Re:Warm Vinyl & CDs

Review: The traditonal way to start a review of any Micko Westmoreland release - and with as is to point out that he's best known for playing Jack Fairey in the mock glam documentary Velvet Goldmine, but with a second strong album in his new, flanked -by-legends incarnation and some highly memorable video promos featuring a succession of alternativ ecomedy greats, that could well be changing. Expect spiky English podst-punk songwriting a la XTC or even Pulp, with recent singles 'Autosexual' and 'What's In A Name' (which includes guest vocals from Kevin Eldon numbering among the highligths.

Review: Following on from Running Back's much-needed reissue of their seminal, saucer-eyed early 90s deep house gem 'Mermaids', Ali Tillett's Re:Warm label has decided to serve up a fresh retrospective of the sprawling career of Hull twosome Fila Brazillia. Tillett has done an excellent job too - not an easy task given the sheer size of the pair's catalogue - opting to mix kaleidoscopic early favourites (the dreamy, sunrise-ready brilliance of 'The Sheriff') and bona-fide chill-out classics (the superb 'A Zed and Two L's' and 'Harmonicas Are Shite') with stoner funk numbers from later albums ('Throwing Down a Shape', 'Airlock Holmes') and lesser-celebrated treats (the dense, slow-motion excellence of 'Neanderthal'). There's even a previously unreleased gem recorded last year: the return-to-their-roots brilliance of 'Toro De Fuego'.

Review: From an ardent blogger to an in-demand compiler, Paul Hillery's obsessive approach to music discovery has taken him far. As well as working with the likes of BBE, he's been fostering a working relationship with Re:Warm which now yields a second volume of the fantastic Folk Funk & Trippy Troubadours series. The title is instructive, and somewhere in the folds of private press joints and forgotten album cuts Hillery finds a thread which binds together seemingly disparate sounds. There's delicate singer-songwriter seances from the likes of Lucy Kitchen and psychedelic, roving magic from Stallions remixing Findlay Brown and much more besides.

Review: Following on from 2019's The Unforgiving Current, Horsebeach's Ryan Kennedy returns with his fifth record Things To Keep Alive. With The Unforgiving Current exploring the themes of isolation whilst living in Tokyo, Kennedy has since returned to the perpetual grey of Mancunia. But rather than viewing his return to Manchester as a step back, Kennedy has used Horsebeach as a catalyst to explore and make positive strides within his mental health. From Beatles-esque balladry, fuzzed out shoegaze and a lavish cover of a 00s pop classic, Things To Keep Alive still importantly retains the Horsebeach DNA and even has moments that will take fans all the way back to Kennedy's C86 inspired debut LP. In turn, this results in Horsebeach's most varied and rewarding album to date. A record that inspires and shows growth; a record that makes you appreciate the things you help to keep alive.

Review: Curated by none other than the distinguished DJ and cultural curator Luke Una. Known for his eclectic tastes and deep connections in the music world, Luke brings his expertise to Everything Above The Sky (Astral Travelling with Luke Una), a collection designed to evoke late-night, introspective soundscapes.
This compilation reflects Luke's ongoing quest to find music that transcends the everyday, making astral travel through sound a tangible experience. Drawing from his vast knowledge and numerous conversations with record shop owners, tastemakers, and music enthusiasts, Luke has meticulously selected tracks that offer a subtle, soulful journey. The music flows gently, never overwhelming, instead inviting listeners into a space where simple, heartfelt melodies can lead to profound reflection and escape. Everything Above The Sky is a snapshot into Luke Una's ability to craft soundscapes that resonate deeply, offering an immersive listening experience that transports beyond the mundane.

Review: In this collection, Luke curates music with the perfect blend, inviting listeners on an esoteric journey of enlightenment through sound. Exploring late-night, after-hours musings; Everything Above The Sky (Astral Travelling with Luke Una) is a new compilation by the enigmatic DJ, promoter, and cultural curator. Following the E Soul Cultura phenomenon, this compilation comes at a pivotal moment in Luke's career as he travels the globe. Avoiding any chance of his sound being pigeonholed, Luke has assembled a tracklist that feels transcendental, stepping off the grid and back to source. Luke's Everything Above The Sky manifesto describes the music as Astral Travelling in the meadowlands with acid folk, spiritual jazz, midnight hocus pocus, cosmic psychedelic soul, magical whirling love songs, Brazilian ballads of light into machine soul gospel dreaming, Balearic bossa and Outer Space ancient African drums. Expect something different and highly unique with this listen.

Review: There's so much to admire about the borderless musical inclinations of the one and only Luke Una. A longstanding standard-bearer for nocturnal eclecticism, he's made an art out of pigeon-hole dodging, via event series like Electric Chair/Elephant and Homoelectric, his Worldwide FM residency, and E Soul Cultura compilations. His latest comp sees him explore sonic transcendence, selecting a body of musical curios based on their ability to transport the listener to higher realms. As expected, the album bursts with delightful, lesser-known morsels that make it more than worthy of attention. Opening with the psychedelic guitar swells of John Martyn's masterful 'Small Hours' before meandering into the blissful meditations of Stephen Whynott's 'A Better Way', drifting into the staccato whimsy of Sylvain Kassap's 'Plancoe' and arresting with the aching soul of Michael Gregory Jackson's 'Unspoken Magic', there are too many standouts to mention. This is an album to savour from start to finish, a means of cultivating inner peace and astral escapism. When it comes to digging chops, there aren't too many who measure up to Luke, and this selection serves as a case in point.

Review: DJ and selector Josh Mason-Quinn, better known as Somewhere Soul, curates a new collection mirrorring the ebb and flow of a full day’s listening, mapping moods from early morning uplift to late-night release. Titled Rituals, this first volume is a birds-eye blend of jazz, soul and house of an international retinue, spotlighting lesser-known names together with a few more familiar underground figures. This first volume in a series offers a wide-angle snapshot of a scene in motion, built from the same crate-digging instincts and personal selection rituals that drive Josh’s own work.