Back catalogue: Pop

Review: Mumford & Sons drop a surprise single release alongside Pharrell Williams, 'Good People', delivering on a long-awaited promise to hop in the studio together after years of knowing each other. Finally falling back on their immediate instincts, 'Good People' hears the band and the solo wunderkind sing of tiredness and revelation, making adept use of a dry, driving, sportsmanlike instrumental palette (think hand claps, stomps, gospel harmonies). Though cryptic in theme, the mood on this one-off is one of triumph and impending miracle works to come.

Review: Pikotaro is a fictional singer-songwriter created and portrayed by Japanese comedian Daimaou Kosaka; his persona's breakout single 'PPAP (Pen-Pineapple-Apple-Pen)' was first released on YouTube in 2016, becoming an overnight viral sensation. Once billed as the next 'Gangnam Style', 'PPAP' themes itself after an excruciatingly corny but funny household banality: Kosaka was allegedly sitting in his house, trying to come up with lyrics for his next song and realised that not only was he holding a pen, but also that there was a tin of pineapple slices resting on the kitchen counter. Thus, in the consequent music video, Pikotaro is seen dressed in a yellow leopard print costume, unaffectedly dancing around his living room, singing "I have a pen, I have an apple. Uh!", all while gesticulating and holding said items firmly in hand. Clearly, inspiration is a matter of feeling and intuition, not content. Only now, almost unbelievably, has this viral hit seen a 7" vinyl record release via Avex Japan.

Review: Emotional Rescue returns to early 1980s Manchester with the previously unreleased music of Michael James Pollard and his beautiful distillation of indie pop in Too Confusing and bedsit cover version of Ashford and Simpson's Surrender.

While studying photography at Manchester Polytechnic, (MJ) Pollard lived and played in a band in a ramshackle house in Walley Range. In the cellar studio he would write and record his own songs using their guitars, fretless bass and keys, as well as his own Casio VL-Tone VL-1 and Simmons Clap Trap to augment his drums onto a 4 track TEAC.

By 1983, and now solo, he was recording out of Dislocation Dance's studio (ERC111), had secured a Peel Session and via Factory Records' Lindsay Reade, was discussing with Fundacao Atlantica about releasing an album.

Working with singer Sioux Goddard as a duo, they put down 8 songs in 2 weeks in summer '84. However, Fundacao Atlantica's financial difficulties and soon closure meant the songs were lost until now.

Recovered off the original tapes and lovingly restored, Too Confusing captures the optimism of the sessions, a summer love melody of forlorn youth. Surrender accompanies, recorded back in that cellar in '81, with friend Stephanie Danziger on vocals, its lo-fi simplicity is a perfect take on an all-time classic, making this a newly prized gem of British indie pop history.