Review: To categorise bdrmm as "British shoegazers" may be accurate. Or not. There has to be a limit to how far a genre definition can be stretched before it begins to include a whole load of other noises and styles. In the case of Microtonic, the sonic palette is at once broader than most understandings of the sound and yet it's hard to pinpoint a more apt tagline. Sometimes sweeping statements work for a reason. Arguably their most far reaching work, and certainly up there with their finest and most epic hours, bdrmm don't reject the sound of the cosmos space told through soaring guitars and lofi distortion - the title track, 'In The Electric Field', which features Olivesque, and 'Lake Disappointment' are just two cases in point. But then opener 'Goit', with Working Men's Club's Sydney Minsky Sargeant, 'Snares', and 'Clarkycat' embrace other moods. Intelligent dnb, industrial-edged electro, chill out house, to name but a few.
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