Back catalogue: Coldwave/Synth

Review: Influential Hamburg band Palais Schaumburg's self-titled 1981 album takes some beating. It is one of German alternative music's most accomplished and critically acclaimed works, with hardcore prasie from those who know. Fusing rock, new wave and experimental across 10 timeless track, it mixes tight post punk rhythms with dubbed out vibes and avant-garde ideas. This deluxe reissue of Holger Hiller, Thomas Fehlmann, Ralf Hertwig and Timo Blunck's best record includes all tracks from the original album on a nice red slab of wax with a new insert

Review: Parade Ground is the Belgian duo of brothers Jean-Marc and Pierre Pauly and they formed this project in 1981 as a way of blending post-punk, coldwave and electronic body music. The Golden Years compiles their influential singles and rare tracks from 1982-1988 and it's a great window into their world of sleek synths, skeletal guitars and expressive, evocative vocals. Collaborating with Front 242's Daniel B. and Patrick Codenys, Parade Ground released seminal works like Moan On The Sly and Man In A Trance and later they worked with Wire's Colin Newman on Dual Perspective. This remastered album includes a press kit with lyrics and photos which chronicle their lasting impact on Belgian electronic music.

Review: Dark Entries welcomes back the Brussels brothers Jean-Marc and Pierre Pauly for this superb collection of B-sides and unreleased tracks. Formed in 1981, Parade Ground pioneered a more emotional take on their homeland's signature electronic body music sound by blending drum machines icy synths and guitars with Jean-Marc's powerful vocals. The Hidden Side spans 1982 to 1989 and explores their cold, dark aesthetic from menacing coldwave tracks to danceable cuts like 'Hollywood (The Sexiest Fish') to magically melancholic freakouts like 'Looking Through Keyholes'.

Review: James 'Perturbator' Kent is back with a new album which tells the tale of someone who has nothing left to lose. "Wandering in the hostile neon-soaked dirty streets of a city from the future, armed and dangerous. This is your story," says the man himself. The tracks feature some fine guests such as Great Link, Noir Deco and Memory Ghost who add to the allure of these retro-future synth and disco charms. Think Blade Runner but in a world of optimism and celebration rather than post-apocalyptic despair.

Review: Perhaps slightly better known for his dancefloor-enlivening electro productions, this is actually the third full length ambient album from UK producer Emile Facey under the Plant43 moniker. He's been writing and storing up atmospheric synthesiser experiments alongside his dancefloor oriented output since his last ambient LP The Countless Stones released in 2020, and the eight tracks here are meditative, ethereal affairs, Facey carving out a beautiful set of vivid emotions out of crystal clear pure sounds and arpeggios rolling like gentle waves lapping at a shore. Imagine classic Tangerine Dream combined with the balance and poise of Global Communication and you're getting close.
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Review: Greek electronic music legend Lena Platonos returns to Dark Entries with Balancers, an LP of previously unreleased material recorded between 1982-1985. Athens-based Platonos has worked with the label previously to reissue her three solo LPs - Gallop, Sun Masks, and Lepidoptera - as well as to release three accompanying 12" EPs featuring modern remixes of her work. She is renowned for her forays into cutting-edge electronic experimentation as well as her striking, impressionistic poetry and lyrics, always recited in Greek. Also included is an insert with lyrics in both Greek and English.

Review: You'd be forgiven for not knowing much about Plugpoint Music's sole album, Last Chance. It was recorded by German artist Reiner Ossmann in his home studio way back in 1987 and was subsequently released via a private press run of just 200 copies. It is, then, a genuinely little-known and overlooked gem that has been rescued from obscurity via the mighty Minimal Wave label. If you enjoy the more stripped-back and eccentric end of the new wave and cold wave spectrum, we'd definitely recommend it. Ossmann's synthesizer and drum machine arrangements are expertly minimalistic and alien-sounding, with gurgling melodies and spaced-out chords mingling with his own heavily accented vocals over the sparsest of beats. An ultra-rare gem that's well worth your time and money.

Review: Preston, UK-based Polypores (AKA Stephen James Buckley) is a great advertisement for just how fertile the North West England electronic music production scene is outside of Manchester, the region's sonic epicentre. Self-describing as "painting" sounds with synthesisers, suffice to say his a deep and patient aural world to step into, and one that reflects the rugged serenity of the region's stunning countryside. Multizonal Mindscramble is a case in point. With track titles like 'The Dream Incubator' and 'Machine Elves', it's clear these are computer sounds but made resolutely human through earthly and heavenly elements, gliding refrains, bubbling flourishes, and a vast, open feeling to arrangements. Naturally evolving, ebbing, and flowing, rather than being trapped in the regimented, hard-fixed loops and patterns that can often define output from musicians and their digital audio workstations.

Review: Colin Potter has a unique approach to electronic rhythm that is fully laid bare on this Ago long player. His signature sound design defines the six cuts which were recorded in the mid-80s and late-90s at IC studio in Tollerton in North Yorkshire. Various bits of classic hardware were used in the making of these tunes - an Akai S950 sampler, an Emulator II, Roland TR727 and Yamaha RX11 digital drum machines, a Roland Juno 60, and more, and the results are mind-melting cuts that fuse bleep, electro, EBM, techno and acid.

Review: It's incredible to think Blush is PVA's debut album. The South London band sound like they've been doing aggy, abrasive and regularly oddly beautiful cold synth wave stuff since it was invented, bringing their own edge and energy, influences and ideas to a table that - much as we love it - can often feel like it has become set in its ways. Then again, perhaps their breaking from some traditions is exactly what exposes their freshness.

Across 11 incredible sonic assaults we're dragged from pillar to post in the best way. 'Untethered' sounds like an alarm going off and panic setting in, opening the album without apology. 'Hero Man' takes things into a more rolling, wavy place, albeit wasp-in-jar keyboard lines underpin things. 'The Individual' slows us down and ups the nasty; spoken word style lyrics and grungy, grimy atmosphere making it a stand out. Meanwhile, 'Seven' drops just ahead of the finale for blissful, twisted but honest romance.