Tags: Delay pedal

Notes: Multi-tap delays go next-level with Eventide's incredible heritage distilled into this compact pedal format. Line level options allow you to process synths, drums, guitars and just about any other signal.

Supplier's Notes:
A Multiverse of Tone UltraTap is a unique multi-tap effect pedal capable of rhythmic delays, glitchy reverbs, huge pad-like volume swells, and extraordinary modulation.

It's the perfect tool for staccato leads, swelling chords, and other evolving effects - everything from reversed reverbs to the sound of ripping it up in the Grand Canyon!

Think of UltraTap as the mother of all Echoplexes and you won't be too far off.

That's basically how it operates but with the flexibility to add as many 'tape heads' as you want and expressively control their positions and levels.

UltraTap's controls make possible new and unexpected effects. The controls that you would expect in a multi-tap delay pedaliNumber of Taps, Delay and Feedback- are just the basics.

Controls for Spread, Slurm, and Chop open up a new world of possibilities.

Effect Features:

"Slurm" An exclusive and innovative control that smears/slurs taps together to create truly unique reverbs and choruses.

"Chop" and "Spd/Rise/Rel" combine to allow unusual and expressive modulation of the taps based on LFO shapes or the audio's envelope.

"Feedback" unlocks further tone shaping capability.

"Taps" selects up to 64 taps to create simple repeats or morph delays into chorus and reverb.

"Spread" controls the 'distance' between' taps. With the knob centered, the taps are equally spaced, turn clockwise and the later taps are bunched together, counterclockwise and the early taps are bunched together. Use this control to dial in the perfect rhythmic space between taps.

Onboard LFOs and envelopes to chop the sound source into stuttered rhythms.

"Tap Footswitch" allows you to set the tempo of the taps.

Connectors:

Input: 1/4" TRS / Mono = Tip, Stereo = Tip & Ring
Out 1: 1/4" TS Mono / Mono Output
Out 2: 1/4" TS Mono / Stereo Output
EXP: 1/4" TRS / Expression pedal, Aux Switch or MIDI I/O
Mono/Stereo Switch: Sets Input to Mono (Tip) or Stereo (Tip + Ring)
Guitar/Line Level Switch: Optimizes internal gain structure
Mini USB: Software updates, MIDI I/O
DC Input Jack: 5.5mm / 2.1mm plug / Center Negative (-)

Analog I/O:

Input Impedance: 700k ohms Mono, 990k ohms Stereo
Max Input, Guitar: +8dBu
Max Input, Line: +14dBu
Output Impedance: 220 ohms
Recommended Load Impedance: 10k ohms

Specifications:

Power: 9V DC @ 200mA / Center Negative (-)
Dimensions (product): 4" W x 4.25" D x 1.68" H / 102 mm x 108 mm x 43 mm
Weight (product): 1.06 lb / 0.48 kg
Dimensions (package): 7.7" W x 4.75" D x 2.8" H / 178 mm x 121 mm x 71 mm
Weight (package): 1.68 lb / .77 kg

Notes: Bad Comrade Pedal

(Glitch, Pitch, Slice, and Dice)

Is it a distortion pedal? Is it a ring modulator? Delay? Just call it the Bad Comrade, the world's first hand-wired glitch, pitch, slice, and dice pedal. For the adventurous guitarist (or anyone wielding a 1/4" jack) that craves unthinkable tones, the Bad Comrade lets you distort, modulate, glitch, and slice on the fly.

The Bad Comrade is hand-wired in Seattle, Washington. True bypass, chrome plated LED, lead-free solder. It operates on a standard Boss style 9vdc power supply, not included. Includes a limited lifetime warranty, if registered within 30 days of purchase.

Important: power up the Bad Comrade with Glitch and Time wide open.

Enclosure size: 4.67" x 3.654" x 1.547"