Limited Network US Vinyl & CDs

Review: Fresh off his amazing remixes of classic Juan Atkins material, Santiago Salazar is quickly becoming one of thee names in techno on the west coast of America. His latest 12" 'Dynamic Allocation EP', has found its way to have a home on the top-notch Detroit label, Limited Network. The unique title track perfectly blurs the lines between techno and electro brilliantly while 'Cache Memory' succeeds in a classy retro way. For the second side, 'Accumulator' kicks things up a notch with some hi-tech electro business for the dancefloor. Things close out in great fashion on 'Data Hierarchy' which is one of our favorites on this release. Looking for a different take on Detroit styled techno? You found it here in spades.

Review: Three dynamic electro and techno cuts show this talented producer's knack for fusing crisp production with a deep sense of melody and groove. The title track, 'Black Elements', opens with a lingering melody that drifts over sharp, punchy beats. The production is immaculate, allowing each element to shine while maintaining an atmospheric depth. On Side-2, 'KAH' taps into classic electro-funk, nodding to Kraftwerk with its analogue warmth and robotic charm. The track's playful basslines and crisp percussion create an infectious groove that feels both nostalgic and fresh. Rounding out the EP is 'Motor', a dynamic blend of crunchy acid lines and robotic funk. It captures a futuristic yet retro electro vibe, balancing gritty textures with sleek, forward-thinking rhythms. Overall, Black Elements is a stellar showcase of Max Watts' ability to honour Detroit's rich electronic heritage while pushing the genre forward. Fans of electro and techno will find plenty to love here. A powerful slice of Detroit electro from his own Limited Network label.

Review: Detroit alum Max Watts teams up with fellow Tampa arriviste Keeno18 for a contemporary slice of noir dance legitness. Taking a premixture of dub and minimal techno as their starting point, both artists prove unafraid of gobby sound. Watts' 'Dusk' makes good use of tuned-up doumbek and Keeno's 'Undying Prophecy' alloys his rainsoak-synths with a run-your-mouth yawp line; a lead that emulates humanoid vowel sounds, with the cheekiest of intents.