Review: Bernard "Pretty" Purdie and his Playboys were an iconic funk group of the late 70s who had big hits with the likes of Gil Scott Heron on his seminal 'The Revolution Will Not Be Televised' single. A year later on the same label, Flying Dutchman, they served up the 'Heavy Soul Slinger' single which gets reissued here. It's driven by big drum breaks and funky hits, with plenty of lush chords and rolling basslines all taking you on a high class and sophisticated trip. On the a-side is Harold Alexander 's 'Mama Soul' from the same era, but with a much more experimental sound rooted in wordless ad libs and frantic flutes.
Review: REPRESS ALERT!: New York producer P-Sol has hit on a super effective formula for starting the party, stitching together a selection of familiar samples and hooks, adding some beautifully dusty breaks and adding a final sheen of shiny production skills. Both sides of this 7" have a touch of raw 'two turntables' action about them, while remaining impeccably constructed and tight, with the A-side 'This Way' proving to be the slightly speedier and slightly more funk/r&b-flavoured, while 'Breathe & Stop (Abstract Blend)' is the one for the pure hip-hop heads. Both, however, are dynamite in the box, needless to say.
Review: It would be fair to say that Paris Holley is not one of the best-known purveyors of 1980s funk and soul, though the handful of releases he put out in the decade tend to be cherished by serious diggers and DJs. 1984 jam "I Choose You", which is here reissued for the first time since the '80s, is undoubtedly one of his standout moments. Hazy, super-sweet and laidback, the cut sees Holley adding his soulful, high octave tones to a blissful backing track rich in fluid piano lines, sun-kissed guitars and mazy synth lines. Arguably even better is synth-funk B-side "Punkin' Funkin", a fizzing workout that sounds like a more soulful, talkbox-free take on Zapp man Roger Troutman's trademark sound.
Review: The Acid Jazz label opens it archives to turn out this magnificent slice of northern soul from the legend that is Dean Parrish, a man who sold over a million records and worked with the likes of Jimi Hendrix. It's 10 years old but still bangs and is maybe one of the best records of his career. The psychedelic 'It's Time - Purple Mountain Majesty' is a hard hitting tune with layers of percussion, amour nines, bendy guitar riffs and soaring vocals that have female backings for extra richness. The version on the flip is more tense, steamy and rousing.
Review: Breakbeat Paradise's Toxic Funk series rolls out a ninth volume here with two more powerful cuts. These come from Paul Sitter and Crash Party who together cook up plenty of horn-lead action on 'Don't Touch Me.' It has old school bars and some retro synth work that all adds up to a full thrill funk banger. 'Wake Up' is another raw and raucous one with big rock guitars and slamming drums. A b-boy hip-hop vocal is paired with yelping female vocal samples and the crispy drums never let up. Two dynamite tracks for sure.
Review: The list of massive hits from the golden trio of Holland-Dozier-Holland is endless, but one of the standouts is this one from Freda Payne. It was recorded din 1969 and features a golden production touch that made it a hugely popular tune for sample-hunting producers in the hip hop world. The killer guitar hook intro is particularly popular and was most notably used by JVC Force in their 'Strong Island', tune. Now for the first time ever, the original gets pressed to 45rpm along with a never before released Tom Moulton remix.
Review: The Octoposse crew are big fans of Pleasure's cherished vintage funk, having already served up a re-rub of the 70s group's 'Bouncy Lady' instrumental on their first edit 7". Now they're back and going deeper into the Pleasure sound with two crisp, classic joints. Lifted from their 1975 debut album Dust Yourself Off, 'Straight Ahead' is on the A-side of this single, riding high on a bongo beat with wigged-out synth lines and some glorious sax flourishes which ping the track into jazz funk territory. 'Can't Turn You Loose' comes from their 1977 album Joyous, and it's a raunchier affair full of heavy, bass led vamps and all the pressure a dancefloor could possibly handle. In other words, pure fire.
For The Wicked (Professor Shorthair extended mix) (5:15)
Review: A unique smashing of worlds between funk and hip-hop, this fantastic, vibrant, red-and-black splatter 7" brings together a host of collaborating greats, all of whom have contributed in major ways to both sounds over the years. With Dan Ubick on guitar (Breakestra, Big Daddy Kane), Julius Augustus on bass (The Sandollars), Dan Hastie on organ (Orgone, Alicia Keys), Steve McCormick on dobro and Professor Shorthair on the cuts and edits - and mastered by Dave Cooley (J Dilla, Madlib) - this is a mournful yet masterful example of live-recorded battle breaks.
Review: The American Latin-jazz group, formed in 1959 and led by Henry 'Pucho' Brown, Pucho And His Latin Soul Brothers first released these remixes of their 'Sidewinder' and 'Got Myself A Good Man' back in 2014. It's a classic bit of future jazz and electronic fusion that will bring some streamy South American vibes to any party. 'Sidewinder' is the real highlight with its jangling rhythms and big horns, steamy synth sounds general good vibes and sunny sounds. Get this reissue before it disappears fast, as did the original.
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