A Colourful Storm Vinyl & CDs

Review: Dreamy electronic shoegaze from British group Blueboy, the one-time duo who later morphed into a large band, and saw a wonderful spate of releases throughout the 1990s. 'Singles 1991-1998' contain 25 singles from their various EPs released primarily on Sarah Records and Shinkansen Recordings. The songs are a frank expression of dream pop and indie, relying on pleasingly dreamy and washy, yet punchy, mixes when not making intriguing use of drum machines and unpolished vocal lilts. The compilation contains a postcard and liner notes by band member Paul Stewart.

Review: Veteran Italian duo D'arcangelo return with a new EP for Aussie label A Colourful Storm. Across the five tracks featured on the Arium EP, Fabrizio and Marco present their singular take on IDM that earned them several releases on Aphex Twin's seminal Rephlex label. There's the introspective, mesmerising bliss of opener 'Godsonix' plus the emotive 'Spacing Out', as well as the artificial intelligence of the title track and the visceral beats of closing track 'Familiarity' rounding out another terrific release by the Roman brothers.

Review: Simon Fisher Turner's latest work blends field recordings with electronic textures, creating an immersive soundscape that invites deep listening. The composition unfolds gradually, with ambient layers that mix organic sounds with subtle synthetic elements. Turner's use of urban and natural sounds creates a reflective journey, where every detail adds to the overall mood. It's a delicate balance of the organic and artificial, drawing listeners into a world of sound that is both intimate and expansive.

Review: A Colourful Storm's vinyl release of Eddie Marcon's Yahho no Potori is a shinning example to the enduring allure of the Japanese folk outfit's intimate soundscapes. Comprising the core duo of Eddie Corman and Jules Marcon, the album marks a poignant evolution from their earlier works, weaving delicate acoustic textures with traditional song structures. Recorded during a humid summer and autumn, Yahho no Potori captures the essence of tenderness and wistfulness, buoyed by Corman's evocative vocals and Marcon's stylish guitar strumming. The ensemble cast, including Yashuhisa Mizatani and Saya Ueno, imbues the album with a collaborative spirit reminiscent of Japanese collectives like Tenniscoats and Maher Shalal Hash Baz. At its heart lies 'Toratolion', a hauntingly beautiful track that features Corman's emotive vocals, a standout moment on both the album and in Eddie Marcon's live repertoire. A Colourful Storm honors this underappreciated gem with remastered audio, faithful artwork and a Japanese lyric sheet, inviting listeners to immerse themselves in the ethereal beauty of Eddie Marcon's musical world. This album is sure to make indie charts and best of lists for 2024!

Review: Strange Gardens, or Effroyables Jardins, tells the story of a French clown whose son is embarrassed by him, but this tomfoolery has a serious past - antics saved the street performer and his friend, Andre, both members of the French Resistance during the war, from certain death at the hands of the Nazis. It's an intimate and, at times, troubling exploration of innocence, persecution, identity, friendship, loyalty and escapism in the most harrowing circumstances. Not to mention the short memories of mankind and the prejudices we unfairly develop when truths are committed to faded sepia photographs. Zbignieuw Preisner encapsulates this thoughtful atmosphere beautifully, providing a piano and string score that's tender, poignant, emotional, and musically captivating. A record that can just as easily stand alone as it can next to its visual brethren.

Review: At least one person has described Scythe's work as "expertly modulated space blues and isolationist architectures." First emerging from the ether (or at least that's how we like to think of it) through a series of clandestine cassette releases on Low Company in 2019 and 2020, Head X'Change almost feels like the culmination of all that has come before. A weird and truly wonderful place to spend time. A collaborative project between David West and R.A. Jones, elements of kosmische intermingle with a kind of earthy ambience, DIY electronics leading into white noise moments or new age melodies. At times it's so joyfully opiate you wonder if there's any way of getting back up off the pillow. In other moments, there's tension, eeriness, and uncertainty. Once you're in, it's a wild ride indeed.

Review: Unchained is the longstanding solo project of Nathaniel Davis. Gabbeh is his latest offering to the world, a suite of blissfully introspective tracks that envelop the soul in a blanket of soft, delicate moods, their sole purpose to comfort aching heads. Remarkably, dedicated fans will know you can trace the artist's lineage to noise mix tapes on CD-R, although more recent excursions into Bossa nova influenced tones perhaps help bridge the gap between then and now. Recorded at home over a three year period, from 2020 to 2023, Grenoble, Switzerland, played a big part in end results here. "I think certain songs reflect, in ways, Grenoble's natural surroundings. 'Drac' is named after the river that flows from the mountains down to the city - 'Dru' is the name of a well-known peak near Chamonix," Davis has explained. That as may be, nevertheless there's something more transportive than that here - songs feel as though they would be at home anywhere green, slow and thoughtful.