New releases last four weeks: Dubstep

Review: Rinse France branches out with a brand new label of its own and who better to inaugurate it than Paris-based Beatrice M. The producer makes a knowing nod to dubstep's golden era on this debut with the first version of 'Magic.' It is built on steppy rhythms with seriously wobbling basslines that are all-consuming. Glitchy effects and shimmering synths finish it in style and leave you dreaming of dubstep dances gone by. The B-side is a Techno Mix that reimagines the original with a driving four-on-the-floor rhythm and plenty of richly atmospheric pads.

Review: This is a four-track sampler taken from parts one and two of the One Hundred and Fifty Steps VEP series which is all about exploring the rise of 150 bpm dubstep, a sound that characterised by fast basslines, broken rhythms and heavy halftime pulses. From VEP pt. 1, L.A.'s Carre delivers pacey wobblers and then Berlin's Formella debuts with playful breaks and more wobbly bass on 'Dripstep'. VEP pt. 2 features Leipzig's Old Man Crane with their intricate, syncopated style shinning through on 'Grey' and Valencia's Andrae Durden then shows class with a Kryptic Minds-inspired low-end powerhouse.

Review: Boy Better Know founder, vegan grime MC and one third of the Adenuga family legacy alongside Skepta and radio presenter Julie, JME has always floated above grime and bass music airspaces as an incontestable voice. Integrity first arrived through BBK as a fully self-produced banger set in 2015, corralling heavyweight collaborators Wiley, Giggs, Skepta, and D Double E to hammer home a certain message: simply put: don't mess. Wavering between dreamy and tearout instrumentals almost always orbiting 140bpm, and circulated between then "in" producers Joker, Deeco, and of course the inimitable Swifta, JME's subject matter always matches the vibe, be that as it may, boxing the opposition with car key fobs, or treating producers like prostitutes, giving them P for a beat. A certain nostalgia will wash over 10s grime listeners, as this limited edition clear vinyl reissue reinvokes the mouthy verbiage of one of grime's toppest guns.

Review: Serbian crew Traka have been doing absolute bits on Yuku over recent years. Flexing between beats, experimental bass, grime and occasional excursions into drum & bass, the collective have a sound that defies tempo and template. Here they make their debut on FKOF and 'So' is the standout cut thanks to some absolutely savage bars from Rider Shafique. The energy is kept up top from the off; 'Shock Em Up' is an industrial funk-up, 'Shake Junt' melts with a warped Mo Wax feel while 'Silus' closes with a twisted hybrid of grunge and crunk. Stash it, bag it.