XL Vinyl & CDs

Review: A deluxe reissue now available of the acclaimed 2001 album by Australian hip hop fusion act The Avalanche' Since I Left You featuring the hit single of the same name. This four disc version features several modern reworks of tracks from the LP, with notable appearances from Leon Vynehall and the late MF DOOM on the remix of 'Tonight May Have To Last Me All My Life' and 'A Different Feeling' receiving the Carl Craig Paperclip People remix among many others.

Review: Canadian trio Badbadnotgood have made us wait for Talk Memory, their fifth album. Arriving a decade after their first full-length, and some five years since the release of their acclaimed fourth LP, it's a much more expansive and cinematic affair than its predecessors - both in scope (it includes more nods towards post-rock and jazz-rock, for example) and sound (a number of tracks feature string arrangements by Brazilian arranger Arthur Verocai). It's a dazzling affair all told, with the band's choice of improvisational composition techniques and an impressive guest list (Laraaju, Karriem Roggins, Terrace Martin and Brandee Younder all appear) resulting in a string of epic, life-affirming compositions. Picking highlights is tough, but we'd suggest checking slow-burn, constantly building epic 'Signal to the Noise' and the buzzing, psychedelic jazz-rock of 'Beside April'.

Review: Named after their infamous Brixton club night, Basement Jaxx's second album Rooty saw them continue to push the boundaries of pop and club music. The album mixes classic house with generous lashings of punk, funk, R&B, jazz, hip hop, 2-step and pop song-craft in a mad genre crash that works like a charm. It features the massive tracks 'Where's Your Head At', 'Romeo' and 'Do Your Thing'.

Review: Ibeyi are French Afro-Cuban twin sisters Lisa-Kainde and Naomi Diaz. Their latest album Spell 31 is their boldest offering yet; an antidote to apathy in a divided world, featuring vocal harmonies that take in gospel and electronic neo soul influences, further refined by XL Recordings boss Richard Russell's brilliant production throughout. Collaborators include Pa Salieu on 'Made Of Gold', singer Jorja Smith on 'Lavender & Red Roses', and rapper BERWYN on 'Rise Above'.

Review: It's hard to believe Archy Marshall, the 'real' name behind King Krule, is only 28. Not only does his back catalogue smack of wisdom and experience, a goldmine of resonant and reflective twisted punk jazz, dark wave, pop and trip hop, it often feels as though he's always been here, inviting us to share in disillusionment, anger, melancholy and honest reflections on being human. Since arriving into the musical conscious as a very young looking teenager, initially using the pseudonym Zoo Kid, there has always been this startling juxtaposition between fresh faced adolescent we see and the wizened master of observation we hear. Things have waned in terms of intensity, with Space Heavy a fine example - fragile and vulnerable in so many moments - yet the overwhelming power has actually increased.

Review: It was when Makaya McCraven linked up with International Anthem around 2015 he became an artist transcending the jazz scene's tangle of singers and players. Since then he's evolved his craft from album to album, project to project, reaching this undeniable achievement of a record that places him at the forefront of modern jazz. Nearly seven years in the making, In These Times is the product of McCraven's striving to create a personal stamp, leaning in on his own rhythmic language of time-signature trickery and unusual arrangements, steering large-scale orchestral ensembles and elevating his craft in every way he can. For all the considered science behind the sound, it lands as an incredible natural experience full of cascading drums, ascendant flutes, lilting strings and a whole cornucopia of talented musicians playing to a striking creative vision.

Review: It may have taken a while - his massive debut single 'Hyph Mngo' was released 12 years ago - but Joy Orbison has finally got round to recording his debut album. It's a highly personal affair, peppered with speech snippets from various family members (including his mum, dad, sister, cousins and famous uncle, Ray Keith). It's a narrative device that works well, providing a unifying thread throughout a woozy, musically eclectic concoction that sees the now veteran UK producer give his distinct spin on ambient, slow house, two-step garage, deep house, post-dubstep beats, dubbed-out soundscapes, British bass music, experimental electronica, cutting-edge deep D&B and much more besides. It's perhaps not the all-out assault on the dancefloor some may have expected, but it is a genuinely brilliant and entertaining album.

Review: "In Rainbows", Radiohead's seventh album, finally gets a physical release! It's one thing downloading this landmark album, but to actually hold this is something special. Not only do you get increased sound quality, but you also get the amazing artwork from Stanley Donwood. This album includes "Nude", a live favourite for many years that was originally written during the "OK Computer" sessions. More minimal that their "Kid A" period, "In Rainbows" does something that very few albums have done - its sound is distinct from previous Radiohead albums, but is still clearly Radiohead. Hail to the kings, they are back on top form.

Review: Twenty years ago it sounded like an oddly poignant evocation of pre-millennial tension. Two decades later it stands as an eerily prescient glimpe into the technological alienation and dislocation of of a new era. Yet more importantly, OK Computer is no more or less than a sparkling, dramatic and moving collection of songs that haven't lost any of their impact in the interim. The sound of a band stubbornly refusing to follow up the stadium-strafing stylings of its predecessor The Bends - and instead bursting headlong into experimentation and wild creativity -is portrayed in still more vivid colours by the alarmingly strong collection of out-takes and B-sides collected herein, Yet there's no getting away from the chill and spark that marked out OK Computer from everything surrounding it in the post-Britpop malaise, and continues to do so in the pre-Brexit counterpart.

Review: Thom Yorke, Jonny Greenwood and Tom Skinner (Sons Of Kemet) finally deliver on their much-hyped The Smile project, blending the anxious and synaptic tones of Radiohead's anthemic indie-electro with the bluer party tones of UK jazz. The new album features a slew of tracks with swelling strings recorded by the full brass section of the London Contemporary Orchestra, as well as a band of jazz players like Theon and Nathaniel Cross and Robert Stillman.

Review: As Radiohead tour the world and then regroup to record their new album, Thom Yorke releases his own record, 'The Eraser' on XL Recordings. A collection of nine new songs, the record was written and played by Thom and was produced by Nigel Godrich. Variously hailed as "The Best Band In The World" (Q Magazine), "Rock's Best Live Band" (Rolling Stone) and the band were placed at number 1 of Spin Magazine's 40 most influential artists, Radiohead has arguably become the most acclaimed and adventurous force in modern music. Over six studio albums the group have proved that it is possible to make massive creative leaps whilst continuing to grow in worldwide stature. Their records set new benchmarks for others to aim towards, whilst their live shows reach levels of intensity and exploration that few can match.