Flame

Notes: The 4Vox is a quad wavetable oscillator with up to four voices per VCO, resulting in a maximum of 16 voices at four individual outputs. With the MIDI In the module can be played both with CVs and directly via MIDI which also allows for modulating some additional parameters. There are 39 memory locations for wavetables and 32 for all global parameters of the VCOs.

The parameters of a wavetable can be controlled by CVs and by MIDI. For instance you can morph through a wavetable with a CV, a MIDI controller or manually with the potentiometer. The range of waves within a wavetable can be selected by minimum and maximum values individually per voice which allows for creating more complex morphs.
Further controllable parameters are Detune, Semitone, Octave, Chord, Portamento, Amplitude and Amp Move (90 degrees phase shifted volume modulation of a VCO's 4 voices). Min and max values can be selected for those parameters as well. Via MIDI it's possible to control further parameters (notes, chords, pitch bend, patch selection and wavetable selection)

The VCOs can be played analog (frequency by Pitch CV input), monophonic via MIDI or 4-voice polyphonic via MIDI.
The VCO can be used as a voltage controllable LFO with 3 modes: loop, one shot and gates. The SYNC input is used to trigger/reset the LFO. In one shot mode the LFO can be used as a trigger delay, too (SYNC = trigger in, GATE = trigger output, PITCH = delay time).

Each VCO has an analog 1V/octave input including a fine tune control (+/-1 semitone) and pitch control (approx. 10 octaves), two freely assignable CV inputs, two freely assignable potentiometers, a trigger input for Sync/LFO-reset as well as a Gate and VCO/LFO output

The display can show a graphic of the selected waveforms.

All global parameters and also the VCO's setings can be named and saved as a non-voltaile patch by the user. 32 memory locations are available.

Power consumption: 180mA at +12 V and 50mA at -12 V

Depth: 50mm

29 HP

Notes: The Airlectron Sensor Recorder module is equipped with a sunlight independent distance sensor to generate CV output voltages.

A distance sensor reacts to hand movements and varies the CV output voltages (bipolar/max +/- 5 V, unipolar/max 0-+10 V). The range control adjusts the detection distance (2-50 cm). The freeze function keeps the voltage when there is no continuous movement.

The recorder/looper can be used to record motion sequences for up to two minutes. This recorded data can be played back in a loop or once and restarted at the START/RESET input. LEDs indicate the status of the gate inputs and outputs.

Features:

3x controller
1x Vishay distance sensor
3x gate/trigger in- and outputs
2x CV outputs unipolar/bipolar
Power supply via Doepfer connector

8 HP

Notes: Automix is a compact three-channel mixer for audio signals and control voltages. The highlight of this module is the recording function, which makes it possible to automate level changes.

The "AUTOMIX" module is a compact three-channel mixer for audio or CV sources in the voltage range of +-5v (audio modular level).
The mix level of each track can be adjusted and recorded using the track's control. The recording time per track is over a minute. The playback speed is also adjustable.
The recorded track is played once with a short press of the play button (one shot) or with a slightly longer press in the loop.
In addition, the 3 inputs can be switched separately to +6db audio via a slide switch on the back (for external line level sources).
All three tracks have a common reset input. The track data is stored permanently (battery-backed memory).

Overview:

Signal/audio mixer with 3 channels on a sum output

- 3 tracks with 1 mix control each
- Record time (per track) max. 102 sec
- 3 signal/audio inputs (audio or CV) (-5v.. +5v)
- Inputs switchable to audio with line level (separately for each input)
- Resolution 12bit
- Sampling rate approx. 250Hz
- Modes:
- Play back one shot
- play back loop
- Switch between play back and potentiomix manually
- Adjustable playback speed
- Track data permanently stored (battery buffered)
- Common reset input for all 3 tracks

Dimensions
6 HP
38 mm deep

Current Draw
40 mA +12V
30 mA -12V

Notes: Flame Black Filterbank is an analogue moving resonance filter bank.

The module is based on the Flame Curves and combines its most important functions in a more compact format. As a result, the individual outputs for the filter channels no longer found a place on the front panel.

The filterbank includes twelve-channel and a pattern player programmable via a software editor. You can use a freeware "Curves editor software" (Win/Mac) for setup and user pattern editing. The module needs a clock to run in pattern-mode. It also features a reset input to set the sequence back to the first step. The memory in the module can save up to 99 patterns. The active pattern can be seen on the display and selected thanks to two buttons.

When the Black Filterbank is in sequencer mode, the Envelope potentiometer controls the AR envelope, the Variation knob adds random velocity and release, and the Fill potentiometer controls the level of all the channels.

In manual mode, when the sequencer is off, you can select different filter-types with the Variation potentiometer: allpass, lowpass, bandpass 1-3 and highpass. Thanks to the Fill knob it is possible to sweep through the twelve filter bands. The Envelope knob smooths the sweep by activating a second band next to the selected filter band. Thus, the change from one band to another is not so abrupt.

It is also possible to play the twelve filters via MIDI like a drum module, thanks to the supplied MIDI to minijack cable. It even reacts to velocity.

There are several CV inputs for controlling Envelope, Variation and Fill parameters as well as the pattern number.

Power consumption: 250mA at +12V and 180mA at -12V
Depth: 42mm
22 HP

Notes: The C-1U module is a one-channel module for recording and playing back movements of controller. Those can be recorded with the potentiometer knob. The movements will be output as control voltage. The record time amounts to one minute maximal. The track can be played once only (one shot) or in loop. The speed of the play back or the output offset is controllable with the pot. There are an additional CV input for CV recordings and a reset input.

Track data remains permanently stored when a 3V battery is used to buffer the RAM*. When the module is switched on, the recorded data is available again. The module can be operated unipolar or bipolar (set by jumper on the back).

*Note: The C-1U KNOBREKORDER uses a st andard 3v lithium backup battery , type CR2032. The battery
is needed to keep recordings and settings stored when the Eurorack case is turned off.

Power consumption: 20mA at +12 V and 9mA at -12 V

12 HP

Notes: The FLAME "C-3 MK2" is a three-channel module for recording and playing back movements of controllers.

Those can be recorded with each channel's individual knob. The movements will be output as control voltages.

The recording time per track is over one minute. The playback speed is adjustable.

All three tracks have a common reset input. The track data remains permanently stored (battery-backed memory).

The module can be globally switched to bipolar or unipolar voltage range (switch on the PCB).

Inputs and outputs:

3 CV outputs bipolar +/-5v or unipolar 0-10v
additional CV input on track 1: bipolar +/-5v or unipolar 0-10v
common reset input for all three tracks
http://flame.fortschritt-musik.de/flame2/instruments_modular.html#automix

Power consumption: 30mA at +12 V and 5mA at -12 V
Depth: 33mm
6 HP

Notes: The FLAME "C-3 MK2" is a three-channel module for recording and playing back movements of controllers. These can be recorded with each channel's individual knob. The movements will be output as control voltages. The recording time per track is over one minute. The playback speed is adjustable. All three tracks have a common reset input. The track data remains permanently stored (battery-backed memory). The module can be globally switched to bipolar or unipolar voltage range (switch on the PCB).

Notes: The "Chord machine 2" euro module is a combination of chord generator, arpeggiator, bidirectional quantizer and generates maximum four part chords within a range of maximum 8 octaves. To your disposal are 42 preset chords and 16 user defined chords which can be put additionally into the first, second or third inversion. So in total there are 232 chords to your disposal. Furthermore to your disposal are 54 preset scales and 16 user defined scales, so in total there are 70 scales to your disposal.

The module can be used for the generation of 2-note, 3-note or 4-note chords plus a fifth arpeggio voice. The arpeggiator mode included different running directions (up, down, alternate, random) and different variations of octave ranges. The arpeggiator channel can be used also like a quantizer. The quantizer can run with two different scales for up and down quantizing (bidirectional).

There are 12 extensive program lists for user programmed parameters like a songlist. Each list have max. 24 lines with 10 parameters. You can control functions (as well as Transpose, Program list parameters, Arpeggio sequence and Octave ranges ) via CV-inputs. The five CV outputs are set on the 1v/ octave characteristic. It's possible to update the current firmware of the module per usb.

Dimensions
12 HP

Current Draw
140 mA +12V
20 mA -12V
0 mA 5V

Notes: Crossmix is a dual crossfader with the ability to record or automate crossfades.

The "CROSSMIX" module includes two independent crossfaders with two inputs on one output and is designed for audio or CV sources in the voltage range of +-5v (audio modular level).
In addition, the 4 inputs can be switched separately to +6db audio via a slide switch on the back (for external line level sources).

The two crossmix controls can be recorded. The recording time per channel is over one minute. The playback speed can be adjusted in the playback.
The recorded track is played once with a short press of the play button (one shot) or with a slightly longer press in the loop.

Both crossfaders have a separate reset input as well as a separate CV input ( +-5V ) for the control of the mix e.g. by an LFO.
The track data is stored permanently (battery-backed memory).

Overview:

Dual signal/audio crossmixer with 2 inputs each on a sum output

- 2 channels each with 1 mix control
- Record time (per channel) max. 102 sec
- per channel 2 signal/audio inputs (audio or CV) (-5v.. +5v)
- all inputs on the back can be switched separately to audio with line level
- mix also CV controllable
- each channel has separate reset input
- resolution 12bit
- sampling rate approx. 250Hz
- modes:
- play back one shot
- play back loop
- switching between play back and potimix manually
- adjustable playback speed
- Track data permanently stored (battery buffered)

Dimensions
6 HP
38 mm deep

Current Draw
40 mA +12V
30 mA -12V

Notes: Flame Curves is an analog moving resonance filter bank.

The module includes a twelve channel analog filterbank and a pattern player which can be programmed with a software editor. You can use a freeware "Curves editor software" (Win/Mac) for setup and user pattern editing. The module needs a clock to run in pattern-mode. It also features a reset input to set the sequence back to the first step. The memory in the module can save up to 99 patterns. The active pattern can be seen on the display and selected thanks to two buttons.

If Curves is in sequencer mode, the Envelope potentiometer controls the AR envelope, the Variation knob adds random velocity and release, and the Fill potentiometer controls the level of all the channels.
In manual mode, when the sequencer is off, you can select different filter-types with the Variation potentiometer: allpass, lowpass, bandpass 1-3 and highpass. Thanks to the Fill knob it is possible to sweep through the twelve filter bands. The Envelope knob smoothes the sweep by activating a second band next to the selected filter band. Thus the change from one band to another is not so abrupt.
It is also possible to play the twelve filters via MIDI like a drum module, thanks to the supplied MIDI to minijack cable. It even reacts to velocity.

The twelve bands are subdivided in odd and even bands, which you can feed or tap out separately thanks to the various inputs and outputs. Try patching the odd outputs on one side and even outputs on the other side and you will get an amazing stereo effect! ALL output features a Dry/Wet and a Level potentiometer.
Additionaly, the module features also a direct audio output and direct VCA input of each filter channel. Thus it is possible to feed gate, triggers or envelopes to the VCA of various filterbands and play them independently.

Furthermore, there are several CV inputs for controlling Envelope, Variation and Fill parameters as well as the pattern number.

Power consumption: 210mA at +12 V and 160mA at -12 V

Depth: 45mm

31 HP

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Flame Curves is an analog moving resonance filter bank.

The module includes a twelve channel analog filterbank and a pattern player which can be programmed with a software editor. You can use a freeware "Curves editor software" (Win/Mac) for setup and user pattern editing. The module needs a clock to run in pattern-mode. It also features a reset input to set the sequence back to the first step. The memory in the module can save up to 99 patterns. The active pattern can be seen on the display and selected thanks to two buttons.

If Curves is in sequencer mode, the Envelope potentiometer controls the AR envelope, the Variation knob adds random velocity and release, and the Fill potentiometer controls the level of all the channels.
In manual mode, when the sequencer is off, you can select different filter-types with the Variation potentiometer: allpass, lowpass, bandpass 1-3 and highpass. Thanks to the Fill knob it is possible to sweep through the twelve filter bands. The Envelope knob smoothes the sweep by activating a second band next to the selected filter band. Thus the change from one band to another is not so abrupt.
It is also possible to play the twelve filters via MIDI like a drum module, thanks to the supplied MIDI to minijack cable. It even reacts to velocity.

The twelve bands are subdivided in odd and even bands, which you can feed or tap out separately thanks to the various inputs and outputs. Try patching the odd outputs on one side and even outputs on the other side and you will get an amazing stereo effect! ALL output features a Dry/Wet and a Level potentiometer.
Additionaly, the module features also a direct audio output and direct VCA input of each filter channel. Thus it is possible to feed gate, triggers or envelopes to the VCA of various filterbands and play them independently.

Furthermore, there are several CV inputs for controlling Envelope, Variation and Fill parameters as well as the pattern number.

Power consumption: 210mA at +12 V and 160mA at -12 V

Depth: 45mm

31 HP

Notes: The Flame DUALKEY module is a small pingable trigger envelope module, designed for small mobile euro racks.

There are two channels with following functions:

SHAPE: voltage controllable AR-envelope (release phase channel 1=logarithmic 2=linear)
TIME: voltage controllable time of the AR envelope
LEVEL: set the output voltage of the AR envelope
END-OUT: trigger output of the end of the envelope circle (like a trigger delay)
KEY-OUT: trigger/gate output of the key
KEY-IN: trigger input for pingable envelope

There are three play modes:

SHOT: one shot of the envelope
GATE: hold on the envelope after the release phase
LOOP: the envelope play in loop (like a LFO) while hold down the key

Current consumption: ca. + 40mA / - 5mA
Size: Euro rack format 3U / 10HP 50.5 x 128.5mm

Notes: Flame "Fire" percussion synth module

The module is a full 8-way polyphonic drum and percussion synthesizer. It offers different digital synthesis algorithms, which can be distributed over 8 channels. The sound engine delivers virtual analog sounds as well as different digital percussion sounds, which are generated with FM, wavetable or virtual analog synthesis. It is also possible to create sim- ple monophonic bass or synthesizer voices.

During development, particular attention was paid to direct and simple usability with regard to live operation. The hardware essentially consists of two parts (which are deli- vered together). On the one hand there is the basic module with all controls, the display, connections for MIDI, 2x CV inputs and 5 audio outputs.

There is also a separate XFIRE I/O extension with sockets for the 16 analog trigger/gate/CV inputs and 3 additional audio outputs. Both modules are connected via a 60cm long ribbon cable. In this way, the XFIRE module can be installed anywhere else in the rack. The base module is therefore only 22TE wide and can also work alone without the extension as a MIDI expander.

A maximum of 8 audio outputs are available. A stereo pair (outputs 7+8), plus 6 additio- nal individual direct outputs. All outputs are freely configurable. Two pages with settings for panorama and volume are available for the stereo main out.

There is a gate/trigger input and a configurable CV input for each channel. Two additio- nal programmable CV inputs can be used for further controls. Regardless of the analog connection, the module offers full MIDI functionality. Two MIDI inputs and a MIDI output/softthru allow integration into an external MIDI setup. The firmware can be upda- ted via MIDI Sysex. The created KIT data can also be saved or exchanged.

Dimensions
22 HP
30 mm deep

Current Draw
230 mA +12V
70 mA -12V

Notes: ***B-STOCK: Box opened, product in perfect working order***


Up to eight voices of digitally synthesised drums, percussion and synth sounds from this versatile module, featuring virtual analogue models as well as FM and wavetable options.

Supplier's Notes:
Flame "Fire" percussion synth module

The module is a full 8-way polyphonic drum and percussion synthesizer. It offers different digital synthesis algorithms, which can be distributed over 8 channels. The sound engine delivers virtual analog sounds as well as different digital percussion sounds, which are generated with FM, wavetable or virtual analog synthesis. It is also possible to create sim- ple monophonic bass or synthesizer voices.

During development, particular attention was paid to direct and simple usability with regard to live operation. The hardware essentially consists of two parts (which are deli- vered together). On the one hand there is the basic module with all controls, the display, connections for MIDI, 2x CV inputs and 5 audio outputs.

There is also a separate XFIRE I/O extension with sockets for the 16 analog trigger/gate/CV inputs and 3 additional audio outputs. Both modules are connected via a 60cm long ribbon cable. In this way, the XFIRE module can be installed anywhere else in the rack. The base module is therefore only 22TE wide and can also work alone without the extension as a MIDI expander.

A maximum of 8 audio outputs are available. A stereo pair (outputs 7+8), plus 6 additio- nal individual direct outputs. All outputs are freely configurable. Two pages with settings for panorama and volume are available for the stereo main out.

There is a gate/trigger input and a configurable CV input for each channel. Two additio- nal programmable CV inputs can be used for further controls. Regardless of the analog connection, the module offers full MIDI functionality. Two MIDI inputs and a MIDI output/softthru allow integration into an external MIDI setup. The firmware can be upda- ted via MIDI Sysex. The created KIT data can also be saved or exchanged.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Up to eight voices of digitally synthesised drums, percussion and synth sounds from this versatile module, featuring virtual analogue models as well as FM and wavetable options.

Supplier's Notes:
Flame "Fire" percussion synth module

The module is a full 8-way polyphonic drum and percussion synthesizer. It offers different digital synthesis algorithms, which can be distributed over 8 channels. The sound engine delivers virtual analog sounds as well as different digital percussion sounds, which are generated with FM, wavetable or virtual analog synthesis. It is also possible to create sim- ple monophonic bass or synthesizer voices.

During development, particular attention was paid to direct and simple usability with regard to live operation. The hardware essentially consists of two parts (which are deli- vered together). On the one hand there is the basic module with all controls, the display, connections for MIDI, 2x CV inputs and 5 audio outputs.

There is also a separate XFIRE I/O extension with sockets for the 16 analog trigger/gate/CV inputs and 3 additional audio outputs. Both modules are connected via a 60cm long ribbon cable. In this way, the XFIRE module can be installed anywhere else in the rack. The base module is therefore only 22TE wide and can also work alone without the extension as a MIDI expander.

A maximum of 8 audio outputs are available. A stereo pair (outputs 7+8), plus 6 additio- nal individual direct outputs. All outputs are freely configurable. Two pages with settings for panorama and volume are available for the stereo main out.

There is a gate/trigger input and a configurable CV input for each channel. Two additio- nal programmable CV inputs can be used for further controls. Regardless of the analog connection, the module offers full MIDI functionality. Two MIDI inputs and a MIDI output/softthru allow integration into an external MIDI setup. The firmware can be upda- ted via MIDI Sysex. The created KIT data can also be saved or exchanged.

Notes: The Flame FM Kosmos is a full-featured 4-voice polyphonic FM synthesizer with integrated multi-effects unit. With 6 operators per voice and 32 selectable FM algorithms, it offers a wide range of sounds from classic FM tones to complex modulations. Each operator has a loopable ADSR envelope for detailed sound shaping.

It also allows morphing between two sound variations (A and B) and real-time control of effects. The integrated multi-effects processor includes stereo chorus, MIDI-syncable delay and reverb. Intuitive operation is paramount, with 8 knobs and easily accessible menus for all key parameters.

The module supports both analogue CV signals and MIDI control, making it extremely versatile. With 128 preset sounds and 128 memory slots, there is plenty of room to store and recall your own sounds.

Power consumption: 120-140mA at +12V and 60-70mA at -12V
Depth: 30mm
22 HP

Notes: Small compact joystick module with recording function.

The module can record the joystick movement to a length of about one minute. The sequence remains stored in the battery-backed RAM after switching off. When playing back the sequence, the playback speed can be manipulated.

There is a FREEZE function to hold the current joystick position. Also there are an external reset input. In addition, when moving outside the center position, a GATE is set and an additional positive CV voltage (summation of X and Y) is output in dependence. A GATE / START input is used for resetting or recording in sync.

The ranges of the X / Y output voltages are bipolar adjustable from approx. +/- 5v or unipolar from approx. 0 to + 10v. Both channels X and Y have a passive attenuator potentiometer, so that the voltage range can also be set lower.

Connections:

CV-Out-X: CV output X-axis bipolar or unipolar
CV-Out-Y: CV output Y-axis bipolar or unipolar
CV-OUT MOVE: CV output joystick movement 0..+5v
Trigger-In: Trigger input Reset/Start
Trigger-out: Trigger output Reset/Start signal ca. 10ms lenght
Gate-ACTIVITY: Gate output joystick movement

Power consumption: 30mA at +12 V and 5mA at -12 V

Depth: 40mm

8 HP

Notes: Flame's MemoSlider is a performance-oriented CV and trigger sequencer. The module's eight steps can be manually selected via a fader or a control voltage. - This can happen either freely or synchronized to an external clock signal. Of course, it is also possible to use the MemoSlider as a classic step sequencer. In this mode of operation, the fader determines the playback direction and number of steps. Several CV outputs and glide options make the MemoSlider even more versatile. - A great tool for creating complex modulations or arpeggios.

The MemoSlider is an analog sequencer with eight steps. CV values are set via potentiometers. Two outputs emit voltages in the range from 0 V to +10 V and -5 V to +5 V simultaneously. For smooth transitions between steps, there is a glide function with three time ranges. A potentiometer is used for fine adjustments. The glide parameter can be modulated via a CV input. When switching between steps, the module generates trigger signals (+5 V).

The MemoSlider features three modes of operation. Details:

Slider mode: Steps can be selected manually via the module's fader or a control voltage.
S&H mode: Similar to the slider mode. Here, the module switches between steps only if a pulse at the trigger input is detected.
Stepseq: Classic sequencer mode. Pulses at the trigger input make the module switch between steps. In addition, there is a reset input. The fader can be used to determine the running direction and the step count.
Thanks to a slider CV output with a range of 0 V to +5 V, the fader can be used as a control element for other modules as well.

Power consumption: 40mA at +12 V and 5mA at -12 V

Depth: 28mm

10 HP

Notes: The module inverts an applied positive voltage so that the maximum value becomes zero and zero becomes the maximum value.

The input voltage is not inverted into the negative voltage range (mirror axis 0v) but mirrors a positive voltage around an adjustable axis within a fixed positive voltage range starting at 0v.

There are 10 ranges, adjustable in 1V steps.
The mirror axis is always at half of the set range.

If no cable is plugged into the input socket, the output voltages can be regulated manually with the "Manualy" potentiometer.

The module has two similar function groups.

Applications are for example the inversion within positive voltage ranges, GATE inversions (0/+5v to +5v/0v), or opposite melody lines.

Dimensions
6 HP

Notes: The FLAME "PANMIX" module contains two independent panning mixers with one input each on two outputs left/right and is designed for audio or CV sources in the voltage range +-5v (audio modular level). In addition, the 2 inputs can be switched separately to +6db audio (for external audio line level sources) using the slide switch on the rear panel.

The movements of the two mix controls can be recorded. The recording time per channel is more than one minute. The playback speed can be adjusted in playback. The recorded track is played back once when the Play button is pressed briefly (one shot) or in the loop when the button is pressed a little longer.

Both panning channels have a separate reset input as well as a separate CV input (+-5V ) for controlling the mix e.g. by an LFO. The track data remains permanently stored (battery buffered memory).

In addition, there are three further audio/CV signal inputs (a mono and stereo left+right), which are routed directly to the output and mixed together with the two PAN channels. This allows you to mix in other sources directly and e.g. connect two or more "PANMIX" modules together.

Dimensions
6 HP
38 mm deep

Current Draw
40 mA +12V
30 mA -12V

Notes: The QSlider black is an analogue CV source with four 60 mm faders.

The control range of the four sliders can be defined with two min/max controls.

The Min controller determines the output voltage at zero position of the slider and the Max controller determines the output voltage at the end position of the slider.

The slider now regulates between these two voltages. This allows you to restrict the control range and still have the entire control path of the slider available.

The reverse voltage is available at a second output socket (min and max are reversed). This means that the slider can also be used as a crossmix fader.

Two common channels can be operated unipolar or bipolar. The voltage ranges are 0..+10V or +/- 5V.

The output sockets are located on an extra 4HP panel for mounting at any point (with approx. 40cm long connection cable). This means that several modules can also be mounted seamlessly next to each other.

Power consumption: 30mA at +12V and 20mA at -12V and 12mA at +5V

Depth: 28mm

18 HP

Notes: The QSlider is an analog CV source with four 60 mm faders.

The control range of the four sliders can be set with two min/max controls.
The Min control sets the output voltage at zero position of the slider and the Max control sets the output voltage at the end position of the slider. The slider now controls between these two voltages. This allows you to limit the control range and still have the full control range of the slider available.
At a second output socket the inverted voltage is available (Min and Max are reversed). So the slider can also be used as a crossmix fader.

Two common channels can be operated uni- or bipolar. The voltage ranges are 0..+10V or +/- 5V.

The output sockets are located on an extra 4HP panel for mounting at any place (with approx. 40cm long connection cable). This way several modules can be mounted seamlessly next to each other.

18 HP

Notes: ***B-STOCK: Box opened, product in perfect working order***


The QSlider is an analog CV source with four 60 mm faders.

The control range of the four sliders can be set with two min/max controls.

The Min control sets the output voltage at zero position of the slider and the Max control sets the output voltage at the end position of the slider. The slider now controls between these two voltages. This allows you to limit the control range and still have the full control range of the slider available.

At a second output socket the inverted voltage is available (Min and Max are reversed). So the slider can also be used as a crossmix fader.

Two common channels can be operated uni- or bipolar. The voltage ranges are 0..+10V or +/- 5V.

The output sockets are located on an extra 4HP panel for mounting at any place (with approx. 40cm long connection cable). This way several modules can be mounted seamlessly next to each other.

HP : 18

Notes: The QUAD CV RECORDER is a four-track cv recorder/looper that lets you record and play back voltage changes from various sources in 16-bit resolution allowing for smooth progressions even at very slow playback speed.
The recording time can extend to an hour depending on your synchronization and it's easily possible to do punch in/out recordings during performance.
You can sync the module via clock or MIDI.

The QUAD CV RECORDER features 4 independent tracks for recording and playing back control voltages i.e. analog sequences, envelopes or controller movements from external sources and/or movements of the rotary knobs ( pots ) on the front panel.
Control voltages can be recorded in either range -5V/+5V or 0/+9V, individually adjustable per track. All recordings and settings are automatically saved and will be readily available the next time you turn on your modular system.
ZOOM is a two stage fine adjust function of the control ruler.
When recording movements of a pot you can use the ZOOM function during playback to 'zoom' into the current position of the knob ( in this case the position in the recording time ).
A smaller segment of the recording will then be mapped to the rotation range of the knob, giving you a finer control over this portion of the recording.
The start and end positions of a recording can be changed at any time as well as the playback speed.
Smoothing algorithms eliminate the so-called 'stair-step effect' and ensure smooth playback even at very slow speeds.
You can play back each track either by hand, pressing the respective PLAY button or using Gate or MIDI start/stop.
Playback modes are LOOP, SINGLE, GATE ( while Gate is on ) and SCAN which lets you move freely through the recording, forwards or backwards ( controlled by an external LFO for instance ) or jump to random points in recording time.
Each track can be synced separately by clock trigger or MIDI clock.
The QUAD CV RECORDER recognizes the clock (ticks per bar) automatically.
It is possible to make a one hour long recording on each track with a MIDI clock of 96 ticks per bar.
The settings HARD/SOFT provide different degrees of smoothing of synchronization.
The LINK button allows for simplified multitrack recording:
ALL combines all 4 tracks controlled through track 1, DUAL combines the track pairs 1+2 and 3+4 which might be handy for use with controllers that generate voltage pairs, like joysticks etc.
Future software updates can be easily performed via MIDI sysex dump.
A MIDI adapter is provided with the unit.

Dimensions
14 HP
42 mm deep

Current Draw
160 mA +12V
50 mA -12V
0 mA 5V

Notes: FLAME "TAKT" rhythm sequencer.

"TAKT" is a compact 30HP Eurorack sequencer module for playing or programming trig- ger/gate/velocity rhythm sequences.

The sequencer has 8 tracks with trigger/gate outputs, 8 velocity/modulation CV outputs and full MIDI functionality. The CV track can also be used independently as a modulation track. Live sequencing in looper mode is possible in two ways: SHOTS for playing "note repeats" or quantized triggering via keys or sensors.

Four tracks can be triggered simultaneously with four external distance sensors. These sensors are just 2HP slim modules that can be rack mounted at desired locations. These are connected directly to the module with narrow and sufficiently long ribbon cables, which also supplies the sensors with the necessary operating voltage. The 4 sensors and the connection cables are included in the scope of delivery. The sensors generate trig- gers/gates and can be switched live as a set between tracks 1-4 and 5-8 (e.g. via foots- witch).

Four syncable LFOs with VCOs for amplitude adjustment are also provided. The LFOs are equipped with many interesting functions. This includes 26 different waveforms, phase, amplitude, speed and output voltage. This can be unipolar or bipolar (0..+5v or +/- 5v) and additionally attenuated by AMP (amplitude) with built-in VCA. This means that the LFO outputs can also be adapted to modules that do not have an input attenuator.

Patterns can be switched live and are each up to 4 bars long. 4 patterns plus a fill pat- tern are saved as a scene. 50 scenes can be permanently stored in the module. This means that 250 patterns are available in total.

Additional inputs and outputs for controls are available. There are 4 CV inputs to be defi- ned by the user, as well as 2 programmable analog clock outputs. On the front there are MIDI input and output as 3.5mm TRS sockets. Firmware updates can be done via MIDI- SYSEX.

HP : 30

Notes: ***B-STOCK: Box opened, product in perfect working order***


FLAME "TAKT" rhythm sequencer.

"TAKT" is a compact 30HP Eurorack sequencer module for playing or programming trig- ger/gate/velocity rhythm sequences.

The sequencer has 8 tracks with trigger/gate outputs, 8 velocity/modulation CV outputs and full MIDI functionality. The CV track can also be used independently as a modulation track. Live sequencing in looper mode is possible in two ways: SHOTS for playing "note repeats" or quantized triggering via keys or sensors.

Four tracks can be triggered simultaneously with four external distance sensors. These sensors are just 2HP slim modules that can be rack mounted at desired locations. These are connected directly to the module with narrow and sufficiently long ribbon cables, which also supplies the sensors with the necessary operating voltage. The 4 sensors and the connection cables are included in the scope of delivery. The sensors generate trig- gers/gates and can be switched live as a set between tracks 1-4 and 5-8 (e.g. via foots- witch).

Four syncable LFOs with VCOs for amplitude adjustment are also provided. The LFOs are equipped with many interesting functions. This includes 26 different waveforms, phase, amplitude, speed and output voltage. This can be unipolar or bipolar (0..+5v or +/- 5v) and additionally attenuated by AMP (amplitude) with built-in VCA. This means that the LFO outputs can also be adapted to modules that do not have an input attenuator.

Patterns can be switched live and are each up to 4 bars long. 4 patterns plus a fill pat- tern are saved as a scene. 50 scenes can be permanently stored in the module. This means that 250 patterns are available in total.

Additional inputs and outputs for controls are available. There are 4 CV inputs to be defi- ned by the user, as well as 2 programmable analog clock outputs. On the front there are MIDI input and output as 3.5mm TRS sockets. Firmware updates can be done via MIDI- SYSEX.

HP : 30

Notes: ***B-STOCK: Without original box, item shows small amount of damage but in perfect working order***


FLAME "TAKT" rhythm sequencer.

"TAKT" is a compact 30HP Eurorack sequencer module for playing or programming trig- ger/gate/velocity rhythm sequences.

The sequencer has 8 tracks with trigger/gate outputs, 8 velocity/modulation CV outputs and full MIDI functionality. The CV track can also be used independently as a modulation track. Live sequencing in looper mode is possible in two ways: SHOTS for playing "note repeats" or quantized triggering via keys or sensors.

Four tracks can be triggered simultaneously with four external distance sensors. These sensors are just 2HP slim modules that can be rack mounted at desired locations. These are connected directly to the module with narrow and sufficiently long ribbon cables, which also supplies the sensors with the necessary operating voltage. The 4 sensors and the connection cables are included in the scope of delivery. The sensors generate trig- gers/gates and can be switched live as a set between tracks 1-4 and 5-8 (e.g. via foots- witch).

Four syncable LFOs with VCOs for amplitude adjustment are also provided. The LFOs are equipped with many interesting functions. This includes 26 different waveforms, phase, amplitude, speed and output voltage. This can be unipolar or bipolar (0..+5v or +/- 5v) and additionally attenuated by AMP (amplitude) with built-in VCA. This means that the LFO outputs can also be adapted to modules that do not have an input attenuator.

Patterns can be switched live and are each up to 4 bars long. 4 patterns plus a fill pat- tern are saved as a scene. 50 scenes can be permanently stored in the module. This means that 250 patterns are available in total.

Additional inputs and outputs for controls are available. There are 4 CV inputs to be defi- ned by the user, as well as 2 programmable analog clock outputs. On the front there are MIDI input and output as 3.5mm TRS sockets. Firmware updates can be done via MIDI- SYSEX.

HP : 30

Notes: Really nice melody sequencer module from Flame. Create patterns and then modify them using features like note repeats, transposing options or even the built-in distance sensor.

Supplier's Notes:
"TON" is a 12HP wide Eurorack live sequencer module for creating two note sequences. There are two 1V/octave outputs with GATE/NOTE/VELOCITY. Notes can also be sent via MIDI. Both note tracks are independent of each other and can be used in different octave spreads. In addition to the analog connection, the module has full MIDI functionality. It can be synchronized via analogue clock or via MIDI.

The sequencer is designed as a looper. It plays a pattern of up to four bars in a loop. The notes can be played (or deleted) quantized with two buttons. One button is used for note repeats, another for setting individual events. The pitch is determined by either the potentiometer or the built-in distance sensor. The sensor works in a range of about 1 to 40 cm and is independent of extraneous light. Even bright sunlight does not affect it.

A 1-octave mini-keyboard allows transposing on the fly and setting a scale. Since the module has two CV inputs, it can also be used as a two-channel quantizer or arpeggiator. All settings of the current pattern are simply saved together in a patch. There are 5 banks with 7 seats each (per mini-keyboard) available. This allows up to 35 patterns to be managed. The patches can also be selected via CV or MIDI program change and can be saved and reloaded on the fly.

The pattern can be manipulated during and after the import with eg: gate length, velocity, random, last step, hold, mute, glide, scale and transposition. Both tracks can have different settings. With TRACK-Link, however, parameters can also be applied to both tracks at the same time. This is helpful, for example, with transpositions or duophonic playing.

Dimensions
12 HP
45 mm deep

Current Draw
80 mA +12V

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Really nice melody sequencer module from Flame. Create patterns and then modify them using features like note repeats, transposing options or even the built-in distance sensor.

Supplier's Notes:
"TON" is a 12HP wide Eurorack live sequencer module for creating two note sequences. There are two 1V/octave outputs with GATE/NOTE/VELOCITY. Notes can also be sent via MIDI. Both note tracks are independent of each other and can be used in different octave spreads. In addition to the analog connection, the module has full MIDI functionality. It can be synchronized via analogue clock or via MIDI.

The sequencer is designed as a looper. It plays a pattern of up to four bars in a loop. The notes can be played (or deleted) quantized with two buttons. One button is used for note repeats, another for setting individual events. The pitch is determined by either the potentiometer or the built-in distance sensor. The sensor works in a range of about 1 to 40 cm and is independent of extraneous light. Even bright sunlight does not affect it.

A 1-octave mini-keyboard allows transposing on the fly and setting a scale. Since the module has two CV inputs, it can also be used as a two-channel quantizer or arpeggiator. All settings of the current pattern are simply saved together in a patch. There are 5 banks with 7 seats each (per mini-keyboard) available. This allows up to 35 patterns to be managed. The patches can also be selected via CV or MIDI program change and can be saved and reloaded on the fly.

The pattern can be manipulated during and after the import with eg: gate length, velocity, random, last step, hold, mute, glide, scale and transposition. Both tracks can have different settings. With TRACK-Link, however, parameters can also be applied to both tracks at the same time. This is helpful, for example, with transpositions or duophonic playing.

Dimensions
12 HP
45 mm deep

Current Draw
80 mA +12V

Notes: The Flame u16MCC is a compact MIDI interface, which converts received MIDI control change commands on 16 outputs into CV voltages between 0 and + 5V. The resolution of the data bytes is 7bit. The outputs each have a passive lowpass filter, which smoothes the output voltages.

Each of the outputs can be assigned a separate control change number between 0 and 127 on its own MIDI channel. The module is programmable via the LEARN function with a MIDI keyboard and MIDI controllers, or via SYSEX commands. Some SYSEX files with default settings already exist.

The module has two MIDI sockets (mini jacks in TRS-B standard) INPUT and THRU. The data received at MIDI-IN is forwarded via MIDI-THRU. Additional MIDI modules can then be connected there.

MIDI/USB to CV/Gate/Sync

Features:

16 ControlChange to 16 CV outputs 0..+5v
programmable via MIDI keyboard/DAW/computer
MIDI start/stop trigger outputs
MIDI input and THRU (TRS MIDI B standard)

Power consumption: 50mA at +12 V and 30mA at -12 V
Depth: 40mm
5 HP

Notes: The "uMCLK Divider" module can either work as a MIDI clock divider or as an analog clock divider. The divider outputs are assigned differently in both operating modes.

After receiving a MIDI start command, the module works as a MIDI clock divider. There are fixed dividers on 11 outputs. Via the divider output KEYS, triggers can be triggered and mixed via MIDI notes. The keyboard zone extends over three octaves. With the help of the LEARN key, the receive MIDI channel and the lowest note of this 3-octave range can be defined.

When stopped (i.e. after receiving a MIDI stop command or after switching on), the module works as an analog clock divider and divides the analog clock present at the CLOCK input. The 12 analog divider outputs can be reprogrammed via SYSEX. Ready-made SYSEX files are already available (e.g. for even / odd dividers, Fibonacci series, offbeats, etc.). The RESET input resets the analog counters or serves to deactivate the analog divider.

Connections:
- Ribbon cable adapter for Doepfer bus +/-12Volt
- Inputs: 2x Clock/Gate,Reset (0/+5..10V), 1/8th inch mono jacks
- 1x MIDI (TRS-B standard) 1/8th inch stereo jack Outputs: 1x MIDI (TRS-B standard) 1/8th inch stereo jack
- 14x Clock/Gate Divider, 1/8th inch mono jacks

Control elements:
- 1 push button with LED (LEARN key) 16 LED's
- Current consumption: max. +70..80mA / - 0 mA
- Size: Euro rack format 3U / 6HP 30x128,5x40 mm

Dimensions
5 HP
40 mm deep

Current Draw
80 mA +12V

Notes: The Flame uMGT converts 12 Midi notes (one octave) to gates or velocity outputs.

Features:

1 octave MIDI keyboard to 12 gate or velocity outputs
global Velocity CV output
global GATE output
programmable via Learn function or SYSEX
MIDI input and THRU (TRS MIDI B standard)

Power consumption: 60mA at +12 V and 30mA at -12 V

Depth: 40mm

5 HP

Notes: The FLAME uMGT converts 12 Midi notes (one octave) to gates or velocity outputs.

Notes: The Flame uMLFO consists of 14 MIDI LFOs which are synchronized to the clock. The module also works with analog clock.
Additional analog clock and reset inputs allow to create pingable LFOs.
It is possible to adjust the frequency, waveform and phase of each LFO. 12 presets are selectable via MIDI keyboard. Thanks to Sysex it is possible to program new setups.

Features:

14 MIDI LFOs (synced to MIDI clock)
also works with analog clock
additional analog clock and reset inputs (pingable LFOs)
LFO outputs programmable (rate, waveform, phase)
12 presets selectable via MIDI keyboard and LEARN function
Setups programmable also via SYSEX
LFO output voltage between -/+5V
MIDI input and THRU (TRS MIDI B standard)

5 HP

Notes: The "uMM" combines a MIDI merger and two independent THRU distributors in a module that is only 4 HP wide. All sockets on the module are in MIDI TRS-B format.

At the heart of the two-input MIDI merger is a small, powerful ARM processor with plenty of buffer memory. Two MIDI streams are mixed to one output and can also be tapped via an additional second output. Two LEDs signal the operation of the merger: one LED indicates MIDI activity at the inputs, and a second LED warns of too much data at the inputs.

The second group of functions consists of two independent, separate MIDI THRU distributors. The MIDI data at the respective MIDI input can be picked up and distributed at the three THRU outputs. If required, a 1-to-5 distributor can be created from the two units by connecting an output of the left group to the input of the right group.

Features:

4x MIDI IN (TRS-B)
2x MIDI-OUT (TRS-B)
6x MIDI-THRU (TRS-B)
Powered via Doepfer connector

4 HP

Notes: The Flame uQMCV 4Voice provides 1V/oct, gate and velocity CV signals for four voices from the incoming Midi signals and additionally offers an aftertouch and modulation CV output as well as a run transport output and clock output.

Features:

4 Midi to CV channels with Gate,Note, Velocity
5 modes are possible:
A) 4-way polyphonic (all same MIDI channel)
B) 3x polyphonic+1x monophonic (2 different MIDI channels)
C) 2x two voices (2 different MIDI channels)
D) 1x two voices and 2x monophonic (3 different MIDI channels)
E) 4x monophonic (all different MIDI channels)
2 gate outputs for MIDI-Clock Run and 1/16th clock
2 additional controller CV outputs for modulation wheel and pitchbend
MIDI Input and THRU (TRS MIDI B standard)

Power consumption: 70mA at +12 V and 20mA at -12 V

Depth: 40mm

5 HP

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Vocoding meets CV looping in this unique module. Eight-channel, 16-band analogue vocoder pluss built-in digital oscillator and VCAs make the Vocorder a versatile sound sculpting tool.

Supplier's Notes:
The Flame Vocorder module is a compact combination of an analogue vocoder and digital CV recorder (looper). At its heart is an 8-channel analogue vocoder with a total of 16 analogue bandpass filters for analysis and synthesis.

The analogue analysis envelope CVs are digitised and output to the analogue VCAs of the synthesis bands via a DA converter.

With the help of the record function, the envelope CVs of the analysis channels can also be recorded digitally and played back in the loop. You can manipulate the playback in different ways: swap channels on the fly (rerouting), change speed and playback direction, etc.

The module can also be used for "normal vocoding": the envelopes are always looped through via AD/DA conversion (direct vocoding) and can of course also be recorded. During playback, the analysis unit is ineffective because the envelopes are played back from the memory.

There are two audio inputs for analysis (voice, drum etc) and synthesis (instrument).

For internal synthesis, there is a monophonic digital oscillator with three waveforms and an analogue noise generator. There is also an unvoiced/voiced switch (controls the highpass with noise for sibilants). A respective mix control is responsible for both synthesis sources.

The VCO has a 1V/oct input and an additional direct audio output.

The synthesis filters have audio outputs for odd/mono and even (mixing of even/odd channels).

The looper-recorder has the following functions: Record, Start, Stop buttons.

A triple toggle switch for playback direction forward, backward, ping-pong, another for the type of triggering: loop, one-shot, gated.

You can record for about one minute. The playback speed is adjustable (also via CV).

The sampled loop remains in the battery-buffered memory even after switching off.

In addition, there is a control for rerouting the filter channel assignments from analysis (or recorded channel) to the synthesis filters, also accessible via CV. A freeze function is also available.

The Filter/Cutoff knob manually controls the synthesis bands with a combined lowpass/bandpass/highpass algorithm, so the synthesis filters can also be used as simple audio filters.

Power consumption: max. 220mA at +12 V and 190mA at -12 V

HP : 12

Notes: The Flame "Vocorder" module is a compact combination of an analog vocoder and a digital CV recorder (looper). The centerpiece is an 8-channel analog vocoder with a total of 16 analog bandpass filters for analysis and synthesis.

The analog generated analysis envelope CVs are digitized and output via the DA converter to the analog VCAs of the synthesis tapes. With the help of the record function, the envelope CVs of the analysis channels can also be recorded digitally and played back in the loop. You can manipulate the playback in different ways: swap filter channels on the fly (rerouting), change speed and playback direction etc.

The module can also be a "normal classic vocoder": the envelopes are then always looped through via AD / DA conversion (direct vocoding) and can of course also be recorded. The analysis unit is ineffective during playback because the envelopes are played back from the memory. The current version is very compact, the module is only 12HP wide - see photo.

There are two audio inputs for analysis (voices, drum etc) and synthesis (instruments). A monophonic digital oscillator with three waveforms and an analog noise generator are available for internal synthesis. There is also an unvoiced / voiced switch (controls the highpass with noise when there is sibilance). A respective mix controller is responsible for both synthesis sources. The VCO has a 1V / oct input and an additional direct audio output. The synthesis filters have audio outputs for odd / mono and even (mix of even / odd channels).

The looper recorder has the following functions: buttons for record, start, stop. A triple toggle switch for the playback direction forwards, backwards, ping-pong, another for the type of triggering: Loop, OneShot, Gated. You can record about up to three minutes. The playback speed is adjustable (also via CV). The sampled loop is retained in the battery-backed memory even after switching off.

In addition, there is a controller for rerouting the filter channel assignments from the analysis (or recorded channel) to the synthesis filters, also accessible via CV. A freeze function is also available.

The filter / cutoff control regulates the synthesis bands manually with a combined lowpass-bandpass-highpass algorithm, so the synthesis filters can also be used as simple audio filters.

Dimensions
12 HP
47 mm deep

Current Draw
220 mA +12V
190 mA -12V
0 mA 5V

Notes: The FLAME "X-4" is a compact multifunctional 4x Envelope / VCA module, which combines in a very small space (10HP) 4 AR envelopes and 4 separate VCAs.
The module complements quad VCOs (eg the FLAME "4VOX") to control 4 VCAs per envelope generator in a small space.
Each channel can be used separately as an AR envelope generator with VCA, or even as a VCA.

There are 3 modes:
AR: four CV controllable separate Attack/Release envelopes on 4 VCA channels (per gate)
AD: four CV controllable separate Attack/Decay envelopes on 4 VCA channels (oneshot per trigger)
VCA: four CV controllable separate VCAs

There is available a three-level switch for three different envelope rates from extremely short to long.
The envelope shape is set with the sliders (also adjustable via CV inputs).
In addition, the envelope can be looped (gated AD envelope loop).

Dimensions
10 HP
40 mm deep

Current Draw
60 mA +12V
30 mA -12V

Notes: The FLAME "XPANMIX" module is a combination of an XFADER (Crossmixer) recorder and a PANNING Mixer recorder.

The upper part of the module contains the XFADER with two inputs to one output.
In the lower part of the module is the panning mixer with one input to two outputs left/right.
The inputs are designed for audio or CV sources with a voltage range of +-5v (Audio Modular Level).
In addition, the inputs can be switched separately to +6db audio (for external audio line level sources) using the slide switch on the rear panel.

The movements of the two mix controls can be recorded. The recording time per channel is over two minutes. The playback speed is adjustable in playback.
The recorded track is played back once when the Play button is pressed briefly (one shot) or in the loop when the button is pressed a little longer.

Both mixers have a separate reset input as well as a separate CV input ( +-5V ) for controlling the mix e.g. by an LFO.
The track data remains permanently stored (battery buffered memory).

In addition, the output of the XFader is routed to the input of the Panning Mixer if there is no cable in the PAN input.
Both mixers are thus connected in sequence and can additionally mix the XFADER in the stereo image.


Overview:

XFADER and PANNING channels with 1 mix control each
Record time (per channel) approx. 2 min
3 Signal/Audio Inputs (Audio or CV) (-5v..+5v)
all inputs separately switchable to audio with line level at rear
Mix can also be controlled via CV
each channel has separate reset input
XFADER output normalized to panning input
Resolution 12bit
Sampling rate ca.250Hz
Modes:
- Play back one shot (once running)
- play back loop (repeating)
- Switching possibility between play back and Potimix manually
- adjustable playback speed
Track data remain permanently stored (battery buffered)

Power consumption: 40mA at +12 V and 30mA at -12 V

6 HP