Back catalogue: Reggae Classics/Ska

Review: Byron Lee was an important part of Jamaican music from his first appearance in the 60s and onwards. Amongst his bustling back catalogue is this cheery classic from 1980, which keeps the heart and soul of ska alive, with an emphasis on the soul. The rhythms are reliably skanking throughout, whether stopping by the melancholic 'Shoobe Doobe Doo' or the chirpy 'Bend Down Low'. This is ska in its truest sense, with an infectious energy which speaks universally to young and old, hip and square. You can also hear the strong US RnB roots of the music in Lee's songwriting, and it tugs at the heart strings in just the same way. Grab an immaculate album of honest, earnest songwriting magic with all the irrepressible joy of Jamaica coursing through its veins.

Review: The 5th studio album by Jamaican reggae artist Lincoln Thompson released back in 1983, 'Ride With the Rasses' was well-loved by those who knew it. A proud proclamation of his Rastafari faith, Prince Lincoln and his Royal Rasses are considered one of the mainstays of roots reggae. The record is conscious at every turn, influenced by the band's label going bankrupt the year prior forcing their return to Jamaica from the UK (referenced in 'Come Spring', the yearning for hot weather). The tone gambol's from serious messaging on the state of the world at the time, to a relaxed and chill attitude like in 'Ride With The Rasses'. The real attraction in Lincoln's work is his falsetto voice, something that distinguished him from his roots peers Bob Marley and Peter Tosh (the latter of which taught Thompson to play instruments). This is a well-deserved repressing of an incredible piece of underrated roots history.