Review: Not to be confused with the landmark London club of the same name - one of many sorely missed spots in the UK capital - Plastic People is almost the opposite of that now-defunct electronic dance music stronghold. Wildwood's 1968 garage psyche triumph is equally determined to encourage us to escape, only in a far earthier, rawer, and rougher kind of way. With plenty of hoarse guitar riffs, Hammond organ lines and powerhouse vocals coming from the man himself, this is a wonderful reminder of a ridiculously fertile period in rock & roll history that maintained values of the decade it rounded off, but was also increasingly looking to a future in which punk and progressive were beginning to lay their own foundations. In short, it's epic and trippy and incredibly human.
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