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Cat: 198028 08052. Rel: 01 Nov 24
Soundtracks
Review: When Italian film director Luca Guadagnino commissioned long-term collaborators Trent Reznor and Atticus Ross to write and produce the soundtrack for Challengers, he had a clear idea in mind: music rooted in Berlin techno and 90s rave'. Reznor and Ross undoubtedly delivered, creating heavily electronic music that veers between guitar-laden nu-rave ('Yeah x10'), throbbing peak-time workouts (the Moroder-goes-to-Berghain flex of 'Challengers'), tech-tinged nu-disco ('The Signal', 'The Points That Matter'), pitched-black EBM-techno fusion ('Brutalizer') and acid-fired insanity ('Pull Over'). There are occasional nods to more classical movie soundtracks - see the choral versions of Benjamin Britten's 'New Year Prayer' - but for the most part it is a thrill-a-minute ride through deliciously heavy rhythms, basslines and electronics.
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Review: Sony Records has decided to reissue a slew of early albums from British shoegaze and dream pop sorts Slowdive, a band that has enjoyed a successful comeback since reforming late last decade. Here they take us back to the formative years of the Reading-born band and 1991 full-length debut Just For a Day. Recorded in leafy Oxfordshire (Abington specifically), the set is as lush, densely layered, effects-laden and gently psychedelic as you'd expect from a set that's (rightly) still regarded as one of the strongest shoegaze albums of all time. For proof, check the hypnotic, slow-motion pulse of opener 'Spanish Air', the low slung bass and hallucinatory textures of 'Catch The Breeze', the near-ambient immersion of 'Erik's Song', and the jangly sparkle of 'Brightness'.
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Review: While now - rightly - hailed as one of the greatest shoegaze albums of all time, Slowdive's sophomore full-length Souvlaki was initially panned by critics - a fate that also befell the Reading combo's debut Just For a Day. Now remastered and reissued on CD for the first time in years, the 1993 set remains a pleasingly saucer-eyed, heavily layered and decidedly dreamy affair. Musically, it's generally brighter and more jangling than its predecessor, leaning more heavily into the dream-pop end of their sound whilst still retaining the reverb-heavy, suitably psychedelic guitar textures of shoegaze. Highlights include the funky, late 60s nostalgia of '40 Days', the dubby and spaced-out headiness of 'Sing' and the stretched-out heaviness of 'Souvlaki Space Station'.
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Cat: 198028 86182. Rel: 09 May 25
Soundtracks
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Cat: 196588 13792. Rel: 27 Jun 25
Rock
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Review: Bruce Springsteen has been sitting on these recordings for years—whole records, not sketches—some finished, some forgotten. Now they finally surface, spanning 1983 to 2018, and offer a different kind of self-portrait: one less polished, more exploratory. The earliest material finds him navigating a path between the haunted quiet of ‘Nebraska’ and the radio gloss of ‘Born in the U.S.A.’. Later sessions toy with drum loops, synth beds and orchestral swells. One batch plays like the soundtrack to a film that never existed; another leans into pedal steel and modest country sketches. There are borderland narratives, noir-ish ballads, E Street-style anthems. That New Jersey grit—that plainspoken clarity he’s carried since the boardwalk days—runs through even the softest tracks. He says he made this music to please himself and close friends, and you hear that freedom in its variety: some songs feel raw and just-found, others fully formed. There’s no tidy arc, but that’s part of its charm. Across seven discs and 82 songs, what emerges isn’t a legacy project but something quieter: a window into how a working musician keeps working. You don’t come away with answers—only a better sense of how far Springsteen will follow a song just to see where it leads.
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Cat: 888750 84642. Rel: 27 Jun 25
Hip Hop/R&B
Deathcamp
Buffalo
Pilot
Run
Find Your Wings
Cherry Bomb
Blow My Load
2Seater/Hair Blows
The Brown Stains Of Darkeese Latifah (part 6-12 - remix/Special)
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Yellow
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Review: After an extended hiatus of nigh-on five years, Vampire Weekend has finally got around to recording a new album. Only their third studio set in total, Only God Was Above Us sees the trio muse on the weight of history - their own as much as anything else - while fretting about what lies ahead for the human race. Musically, much of what's on offer is densely layered and impressively loud, with loads of intricate musical detail (check the jazz horns and mad stereo panning of 'Classical' and the string-laden, White Album-era Beatles nostalgia of 'Capricorn') working in unison with their attractive, harmonic, saucer-eyed vocals. It's a bit of a triumph all told and one that proves that there's plenty of life yet in Vampire Weekend.
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Review: The release of Never Too Much: Greatest Hits is an exceptional tribute to the genius of Luther Vandross, coinciding perfectly with the documentary 'Luther Vandross: Never Too Much.' This collection is a treasure trove for lovers of soul and r&b, showcasing the velvety smoothness of Vandross's voice across his iconic studio tracks. With the addition of four previously unreleased gems, including a soul-stirring rendition of the Beatles classic "Michelle," this album immerses listeners in the rich tapestry of Vandross's timeless artistry.
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Soft Cell - "Tainted Love"
Duran Duran - "Girls On Film"
The Human League - "Love Action (I Believe In Love)"
Orchestral Manoeuvres In The Dark - "Enola Gay"
Spandau Ballet - "To Cut A Long Story Short"
Visage - "Fade To Grey"
Heaven 17 - "Temptation"
Tears For Fears - "Mad World"
Japan - "Ghosts"
The Passions - "I'm In A Love With A German Film Star"
China Crisis - "Wishful Thinking"
Kajagoogoo - "Too Shy"
Howard Jones - "New Song"
Landscape - "Einstein A Go-Go"
Peter Schilling - "Major Tom (Coming Home)"
Simple Minds - "Glittering Prize"
Talk Talk - "It's My Life"
A Flock Of Seagulls - "I Ran"
Blue Zoo - "Cry Boy Cry"
Classix Nouveaux - "Is It A Dream"
Lotus Eaters - "The First Picture Of You"
Culture Club - "Do You Really Want To Hurt Me"
Giorgio Moroder & Philip Okey - "Together In Electric Dreams"
Limahl - "Never Ending Story"
Nik Kershaw - "The Riddle"
Adam Ant - "Friend Or Foe"
Bow Wow Wow - "Go Wild In The Country"
Haircut 100 - "Favourite Shirts (Boy Meets Girl)"
ABC - "Tears Are Not Enough"
The Teardop Explodes - "Reward"
Kim Wilde - "Chequered Love"
Altered Images - "I Could Be Happy"
Toyah - "It's A Mystery"
Dave Stewart & Barbara Gaskin - "It's My Party"
Men Without Hats - "The Safety Dance"
Marilyn - "Calling Your Name"
Dollar - "Videotheque"
Bucks Fizz - "My Camera Never Lies"
Paul Young - "Come Back & Stay"
Alison Moyet - "Love Resurrection"
PhD - "I Won't Let You Down"
Thompson Twins - "Hold Me Now"
Frankie Goes To Hollywood - "Relax"
Dead Or Alive - "That's The Way (I Like It)"
Blondie - "Atomic"
Martha & The Muffins - "Echo Beach"
Echo & The Bunnymen - "The Killing Moon"
Joy Division - "Love Will Tear Us Apart"
The Psychedelic Furs - "Pretty In Pink"
Wang Chung - "Dance Hall Days"
Re-Flex - "The Politics Of Dancing"
Joe Jackson - "Steppin' Out"
Stranglers - "Strange Little Girl"
Mobiles - "Drowning In Berlin"
Hazel O'Connor - "Eighth Day"
The Belle Stars - "Sign Of The Times"
Madness - "Our House"
Dexys Midnight Runners - "There There My Dear"
UB40 - "One In Ten"
JoBoxers - "Boxerbeat"
Roman Holiday - "Don't Try To Stop It"
Mari Wilson - "Just What I Always Wanted"
The Maisonettes - "Heartache Avenue"
The Style Council - "Long Hot Summer"
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Review: A nostalgia-packed journey through one of pop music's most exciting years, featuring an impressive lineup of extended and remixed tracks from the decade's biggest stars. This four disc collection brings together a mix of chart-topping anthems, cult classics and dancefloor staples, each in its extended 12" glory. Things start with Wham!'s infectious 'Freedom' (long mix) and keeps the energy high with Culture Club's politically charged 'The War Song' (Ultimate dance mix). New Order's 'Thieves Like Us' and Philip Oakey & Giorgio Moroder's 'Together In Electric Dreams' add a synth-laden sheen, while Eurythmics' haunting 'Sexcrime (Nineteen Eighty-Four)' is a bold statement piece. As the tracklist moves on, iconic tracks like Frankie Goes To Hollywood's 'Relax' (New York mix) and Duran Duran's 'The Reflex' (dance mix) capture the decade's indulgent soundscape. Meanwhile, softer gems like Talk Talk's 'It's My Life' (extended mix) and Echo & The Bunnymen's 'Silver (Tidal Wave)' provide balance. Closing with Paul McCartney's heartfelt 'No More Lonely Nights' (extended) and the ever-catchy 'Somebody's Watching Me' by Rockwell, this compilation offers a comprehensive snapshot of 1984's pop brilliance. Having these extended versions together in one set is more than a greatest hits package - it's like having all the maxi singles together like an experienced DJ ready to rock a party.
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The Hits Album: Floorfillers Throwback Classics (ummixed 3xCD)
Cat: 196588 69772. Rel: 23 Feb 24
Funky/Club House
C+C Music Factory - "Gonna Make You Sweat (Everybody Dance Now)" (feat Freedom Williams - radio mix)
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The Hits Album: The Poptastic 60's Album (unmixed 3xCD)
Cat: 198028 97112. Rel: 28 Feb 25
50s/60s
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The Hits Album: The All Time Greatest Car Songs (unmixed 3xCD)
Cat: 198028 75492. Rel: 14 Mar 25
Pop
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Wham! - "Wake Me Up Before You Go Go" (CD1)
Philip Bailey & Phil Collins - "Easy Lover"
Duran Duran - "The Reflex"
Frankie Goes To Hollywood - "Relax"
Dead Or Alive - "You Spin Me Round (Like A Record)"
Rick Astley - "Never Gonna Give You Up"
Bucks Fizz - "Making Your Mind Up"
Adam & The Ants - "Prince Charming"
The Human League - "Don't You Want Me"
A-ha - "The Sun Always Shines On TV"
Marc Almond & Gene Pitney - "Something's Gotten Hold Of My Heart"
Spandau Ballet - "True"
Culture Club - "Do You Really Want To Hurt Me"
UB40 & Chrissie Hynde - "I Got You Babe"
Althea & Donna - "Uptown Top Ranking"
Blondie - "Sunday Girl"
Pretenders - "Brass In Pocket"
The Jam - "Going Underground"
The Mash - "Suicide Is Painless"
Robin Beck - "First Time"
Phyllis Nelson - "Move Closer"
Sweet - "Blockbuster" (CD2)
Mud - "Tiger Feet"
Wizzard - "See My Baby Jive"
Carl Douglas - "Kung Fu Fighting"
George McCrae - "Rock Your Baby"
Rod Stewart - "Reason To Believe"
Leo Sayer - "When I Need You"
10cc - "I'm Not In Love"
David Soul - "Silver Lady"
Elvis Presley & Junkie XL - "A Little Less Conversation"
The Beach Boys - "Good Vibrations"
The Everly Brothers - "Cathy's Clown"
The Supremes - "Baby Love"
Four Tops - "Reach Out I'll Be There"
Marvin Gaye - "I Heard It Through The Grapevine"
The Walker Brothers - "The Sun Ain't Gonna Shine Anymore"
The Righteous Brothers - "Unchained Melody"
Dusty Springfield - "You Don't Have To Say You Love Me"
Sandie Shaw - "Long Live Love"
The Hollies - "He Ain't Heavy He's My Brother"
Gerry & The Pacemakers - "You'll Never Walk Alone"
Fleetwood Mac - "Albatross"
Britney Spears - "Baby One More Time" (CD3)
Kylie Minogue - "Can't Get You Out Of My Head"
S Club - "Don't Stop Movin'"
Gina G - "Ooh Aah Just A Little Bit"
Boney M - "Brown Girl In The Ring"
Gloria Gaynor - "I Will Survive"
Take That - "Relight My Fire" (feat Lulu)
Westlife - "I Have A Dream"
Cher - "The Shoop Shoop Song (It's In His Kiss)"
Ricky Martin - "Livin' La Vida Loca"
Natasha Bedingfield - "These Words"
Lily Allen - "Smile"
Fugees - "Killing Me Softly With His Song"
Christina Aguilera - "Beautiful"
Leona Lewis - "Bleeding Love"
Will Young - "Leave Right Now"
All Saints - "Pure Shores"
Girls Aloud - "Sound Of The Underground"
Gnarls Barkley - "Crazy"
Simply Red - "Fairground"
New Order - "World In Motion"
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Milli Vanilli - "Official Soundtrack Medley:Girl I'm Gonna Miss You/Girl You Know It's True Baby Don't Forget My Number/Blame It On The Rain/All Or Nothing/Keep On Running/Ma Baker"
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Review: The 40th Anniversary Edition of Wham!'s iconic Christmas hit is a nostalgic trip through the beloved holiday classic. The first track, the original version remains as timeless as ever with its catchy melody and emotional lyrics, capturing the spirit of both love and heartbreak. The 'Pudding Mix' adds a playful, slightly altered twist, giving a fresh take on the classic while maintaining its festive charm. The live version recorded at Wembley Arena in 2006 showcases the energy and warmth of Wham!'s performance, adding an exciting, crowd-fueled vibe. Finally, the instrumental version strips down the vocals, letting the lush production and catchy synths shine in a new light. A Christmas classic!
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Review: First released on streaming platforms last summer, Wilco's 'Hot Sun Cool Shroud' EP was uniformly praised by critics. Much more than a stop gap between albums (it arrived roughly 12 months after the outfit's lauded 13th studio full-length, Cousin), the six-track set bristles with inventiveness while flitting between styles and tempos. So, opener 'Hot Sun', a sticky slab of Americana-tinged jangly indie brilliance, is followed by the reverb and solo-laden alt-rock squall of 'Livid' and the gentle, string-laden swoon of 'Ice Cream'. And so it continues, with the fuzzy positivity and weary vocals of 'Annihilation' being joined by the pleasant, impossible-to-pigeonhole experimentalism of 'Inside The Bell Bones' and the twinkling, heartfelt melancholia of 'Say You Love Me'.
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