4AD Vinyl & CDs

Review: The Moon and the Melodies, a remarkable collaboration between Cocteau Twins and ambient pioneer Harold Budd, remains a standout achievement in both artists' repertoires. First released in 1986, this enchanting album is now receiving a well-deserved vinyl reissue, meticulously remastered by Robin Guthrie from the original tapes. This album is a stunning fusion of the Cocteau Twins' signature dreamlike atmospheres with Budd's elegant, improvisational piano, resulting in a listening experience that is both expansive and deeply personal. The blending of Elizabeth Fraser's ethereal vocals, seamlessly intertwined with Guthrie's luminous guitar work and Raymonde's resonant bass, creates a sound that is both distinct and evocative. The album effortlessly balances vocal tracks with instrumentals, each adding to its rich and diverse sonic palette. This reissue offers a chance to rediscover a defining moment in the evolution of dream pop and ambient music. The Moon and the Melodies continues to stun audiences. This CD edition is the perfect vehicle to an ethereal beauty of the highest order.

Review: It's somewhat surprising to hear that this is Kim Deal's debut solo album, what with fellow college rock and grunge legends of the late 80s and 90s - such as her former Pixies bandmate Black Francis, Sonic Youth and Dinosaur Jr. members - putting out solo albums like there's no tomorrow; Deal, who is a member of The Breeders, has held her band mentality for the most part. The arrival of this album with her as the star on the cover, however, is even more intriguing because of the wait. And the resulting material is as assured in its slacker cool feel and as anything she has put her name to in her career so far and full of weird and scuzzy sounds that make it a feast for the ears. Deal's great taste in production is part of her winning formula, with the likes of Josh Klinghoffer (former Red Hot Chilli Peppers), Raymond McGinley of Teenage Fanclub, Slint's Britt Walford and the late Steve Albini all credited on this astounding record.

Review: Indiana singer-songwritern Lisa Germano's 1994 moody dark indie rock masterpiece has been remastered at Abbey Road Studios in London. This expanded edition - released as part of 4AD's Record Store Day spread - includes 'The Mirror Is Gone' and the five-track EP 'Inconsiderate Bitch', making it a bumper version of one of the key albums of the 90s. Germano's voice is a thing of wonder with lyrics that cut through the noise. The sonics underpinning her voice are often sparse and atmospheric, allowing us listeners to really feel the intimacy of feeling. It's no wonder the likes of Eels, Bowie and Iggy Pop called her in to guest on their records.

Review: It's hard not to be impressed by everything Grimes touches. From the moment this album's trippy downtempo titular opener emerges from submerged depths of sound you know the latest from the Canadian is going to be a special moment in pop. As if to accentuate our point, "Delete Forever", two tracks later, introduces acoustic guitar tips while still retaining deep timbre and utilising effects to hypnotic ends on those hummed vocal loops. "IDORU", which closes out the record, feels far more playful, simple keyboard and whispered choral lyricism introduced with a backing track of bird song, before broken club beats fall in. It might be most fitting to finish a write up on the aptly-titled "You'll Miss Me When I'm Not Around", its guttural bass guitars and EDM-leaning vocal stabs not the only things reminding us the world would be weaker without this one.

Review: Inspired by her personal experience of the COVID-19 pandemic, which involved becoming obsessed by perfumes and fragrances, Jenny Hval's first solo album in three years is noticeably tactile, intimate and sensory. Effectively a hard-to-pigeonhole mood piece full of uniquely realised songs and immersive, deeply layered musical soundscapes, Iris Silver Mist (named in honour of a 'steely' French perfume) sees the Norwegian musician, producer and author variously join the dots between icy electronica, string-laden synth-pop, offbeat trip-hop, kaleidoscopic ambient pop and wonderfully enveloping electronic maximalism.

Review: The National's Rome, is a 21-track live album capturing the band's June 3, 2024 performance at the stunning Auditorium Parco della Musica Ennio Morricone in - you guessed it - the Italian capital. Mixed by Peter Katis, the album spans over two decades of The National's career, featuring iconic tracks like 'Bloodbuzz Ohio', 'I Need My Girl' and 'Fake Empire', alongside newer material such as 'Eucalyptus' and 'Tropic Morning News'. The National, formed in 1999, are an American rock band known for their emotional depth and intricate songwriting. With Matt Berninger's baritone vocals and the instrumental prowess of brothers Aaron and Bryce Dessner, alongside Scott and Bryan Devendorf, the band has built a reputation for powerful live performances and critically acclaimed albums. Known for their introspective lyrics and rich, textured sound, The National continues to evolve after two decades. This live recording showcases the band's ability to transform their songs in the concert setting, offering refreshed renditions and hidden gems like 'Runaway' and 'Murder Me Rachael'. Known for their intense live shows, Rome immortalises the emotional and fiery energy The National brings to the stage.

Review: Up there with other shoegaze trailblazers like Lush, My Bloody Valentine and Slowdive, Pale Saints set the bar for dreamy, eerie and atmospheric guitar music and have influenced countless bands sketching out similar sounds since. This third album of theirs, which is now getting the full re-release treatment after being long out of print, saw them achieve new pop heights. The three-minute banger 'Angel (Will You Be My)' and 'Under Your Nose' are particularly strong in this regard, with singer Meriel Barham sounding like she laid the foundation for what The Orielles would go on to become. Elsewhere, 'Henry' - a more than ten-minute epic - shows a more harrowing, dark side of theirs with slow and tuned down tones leaning more towards sludge metal. Pale Saints' ability to express themselves so diversely puts them up there as hallowed forefathers of shoegaze who will never lose relevance.

Review: Pale Saints' breakthrough album, In Ribbons, turns 30 years old this year and so the label that first put it out is looking back with this superb new anniversary edition. The album was a key driver in the shoegaze scene and became much loved for its ethereal sound. That has aged well here with bittersweet pop in tracks like 'Thread Of Light' as Meriel Barham's vocal delivery reaches through time and still hits the mark today. Musically the record blends bruising riffs and dreamy atmospherics and has been freshly remastered for this special commemorative CD edition which should appeal to fans old and new.

Review: The influential German band Xmal Deutschland are overhead rafters in the great mead hall of goth. Their propulsive successes throughout the 1980s meant the genre likely couldn't've done without them. A large band come music collective, made up of at least eight members at any given time, Xmal's formation in Hamburg and would presell audiences on a stalwart performance rep, thanks to an early tour and gig residency in support of dream pop preeminents Cocteau Twins. Rallied to fame by their goth classics 'Incubus Succubus' and 'Qual', this 2xCD review conjoins two of the earliest and most pivotal albums on which both of said singles were housed - Fetisch and Tocsin - along with tracks from other key releases, such as Incubus Succubus II. Helping blacken an otherwise dreamy time, these LPs highlight the gloomier soils of a superficially bright 1980s soundfield, which otherwise roseated by shoegaze. Photography by Kevin Cummins, Paul Slattery, Sheila Rock and more all capture the spirit.