Review: 7 Up is three things; a ubiquitous energy drink brand, an infamous TV show charting the upbringing and development of various children from the ages of seven upwards, and the third studio album by Ash Ra Tempel - their only collaborative piece with notorious psychologist and psychedelic drug advocate Timothy Leary. Supposedly, the sprawling psych-Moog album was named after a bottle of 7 Up that had been spiked with LSD was given to the band's lyricist Brian Barritt. This new version contains the original manuscript of the album's concept by Leary, as well as photos from the recording session in Bern.
Review: Ash Ra Tempel's 1973 album Starring Rosi, led by innovative guitarist Manuel Gottsching, showcases a more accessible sound compared to their earlier cosmic explorations. Rosi Muller, Gottsching's then-girlfriend, contributes spoken word passages, adding a unique texture to several tracks. The album opens with 'Laughter Loving', a cheerful, wah-wah guitar-driven track with hints of country-rock and droning synths. 'Day-Dream' features a stoned, two-chord acoustic sequence, paired with gentle lead guitar and dreamy vocals. Instrumental track 'Schizo' offers a detached, spacey atmosphere, while 'Cosmic Tango' delivers a funky groove, reminiscent of Gong's space-whisper style. The nearly nine-minute 'Interplay of Forces' starts in a psychedelic, space-rock vein before evolving into a guitar and drum-heavy jam. The album closes with 'Bring Me Up', a bluesy, funky track that spotlights Gottsching's masterful guitar work. The album's reissue on 180-gram coloured vinyl further highlights its timeless, genre-blending appeal.
Review: Manuel Gottsching's legendary solo material from the mid '70s onwards is finally being reissued the way it deserves; full picture-sleeves unlike those tacky bootlegs that have been knocking about over the years. Thanks to Germany's MG Art we can now appreciate this wondrous music in all its glory and, we have to say, that 2016 feels just right for this music to be resurfaced once again. This is the Ash Ra Tempel producer's first solo LP from 1975, and we can clearly hear the krautrock influence deep in the tracks. However, much like his later material, there's an element of the desolate and purely electronic, a medium with which hie experienced and flourished. The masterful "Echo Waves" opens with a fluttering landscape that could make for the ultimate opener to just bout any DJ set, and "Quasarsphere" comes through next with its gentle waves of ambient delight. All incredibly forward-thinking, of course. "Pluralis" edges closer to what we'd term 'balearic' these days, but without all the gimmicky elements and, instead, full of psychedelic wonder and zeitgeist. This is so hotly recommended...
Review: You'll probably already be acquainted with the name Manuel Gottsching - and you should be - but just in case you aren't, he was a pillar of Ash Ra Tempel's golden years and, among other of his contemporaries, was a pioneer of the genre that is often dubbed 'new age'. E2-E4 was a 1984 solo album from the man, and is certainly up there with the likes of Steve Reich's best minimal material, although it has often gone relatively unnoticed. MG Art from Germany have done us the favour of reissuing this monumental release, and we're utterly awestruck by how contemporary and fresh this album still is. In fact, one could say that a tune like "31'38" is the basis for the sound championed by new labels like Mood Hut, where a significantly danceable beat is laid above placid, warm harmonics. Similarly, "23'00" is just as balearic and phased out but, once again, we just can't believe how great this music still sounds more than thirty years later. Warmly recommended.
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