Power @+12V: 36mA
Power @-12V: 16mA
Expanding on the classic arrangement of Primary and Modulator Oscillators, the DPO has both of the VCOs operable as complex signal sources. It is in essence a Dual Primary Oscillator.
Typical reverb types such as plate, room, hall, shimmer and others may be programmed by adjusting the knobs. The continuously variable algorithm allows for hybrid and unreal spaces to be found.
Traveling between spaces is possible by modulating the algorithm or manually sweeping parameters. More than an end-of-chain effects unit, it's a whole new building block for modular synthesis. Like the Echophon, it's coded by Tom Erbe of soundhack.
It is a small analog computer designed for solely musical purposes.
- Generate a variety of linear, logarithmic, or exponential triggered or continuous functions
- Integrate an incoming signal
- With no signal applied, generate a variety of linear, logarithmic, or exponential functions
- Add, subtract and OR up to 4 signals
- Generate analog signals from digital information (Gate / Clock)
- Generate digital information (Gate / Clock) from analog signals
- Delay digital (Gate / Clock) information
It has 9 inter-connected sockets that may be split into different group combinations depending upon how it is patched. The jacks circled in white will make or break the interconnects between the 3 groups of three, thus allowing for three 3-way, one 5-way/ one 3-way or one 7-way multiple.
The Multiple is passive, because the Make Noise system does not require Buffered Multiples since all critical control signals are already buffered in such a way as to provide a large fan-out capability.
Despite being completely digital, it is highly organic, displaying variation in outcome often seen only in nature. It is a formless blob of DSP that you grow, modulate and patch program into new sounds, some vaguely recognizable and others completely otherworldly.
The range of sounds possible is quite large. From pianissimo to fortissimo, short percussive bursts to bowed, sustaining pitches. The two waveguides can be pitched together or independently, mutated with harmonic or inharmonic waveforms and fed back into themselves or each other.
Named for the French philosopher & mathematician Rene Descartes, it uses his Cartesian coordinate system to unlock the analog step sequencer from the shackles of linearity.
More than 10 in stock $431.57
The Wogglebug is a very musical random voltage generator where it is possible to synchronize all random signal to a Master Clock. Guaranteed to unleash your synthesizer's ID MONSTER!
It is designed to facilitate live performance on the modular synthesizer by allowing the artist to preview and modify portions of a patch using the Auto-CUE system, while the audience is listening to a different portion of the patch as selected by the crossfader.
Additionally it allows for Stereo processing of all sounds via the FX Loop. The Rosie is suitable for headphone monitoring of the modular system and interfacing the modular system to a recording environment. Internal Level Matching and Limiting w/ overload indication makes it easy to connect the modular system in the studio or on stage.
Today the Make Noise Skiff is updated to provide a smart way to build a small modular synthesizer. It is low cost, but extremely durable. The clean simple lines and matte black color place visual emphasis where the action is; the patch the artist has created.
Today the Make Noise Skiff provides a smart way to build a small modular synthesizer. It is low cost, but extremely durable. The clean simple lines and matte black color place visual emphasis where the action is: the patch the artist has created. At one side there is a power button and the Make Noise logo is illuminated to show the power is ON.
Ships ready to use. Just add modules, patch cables, and inspiration.
A few of the Morphagene's most basic uses: Splice recorded audio and jumble it using ORGANIZE. Manipulate playback speed and direction with Vari-Speed. Granularize with Gene-Size and Slide. Layer or Stagger Genes using MORPH. Undertake iterative music processes by recording manipulations and overdubs into new Splices, like having two machines (one for Playback and modulations, one for Record). Process sound in real time using Time Lag Accumulation. Utilize envelope following CV OUT and EOSG Trigger to engage Morphagene in conversation with the rest of your modular system. Stretch and squash sound with Clock input.
Max Depth: 30mm
Power: 165mA @ +12V, 20mA @ -12V
***MG137 Firmware Update:
1. Improves Vari-Speed response for slow modulation rates.
2. Improves SD Card file format for more compatibility with software .wav file formats.
3. Doubles total record time per Reel.
Upgraded memory performance offers an increase from 1.45 minutes to 2.9 minutes of record time.
If you are using Splices that are over 1 minute long the SLIDE parameter will be scanning across a massive amount of material and therefore the longer the Splice the longer it will take to get to where you are Sliding toward. Imagine a tape machine shuttling forward or backward to get to your desired destination. No we cannot change this, the MG is scanning as fast as possible. This new double record time firmware will make this even more of a factor.
Read and Write times will be MUCH longer when you have a Full 2.9 minute reel. So for example, if you decided to erase a 5 second Splice in the middle of a 2.9 minute reel it will take twice as long as before because the MG must re-write the entire 2.9 minute reel. Of course all of this is happening in the background and should not cause too much hassle. Still when that SHIFT button is flashing it is best to not perform more SD Card actions.
For most granular processing Splices of 10 seconds or less are recommended.
So why even bother increasing record time to 2.9 minutes? Well it allows for storing even more Splices on a Reel and it also makes it possible to record long portions of a patch for later arranging within your DAW. You could potentially capture a patch, including modulations of a shorter Splice (say 10 seconds), retrieve the sound from the SD Card and compile into a larger work using your DAW.
4. Increased max number of Splices to 300.
The Sub-Timbral Oscillator is the more subtle and melodic friend to the DPO's complex harmonic lattice.
The tELHARMONIC's roots go back further than the advent of electronic music, as it also takes a new approach to handling music theory in the modular context. TONIC, INTERVAL, DEGREE and D-GATE, allow for patch-programming of complex chord progressions, scales, melodies and playing styles. This Voltage Controlled Music Theory guides the Algorithms in a unified way, whereas CENTROID, FLUX and H-LOCK sculpt the timbre of each Algorithm uniquely, allowing for complex sounds to be created around a unified melodic structure and pattern.
***FIND THE SPIRATONE INSIDE YOUR TELHARMONIC***
The Spiratone is a form of Shepard Tone generator. It is a sonic barber pole that creates the auditory illusion of a tone that continually ascends or descends in pitch, yet ultimately seems to get no higher or lower.
It occupies the same space as the tELHARMONIC. To find it, have nothing patched to D-Gate and HOLD H-LOCK for 5 seconds. The sound will dramatically change... you've found the Spiratone inside your tELHARMONIC.
Multi Voice Shepard Tone generator inspired by Jean-Claude Risset "Computer Suite from Little Boy: Fall," 1968 & James Tenney "For Ann (rising)," 1969
CENTROID sets spacing of the oscillators
INTERVAL allows for complete control of modulation depth and direction
FLUX adds random pitch fluctuations
8 octaves of continuous 1V/ Octave pitch control
8 octaves of quantized pitch control
DEGREE Modulation able to be synchronized by clock or gate via D-Gate input
Gate Out completes the conversation between Spiratone and rest of system!
Utilizes High performance DSP hardware with 24bit, 48kHz codec, 32 bit floating point processing
Reasonable power consumption
Pairs well with Optomix
Video demo - https://www.youtube.com/watch?t=1&v=Mz6n-tzX5Xk
TEMPI is a 6 Channel, polyphonic time-shifting clock module. It provides an intuitive method for creation and recall of complex clocking arrangements within a modular synthesizer system. Using HUMAN and/ or MACHINE programming you could re-create most classic Clock Divider and Multiplier arrangements and then continue on to create new ones. Store up to 64 for later recall and Select them using control signals from within your system or the Select Bus.
8 in stock $259.14