Javotti Media/3D US Vinyl & CDs

Review: Talib Kweli's latest album sees the veteran emcee diving into both familiar and challenging territory, making for an introspective and rewarding listen. The record is marked by his signature pro-Black themes, showcasing the depth of his knowledge and experiences. The production by J. Rawls i echoing the soulful textures of their classic Blackstar and Reflection Eternal collaborations i perfectly complements Kweli's lyrical approach, particularly in the album's second half, where his verses flow with renewed focus and sincerity. The album opens with Kweli addressing personal controversies, but soon pivots to more universal themes, emphasising resilience, love and the power of community. Tracks like 'Love For Life', featuring Georgia Anne Muldrow and Jimetta Rose, allow Kweli's thoughtful and hopeful side to shine, reminding listeners of the magnetism that has defined his career. Collaborations with emcees like Planet Asia and Phil Da Agony add vibrancy and energy, grounding the project in a rich sense of camaraderie. Ultimately, the album is a testament to Kweli's ability to navigate life's challenges while staying true to his craft. By balancing moments of introspection with uplifting messages, Kweli delivers one of his strongest albums in years i one that long-time fans will appreciate and new listeners will find compelling.

Review: Talib Kweli and J Rawls reunite after 25 years to deliver a heartfelt tribute to hip-hop's golden era. Their collaboration blends Kweli's razor-sharp lyricism with Rawls' authentic boom-bap production, crafting a rich, soulful journey through the genre's essence. Tracks like 'Breath, Eyes, Memory' bring introspection, while 'Turnstyle' captures nostalgia and 'Native Sons' pays homage to the Native Tongues collective. With an impressive roster of collaborators including Blu, Georgia Anne Muldrow and Skyzoo, the album underscores the depth of rap culture. A celebration of roots, growth and timeless artistry, firmly rooted in the traditions that shaped the genre.

Review: Solene and J. Rawls team up for a delicious pair of pelagic, coolant nu-soul and house nocturnes, crossing the sparse but oceanic space between genres. On 'Love Moon', the producer and singer respectively cover such intense themes as late-night reflectivity and good company: "nothing glam, it's just you and me..." Solene intones this sombrely, as the last syllable is heard to trail off into a surfactant mist. Meanwhile, 'Can't Catch Me In Love' raises the emotive drawbridge once more, hoisting supporting pillars of kick drum and serene pan flute, as flirtatious gingerbread taunts are heard in the chorus, not to mention musings on past relationship blunders.