Back catalogue: Funk

Review: Popularly known to fans as "Ice" - a rare case of hypocorism in colloquial fan band nicknaming - Strut Recordings document a rare record from the vaults of the luminary Lafayette Afro-Rock Band, one that is arguably the closest in their catalogue to the signature sound defining their earlier work. Marked by an especially complex funk rhythmology, this record was pressed contemporaneously with the infamous Soul Makossa and Malik sessions; but compared to their earlier works, Afro Agban pushes deeper into jazz-rock territory. 'Ozan Koukle' has espceially become a known but coveted missing link for turntable taxonomists, who'll thank their lucky stars for the fact that it is now available in full.

Review: Ice's early work captures a pivotal moment in funk's evolution, weaving together taut grooves and vibrant African-inspired rhythms. Recorded during the band's formative years, the music brims with raw energy and creative ambition. Polished basslines drive the tracks, while percussion bursts with a vitality that speaks to their Parisian influences at the time. Horn stabs and tightly wound guitar lines add layers of complexity, and the occasional vocal inflection injects a sense of urgency. With each listen, the production reveals new texturesismall details that elevate the record beyond its era.

Review: Strut proudly presents the first official remastered reissue of Lafayette Afro Rock Band's funk/Afro classic, Soul Makossa from 1973. Originally known as the Bobby Boyd Congress, the seven-member Afro-American ensemble relocated from the U.S. to France in 1971. After lead singer Bobby Boyd returned to the US, the group rebranded as Ice and collaborated with producer Pierre Jaubert, whose credits included work with Charles Mingus and John Lee Hooker. Inspired by Motown's work ethic, Jaubert initiated daily rehearsals, leading to the band's unique sound. Immersed in Paris's African-dominated Barbesse district and frequently performing with Cameroonian composer Manu Dibango, the group evolved into Lafayette Afro Rock Band, embracing a heavier, more intricate Afro-funk style. Their debut album, Soul Makossa, featured a dynamic rendition of Dibango's classic, alongside the intense break of 'Hihache' and the infectious 'Nicky.' This meticulously crafted remaster by The Carvery from the original tapes includes the full original artwork, celebrating an iconic album's legacy.

Review: Strut proudly presents the first official remastered reissue of Lafayette Afro Rock Band's elusive funk/Afro original album, 'Malik,' originally released in 1974, on Limited Edition coloured vinyl. In 1971, the seven-member Afro-American ensemble, initially known as the Bobby Boyd Congress, moved from the U.S. to France. Bandleader Frank Abel recalls, With lead singer Bobby Boyd's return to the US, the group rebranded as Ice and collaborated with independent producer Pierre Jaubert, who had worked with legends like Charles Mingus and Archie Shepp. Inspired by Motown's work ethic, Jaubert initiated regular rehearsals with Ice. The band, immersed in Paris's African-dominated Barbes district, began infusing African elements into their music, often performing with Cameroonian composer Manu Dibango. As the Lafayette Afro Rock Band, they shifted to predominantly instrumental compositions with a dense Afro-funk sound. Their debut as Lafayette included 'Soul Makossa' and the impactful break in 'Hihache.' A year later, 'Malik' refined their sound with tracks like the percussive 'Conga,' atmospheric 'Djungi,' and robust 'Darkest Light.' Though initially limited in impact, 'Malik' gained appreciation as hip-hop culture flourished in the 80s, becoming a rich source of samples. This remastered reissue, crafted by The Carvery from the original tapes, has the full album and original artwork.