Blue Note US Vinyl & CDs

Review: American triombonist Grachan Moncur III's Some Other Stuff (1964) heaved deeper into avant-garde jazz after his groundbreaking debut Evolution. Now with an all-star lineup - Wayne Shorter (sax), Herbie Hancock (piano), Cecil McBee (bass), and Tony Williams (drums) - his sophomore slay mapped a new, unsoiled territory in modal bop. The freeform opener 'Gnostic' sets an exploratory tone, while 'Thandiwa' swings a subtler tonal thurible, and 'The Twin' playfully shunts its rhythms before 'Nomadic' reintroduces them through the rise-and-fall drumming of Mr. Williams. Now reissued as part of the Blue Note Tone Poet Series, this edition delivers the record in the utmost audiophile quality.

Review: Leo Parker was a pioneering baritone saxophonist in the bebop era, best known for his time in Billy Eckstine's band, where he became part of the legendary "Unholy Four" saxophone section alongside Sonny Stitt, Dexter Gordon and Gene Ammons in the mid-1940s. Despite personal challenges that sidelined him in the 1950s, Parker made a brief yet impactful comeback in 1961, recording two standout sessions for Blue Note, including Let Me Tell You 'Bout It and Rollin' With Leo. Sadly, Parker died at 36 from a heart attack before the latter was released. Initially shelved, Rollin' With Leo was finally issued in 1980 as part of the LT Series; his signature swinging compositions resound in full audiophile quality here, from 'The Lion's Roar' to 'Jumpin' Leo'.

Review: When this French producer released 'Rose Rouge' on his 2000 landmark album Tourist, it was more than a track. It was a manifesto. Built on hypnotic jazz loops, tight house rhythms and a sample from Marlena Shaw's 'Woman of the Ghetto', it was a vision of dance music that was cultured, expansive and deeply groovy. Its sophisticated blend of electronic textures and classic jazz sensibilities earned it a rightful home on Blue Note Records, elevating it beyond clubs and into the canon of genre-defying music. It remains a defining moment of jazz-house fusion. Two decades on, Jorja Smith brought her unmistakable voice to the track with a smoky, soulful reinterpretation that paid homage while casting it in a fresh r&b light. Joy Orbison's remix of her version on Side 2 injects another layer of evolution. It stretches the track into a deep, slow-burning cut, rich in atmosphere and bass weight, yet restrained and emotive. Together, these versions celebrate the enduring legacy and adaptability of Rose Rouge across generations and genres.