Batov Vinyl & CDs

Review: Several years before Uzi Kinrot, we were lucky enough to attend a cultural exchange, of sorts, between Lithuania's burgeoning electronic scene and Israel's fertile alternative music community. The results were staggering, and in addition to presenting the Balkan state as an epicentre of leftfield dance, it also made a strong case for the Middle East as a hotbed for the kind of music makers destined to score some Quentin Tarantino or David Lynch movie. Back up to date, and Les Dynamites, whose reputation has long reached beyond their Jerusalem hometown, have returned to emphasise the latter point. Uzi Kinrot is a groove-packed double-A side that feels alive with energy, perhaps thanks to the single-take recording process. It's twangy, psychedelic, nostalgic and yet utterly timeless stuff that yearns to be heard on a beach while you hide from the heat of afternoon sun.

Review: Tel Aviv's premium funk exporters Sababa 5 have built their name on a Middle Eastern funk sound which now get embellished with the addition of Hoodna Orchestra's full-throttle brass section. On 'Eilat 22' they hold down a sizzling breakbeat groove and maintain their signature guitar twang and freaky synth flourishes underneath the bold horn stabs. 'Elifelet 23' is a lighter affair with some catchy licks and an insistent groove which doffs its cap to the JB's as a vehicle for their own synth flourishes and some big chops from the Orchestra.

Review: Leading Tel Aviv groove unit Sababa 5 are back in action with another crisply executed missive of psyched-up delights to get adventurous parties freaking out in all the right ways. The four-piece have earned their stripes backing singers such as Gili Yalo, Ester Rada and Liraz Charhi, but here they go in hard on the instrumental with two old favourites given a distinctive new twist. 'Popcorn' sounds like you've never heard it before thanks to an offbeat rhythm section backing up that classic riff. Meanwhile 'The Birdie Song' gets embellished with actual birdsong and guest player Matan Caspi playing a darbuka drum, hitting the spot between novelty and serious musical chops in style.

Review: Sababa 5's latest release, featuring tracks 'Bezani' and 'Ashkamoni' on Batov Records, reaffirms their position as pioneers in Middle Eastern psychedelic grooves. With a discography boasting two albums, an EP with vocalist Shiran Tzfira, and several highly sought-after 45s, Sababa 5 continue to push boundaries in the global grooves scene. 'Bezani' takes listeners on a captivating sonic journey, blending electric synths and percussion-driven rhythms in a mesmerizing fusion of early electronic sounds and Persian folk influences. The track's 6/8 rhythm creates an immersive atmosphere that defies traditional genre categorisation. On 'Ashkamoni,' Sababa 5 showcases their versatility with a rockier edge, infused with a rocksteady swing. The dynamic melody builds tension, while enthralling solos from the lead guitar and synth highlight the band's exceptional musical talent. Drawing from their collective experience supporting various international artists, Sababa 5 delivers a tight sound that seamlessly merges diverse musical elements.

Review: Sababa 5 are a funk band from Tel Aviv who tap into their position in the Middle East to create a dynamic, outernational sound, and they're continuing a hot streak on Batov with this crucial collaboration with Turkish singer Candy Dogan. Dogan is currently a member of the jazz department at Istanbul University, and she sought out the band after hearing their music and noting its similarities to Turkish music. Already an alternative pop sensation on her own terms, Dogan slots into the Sababa 5 sound beautifully, resulting in a must-check 7" single that hopefully signals the start of an enduring partnership.

Review: 'Shehzadi' (which means "Princess") is an Indo-disco gem featuring Solomon's Hindi vocals over Sababa 5's blend of hypnotic drums, nice pulsing bass, bright electric guitar and sparkling synths in a minor key. It channels '80s nostalgia with a modern twist and so rather evokes a Stranger Things meets Bollywood-type vibe. 'Ranjha' (which means 'Lover') shifts to a Middle Eastern feel with synths that echo traditional instruments like the saz. The upbeat groove complements Solomon's dynamic vocals and is filled with hope while dramatic pauses and an exuberant synth solo from Sophia add extra flair to make for a compelling mix of emotion and energy.