New releases last two weeks: Progressive Rock

Review: Part of the wider Megami Tensei video game franchise, Persona 4 is a 2008 role playing title that hit Japan, and made a huge impact, in 2008. Set in a fictional version of the Land of the Rising Sun's countryside, players adopt the character of a high school student who moves to the small town of Inaba from the city to experience rural living for 12 months. Mysterious murders ensue, and it's up to you - or whoever's got the PS2 controller - to work out what's happening. It's typically deep dive stuff for a country that has always had a very unique relationship with video games. Atlus, the developer, already had a reputation for making beloved scores for its titles, and this one is no exception, although broke the mould compared with preceding instalments in the saga. Way more upbeat, it's a mixture of bubblegum dance pop, chip music, high intensity synth rock, urban-hued J-pop, and 'toon jazz.

Review: Hailing from Herne Bay in the south east of England, Kevin Ayers emerged as a pioneering figure in the nearby Canterbury scene. His second solo release with the Whole World is a testament to the experimental spirit of early 70s UK music, mixing progressive rock with psychedelia and avant-garde influences, blending whimsical ballads and intricate soundscapes. Tracks like 'May I?' and 'Rheinhardt & Geraldine' show off his knack for fusing carefree melodies with more experimental structures, while 'Underwater' and 'Clarence in Wonderland' explore the era's boundary-pushing approach to sound. Featuring contributions from Mike Oldfield and Robert Wyatt, the record's genre-defying nature helped cement Ayers as a key figure in progressive rock. Though originally released in 1970, this album remains an influential work, still resonating with contemporary artists drawn to its mix of playfulness and musical innovation.

Review: The soundtrack for Risk of Rain 2's Seekers of the Storm, is here making its vinyl debut, and it's an edition fans won't want to miss. Composed by Chris Christodoulou, with a special contribution from Stavros Markonis, this release brings some atmospheric and powerful music to life on a stunning looking record. The vinyl itself is a visual treat, featuring a striking blue, white, dark green, sky blue, and black marbled design. This soundtrack is housed in a beautifully crafted gatefold sleeve with artwork by Daniele Giardini. Christodoulou's compositions delve into new, unexplored territories with a blend of intense and emotive pieces. The use of a seven-string guitar adds a new layer of depth to the music, delivering some of the most elaborate and heavy tracks ever written for the series. Markonis' contribution introduces a fresh sound, seamlessly integrating into the Risk of Rain universe while also bringing something unique to the table. The recent uptick in soundtracks released on vinyl have really shown that fans love connecting with the music of many movies and TV shows. Even if you may not know the series, this is one the best in recent weeks for you to enjoy.

Review: German progressive rockers Everon have returned after 16 years, led as ever by guitarist and vocalist Oliver Philipps. Known for their intricate melodies and deft fusion of classic prog rock with a modern sensibility, the band's latest offering showcases their signature sound that made them stand out in the late 90s and early 2000s. Despite the years apart, the group's musical chemistry remains intact, with their technical prowess and Philipps' emotive voice providing a solid foundation. However, this reunion comes with a heavy heart as recording process was marred by the sudden death of drummer and co-founder Christian Moos. The poignant 'Until We Meet Again' serves as a tribute with lyrics reflecting the sorrow of losing a close bandmate. Tracks like 'Travels' and 'Broken Angels' continue to embody Everon's knack for melodic rock with progressive flourishes, while 'Pinocchio's Nose' and 'Guilty As Charged' show their ability to mix heavier, more complex arrangements with accessibility. The band's blend of the epic and personal, coupled with their finely tuned musicianship, makes this a compelling return after such a long hiatus.

Review: Luniwaz LIVE is the sound of Scott Kinsey paying tribute to Joe Zawinul and Weather Report, not by basic imitation, but through fearless reinvention. The album was recorded live in Prague and brings Zawinul's spirit to life with raw energy and deep improvisation alongside Kinsey's seasoned rhythm section. As part of that, Hadrien Feraud and Gergo Borlai join forces with rising saxophonist Patrick Bartley Jr to blend jazz mastery with modern flair alongside guest appearances from Pedro Martins, Meredith Salimbeni and Bobby Thomas Jr, who further elevate the sound. Far from an exercise in nostalgia, this is a great reimagining of a jazz legacy.

Review: Moving away from their usual meticulous approach, this Australian cinematic soul outfit embraces spontaneity, infusing their signature sound with newfound energy and groove. The result? A record brimming with vibrancy, experimentation and undeniable funk. The opener, 'Sleep Dreams', is a laid-back entry point before 'Bully Ball' crashes in with its raw, thunderous drums and deep-pocket funk. The band's sonic explorations continue on 'Body Slam', a track that begins with a sweet soul feel before morphing into something dark and eerie, highlighted by a timpani recorded in a distant bathroom. That same adventurous spirit shines in 'Fare Evader', where sci-fi-esque synths punctuate a hard-hitting rhythm. Surprise Chef pushes the tempo on 'Consulate Case' and 'Tag Dag', drawing from afro-funk and jazz-funk influences, while ballads like 'Websites' and the ethereal 'Dreamer's Disease' showcase their softer, cinematic side. With Superb, Surprise Chef amplifies the fun without sacrificing their signature musicianship. This album solidifies their ascent from underground favourites to a global force in modern soul.