Review: Eraserhood Sound present the debut album from Angelo Outlaw, a Philadelphia-based mallet percussionist and poet with serious chops in the sweet spot where spiritual jazz and heavy funk collide. Axis Of Time has been crafted as a vehicle for escapism, propelled by transcendent instrumentation to reach celestial heights across 11 exquisitely rendered compositions. The sparkling vibraphone rubs up against fuzzed-up guitar lines, underpinned by the infectious groove of the rhythm section for a standout excursion from a vital new talent in the field of life-affirming jazz funk. Just take the dizzying highs of lead single 'Free My Mind' as an instructive route into this exploratory, deeply-rooted record.
Review: Axis of Time is the stunning debut album from Philadelphia mallet percussionist and poet Angelo Outlaw. Featuring Eraserhood Sound's signature synth & soul production, the LP is a dazzling blend of jazz, rare groove, funk, soul and r&b. Outlaw's statement of intent is to transport the listener to a dissociated, dream-like state; a retreat into a fantasy from which one may not wish to return. That of a sonic holiday is indeed the vibe of this vibraphonic virtuosum, with landscapes of flute, wah-pedalled guitars and, of course, bell-like harmonies played by Outlaw himself, all evoke the sense of riding on the back of a paradisiacal bird, and into the anaesthetic distance.
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