Review: Ryan Adams is a man of many faces, and talents. Capable of tearing his own heart out to pen achingly beautiful songs, seemingly written in his own blood, he has a clear understanding of the human condition and how to tap into our most fragile moods and moments. Nevertheless, he remains a controversial character off-stage, from sexual harassment allegations - and his subsequent apologies - to reports of angry voicemails on critics answering machines and asking fans to leave gigs for 'rude outbursts'. Still, his show at New York's iconic Carnegie Hall on 14th May 2022 saw a packed house gather to listen to his work, which this recording offers a wonderful insight into. Stop-you-dead moments are here in abundance, while his clear rapport with fans - on this occasion at least - also stands out. A masterclass in alternative acoustic rock, informed by country sensibilities, listening through hits like 'New York, New York' and 'Come Pick Me Up', alongside deeper fare such as 'Romeo & Juliet' and a cover of Black Sabbath's 'The Wizard', only emphasises what one-man tour de force he is.
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