Back catalogue: Leftfield

Notes: Inside the brand new issue:

aya: New album hexed! explores sobriety and neurodiversity through radical tunings and transformed instruments. By Chal Ravens

Satch Hoyt: The one-time Burnt Sugar member's Un-Muting project opens museum archives of stolen instruments. By Francis Gooding

Ailie Ormston: The Glasgow composer moves away from the conservatoire to conduct the sounds of the city. By Abi Bliss

Joke Lanz: At 60 years old the Swiss improvisor still takes a punk approach to the turntable. By Daniel Spicer

Bios Contrast: Kolkata musician Nilotpal Das cooks up the concept of brahmancore. By Misha Farrant

Laura Cocks: Chamber music is the site of connection for the flautist. By Stewart Smith

MIC: Grime provides the setting for sci-fi storytelling in the hands of the London MC. By Lucy Thraves

John King: The composer playing the blues for Palestine's lost communities. By Kurt Gottschalk

Tran Duy Uc: The Vietnamese multidisciplinary artist curates the self-scape. By Daryl Worthington

Invisible Jukebox: Alvin Curran: Will the Musica Elettronica Viva member read maritime rites over The Wire's mystery record selection? Tested by Julian Cowley

Unlimited Editions: Meticulous design and sonics dovetail in New York new music label Greyfade. By Philip Watson

The Inner Sleeve: Seymour Wright on Anne Gillis's Lxgrin

Against The Grain: VAN magazine Editor Hugh Morris can't stand that jazzy sensation

Epiphanies: Surgeon gets all cut up by William S Burroughs and Brion Gysin

Soundcheck: Actress, Ahmed Ag Kaedy & Will Guthrie, Annie A, Peter Baumann, Lea Bertucci & Olivia Block, Biollante, Daniel Blumberg, Pierre Borel, Brutal Shift, Brutal Shift/Solar Yolk, Florence Cats, CBZK, Circuit Des Yeux, Anla Courtis Ja Lehtisalo, Kara-Lis Coverdale, Holger Czukay, Bryn Davis, Dead Pioneers, Divide And Dissolve, Dromedaries x Alexoteric, Dushume, Eska, Bryan Ferry & Amelia Barratt, The Great Learning Orchestra, Hieroglyphic Being, History Dog, William Hooker, William Hooker with David S Ware & Alan Braufman, HxH, Infinity Knives & Brian Ennals, Chris Jonas, Fergus Jones, Kid Spatula, Kinski, Das Koolies, Ed Kuepper & Jim White, Laibach, The Steve Lehman Trio & Mark Turner, Mclusky, Me, Claudius, Roger Clark Miller, Hedvig Mollestad Trio, Nahja Mora, Natural Information Society & Bitchin Bajas, Neptunian Maximalism, The Orchestra Of Futurist Noise Intoners Directed by Luciano Chessa, Anthony Pateras, Lucy Railton, Lee Ranaldo & Michael Vallera, Gryphon Rue, Laila Sakini, Kim Salmon & Masami Kawaguchi, Klaus Schulze, Slow Reading Club & Charlie Usher, Ches Smith, Sumac & Moor Mother, Neil Tennant/Mark Springer/Sacconi String Quartet, Throwing Muses, Penelope Trappes, William Tyler, Use Knife, Whatever The Weather, Various Soon I'll Run Out Of Air

The Columns: Avant Rock by Antonio Poscic; Critical Beats by Joe Muggs; Dub & Reggae by Steve Barker; Electronics by Leah Kardos; Global by Francis Gooding; Hiphop & R&B by Tim Fish; Jazz & Improv by Phil Freeman; Noise, Industrial & Beyond by Emily Pothast; Size Matters by Byron Coley

The Boomerang: Paul Bley, Paul Bley Trio, Stanley Cowell, The Creation, Q Lazzarus, Kali Malone, Pentangle, Steve Reich, Charlie Rouse, Royal Trux, Pharoah Sanders, Charles Tolliver's Music Inc, Various Strata-East: The Legacy Begins

Print Run: Hating Jazz: A History Of Its Disparagement, Mockery, And Other Forms Of Abuse by Andrew S Berish; Mood Machine: The Rise Of Spotify And The Cost Of The Perfect Playlist by Liz Pelly; Black Mystery School Pianists And Other Writings by Matthew Shipp; Erik Satie Three Piece Suite by Ian Penman; Small Town Joy: From Glam Rock To Hyperpop: How Queer Music Changed The Sound Of Scotland by Carrie Marshall; Alice Coltrane, Monument Eternal edited by Erin Christoval; The Sound Of Utopia: Musicians In The Time Of Stalin by Michel Krielaars (translated by Jonathan Reeder); Dmitry Shostakovich And Music For Stalinist Cinema (1936-1953) by Joan Titus; Blank Forms 10: Alien Roots: Eliane Radigue edited by Lawrence Kumpf & Charles Curtis

On Screen: Dietmar Post Mona Mur In Conversation; Jean-Cosme Delaloye Desire: The Carl Craig Story; Marie Losier Peaches Goes Bananas

On Location: Jules Reidy + Nina Garcia + Adam Soper, Newcastle upon Tyne, UK; Hekla + Dave Welder, London, UK; Sachiko M & Annette Krebs + Chris Pitsiokos & Axel Dorner, Berlin, Germany; Mamboat, Rio de Janeiro, Brazil; Come Back, London, UK; Borealis, Bergen, Norway; Ghais Guevara, London, UK; Sonics 25, Hastings, UK; 160 Unity: RP Boo + DJ Spinn + Kode9 + Big Dope P, London, UK; Experiments in Opera, New York, US; CTM, Berlin, Germany

On Site: Joy Boy, A Tribute To Julius Eastman, Aalst, Belgium; Leigh Bowery!, London, UK; Outlaws: Fashion Renegades Of 80s London, London, UK

Notes: Seidel's groundbreaking book, which includes unique historical photographs, paints a vivid picture of the old Federal Republic of Germany, with all of its contradictions and struggles. What is now celebrated as Krautrock emerged in this environment, and at the time was an attempt to contribute the soundtrack to the revolution. As a fly onthe wall, Seidel recounts the squats, demos and first concerts of bands such as Cluster, Tangerine Dream and Ash Ra Tempel. Just as precisely and vividly, he recapitulates the influence of minimal music composers such as Steve Reich and Philip Glass, the origins of many Krautrock musicians in jazz and the role of the synthesiser.

Wolfgang Seidel delivers a captivating account on Krautrock that dispels many of the founding myths of the first genuinely German pop culture, which above all did not want to be German. In addition, the book is supplemented by a discography of the 50 most important Krautrock records, written by music journalist and Krautrock expert Holger Adam.

Translated from German by Alexander Paulick (member of influential Dusseldorf based avant-garde band Kreidler).

Notes: They say nothing good happens after midnight, but in the case of creativity, that's just not so. The night fosters a different kind of creativity: something urgent, spontaneous, carved out of necessity. Tracking the past, present and future of this complex dynamic, Selling The Night explores what happens when after-dark creativity influences wider culture and converges with everything from media, advertising, design and to gaming, fashion, hospitality, alcohol, beauty, tourism and far beyond. Also, as importantly, the implications of brands taking space within dance music as sponsors and supporters.

Author Andy Crysell speaks to DJs, promoters, marketers, academics, activists, archivists, policymakers, photographers, writers and designers. He samples KFC through to Fiorucci, Absolut and Red Bull, and moves from New York disco to the modern global underground.

Selling The Night witnesses how ideas migrate from subculture to influence the creative industries. It searches for lessons in improving the value exchange between dance music and brands, seeking something more symbiotic and less parasitic. All the while, it celebrates what makes after-dark ideas so special - the unique and democratising role they play.

Notes: Synthesizer Evolution: From Analogue to Digital (and Back) author Oli Freke returns with a new volume in his Synthesizer Evolution A6 zine series. The modular resurgence of the past 25 years has been a wonder to behold. Where musicians were once chained to their DAWs, we are now liberated once again to wire, patch, and modulate in the real world, choosing from a mind-boggling array of options.

Modular Greats celebrates the fusion of art, logic, science, and serendipity in modular synthesis, highlighting some of the best-selling, most creative, and most impactful modules of the 21st century. Featured manufacturers include Make Noise, Mutable Instruments, TipTop Audio, Intellijel, Rossum Electro-Music, Doepferiand many more!