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Home  Back Catalogue  Deep House
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Back catalogue: Deep House

Juno's full catalogue of Deep House
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Items 1 to 5 of 5 on page 1 of 1
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z ALL
Albums
FXHE 10 Year Compilation Mix 2
Cat: AOS 2004. Rel: 02 Jun 14
Unitarian
Churchill
You Heard What The Man Said Muthafukka
Strider's World
Track #8
Flying Blind
Techy Alexander
Columns
Three Blinds Rats
Force Fed the Meds
Mayall LL
It Can Be Done But Only I Can Do It
Got The Drop On Dem
Untitled
Gunup Runup
Over You Too
Review: Alex "Omar" Smith has always come across as fairly militant in terms of his musical output, so it's still a surprise that he's chosen to celebrate the first decade of his FXHE label by putting out a series of mixes. This second installment expands on the first - released earlier this year - mixing familiar staples and scene anthems (Smith's own "It Can Be Done But Only I Can Do It") with lesser known gems. Musically, it's impressively raw, with Smith moving through a range of tough, stripped-back techno grooves and dystopian acid house gems before reaching for more melodious cuts such as the shimmering "Flying Blind" and melancholic "Three Blind Rats".
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Played by: Laura Jones
 in stock $21.02
You Want
Cat: AOS 9000CD. Rel: 05 Feb 20
You Want The Best
A Toast To Momma Rose (Crowd Claps Jacked By Norm Talley)
That's Lil'Boy (feat Ian Finkelstein)
Second Life (feat John FM)
The Sound Of Neptune
Don't Get In My Way
This Love Is 4 Real
Oops
Hear Me Out (feat John FM)
Ambiance (feat John Cloud & L'Renee)
Coming Home Hum
1993
Review: Those who've been paying close attention will know that Alex 'Omar' Smith has been mixing things up musically of late, veering away from the deep Detroit house he's famed for in order to explore a wider range of influences. New album "You Want" doesn't exactly reverse this trend, but it is far more rooted in his particular brand of seductive, off-kilter deepness and techno-tinged hypnotism than recent singles. That's undeniably a good thing, because nobody does crunchy, machine driven club jams better than the Motor City producer. There are nods towards Italian style piano house, disco, broken beat, jazz funk, Masters at Work and - more surprisingly - industrial techno (see the filthy closing cut) - but the resultant cuts don't sound like anything other than tried-and-tested Omar-S club jams.
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Played by: Wes Baggaley
 in stock $24.34
Can't Change
Cat: AOS 1019. Rel: 25 Apr 22
Virgil (feat Mitchell Yoshida)
Money Hit Da Floor (feat Supercoolwicked & Amir Hassan)
Aaayoooooo (feat Alister Fawnwoda)
Can't Change
Inner Luv (Intrumental mix)
Bend Who (feat Milf Melly & King Milo)
Whale Sex
Multiple Orgasms
Ice Cream (feat Alandra O Smith & Supercoolwicked)
Miss Hunn'nay (feat Mad Mike Banks)
My Momma & 'Nem Said I Don't Have To!!!
Start This Over Again (feat Supercoolwicked)
Jump
Outer Jass Authority (feat Supercoolwicked, De'Sean Jones & Ian Finkelstein)
Review: Omar Alex Smith's development as an artist is such that these days, it's hard to predict what he'll put out next, musically speaking. Can't Change, his first album for two years, is a great example of this. While there are examples of his trademark hypnotic, driving, heavily electronic Motor City house sound (see 'Whale Sex', 'Inner Love' and the acidic 'My Momma and Ned Say You Don't Have To'), these rub shoulders with tracks that more expressly explore his different inspirations, as well as nods to Detroit musical history. The results are predictably impressive, with our picks including the jazzy, soulful and sun-kissed dancefloor pressure of 'Virgil', the mutant R&B/hip-hop of 'Bend Who', revivalist piano house sing-along 'Start This Over Again' and a jaunty workout featuring vocals from UR's 'Mad' Mike Banks ('Miss Hunn'ayy').
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 in stock $22.12
Thank You For Letting Me Be Myself
Cat: 7000. Rel: 22 Mar 13
I'll Bring U Ah Lil Sumpin Back
I Just Want (mixed by Luke Hess)
Air Of The Day
Be Yoself
Rewind
The Shit Baby
Hellter Shelter
Amalthea
Tardigrade's
Thank U 4 Letting Me Be Myself
Ready My Black Asz
Messier's Sixty Eight
Dumpster Graves
Its Money In The D
Review: Last time it was only Omar S that could do it; this time he's thanking us for letting him be Omar S. That's right the FXHE boss returns with an eagerly awaited new album brandishing some 14 tracks. Omar S albums naturally tend to sell themselves but, for those still curious, Thank You For Letting Me Be Myself sounds like a perfectly executed culmination of the ideas AOS has explored on the numerous 12"s since his last album. As soon as the crunchy mechanical dramatics of opening track "I'll Bring U Ah Lil Sumpin Back" launch into action you feel like you're in for quite the journey and the subsequent swerves through Detroit flavoured electro, piano flecked house, beatdown and techno come with satisfaction guaranteed.
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 in stock $25.44
Norm A Lize
Cat: AOS 410. Rel: 11 Oct 17
Get It Right
Seneca St Gruv
Dub Station
Alright (feat L'Renee)
No Need 2 B
The Dream
Earth Vibrations
Cause I Believe
Paradise Garage
The Body
Da Hornz Norm
If It's Love That U Want
The Rise
Get On Up
Review: Although not as celebrated as many of his Motor City contemporaries, Norm Talley has been a key figure on the Detroit deep house scene for the best part of 25 years. Here he presents his debut album, a set that appears exactly 20 years on from the release of his debut 12". It's a largely warm, rich and inviting affair, with Talley combining samples from classic disco, soul and boogie jams with his own drums, keys and chords. The results are uniformly superb, with highlights including the beatdown style hypnotism of "Dub Station", the disco-house bounce of "Alright", the deep and percussive dreaminess of "Earth Vibrations" and the brilliantly jazzy "Paradise Garage", where Talley cuts-up killer electric piano solos over a sumptuous, jazz-funk inspired house groove.
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 in stock $22.96
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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z ALL
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