New releases today: All genres

Review: Cassiano's Cuban Soul - 18 Kilates was first released in 1976 and is a landmark of Brazilian soul for the way it blends the groove of American r&b with native rhythms in a way few artists have matched. Long coveted by collectors, the album has achieved cult status and now returns remastered from the original tapes on 180g vinyl so it is sure to fly off the shelves. Cassiano's velvety vocals glide over lush, cinematic arrangements throughout and in doing so, evoke the grandeur of contemporaries like Tim Maia. From start to finish, this album is packed with depth, warmth and effortless cool, which makes it an essential listen for anyone who likes soul, samba and vintage Brazilian brilliance.

Review: NYC-based Anthony Naples returns with his sixth long-player, serving up a ten-track dub-house trip via his own ANS Recordings. Naples leans into loose, shuffling rhythms and worn textures, drawing from the fringes of classic house, albeit filtered into its most stripped components. There's a sense of movement throughout - from the swirling low-end of 'Hi Lo' to the playful glitch of 'Bounce' and the fervent tempo of 'Night. Pulsing but unhurried, the album builds a world of soft hallucination and heads-down propulsion, rooted in the club but reaching toward astral realms. Scanners feels like a late-night drive through mist: strange, beautiful, and strangely fleeting. A subtle but absorbing record from an artist continuing to chart his own trajectory.

Review: Greatest Fits is a deep dive into the superb sounds of German avant-garde new wave pioneer Gina X on the cult Dark Entries label. This double LP compilation spans the whole of the bold, boundary-blurring career of Gina X Performance, which came together first in 1978 when singer Gina Kikoine and producer Zeus B set out to create "the absolute union of music, poetry and travesty". With selections take from four of thieves albums, you'll find their signature blend of icy electro, camp theatrics and subversive pop throughout, and it all ranges from the pulsing 'Nice Mover' to the decadent 'No G.D.M.' Greatest Fits is both a musical time capsule and a vital reminder of how far ahead Gina X always was while also serving as a celebration of queer culture and synth-driven hedonism.