Juno Recommends Soul: March 2024

Review: Jalen Ngonda shares two 7"-incarnated selections from his debut album Come Around and Love Me. Anyone who has had the pleasure of seeing Jalen perform live knows that he is one of the most captivating performers on today's soul scene. His voice, equal parts raw feeling and elegance, exudes confidence and charm - disarming packed rooms of rowdy concert-goers, leaving them silent as they hold fast to every syllable sung. For his studio project, however, Ngonda and his team at Hive Mind Studios in Brooklyn developed skulful blends, heavy arrangements and introspective lyrics with a Motown sophistication, leaving the listener in a blissful wash of wonderment. Ngonda creates a classic approach that is rooted in the sounds of revered pioneers, without falling into imitation; most symptomatic of this is the beautiful cinematic soul echoer 'What Is Left To Do', a song sure to dazzle for years to come.

Review: This one is a rare soul gem that has not been easy to find on 7" for 40 years. It is one of the countless masterpieces that were produced by the great studio legend Larry Mizell who made it for Alabama born soul singer Brenda Lee Eager. She later relocated to Chicago and sang with Jerry Butler in his back up group Peaches and dueted with him on their million-selling duet 'Ain't Understanding Mellow'. Brenda did more backing singing with the likes of Ray Charles, Diana Ross, and Stevie Wonder and wrote songs recorded by Bobby Womack, Aretha Franklin and Gladys Knight before laying this one down in 1974.

Review: The still very sorely missed queen of UK soul makes a posthumous yet triumphant return here in the form of a new hip-hop collaboration with Pharoah Monch. Her original vocals and the sultry sax sounds from her gem 'Rehab' are rewired with fast-paced new bars from Monch. Flip over this limited edition 7" and you will find a sweet reggae sound on 'Cupid' with its rocksteady rhythms and Winehouse's heartfelt and beautifully raw vocals making for a perfect sun-kissed and horizontal rhythm all about love.

Review: Collins And Collins were originally at the Top Of The Stairs back in 1980 when this one first landed. It has since become a revered underground classic much loved on the modern soul circuit as a timeless gem. The song was first composed by Ashford & Simpson who recorded their own version but when playing live would switch to the Collins & Collins version. The tune first came on CD via Expansion back in 1993 and now gets a first official 7" version back with the exceptionally rare version of Gamble & Huff's 'You Know How To Make Me Feel So Good' which first was recorded by Harold Melvin & The Blue Notes in 1975.

Review: Building on the triumph of Les Imprimes' inaugural album, Reverie, Big Crown Records presents two standout tracks from the album pressed onto this 7". For the A-side, Morten provides an edit and infuses the mix with an extra dose of depth reminiscent of Larry Levan's style. The result is striking and hits harder, igniting the dancefloor with its infectious rhythm while delivering a resonant message about the consequences of investing too much in the wrong relationships: On the B-side, 'You' bursts forth with a captivating crescendo, setting the stage for a sublime sweet soul melody. This beautiful declaration of love and reassurance is equally enchanting both musically and lyrically. Morten Martens' talent for arrangement shines through on both of these lovely tunes.

Review: Multi-talented artist James Alexander Bright unveils soulful anthem 'Fall For You' and funky track 'Viper Flames' in the superb Athens of the North, all as a tease his forthcoming third solo album on the label in mid-2024. Reflecting on love's power in 'Fall For You', Bright's upcoming release follows his acclaimed debut album 'Headroom' and contributions to Groove Armada's 'Edge Of The Horizon'. His second album, 'Float', garnered praise for its eclectic blend of styles. These new tuns show what he is all about - sunny soul with standout keys and dreamy vocals that melt even the stoniest of hearts.

Review: Digging and finding rare soul, funk and disco 7" is like a right to passage for many obsessed with finding black gold in record shops. Sometimes, it's just too hard to find good copies let alone one at all. Kent Records does us all a big favor and gathers up two hard to come by soul tracks for one special 45. Towana & The Total Destruction's - 'Wear Your Natural, Baby' & Ty Karim's 'If I Can't Stop You (I Can Slow You Down)'. Both of these were originally released on Romark, which was a small Los Angeles label releasing funk and soul, and are destined to delight the hardcore afficianado and casual visitor to soul music alike.

Review: Northern Soul heads rejoice - Cam Cameron's delightful 1968 gem 'They Say' is back on 45 rpm thanks to Soul Junction. Cameron is a Black American artist who has a stunning voice, as you can hear here, but is one of many such talents to apparently have only ever recorded one tune before disappearing never to be heard from again. More's the pity. His real name was Alvin Cameron and he wrote this one while the lush strings come from the late John Andrew Cameron, a hugely respected arranger, producer and songwriter who had a big impact in the soul scene in the 60s and 70s in Chicago.

Review: After a start in the immensely popular Buffalo Springfield and a two-year stint forming Poco in 1968, he entered into a partnership with a young singer/songwriter called Kenny Loggins. Their career lasted for seven years producing multiple albums together. In 1979 Jimmy Messina released his first album which featured the well-regarded Jazz Fusion and Smooth Jazz tracks 'Do You Want To Dance & 'Love is Here'. Dynamite Cuts collects both of these for an appearance on this 7". For fans of eclectic 70s gems, this little 45 will get some strong play.

Review: Issued on CD by Ace in 1999, Eramus Hall's Your Love Is My Desire was subject to instant popular scrutiny. Though it was recorded in late 1978 by the soul and funk group - who later went on to record another album, Gohead, and many singles - the lone figure on the album cover misleadingly implied that "Hall" was a single person. Despite its obvious stylistic derivation from Funkadelic and co., Hall's first album is still a landmark album; fans of smooth late-70s soul will love it for the title track, and 'Just Me 'n' You'.

Review: Jackie Ross had a storied career that began when the great Sam Cooke recruited her for his SAR label in 1962. After that, she went on to sing with Syl Johnston's band and sign with the notorious Chess label in 1964. It was there she dropped her biggest hit 'Selfish One', which reached number 11 on the U.S. Billboard Hot 100, before many more tunes came on the likes of Brunswick and others. Her 1980 album A New Beginning For was produced by Chicago soul scene mainstay James Van Lear and now gets its first reissue courtesy of P-Vine. It shows the range and depth of emotion Jackie could tap into with a mix of slow motion stirrers and more funky and upbeat numbers.

Review: The first reissue of Ron Henderson's 'Soul Junction' in four years, this one comes with a Japanese obi strip. This is a great, beloved modern soul work released by Ron Henderson and his group Choice of Color in 1976. The edition reissued by P-Vine in 2020 sold out quickly, and now fetches high prices on the used market, so they've once have decided to reissue this wonderful album in a new version. Henderson came of musical age in the 1970s, the decade in which he regularly appeared on-stage alongside the eponymous band. The first of just two albums to ever be released, the latter of which (a compendium of Rare Tracks) was in turn its own P-Vine release, the relative, original obscurity of this album, not to mention its raw and honest feel, make it an undeniable funk and soul treat.

Review: Originally released on the Soulful Thangs Vol. 7 compact disks for Latin Soul Recordings in 2007, the song 'It's So Hard To Say So Long' by the Equasions took on a life of its own. A timeless soul and funk single recorded in San Antonio in 1971, revered by sweet soul collectors internationally, has now become available for the first time in over 50 years through Symphonical Records. In partnership with band leader and songwriter, Robert Williams, this group also features high school classmates Vernon Shannon, James Hartfield, Ricky Cotton, and Lamar Sumter. 'It's So Hard To Say So Long', is a poignant sentiment to lost love, yet hope created through beautiful harmonies, whereas 'World Of Loneliness' is a psychedelic reflection of society of the era, which Robert mentions remains true today. Big shout out to Symphonical for putting out this very desirable 7"

Review: 'Black Is the Color of My True Love's Hair' has origins as a black folk ballard that was associated with colonial workers across the United States. It has distinctive melodies and a mournful and melancholic feel and has been covered by man artists, but none quite as powerful as the late great Nina Simone. Taken from her Nine Simone at Town Hall album recorded in 1959, it became a staple of her sets which is what in part helped to increase the song's popularity throughout the late 20th century. Here it is presented as a mash up with 'A Hymn' for a beautifully moody new take.

Review: If you like your r&b soulful and your funk seductive then you probably already know this classic from Erasmus Hall. His Your Love Is My Desire encapsulates the essence of smooth 70s sound and came in originally in 1980. Now newly remastered, the album radiates infectious grooves and heartfelt lyricism with its silky vocals and the tight, funky instrumentation all full of undeniable charm and timeless appeal. Standout cuts like the titular track and 'Just Me and You' showcase his band's impeccable musicianship and knack for crafting irresistibly catchy hooks. With its lush production and soul-stirring melodies, Your Love Is My Desire is a quite gem in the realm of classic soul.