Back catalogue: All genres

Review: Aussie duo Echo Inspectors join forces with yet two more cretive forces of nature, Subset and Prince Morella, to deliver 'Youthman' - in the artist and label's words - a "slung dubbed out, rootz laiden steppa". The dub influence rings as clear as a translucent glass bell that's just been peeled off the blowpipe; the track's vocalist, Morella, has already worked with Lee Perry, King Tubby and Scientist, so this is certainly a collaboration for those willing to follow the threads of dub as a lineage into dub techno. The original is slow and pacey enough - with Morella singing of broken barriers and Babylons - but it's the organic-atmos remix from Biodub that really takes the cake for us, with its daring additions of swing and future garage influences.

Review: Norwegian pop heavyweight Sigrid has gone from strength to strength since breaking through in 2017 with 'Don't Kill My Vibe'. Her talents have reached to songwriting credits for the likes of Paloma Faith and Rudimental, but it's in her own work where you can hear the precocious singer in full flight. In the wake of 2022 sophomore album How To Let Go, she points to the future with this dazzling, succinct EP. As the title suggests, this release is a reflection on the impact of her meteoric rise and what it means to be on the receiving end of worldwide attention, but naturally Sigrid takes the rollercoaster ride in her stride and sounds more empowered than ever.

Review: Vade Mecum welcomes Soft Traffic for a debut release here and it is one that suggests the producer has a soft spot for the warm, deep and heady end of the dubbed out techno spectrum. Those are certainly all the words you would use to describe the quiet brilliance of opener 'Find Ya' (feat Prince Morella) which is icy cool and hypnotic. On the flipside, 'Night Drive' is another sublimely soft focus and supple techno roller with infinite horizons and milky pads that dissolve your soul. A superb debut.

Review: Whoever is behind these STEDIT drops is striking upon pure gold, bringing a legitimately underground techno crunch to the pop edit practice. Having previously tackled the likes of Brandy & Monica and Ultra Nate, now two of the biggest pop divas of all time are getting some low down and dirty reworkings which tread the fine balance between earworm familiarity and the heads down moodiness of a locked-in dancefloor. 'Slow' becomes a slippery acid abstraction peppered with all kinds of sonic freakery, while 'Justify My Love' becomes a brooding, steadfast workout tipped towards the minimal crowd.

Review: James Pennington remains one of the cult veterans of Detroit's techno legacy, right there at the beginning and wholly revered by those across his work. Even if he still exists a little on the fringes compared to some of his peers, releases like this remind you how respected he is, and for good reason. 'Winds Of Fear' just hits that balance between the true, deep-rooted, classic kind of techno and the otherness which makes the best of the genre memorable instead of forgettable. The trombone-like synth line forming the melodic bedrock of the track is just not something you hear often in techno, but it sounds powerful especially on top of the rough, urgent slap of the Suburban Knight drums. As if the original wasn't enough, we get Robert Hood going in on the track with a tight but funky as hell edit and a dusty beatdown version from Eddie Fowlkes. Legends, assemble!

Review: Sunshine Sound is the NYC imprint that became recognised as the birthplace of the edit, through a series of genre defining releases. It is back with another golden oldie, re-spliced with paramount expertise and respect by the one and only Francois K. The multi-layered and utterly hypnotic "I Feel Love Medley" (Francois K edit) is a long sought after rework of the well known Donna Summer classic. Over on the flip, from the depths of the label's archive is another Donna Summer classic - the unique 'Faster & Faster Medley' edited by Canada's Jacques Lessard.

Review: Take a journey to the dawn of DJ culture with Sunshine Sound, the NY imprint that became recognised as the 'Birthplace of the Edit'. The Francois K and Walter Gibbons resplices here of 'Happy Song' is their first vinyl release, known as the original DJ tool (and the original bonus beat) which has been the source of countless samples and imitations since it first appeared in 1977. Kevorkian's version on the A side is the most commonly known one, with its upbeat infectious rhythm, while Gibbons' take over on the flip has more stomp and was very much streamlined for his legendary DJ sets at Galaxy 21.

Review: Appalachian style old-time banjo and guitar player Nora Brown joins with award winning fiddler Stephanie Coleman (of Uncle Earl) to present their new EP, 'Lady Of The Lake', featuring two tight-harmony songs and two instrumental duets. Brought together by Brooklyn's tight-knit old-time music community, Brown and Coleman share a rich musical partnership; Nora is a singer and banjo player, while Stephanie is an award-winning old-time fiddler. 'Lady Of The Lake' is the first time Nora and Stephanie have recorded together since Nora's 2019 debut album Cinnamon Tree; the EP comes in four short movements, beginning with an instrumental congregative ballad in the title track, while moving into the steady movements of 'Gone So Long', on which Brown and Coleman duet and harmonise with ease, and into 'Copper Kettle', a more ruminative meditation on the North-Eastern domestic; jugs filling, whiskey-crafting, pales sloshing and lying supine by junipers.

Review: As the title suggests, all of the material on this new album from Shibuya Station was recorded at the eponymous station in Japan. The music has previously been flawed as part of various compilations but has never been in one place before. It's leftfield minimal synth with an electronic brightness and cold but alluring rhythms made on gear such as various Korgs, Moog Little Phatty, Moog Voyager, various Roland keyboards and VST synthesisers such as the ARP Odyssey. All that defines the vintage textures of the sounds across six captivating tracks.