Review: Freestyle Records reissues The Apples Kings a full decade and a half after its first release. This version has been fully remastered and re-cut for an even more dynamic sound to remind why the landmark album was so special. It was a first for the band who crafted it with specific collaborators in mind and worked with funk legend Fred Wesley and Israeli world music icon Shlomo Bar In fusing elements of The JB's funky foundations, soul, dub, and Middle Eastern influences, they cooked up a genre-defying mix filtered through The Apples' unique decks-horns-bass-drums lineup. These unmistakable, floor-shaking grooves are just as potent today as they were in 2010.
Review: Commonly referred to as a "Hammond pioneer", jazz legend Brian Auger is an endlessly surprising artist. He's been revolutionising the jazz scene since the late 1970's, and it is indeed his technical skills and visionary use of the organ which stand him apart. This is loud and clear throughout the entire length of this second chapter of Anthology by the Freestyle label but, in fact, you get a bit of everything Auger-related. The schizophrenic organ playing is definitely there, but tunes like "MG Blues" or "Misty" also portray a deep musicality around all the other instruments within the arrangement, and it's his layering of grooves which is also constantly fascinating. Put it this way, if you want a jazz album that wanders a little further out into the ether, then this is what you need.
Review: While writing this album, Dan Berkson was based in London, and the city's vibrant jazz and broken beat scene was been a clear influenced on the music he made in that time. Dialogues is an accomplished artistic statement filled with virtuosos musicianship, vibrant drums and jazz chords that brim with life. The grooves are all rooted in jazz with elements of the rootsy blues and ragtime of his youth, cool 60s modernism and 70s funk fusions. Magical and mystifying in equal measure, this an immediately timeless record from a contemporary great.
Review: Brownout is an 8-piece ensemble complete with 2 guitars, bass, no nonsense Latin
percussion and the 'Best Horn Section' 2 years in a row at the Austin Music Awards.
'Homenage', out on Freestyle, keeps the spirit of 70s Afro-Latin and funk music alive.
Review: To Love Somebody is a great album from the rich cannon of reggae. It's the work of Bunny Scott and brings plenty of soul to Caribbean rhythms, and this is a first ever official reissue. Originally recorded in 1975 and produced by, who else, the great Lee 'Scratch' Perry, it rides through plenty of lovestruck laments, more upbeat and rump wiggling gems like 'I Am I Said' and slower, more heartfelt and tender tracks like 'Let Love Touch Us No.' Versatile and vital throughout, this is a richly rewarding reggae record from one of the greats.
Do What We Gotta Do (feat Delroy Dyer/Gina Foster) (4:24)
I Like To Party (feat Andre Stevens/Imaani Kemi/Delroy Dyer) (4:35)
Gonna Make You Happy (feat Jill Francis) (3:43)
Love Dont Strike Twice (feat Easton) (3:53)
Share My Love With You (feat Imaan) (4:43)
Fantasy (feat Gina Foster) (4:38)
Without You In My Life (feat Delores) (4:00)
Sweet Vibrations (1:54)
Review: Rick Clarke was signed to Soul II Soul's Funki Dreds label, meaning he was contractually not allowed to release his music elsewhere. As such, he anonymously slipped out this album Guess Who in 1992, but now it gets a welcome reissue on Freestyle Records under the artist's given name. It is packed with creative ideas and sweet stripped back house grooves with a hint of garage swing. It features plenty of Rick's friends and collaborators who all came to his MJB Records studio in West Kensington where the LP was produced and recorded in just a few days. It's packed with raw drum machine sounds, great basslines and sweet melodies.
Dancing Inner Space (long Distance version) (9:25)
Break It Up (4:54)
Breaking Point (5:07)
Review: Freestyle Records presents reissued material by Contact-U, the electro boogie project by Rick de Jongh and Andy Sojka. Originally released via their Challenge imprint, which would quickly begin to focus on the emerging sounds of Hi-NRG and electro at the time, this material is taken from the duo's three EPs released between 1982 - 1984.. Many recognise these tracks as some of the greatest electro-funk sounds of all time; whether it's the electric boogaloo of 'Ecuador' taken from their first EP of the same name, the body rockin' beats of 'Dancing Inner Space' or the robotic p-funk of 'Break It Up' - this really is foundational UK dance music.
Review: New Zealand-born Lance Ferguson has been the beating heart of Melbourne's modern funk and soul scene for the best part of two decades. It's this that allowed him to gather many of the city's best musicians together to record "Rare Groove Spectrum", an album of fresh covers of rare and classic funk, soul and Latin jams. There are some killer versions to be found amongst the 11 tracks on offer. We're particularly enjoying the collective's riotous instrumental revision of Pleasure classic "Joyous", the strutting deep funk heaviness of "Egg Roll" (a similarly restless cover of a mysterious but much-played cut that should be familiar to dusty-fingered diggers and knowledgeable dancers) and the sumptuous summer breeze that is the combo's meandering take on Earth, Wind and Fire staple "Brazilian Rhyme". It is, though, all superb.
Review: Aussie funkateer Lance Ferguson - the man behind a multitude of killer bands and solo projects - impressed with 2019 album Rare Groove Spectrum, an all-live set of "DJ friendly re-imaginings" (that's instrumental covers to you and me). This sequel follows a similar blueprint, with Ferguson and his assembled musical comrades delivering fiery, ear-catching and floor friendly interpretations of everything from the Sunburst Band's 2004 jazz-funk club classic 'Far Beyond' and Marcos Valle's Brazilian disco gem 'Estrelar', to Kool & The Gang's luscious 'Summer Madness' (here presented with some superb synth solos) and Carly Simon's reggae-infused Balearic disco anthem 'Why'. Throw in a bunch of jazz-dance and Latin-jazz covers and you have another essential album.
Review: This release, "Vintage The EP", features eight recently recorded songs. Branesparker produced five of the tracks, Showbiz of DITC did two and Backtrack produced one.
Review: African Party, the single album released by 'Ginger' Foloruso Johnson and his African Messengers band, has long been considered something of a hard-to-find classic. Originally released in 1967, the energetic and effervescent set here gets a deserved re-issue on Freestyle. Musically, it's something of a melting pot, sitting somewhere between Afro-Cuban fusion, Afrobeat, funk and jazz-dance - all dense, intense rhythms, spiraling horns, fluttering flute lines and high-octane thrills. Certainly, it's a thoroughly entertaining set, packed full of highlights. These include the sharp sax lines, Afrobeat bass and rolling grooves of "A You Momma", and "Hi Life", whose wild trumpets and saxophones offer the perfect foil for the cacophonous drums.
Review: By now, we should all know what to expect from Lack of Afro, AKA veteran funk, soul and hip-hop producer Adam Gibbons. This fourth studio album for regular home Freestyle Records is being pitched as his most eclectic yet. Certainly, there's plenty of variety in the textures, styles and tempos, from the disco-funk stomp of Herbal T hook-up "Brown Sugar" and sweet Northern Soul blast of "The Contender" (all fuzzy guitars and pleasing horns), to the soft soul shuffle of "Making It Right" and Breakestra-ish hip-hop funk of "Here We Go Again". Despite the variety, Gibbons is still at his best when really cutting loose, as the superb opener "Freedom" adeptly demonstrates.
Review: Having dabbled in numerous instruments from a young age - he's tinkled the ivories, blasted the alto sax, banged a few funky beats out on the drums and plucked a few tunes on the guitar - Lack Of Afro certainly isn't lacking in creative stock. This funky young dude has been making music since the age of 7 and now, at 26, Adam Gibbons has all but earned an honorary afro with the release of his debut album, "Press On".
Review: Ray Lugo & The Boogaloo Destroyers' first full length, 2011's Mi Watusi, was a pitch-perfect tribute to Latin boogaloo, a distinctive fusion of dancefloor styles - think soul, funk, rhythm and blues, samba and mambo - which developed around New York's Harlem neighbourhood in the 1960s. This sophomore set delivers much of the same, with producer Lugo and his bandmates paying tribute to the genre in the most authentic of ways. Full of rasping horns, Puerto Rican vocals, Latin-influenced percussion and heavyweight funk rhythms, Que Chevere offers a thrilling and effervescent blast from the past packed with deliciously heavy and life-affirming highlights (check the jaunty "Batongo" and ludicrously percussive "Teremoto").
B-STOCK: Record slightly warped, in perfect working order
Review: ***B-STOCK: Record slightly warped, in perfect working order***
Melbourne musician Lance Ferguson is one hell of a talent, seemingly able to turn his hand to almost any style with predictably impressive results. Although best known for his role in funk combos the Bamboos and Cookin' on 3 Burners, he's also delivered loose and languid broken beat as Lanu and jazz with Menagerie, an expansive outfit that first appeared on Tru Thoughts in 2012. Here he reconvenes the musical ensemble for a sophomore set heavily influenced by the "post-Coltrane" modal sounds of legendary labels Strata East, Tribe and Black Jazz. As you'd expect, the whole thing is impeccably played and produced, with occasional forays into jazz-funk and soul-jazz territory amongst the more traditional-sounding contemporary jazz compositions on show elsewhere on the album.
Review: Menagerie are an Australian 9-piece band who here unveil their third full-length album, once again lead by producer, songwriter, guitarist, DJ and recording artist Lance Ferguson. This record features a number of high profile guests and is said to have been inspired by the classics sounds of John Coltrane as well as the expansive new jazz era ushered in by the likes of Kamasi Washington, Shabaka Hutchings and Nubya Garcia. It sure is an expressive record with leanings towards spiritual sounds and hypnotic leads. Uplifting harmonies and dramatic drums all make it a thrilling ride, once again from this fine Melbourne crew.
B-STOCK: Record has very light surface marks, but otherwise in perfect working condition
Evolution
The Arrow Of Time
Escape Velocity
Spiral
Nova
Review: ***B-STOCK: Record has very light surface marks, but otherwise in perfect working condition***
Melbourne musician Lance Ferguson is one hell of a talent, seemingly able to turn his hand to almost any style with predictably impressive results. Although best known for his role in funk combos the Bamboos and Cookin' on 3 Burners, he's also delivered loose and languid broken beat as Lanu and jazz with Menagerie, an expansive outfit that first appeared on Tru Thoughts in 2012. Here he reconvenes the musical ensemble for a sophomore set heavily influenced by the "post-Coltrane" modal sounds of legendary labels Strata East, Tribe and Black Jazz. As you'd expect, the whole thing is impeccably played and produced, with occasional forays into jazz-funk and soul-jazz territory amongst the more traditional-sounding contemporary jazz compositions on show elsewhere on the album.
Review: Melbourne musician Lance Ferguson is one hell of a talent, seemingly able to turn his hand to almost any style with predictably impressive results. Although best known for his role in funk combos the Bamboos and Cookin' on 3 Burners, he's also delivered loose and languid broken beat as Lanu and jazz with Menagerie, an expansive outfit that first appeared on Tru Thoughts in 2012. Here he reconvenes the musical ensemble for a sophomore set heavily influenced by the "post-Coltrane" modal sounds of legendary labels Strata East, Tribe and Black Jazz. As you'd expect, the whole thing is impeccably played and produced, with occasional forays into jazz-funk and soul-jazz territory amongst the more traditional-sounding contemporary jazz compositions on show elsewhere on the album.
Review: Jazz-funkers Menagerie carry the torch of broken beat and jazzdance into the bleeding-edge present day with 'The Shores Of Infinity'. The Australian band, led by Lance Ferguson, is nominally guided by the spiritual jazz movement of the 1970s, but their sound reflects little of its usual beatless freakouts and croony, culty improvisations. Rather, this LP runs the entire gamut of what could be considered spiritual jazz, moving through, in their own words, myriad zones of "cosmic consciousness, transcendence, and interconnection". In fitting fashion for the genre, just six long-form tracks appear, three on each side, making for a neat, coin-flipped, symmetrical statement in jazz; the balance of the universe reflected in a cosmick vinyl void.
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