Back in stock: Funk

Review: Off the Wall isn't just an album; it's a coronation. This is where Michael Jackson truly takes the throne, cementing his reign as the King of Pop. Released in 1979, this nine-times platinum landmark is a visionary blend of funk, disco, soul and r&b, a vibrant tapestry of sound that still shimmers with life four decades later. Featuring timeless hits like 'Don't Stop 'Til You Get Enough' and 'Rock With You', Off the Wall is a testament to Jackson's unparalleled talent and innovative spirit. Mobile Fidelity's numbered-edition hybrid SACD presents this classic album in all its audiophile glory. Sourced from the original master tapes, this reissue explodes with energy, playing with tremendous clarity, detail, and dynamics. Every note, every beat, every vocal nuance is rendered with stunning precision, allowing you to experience Off the Wall as if you were in the studio with Jackson himself. Housed in mini-LP-style packaging, complete with the iconic tuxedo-clad album cover, this SACD is a must-have for any serious music lover. It's a chance to rediscover a masterpiece, to immerse yourself in the magic of Michael Jackson at his creative peak. From the infectious grooves of 'Workin' Day and Night' to the heartfelt ballad 'She's Out of My Life', Off the Wall is a timeless classic that deserves to be heard in its purest form. This Mobile Fidelity reissue delivers just that.

Review: Prince Buster, born Cecil Bustamente Campbell in 1938, was a key figure in the birth of ska and rocksteady, and infamously embodied the term "rude boy"; he'd come to enshrine a symbol of rebellious youth culture in Jamaica. A leading conspirator in early soundsystem culture, Buster's story stretches as far back as the days of systems such as Tom The Great Sebastian as well as variou Kingston-bound stacks operated by Coxsone Dodd. Now this eagerly awaited third volume from Rock A Shaka continues to compile Buster's best works, the standouts among them being 'A Tribute to The Toughest' from 1967 - believed to be a precursor to the long-loved 'Ghost Dance' - and his cover of James Carr's 'Dark End of the Street,' Ernest Ranglin's 'Come Get Me,' and Winston Samuels' 'I'm Still Here.'