Mighty Eye US Vinyl & CDs

Review: The Mighty Eye label has been mighty fine in its work so far and this 16th outing is another doozy for funk lovers. The Ancient Cosmonauts are at the helm and that's a perfect name for a band that blends classic funk with cosmic moods. 'Free As I Wanna Be' is conversational and instrumental brilliance with sombre lead horns and gentle live drums sinking you into a mellow mood. 'Intergalactical Travel' takes flight on more astral lines and has a little more bite in the drums but this is still a warm, heartfelt sound.

Review: This 45rpm from Jr Thomas & Cutlass Cream will have your heart full and your mind dreaming. 'Reflections' is a first single from the pair that finds Thomas moving away from the more Jamaican influenced music he made with The Volcanos for labels Truth & Soul Records and Colemine Records and toward more vulnerable and honest song writing. It could be a reissue of a 60s classic but it isn't and is instead a fine collab with old friend Albert Perez Jr. from Minneapolis. The slow motion rhythms and twinkling melodies are perfect accompaniment for his smoky and downbeat vocals tones.

Review: The Leonhart Brass Band, the latest project from trumpeter Michael Leonhart, was born out of the 2020 lockdown, an inventive response to the halt of his 18-piece orchestra performances at NYC's Jazz Standard. Stripped down to a brass-heavy ensemble that could perform outdoors without amplification, Leonhart took inspiration from classic brass bands like Dirty Dozen and Rebirth, blending in hip-hop and funk influences to create a unique sound. The opening track, 'Jabbar', is a tribute to Kareem Abdul-Jabbar, the basketball icon with a rich jazz background. Centred on an infectious bass riff in C minor, Leonhart's trumpet and Jason Marshall's bass saxophone deliver bold, brassy solos, conjuring the vitality and strength of the track's namesake. Another standout is 'The Iceman', a nod to George Gervin, the basketball great known for his unflappable demeanour on the court. The brass section splits into two distinct groups, creating counterpoint melodies that mirror Gervin's grace and intensity. Stuart Bogie's baritone sax solo, complete with tape echo, adds an unexpected texture, grounding the track in a deep, funky groove. With members from Antibalas, the Dap-Kings, and Red Baraat, the Leonhart Brass Band fuses tight musicianship with an exhilarating energy that carries the weight of New Orleans tradition, while forging its own path in the modern jazz and funk worlds.

Review: Brooklyn based Mighty Eye welcomes the Michael Leonhart Orchestra - which features some 20+ musicians - for their first single since 2018, although the collective has put out three albums in that time. These two cuts on this 45rpm are the first and second movements in Michael Leonhart's The Normyn Suite #1, which is a soundtrack to the five stages of grieving and is both a celebration and a requiem. The soundtrack is inspired by the death of an old dog and first appeared on The Normyn Suites album. Here it is expanded with the original brass, woodwinds, and strings now siting with choir and found percussion as well as gritty breakbeats from Nick Movshon.

Review: Powers That Be is a heavyweight modern funk outfit which counts some serious talent in its ranks. Antibalas drummer and bassist Miles Francis and Phenomenal Handclap Band's guitarist Luke O'Malley are but two of the gifted players laying down a vintage style of deep funk on this sureshot 7" for Mighty Eye. You'd be forgiven for thinking this was a holy grail cut from the 70s, given how warm and natural the sound on the record is, but there's also a degree of finesse on both sides of the record which speaks to the band's collective endeavours in pushing classic funk forwards in the modern era.