.75 x 4 x 2.25
Current Draw: 40mA
Year Released: 2023

Notes: Designed in collaboration with JHS, the Lizard King is an octave fuzz pedal for bass which builds on the success of the guitar-focussed Lizard Queen. Dynamically responsive fixed gain fuzz can be blended from fully wet to dry, while octave tone can be blended separately.

Supplier's Notes:
Octave Fuzz for bass and beyond!

Make way for the new heir to the octave fuzz throne, the Lizard King from Electro-Harmonix. Directly inspired by the EHX x JHS collaboration released in 2023, the Lizard King takes the gnarly and responsive octave fuzz circuit from the Lizard Queen and optimizes it for bass and beyond. With updated tone controls and a new Blend knob, the bass's fundamental tone and low-end is preserved while the top-end of the fuzz tone is shaped to fit or dominate any mix!

The EHX Lizard King is a fixed-gain fuzz that is dynamically responsive. Adjustments to your instruments volume affects the amount of fuzz. Lower instrument volumes create a clear, fuzzy overdrive, while full instrument volume sends the gain over the top for ripping riff and searing solo tones. The familiar VOLUME and OCTAVE knobs control overall output and octave blend volume respectively. New to the Lizard King, the BLEND knob sets the mix between your clean and fuzz tones to create the perfect balance of fuzz while retaining your bass's attack and low-end. The TONE knob is a low pass filter that rolls off the highs, while the SUN/SHADOW switch further enhances the tone of the octave fuzz and clean tones. SUN boosts the octave fuzz with a more driving midrange, and the clean tone accessed by the BLEND knob has more treble and bass frequencies. When the switch is set to SHADOW, the clean tone is unchanged, and fuzz tone is tighter.

Specifications

Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply:9V battery included
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 8mA
Year Released: 2024

Notes: EarthQuaker Devices Special Cranker

An Overdrive you can trust

The Special Cranker is an all-discrete analogue distortion enhancement device designed to give your signal some extra grit and boost without drastically altering your tone and retaining all of the natural nuances and character of your amp. Think of it as sticking an extra preamp tube in your amplifier for more saturation. Single notes will blossom and bloom with rich harmonics and singing sustain with responsive, tube-like sag. Power chords will sound thicker and crunchier, a little more ragged around the edges. Complex chords will remain distinct and complex, as the Special Cranker is designed to preserve your tone's integrity without muddying up the low-end or smearing the midrange.

The Special Cranker picks up where the beloved Speaker Cranker left off. It has the same spongy, dynamic, and touch-sensitive character of the original but with more gain, double the output volume (now with a user-friendly Level control), an added Tone control to shape your signal, and a diode selector switch featuring the original asymmetrical Silicon diodes as well as a hot, new Germanium diode option.

The More control goes from nearly clean to a medium gain overdrive when at maximum. This control adjusts the bias of the transistor, so you may hear a little noise as you turn the control. Don't freak out; it's totally fine. The gain characteristics are dependent on which diodes are chosen. When the Germanium diodes are selected, the Special Cranker delivers a softer, more rounded response with tamed highs and lower output, while the Silicon diodes add a brighter, more modern edge and higher output. Both are exceptionally responsive to playing dynamics and have excellent clarity. The Tone control gives the user full command over treble frequencies, cutting the highs when counter-clockwise and adding a slight high-frequency boost when turned clockwise. The Level control adjusts the output from nothing to nearly double at maximum.

Tech Specs:

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 15 mA
Input Impedance: 5M P
Output Impedance: <25 kO

Flexi-Switchr Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

Power:

This device should be powered a standard 9-volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise.

The Special Cranker can be safely operated from 9-18 volts.

Notes: Part of Dreadbox's impressive effects line-up, the Disorder is a rowdy fuzzbox crossed with a self-oscillating filter, serving up some pleasingly nasty tones. An envelope follower with CV output adds versatility.

Supplier's Notes:
The disturbance in physical or mental health or functions. It could be defined as a set of problems, which result in causing significant difficulty, distress, impairment and/or suffering in a person's daily life.

Dreadbox Disorder is a very aggressive fuzz pedal with a twist. It is equipped with a self-oscillating filter, that allows you to produce oscillating fuzz sounds.

Additionally it has a low pass and high pass filter, that makes it suitable for guitar and bass as well. Finally an envelope follower is also present, allowing you to create wah-wah sounds.

Specifications

Circuit: Analogue
Bypass: CMOS
Audio: Mono
Inputs / Outputs
IN/OUT: TS Unbalanced 6.4mm jack
Power Supply: 9VDC BOSS style center pin negative 2.1mm (Not included)
Dimensions (cm): 14 x 10 x 5.6
Current Draw: 50mA

Notes: The Seabee is a multi-chorus pedal that delivers the finest analogue bucket brigade chorus tones, but like any Beetronics, it goes a few steps further. By digitally controlling the chorus delay time, the Bees have created Harmochorus - a never-before-heard pitch shifting modulation that can certainly inspire new genres.

Three Chorus modes provide the classic, lush chorus and vibe sounds we all love, with each mode offering the ability to control the effect in different ways. Vary between two different speeds and/or depths, go from zero to full depth intensity, or even increase the chorus delay time for a whole new spectrum of sounds.

Three Harmochorus modes give you a unique and inspiring new approach to the effect. The easiest way to explain it's that, when clean, it sounds like angel bees are accompanying you, and when paired with some buzz, it sounds like a swarm of killer bees producing the most dangerous pitch shifting modulation are after you! You can choose between two different pitches and speeds, a combination of twelve chords and twelve different arpeggio patterns, or simply choose between thousands of random patterns.

No matter which mode you choose, the Seabee will navigate you to inspiring and creative places.

Its simple layout with only three knobs hides a multitude of possibilities with alternate controls, three ramp shapes, tap tempo, a 4-way tone filter, feedback control, and a rate that ranges from very slow to ultra-fast waves, even reaching ring modulator ranges.

There are two stereo output options, 16 onboard presets, full MIDI control, expression in, external tap and 4 input level options so you can process guitar, bass, all kinds of active pickups or synthesizers and still keep the bucket brigade in its sweetest spot?

It's hard to believe that an analogue chorus can be so complete, versatile, unique and intense - all at the same time. But get ready, because Tone Fishing is about to beecome a thing.

Analogue sound path with the finest bucket brigade chorus tones.
3 Chorus modes / 3 Harmochorus modes
Never before heard pitch shifting chorus with arpeggios and random patterns.
Truly expressive ramping gives you musical control.
16 Onboard presets, Tap Tempo, MIDI, Expression and more.
Selectable input level (supports guitar, bass, active pickups, synthesizers and more)
Hand-assembled in Los Angeles, CA.

Packaging Dimensions: 15.2 x 13.7 x 7.6 cm
Weight: 0.49 kg

Notes: Get lush EHX vibrato and chorus in a compact, pedalboard friendly package with unique control options!

No one does bucket-brigade effects like Electro-Harmonix and with the Eddy you get lush EHX vibrato and chorus in a compact, pedalboard friendly package with unique control options.

The Eddy gives you envelope and expression pedal control over modulation rate and depth. That means you can control either with your playing dynamics. Plus, if you plug in an EXP pedal, you can use it to control the rate or depth at the same time.

The Eddy also features LFO shape warping which can transform the shape of the modulation from a standard sine wave to something totally asymmetric. Plus, the pedal's tone control lets you make the sound brighter or darker.

EHX Founder, Mike Matthews, says: EHX's long history in creating bucket-brigade based pedals goes all the way back to the Electric Mistress Flanger, the Memory Man Analog Delay and the Clone Theory Chorus/Vibrato. The new Eddy springboards off that rich heritage and adds modern control to classic sounds.

Specifications

Circuit: Analogue with Digital Control
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 40mA
Year Released: 2021

Notes: The finest analogue chorus!

The EHX Small Clone Chorus is a reissue of the classic analogue chorus pedal popularised by Kurt Cobain. Depth and Rate controls create the finest sounds, from clear, rich and dimensional to warm pulsating warbles.

True bypass
9V battery included

Specifications

Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in): 5.25 x 3.38 x 2.75
Current Draw: 12mA
Year Released: 2000

Notes: Updated version of the White Whale pedal follows the same formula of 60s-inspired tremolo and spring reverb, with an improved power amp for higher fidelity. The essence of iconic amp effects in a single pedal.

Supplier's Notes:
Inspired by the match-made-in-heaven of vintage effects found on 60s American amps, White Whale V2 sets out a new objective to pack bigger real spring reverb and tremolo sounds in the same pedalboard friendly enclosure (17 x 12,5 x 7,5 cm).

The 3-spring reverb tank assembly housed inside White Whale's enclosure has remained the same, but Crazy Tube Circuits have upgraded the power amp driving the springs for increased headroom and wider frequency response. Following the signal topography of vintage units, Crazy Tube Circuits have also upgraded the dwell control to allow you to dial the right amount of signal that goes into the springs for a mellower or splashier reverb sound. Real spring reverb found in 60s American tube amps and external reverb units featured a tube power amp driving the spring assembly via an output transformer, so analogue circuit has been delicately tuned to emulate the tube and output transformer saturation that was produced on higher dwell settings.

Each of these vintage units had its own reverb effect qualities so Crazy Tube Circuits tried to categorize them according to the most emblematic ones with a toggle switch selecting the size and decay. The user can select between the milder reverb qualities of a short to medium 2-spring reverb tank, the liveliness of a medium to long 2-spring reverb tank as found in most blackface amp designs and the dense reverb qualities of a long 3-spring reverb tank assembly. A reverb's tone control comes after the recovery stage at the output of the reverb tank and affects only the wet sounds for lively and drippy or smooth and mild reverb tones. Use the mix control to blend your desired amount of wet signal on top of the dry guitar signal. Higher reverb mix settings tend to get lost in the mix, so we've made sure you'll be heard loud and clear by incorporating a volume control capable of up to 20db boost.

The tremolo section has also been upgraded to feature harmonic tremolo, besides the opto and tube bias found in the previous incarnation of Crazy Tube Circuits' "marine mammal". This hypnotic and mesmerizing effect originated on certain models of the brown and blonde era amps and does frequency-based modulation by shifting between high and low frequencies compared to the amplitude-based modulation (opto and tube bias) that shifts between volume levels. Crazy Tube Circuits have made sure to include the two most significant variations of harmonic tremolo, as found in the original amps, that differentiate in the range and sweep of pulsating frequencies. The depth control sets the intensity of modulation while the range of the speed control has been extended beyond the span of vintage amps' to make sure we'll maximize your creativity. The volume control will boost the signal, if needed, even in the hardest throb settings.

Another upgrade found in the White Whale V2 is that the two effect sections are now completely independent and you can select the effects order so that the tremolo effect comes before the reverb or vice versa. This gives you the option to make heavenly combinations as optical and tube bias style tremolo usually sound better when placed after (post) the reverb effect while the harmonic tremolo usually sounds better when placed in front (pre) of the reverb effect. The two onboard footswitches are used to engage or bypass each effect section and feature a power-up bypass/engage pre-set function. That way you can select which state your pedal will go to when you plug the power supply. White Whale V2 also features a remote switcher input jack where you can control the bypass state of each effect section remotely via your favourite external effects switcher or via the matching artwork remote control dual footswitch (sold separately). Reverb's mix can also be controlled via an expression pedal and tremolo's speed can be controlled by either an expression pedal or external tap tempo footswitch (expression pedals / tap tempo footswitch are not included).

The surf-friendly light green colour adds to the overall drippy experience of a real spring reverb and tremolo that will fit on your pedalboard. If your amp setup doesn't have these effects by design, you have now found your perfect match.