Audio interfaces

Notes: Compact audio and MIDI interface from one of the longest-running and most trustworthy brands in the business. Simple 2x2 setup with clear sound. A great entry-level option for getting sounds in and out of your computer.

Supplier notes:
Equipped with the same ESS Sabre32 Ultra DAC Technology found in audio interfaces costing thousands, the M2 delivers an astonishing 120 dB Dynamic Range on its main outputs. ESS converters also drive the headphone output, which rivals dedicated headphone amplifiers costing hundreds. Ultra-clean preamp circuits produce a measured -129 dBu EIN on the mic inputs. Capture and monitor your audio with pristine clarity.

The M2 provides best-in-class speed for monitoring live inputs (mic, guitar or keyboard) through your computer, thanks to MOTU's expertly engineered USB drivers, which deliver class-leading, ultra-low 2.5 ms Round Trip Latency (at 96 kHz with a 32 sample buffer).

When recording and mixing, nothing is more critical than achieving optimum levels. The M2 is the only audio interface in its class with a full color LCD featuring clear, detailed level meters for all inputs and outputs. Enjoy professional-level volume control and feedback to get your sound just right.

The M2 driver provides convenient loopback channels to your host computer, so you can easily route computer output back to the computer, where you can mix it with live mics and/or guitar inputs from the M2 in your host software for live streaming or podcasting. Streaming and podcasting has never been easier and better-sounding!

Decades of award-winning product engineering for hit songs, mega tours, primetime shows and blockbuster movies goes into every MOTU audio interface.

Notes: Equipped with the same ESS Sabre32 Ultra DAC Technology found in audio interfaces costing thousands, the M4 delivers an astonishing 120 dB Dynamic Range on its main outputs. ESS converters also drive the headphone output, which rivals dedicated headphone amplifiers costing hundreds. Ultra-clean preamp circuits produce a measured -129 dBu EIN on the mic inputs. Capture and monitor your audio with pristine clarity.

The M4 provides best-in-class speed for monitoring live inputs (mic, guitar or keyboard) through your computer, thanks to MOTU's expertly engineered USB drivers, which deliver class-leading, ultra-low 2.5 ms Round Trip Latency (at 96 kHz with a 32 sample buffer).

When recording and mixing, nothing is more critical than achieving optimum levels. The M4 is the only audio interface in its class with a full color LCD featuring clear, detailed level meters for all inputs and outputs. Enjoy professional-level volume control and feedback to get your sound just right.

The M4 driver provides convenient loopback channels to your host computer, so you can easily route computer output back to the computer, where you can mix it with live mics and/or guitar inputs from the M4 in your host software for live streaming or podcasting. Streaming and podcasting has never been easier and better-sounding!

Decades of award-winning product engineering for hit songs, mega tours, primetime shows and blockbuster movies goes into every MOTU audio interface.

Notes: The sequel to the most popular guitar interface of all time!

iRig 2 is the new and improved version of the groundbreaking and best selling iRig guitar interface. Featuring everything you loved about iRig, it has powerful sound and streamlined convenience, and it packs essential new features like versatile gain control, a 1/4" amplifier output and Android compatibility into its sleek pocketable enclosure.

Now everyone can plug in their guitar or bass to enjoy killer tone on their iPhone, iPad, iPod touch, Mac or Android device - with the release of iRig 2, the world's most popular guitar interface is better than ever before.

If you loved iRig's versatility, you'll love what iRig 2 brings to the table. Its new 1/4" output jack lets you use iRig 2 with an amplifier as a part of your live rig without the use of an adaptor.

This opens up a whole world of opportunities when paired with AmpliTube, IK's powerful guitar and bass multi-effects processor. It provides you with a vast library of meticulously modeled virtual stompbox effects, amplifiers and other gear that you can use as a part of your physical rig when you're jamming with friends, at a practice session, in the recording studio or performing live. Or, if you want to be discreet, plug your headphones into the included 1/8" headphone output.

Even better is that iRig 2 features a switch that lets you select between a processed signal and a clean "thru" input signal. This means you can also use your mobile device as a tuner, recorder or other tool while preserving the purity of a 100% analog signal path.

iRig 2 is there to help you make your practice and performance sessions as easy as possible. It comes with a microphone stand mount and Velcro strip that allow you to easy attach it for performance alongside other convenient tools like IK's iKlip range of mic supports for all sizes of smartphones and tablets.

iRig 2 has been made to be compatible with the widest range of instruments and mobile devices possible. Its built-in universal 1/8" TRRS output connector gives you a true plug-and-play experience with your iPhone, iPad, iPod touch, Mac or Android device.

Likewise, its 1/4" instrument input works with your guitar, bass or any line-level instrument. Just plug into it like you would into a stompbox or amplifier. It's as simple as that.

And because volume levels vary from instrument to instrument and from device to device, iRig 2 comes equipped with an input gain control knob that lets you dial in the perfect setting for your setup. You'll get great sound quality no matter whether you have a wailing 3 humbucker electric guitar running into your Samsung Galaxy Note 4 or a jazzy archtop connected to your iPhone 6.

Got an Android smartphone or tablet? Great! iRig 2's 1/8" output connector is compatible with many popular Android devices produced by manufacturers like Samsung, LG, Motorola, HTC and more - any device with an 1/8" input that supports the CTIA/AHJ wiring standard works with iRig 2.

Additionally, users with Android devices that support Samsung Professional Audio can enjoy AmpliTube for Android, a special version of the popular multi-effects processor that brings a full spread of meticulously modeled virtual gear to the Android platform.

With iRig 2, you'll be able to enjoy IK's full range of AmpliTube apps (the #1 app for guitar players). It's ready to go right out of the box. It comes with a powerful cross-platform suite of apps and software that includes free versions of AmpliTube for iOS, Android and Mac/PC.

To use, just download your preferred version for iOS from the App Store or for Android from the Google Play Store or from Samsung GALAXY Apps. Then plug your guitar or bass into iRig 2, plug your amplifier or headphones into your device and launch the app.

Immediately you'll see something very familiar: a complete guitar rig. AmpliTube recreates your entire guitar or bass signal chain in your mobile device and also - depending on your device - provides you with other advanced features, like multi-track recording and editing, high-quality export and more.

And while iRig 2 is the ideal companion to AmpliTube, it also works with any other recording, processing, tuning or music app.

AmpliTube is always growing, and we add great sounding and fun new gear models on a regular basis. The in-app purchase feature lets you expand your AmpliTube app whenever and however you want. You can start your journey into this universe of tone with AmpliTube FREE, and then add to your collection of gear at your own pace.

Notes: The leaders and pioneers of mobile music making now bring you another breakthrough in mobile guitar interfaces - the iRig HD 2, the next generation of the immensely popular iRig HD interface.

iRig HD 2 gives you a totally new level of mobile playability with intuitive new player-centric features like high-quality 24-bit/96kHz audio, an integrated headphone out with level control, a new Amp out jack with switchable output, full versions of AmpliTube for Mac, PC & iOS, plus total mobility and connectivity for playing anywhere, any time.

What's new:
- 96kHz Digital Audio with 24-bit A/D conversion
- 1/4" Amp output jack with switchable output "FX" and "Thru"
- 1/8" Headphone output with preamp and level control
- Comes with microphone stand mounting clip and Velcro strip
- Comes with AmpliTube 4 for Mac/PC
- Unlocks full version features and gear of AmpliTube for iOS (Free download from App Store)

iRig HD 2 fits easily in your pocket and connects directly to your Lightning and USB devices - so no matter which iPad, iPhone, Mac or PC you have, you're ready to rock at a moment's notice. There's no complicated setup - just plug in and play.

A higher level - the iRig HD 2 difference:
- Do a quick study of the guitar interfaces out there and immediately you'll see what we mean by a "higher level". Only iRig HD 2 gives you so many player-centric features in such a compact, affordable and professional level mobile guitar interface. And, since we pioneered the mobile music revolution and invented the mobile guitar interface way back around the dawn of prehistoric smartphone times, we know a few things about playing guitar on the go. When we say, "a higher level," we mean you simply won't find better with this many features and this much value.

24-bit/96kHz pristine noiseless sound:
- First and foremost, iRig HD 2 simply sounds amazing. It features superior digital audio quality with premium 24-bit A/D converters and a 96kHz sample rate - the highest in its class i for a crystal clear digital signal that's free from noise and crosstalk. This pure high resolution conversion lets your guitar's natural performance tone come through loud and clear when playing and recording on your iPad, iPhone, Mac or PC. Its super-transparent preamp ensures that every nuance - from the pickups, wood tone, string size, nut material, electronics, and every other reason you picked "that" guitar in the first place is accurately communicated to your device with zero coloration or interference. And because of its 96kHz sample rate, the depth and clarity of your sound will simply floor you - iRig HD 2 sounds amazing.

Amp Out with dual mode switch:
- One of the things that makes the iRig HD 2 unique is the ability to send your processed signal directly to a guitar amp without the need for special conversion adapters. iRig HD 2 features an unbalanced 1/4" Amp Out jack that you can use to send your processed or unprocessed guitar signal to an external amplifier, floor tuner or completely different rig setup for live performance. The Amp Out jack features a dual mode switch allowing you to choose what type of signal you want to send to your amp.
- The "FX" setting sends your processed signal, or the sound coming out of your software/app to the external device. This is perfect when you want to use your iPad or Laptop as your effects pedalboard, your amp's front end or complete tone rig in a live setting. The "Thru" setting sends your guitar's dry, unprocessed signal directly to the out jack, allowing you to use a floor-based or rack tuner, a pedalboard or even an additional full-on stage rig. Plus as an added performance feature, iRig HD 2 has an integrated microphone stand "clip" and Velcro strap so you can secure it to a mic stand on stage for live performance.

Integrated headphone out, iPhone 7 ready
- If you're contemplating upgrading to the latest and greatest iPhone, then listen up. iRig HD 2 sports a new 1/8" (3.5mm) headphone jack with preamp and level control integrated into the unit so you can monitor your recording and playing... even if your device doesn't feature a headphone jack. Pretty smart. But this is no ordinary standard "headphone" jack - it features a high-resolution headphone preamp that optimizes the audio signal for full range playback and monitoring. You can also use this output to send a stereo signal out to a mixing console or a pair of powered monitors like iLoud Micro Monitor.

Notes: Great for recording studios, mobile musicians, guitarists, podcasters, and live streaming, the bus-powered Studio 24c 2-in, 2-out audio interface features 2 front-panel combo mic/line/instrument inputs with PreSonus XMAX-L solid-state mic preamps, 2 rear-panel line outputs, MIDI I/O, and onboard direct monitoring control. A complete, all-in-one home recording studio, the Studio 24c comes with PreSonus' award-winning Studio One Artist music production software for macOS and Windows.

World-class recording software included:

Seamlessly integrated with the included PreSonus Studio One Artist music production software, the Studio 24c interface works with virtually all macOS and Windows recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment.

Take the tour:

The 2-in, 2-out Studio 24c audio interface features USB-C computer connectivity and includes combo mic/instrument/line inputs with +48V phantom power for condenser mics; balanced, 1/4-inch TRS, line-level main outputs; and an output level control. Its built-in MIDI interface enables connection to a keyboard, sound module, or control surface. A Mixer knob blends analogue input and computer playback for low-latency monitoring.

Superior sound:

The Studio 24c operates at up to 192 kHz for ultra-high-definition recording and mixing. High-quality converters on every input and output and PreSonus' professional-grade XMAX-L mic preamps enable you to capture complex musical harmonics smoothly and naturally, with no audible distortion.

Designed for the home recording studio. Built for the road:

Whether you're just getting into recording or are a veteran producer who wants to go mobile, the Studio 24c will give you clear, clean, ultra-high-def sound in a bus-powered, rugged unit. While it's a perfect companion for any recording software, the Studio 24c and included Studio One Artist provide you with a complete, affordable, home and mobile recording solution.

Includes Studio Magic Plug-in Suite:

This suite of plug-ins adds a wealth of fresh sounds and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavour of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies - these are real-deal workhorses that you'll rely on for countless mixes.

Notes: Today's mobile devices make it easier than ever to share your music with the world. From Instagram live-streams to YouTube videos, SoundCloud playlists and more, social media and smartphones have become a key aspect of how many musicians get heard and connect with fans.

iRig Stream makes it easier than ever to share, letting you connect instruments, mixers and more to your iPhone, iPad, Android device and Mac/PC, with convenient features designed just for use on today's most popular platforms. Whether it's mono or stereo, live playing or an existing mix, iRig Stream gets you connected to all your favourite apps, so you can start connecting with listeners instantly.

Get connected:

iRig Stream makes it easier than ever to connect. With USB, USB-C and Lightning cables right in the box, it plugs into all the latest iPhones, iPads, and Android devices, as well as Mac & PC - even the latest devices.

2 line-level RCA inputs are perfect to connect DJ and multi-channel mixers, but are also great for keyboards, synth & drum machine setups, and more. Whether you're looking to stream your DJ set, record band practice, jam along with your favourite song, or even host a podcast, iRig Stream lets you connect a massive range of gear.

Sound your best:

iRig Stream offers 24-bit, 48 kHz A/D and D/A converters to ensure a clean, professional signal regardless of the platform you'll wind up on. And adjustable input gain and easy-to-read level indicators let you dial in the right sound level instantly

Make your voice heard:

iRig Stream offers a unique headphone / microphone jack, wired just like your smartphone, so you can listen and talk over the stereo input simultaneously.

The mic input is mixed into the stereo inputs, to ensure it works with any app, and offers adjustable volume. Best of all, it works with most headphones with a built-in mic*, and also with IK products like iRig Mic Lav, iRig Mic, and iRig Pre, giving you a wide range of options for any situation.

Designed for apps:

If you're ever tried streaming or sharing audio on social media, you know many apps only support mono signals - so iRig Stream offers a mono/stereo switch to compensate. Stereo passes both inputs as left & right channels, and mono mixes them together to a single channel, ensuring you won't lose anything panned to one side.

iRig Stream also offers a loopback function that lets you mix the output of your device with the incoming signal. Load up a backing track in your favourite music app, jam along on your instrument, then send both signals together to a video or live-stream - all on one device!

Comprehensive compatibility:

iRig Stream works with any app that records or streams audio or video, so you'll never stop finding new ways to use it. To get you started, it includes iRig Recorder 3 LE (iPhone/iPad/Android) - an easy-to-use, high quality audio and video recording app. Record, trim, edit and share, right from your device.

Built to go and to last:

iRig Stream is compact enough to slip into the pocket of your backpack, so it's ideal for use on the go. It runs off your device's battery, so there's no batteries to run out mid-show, but can also charge your device with an optional power supply, to keep you going for extended sessions.

Includes:

- iRig Stream interface
- Lightning to mini-DIN connection cable (60cm/23.62")
- USB C-Type to mini-DIN connection cable (60cm/23.62")
- USB A-Type to mini-DIN connection cable (60cm/23.62")

Notes: Latest version of an interface that's become a modern classic. Up to 18 audio inputs and 22 outputs in total, spread over a mixture of analogue and digital connections. A true all-rounder that's hard to beat.

Supplier's Notes:
The MOTU UltraLite-mk5 is the latest incarnation of the best-selling UltraLite series (replacing the UltraLite-mk4). It takes the winning formula of the half-rack form factor with 18 in x 22 out analog and digital I/O and adds state-of-the-art enhancements at the same great price :

Best-in-class Audio Quality - the UltraLite-mk5 includes renowned ESS Sabre32 DAC technology, featuring the ES9026PRO DAC, to deliver 125dB dynamic range and -114 dB THD+N.

Ultra-low Latency - optimised Drivers for both Mac and PC deliver ultra-low latency performance. With a high-performance DAW the UltraLite-mk5 delivers an astonishing round-trip latency of 2.4ms (at 96kHz with a 32-sample host buffer

New Design - while retaining the same front and back panel layout as its predecessors the UltraLite-mk5 has a sleek new look, incorporating a high-resolution, high-contrast white OLED display providing precision metering for all analog inputs and outputs, along with digital I/O activity indicators and status info

Connectivity and Compatibility- the UltraLite-mk5 has a USB-C connector and is also class-compliant for operation with iOS devices. It is also compatible with MacOS 11 Big Sur and M1 Macs

New Software and Simplified Monitoring - live monitoring of inputs is controlled via the new CueMix 5 software

Rack-mount options - a half-rack mounting kit (sold separately) allows the steel-encased UltraLite-mk5 to be rack-mounted with thick steel brackets to withstand the punishment of touring. Alternatively, two UltraLite-mk5 units can be joined together with a Half-rack Coupler Kit (sold separately)

Technical Specifications:

Sample rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz
Mic/line/guitar inputs: 2 x XLR/TRS "combo" jacks, 1 MO impedance on the line/instr inputs
Analog inputs: 6 x 1/4" TRS line in (balanced)
Analog outputs: 10 x 1/4" TRS line out (balanced, DC coupled)

Digital I/O:
1 bank (8 ch) of ADAT optical at 1x sample rates
1 bank (4 ch) of SMUX optical at 2x sample rates
Switchable to stereo TOSLink (optical S/PDIF)
1 x stereo S/PDIF on RCA (up to 96 kHz)

Computer I/O:
1 x USB-C 2.0 audio class compliant
Compatible with USB Type A (with adapter or C-to-A cable)

Total audio I/O:
18 in / 22 out (40 total) at 1x sample rates
14 in / 18 out (32 total) at 2x sample rates
8 in / 12 out (20 total) at 4x sample rates

MIDI I/O:
1 x MIDI IN
1 x MIDI OUT
16 MIDI channels to/from computer host

Headphone: 1 x 1/4" TRS stereo phone
Phantom power: 2 x individual +48V

Front panel:
2 x XLR/TRS combo inputs
1 x 1/4" TRS headphone output
1 x potentiometer - phone/monitor vol
2 x potentiometer - mic/instr input gain
4 x switches - (2) 48V and (2) pad
1x high-resolution white OLED display for metering/status
Power: External 12-18V DC power supply - 1.0A max - tip pos or neg

Dimensions and weight: (width x depth x height, enclosure only)
8.6 x 6.9 x 1.75 inches
22 x 17.5 x 4.5 cm
2.875 lbs / 1.31 kg

Notes: mioXL- The MIDI interface redefined

mioXL is iConnectivity's flagship MIDI power-house, packed full with the very best technology and innovations. With mioXL it's never been easier to get huge amounts of MIDI gear connected and talking to each other. Harness the power of iConnectivity's advanced computer and network connectivity and experience why mioXL redefines what a flagship MIDI interface can and should do.

Connect all your MIDI devices (USB-MIDI, DIN-MIDI, RTP/Network-MIDI) and Mac, PC, and iOS computing devices to each other, and let this rugged, versatile interface put you in control of your MIDI devices and workflow.

On stage or in the studio, RTP/Network-MIDI capability means you are no longer constrained by cable length or limited USB ports. Stack multiple interfaces and computers on a network for ultimate scalability and flexibility.

With mioXL you're able to streamline and expand your MIDI setup, no matter how massive and demanding. Even though it's iConnectivity's most powerful MIDI interface, mioXL is still accessible to all users, allowing you to do whatever you want with MIDI faster, better, and in creative and exciting new ways.

What makes mioXL unique? The iConnectivity difference.

Next-gen Ethernet RTP MIDI adds massive capability and flexiibily

iConnectivity's next generation RTP/Network- MIDI capabilities, and what they'll do for you.

Ethernet connectivity means MIDI is on the network wherever you need it. Regular USB connectivity limits you to keeping your interface within 15ft of your computer. Ethernet connectivity gives you up to 330ft / 100m connection between you and your interface. Drop an interface in every room of your studio, or place an interface virtually anywhere in a venue.

RTP/Network-MIDI is not bound by some of the same restrictions as USB-MIDI.

Easy renaming of network ports - have them show up the way you want them to in your DAW.

Access to more than 22 ports per interface.

iConnectivity's unique network technology is as easy to use as USB! Enjoy your new-found MIDI power without extra headaches.

Use your 22 network MIDI ports anyway you want. Connect each of the 22 RTP-MIDI sessions to any combination of physical or virtual I/O ports. Almost any combination is possible.

Configuring mioXL:
Introducing a new version of iConnectivity's Auracle control software: taking the simplicity of workflow that the original Auracle introduced but now with the added deep configuration functionality that iConnectivity are known for. All the deep configuration options you asked for: MIDI merging, filtering, remapping, and deep routing are all there and super easy to use.

mioXL's display, rotary encoder and capacitive touch controls make navigating presets and monitoring MIDI traffic easy

Presets onboard:

Need to configure your MIDI setup in multiple ways? No problem!

New to mioXL : store and recall up to 32 presets directly on the interface, without even needing a computer!

Easily store and recall unique MIDI routing, filter and merging setups to preset scenes, and recall them all directly via the mioXL front panel.

mioXL's OLED display and encoder wheel gives you a crisp clear way of monitoring MIDI traffic, viewing, and selecting presets.

mioXL makes you the master of your MIDI domain. The MIDI interface: reinvented.

What's in the box:

1x mioXL
1x USB Cable.
1x Ethernet cable
1x mioXL 12V 36W Power Supply with interchangeable blades (NA, EU, UK and AU (Australia only)).

Device Specifications:

Width: 482.6 mm/19 in
Height (1U): 44.45 mm/1.75 in.

System Requirements

Macintosh
Mac OS X 10.11 or greater
1 free ethernet or USB port

Windows
Windows 10 or greater
1 free ethernet or USB port

iOS
iOS 8 or greater with Camera Connection Kit (CCK)*
CoreMIDI compatible app

Notes: *** Complimentary warranty on this product for 5 years if purchased from Juno- UK warranty only***

Plug'n Play Plus:

The ARC USB connects to your computer via USB, and talks to TotalMix FX directly. It has 15 freely assignable and illuminated buttons, one encoder wheel, and a TS jack to connect a foot switch.

The ARC USB is a USB 1.1 MIDI remote control. Thanks to operating as a UAC 1 class device, it is natively compatible to Windows and Mac OS X. As soon as it is present in the operating system, TotaIMix FX will automatically detect the ARC USB, and communicate with it via simple MIDI remote commands.

TotalMix FX:

Since 2001, TotalMix has added unlimited routing and mixing to RME audio interfaces. Its unique capability to create as many independent submixes as output channels available, turned it into the most flexible and powerful mixer of its kind.

With supported hardware, TotalMix FX includes a complete effects system, which not only adds flexibility to the recording chain, but also makes latency saddled software solutions obsolete.

TotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main monitors and headphone mixes for musicians.

TotalMix FX for iPad App:

TotalMix FX for iPad adds full control over hardware mixer and DSP effects for Fireface UCX, UFX, 802 and Babyface, Babyface Pro when in Class Compliant Mode, and lets you create, store and load complete mixes directly from the iPad.

Notes: *** Complimentary warranty on this product for 5 years if purchased from Juno- UK warranty only***

This compact, portable and lightweight audio interface (only 220 g /0.49 lbs) transfers digital audio data in SPDIF and ADAT format to Windows and Mac computers.

The latest Plug and Play technology guarantees a simple installation, even for the inexperienced user. Numerous unique features as well as RME's robust drivers enable a quick, efficient and comfortable operation of the Digiface USB.

The Digiface USB is an extremely compact & portable digital audio interface with 4 optical ADAT / SPDIF I/Os, and an analog high-quality line/phones output via 6.3 mm TRS jack. Continuing the legacy of RME's famous HDSP Digiface, a triple ADAT I/O interface with phones and PCI interface, Digiface USB simplifies connection with USB 2, does not need an external power supply, and even adds another optical I/O, resulting in 32 channels input and output each when using ADAT optical.

The analog output hosts channels 33/34, and can be used freely thanks to TotalMix FX, RME's routing and monitoring solution that knows nearly no limits in routing and mixing (the Digiface USB does not include FX).

Each single optical port can use either ADAT (up to 8 channels) or SPDIF (stereo). While the inputs adapt automatically to the received signal format, the outputs can be individually switched between ADAT and SPDIF operation. Supported are SMUX and SMUX4. Therefore at 192 kHz either 8 channels via 4 x SPDIF or ADAT are possible on both inputs and outputs.

Its small size, weight and bus-powered operation make the Digiface USB extremely versatile and useful. It could even serve as simple headphone amp for mobile use.

Like all the latest RME interfaces, the Digiface USB also includes the powerful digital real-time mixer TotalMix FX. It allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs. The Digiface USB does not have a DSP, so there are no FX available. Still it includes a dedicated Control Room section with Talkback, Main/Phones, fader groups, mute groups, complete remote controllability via Mackie or OSC protocol, and much more.

Here are some typical applications for TotalMix:

- Setting up delay-free submixes (headphone mixes). The Digiface USB allows for up to 17 fully independent stereo submixes. On an analog mixing desk, this would equal 34 Aux sends.
- Unlimited routing of inputs and outputs (free utilisation, patchbay functionality).
- Distributing signals to several outputs at a time. TotalMix offers state-of-the-art splitter and distributor functions.
- Simultaneous playback of different programs via a single stereo output. The ASIO multiclient driver supports the usage of several programs at the same time. When done on different playback channels TotalMix provides the means to mix and monitor these on a single stereo output.
- Mixing of the input signal to the playback signal (complete ASIO Direct Monitoring). RME not only is the pioneer of ADM, but also offers the most complete implementation of the ADM functions.
- Integration of external devices. Use TotalMix to insert external effects devices, be it in the playback or in the record path. Depending on the current application, the functionality equals insert or effects send and effects return, for example as used during real-time monitoring when adding some reverb to the vocals.
- Every single input channel, playback channel and hardware output features a Peak and RMS level meter, calculated in hardware. These level displays are very useful to determine the presence and routing destinations of the audio signals.

Notes: PreSonus Quantum 2626 is the fastest and best-sounding interface on the planet, thanks to the jaw-dropping speed of Thunderbolt 3, 8 front-mounted premium PreSonus XMAX analog mic preamps, and pristine ADA converters.

The PreSonus Quantum Thunderbolt Audio Interface is a 26x32 thunderbolt 2 ultra-low-latency audio interface. The Quantum Thunderbolt Audio Interface includes two combo mic/line/instrument inputs and six combo mic/line inputs, with each mic input featuring a digital-controlled XMAX preamp. The versatile design allows you to daisy-chain multiple units to expand your I/O up to 96 in and out connections. The PreSonus Quantum features a wide range of analog and digital connectivity making it one of the most comprehensive high-end interfaces on the market. The interface also operates up to 192kHz for ultra-high-definition mixing and recording.

With a barely measurable round-trip latency of less than 1 ms*, it's no wonder Sound on Sound magazine dubbed Quantum-series Thunderbolt audio interfaces the "fastest audio interfaces on the planet". Superb high-definition digital conversion and the ultra-transparent analog XMAX mic preamp design mean that your audio will always sound its bestiwhether you're recording with or without your favorite plug-ins engaged in real-time.

Every design decision during Quantum 2626 audio interface's engineering was made with one goal in mind: blazing-fast speed without any sonic compromise. The Quantum-series proprietary Thunderbolt driver was written from the ground up to deliver ultra-low-latency performance while maximizing efficiency. Cutting-edge 24-bit, 192 kHz converters with 115 dB of dynamic range and superior low-jitter clocking- coupled with our ultra-transparent, pure analog XMAX preamps- result in superb audio quality with the lowest round-trip latency of any audio interface available (< 1 ms).

Audiophile-grade digital converters, low-jitter clocking, and transparent preamps add up to a superior recording and listening experience. The Quantum 2626 audio interface operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output provide 115 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. And our lauded XMAX Class A analog microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you'll hear every breath, transient, and detail in your recordings.

Impressive speed combined with stunning sound quality means that the Quantum Thunderbolt audio interface is an ideal recording solution for any size of studio. Need more mic preamps? Connect the PreSonus DigiMax DP88 to your Quantum interface's ADAT/dual S/MUX ports. Once synced, the DigiMax DP88 preamps can be remotely controlled via Studio One or UC Surface. Want to insert your favorite gear? The Quantum 2626 features two direct preamp outputs with dedicated returns, so you can insert your favorite analog compressor and your favorite plug-ins with ease.

While compatible with any macOS or Windows recording application, the Quantum 2626 ships as a complete recording studio with Studio One Artist music production software included. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment- including powerful extensions for Studio One like the Presence XT Expansion packs and the PreSonus Channel Strip Collection.

Industry-leading speed and pristine audio quality combined with jaw-dropping expandability are the hallmarks of the Quantum interface design. Record and monitor from your favorite DAW with any plug-in engaged. Insert your favorite outboard analog gear with ease. Regardless of your studio's size, Quantum audio interfaces will streamline your recording process- you'll make better music, faster.

Notes: Excellent quality at an affordable price courtesy of Arturia's MiniFuse range. Two-in, two-out design with front panel volume control and MIDI in/out to help control hardware synths and drum machines.

Supplier's Notes:
Arturia MiniFuse 2 is an easy-to-use audio & MIDI interface that gives you pro-grade sound quality, smart connectivity, and a curated selection of the industry's best creative software. From guitar tracking to podcast recording, this is your solution for every type of audio creation.

MiniFuse comes from the award winning Arturia AudioFuse line of studio audio interfaces. Class-compliant & Bus-powered means you can plug in and go, and you won't need an additional power supply as it's USB powered. Recording has never been easier.

Creativity connected

MiniFuse 2's inputs and outputs bridge the gap between your ideas and the finished product. Record 2 instrument or mic sources simultaneously with dual combo inputs, sync and record your MIDI devices with 5-pin DIN connections, and connect extra devices with the additional USB hub socket - all via universal USB-C computer connectivity.

Simply the best sound

On paper, MiniFuse 2 gives you a 110db dynamic range and a top-tier equivalent input noise of -129dB. Put more simply, that means unbelievably great sound that can compete with even the finest studios. Enjoy responsive dynamics, a clear noise-free signal, and quality that you can really feel. Tough, portable design MiniFuse 2 is designed to accompany you for those last-minute sessions, quick deadlines, and spontaneous musical moments. It's not only compact and lightweight; its rugged aluminium ca-ing can handle the mobile producer's lifestyle. Take your sound with you, wherever you go. Fully operational Whether you're using a laptop or desktop, MiniFuse can work for you. PC or Mac, connect it and enjoy total recording freedom. Better still, with the MiniFuse Control Center app, you can control its inputs, outputs, settings, and firmware updates in one place. Inspiration on the house Keep your creativity fresh and your inspiration flowing with step-by-step music production tutorials, mixing hacks, and Ableton project templates designed by artists, producers, and beatmakers, featuring the software that's included with MiniFuse. Updated frequently, no subscription re-quired, and free with your MiniFuse. MiniFuse comes with an exclusive selection of software titles offering everything you need to give your sound the professional edge. Arturia FX Color your sound with 4 premium FX plugin recreations of studio classics; a lush plate reverb, a gritty analogue preamp, a classic tape echo, and a rich stereo chorus. Ableton Live Lite Compose, record, perform, and produce anything with an introduction to one of the most widely-used musical software titles in the business - yours with MiniFuse. Analog Lab Intro Instantly add inspiring sounds from our award-winning keyboard emulations to your mix with hundreds of presets to explore, from vintage '80s synths to fat modern sounds. Auto-Tune Unlimited 3-months free subscription Refine your vocal parts for perfect harmony or go full trap-style autotune with a 3-month sub-scription to the industry's favourite voice tuning plugin.

GUITAR RIG LE

An inspiring selection of amps, cabs, delays, reverbs, stompboxes and compressors, so you can build your own processing chains and customize your perfect guitar tones. Splice Creator Plan 3-months free subscription Access millions of hi-def royalty-free samples and plugin presets, from lo-fi drum loops to punchy vocal one-shots, and add them to your personal collection for life.

Notes: *** Complimentary warranty on this product for 5 years if purchased from Juno- UK warranty only***

The Fireface UCX II is a highly integrated pro audio solution in an ultra-compact format. Designed for use in studio and live recording, the UCX II continues RME's tradition of producing powerful and flexible interfaces for the professional audio market, packing the kind of connectivity and features into a half-rack size unit that is often spread over two - or even three - 19 inch panels.

With up to 20 channels recording and 20 channels playback; RME's stellar SteadyClock FS digital clocking technology; high performance microphone inputs; TotalMix FX mixing and routing software (complete with Parametric EQ and Dynamics processing on every channel, plus Echo and Reverb sends); stand-alone hard disk recording to external USB hard drives or pen drives via 'DURec' (Direct USB Recording); MIDI I/O; a powerful headphone output; and full stand-alone operation, the Fireface UCX II excels with the highest feature to space ratio ever from an RME device.

Developed in time to celebrate the company's 25th anniversary, the RME Fireface UCX II represents the culmination and refinement of 25 years of digital audio innovation.

Throughout its 25 year history, RME has been fully committed to a principle of flexibility - the more flexible a product, the more easily it can be adapted to new requirements. For company founder Matthias Carstens, this lies at the heart of RME's success: "The Fireface UCX II makes us proud and enthusiastic as it represents a natural evolution of our product range."

"Boasting up to 20 recording and 20 playback channels, SteadyClock FS, high-performance microphone inputs, built-in parametric EQ, USB direct recording plus full stand-alone functionality, the brand-new Fireface UCX II truly represents the essence of freedom, flexibility, and passion. At present, no existing audio interface offers more connectivity and functionality in a half-rack package."

The Fireface UCX II houses two mic/line preamps in XLR combo configuration on the front panel, along with two digitally controlled line/instrument inputs, followed by a headphone jack, various control buttons, a display, and the main volume knob. At the rear is a set of ten analogue balanced line inputs and outputs, MIDI I/O, ADAT I/O, AES/EBU and SPDIF I/O, USB 2.0 as well as a switchable word clock I/O.

The RME Fireface UCX II is the first half-rack interface from RME to feature RME's Direct USB Recording (DURec) functionality. Previously only found on RME's Fireface UFX, UFX II and UFX+, any of the Fireface UCX II's input or output channels can be recorded directly to a USB storage device - in any combination, up to and including all 40 channels simultaneously - via the dedicated USB port found on the back panel of the device.

Powered by the integrated DSP, DURec also enables the Fireface UCX II to be used for standalone recording and playback (i.e. without the need for a computer). Suggested applications include creating instantaneous backups of studio, live and rehearsal recording - acting as a fail-safe against a computer hardware failure - as well as for strand-alone field recording, or for use in virtual soundchecks (using DURec for playback of a previous night's live show recording).

The Fireface UCX II also features a Class Compliant / Plug 'n' Play mode, enabling the interface to be used for high-quality, mulit-track recording with an Apple iPad, and providing iPad users with a full set of professional analogue I/O connections.

Additionally, the optional TotalMix FX for iPad app adds full control over the TotalMix hardware mixer, giving users the ability to create, store and load complete mixes directly from the iPad.

Most audio interfaces are traditionally designed with what is called 'AC-coupled outputs', where capacitors are used to filter out any extreme low frequencies.

Whilst these frequencies are generally considered undesirable for audio - eating into headroom and potentially causing damage to other equipment - one instance where DC-coupling remains desirable is the world of modular synthesizers, where static or slow-moving signals are used for control over various parameters such as pitch note values or LFOs.

All of the Fireface UCX II's line-level outputs are fully DC-coupled, allowing for the sending of control voltages (CV) or Gate information to modular synthesizers (such as the popular Eurorack and Moog/MOTM/Synthesizers.com formats) and other studio hardware.

General Specifications:

Power supply: external power supply
Typical power consumption: 13 Watts
Current at 12 Volt operating voltage: 910 mA (11 Watts)
Dimensions incl. rack ears, full depth (WxHxD): 265 x 44 x 155 mm (10.5" x 1.73" x 6.1")
Dimensions without rack ears, body depth (WxHxD): 215 x 44 x 130 mm (8.5" x 1.73" x 5.1")
Weight: 910 g ( 2.0 lbs)
Temperature range: +5- up to +50- Celsius (41- F up to 122-F)
Relative humidity: < 75%, non condensing

Notes: mioXM - more connectivity than you can shake a stick at.

With mioXM it's never been easier to get all of your MIDI gear talking to each other. Harness the power of iConnectivity advanced computer and network connectivity and experience why mioXM redefines what a MIDI interface can and should do.

Connect all your MIDI devices (USB-MIDI, DIN-MIDI, RTP/Network-MIDI) and let this rugged, versatile interface put you in control of your MIDI devices and workflow.

On stage or in the studio, RTP/Network-MIDI capability means you are no longer constrained by cable length or limited USB ports. Stack multiple interfaces and computers on a network for ultimate scalability and flexibility.

With mioXM, you're able to streamline and expand your MIDI setup, and do it faster, better, and in creative and exciting new ways.

What makes mioXM unique? The iConnectivity difference.

Powerful network MIDI capabilities:

Network connectivity means MIDI wherever you need it. Regular USB connectivity limits you to keeping your interface within 15ft of your computer. Network / Ethernet connectivity gives you up to 330ft / 100m connection between you and your interface.

Drop an interface in every room of your studio, or place an interface virtually anywhere in a venue.

RTP/Network-MIDI is not bound by some of the same restrictions as USB-MIDI.

Easy renaming of network ports - have them show up the way you want them to in your DAW.

Access to more than12 ports per interface.

iConnectivity's unique network technology is as easy to use as USB! Enjoy your new-found MIDI power without extra headaches.

Use your 12 network MIDI ports anyway you want. Connect each of the 12 RTP-MIDI sessions to any combination of physical or virtual I/O ports. Almost any combination is possible.

Configuring mioXM:

Introducing a new version of iConnectivity's Auracle control software: taking the simplicity of workflow that the original Auracle introduced but now with the added deep configuration functionality that iConnectivity become known for. All the deep configuration options you asked for: MIDI merging, filtering, remapping, and deep routing are all there and super easy to use.

Presets onboard:

Need to configure your MIDI setup in multiple ways? No problem!

Store and recall up to 4 presets directly on the interface, without even needing a computer!

Easily recall unique MIDI routing, filter and merging setups to preset scenes, all from the front of mioXM.

What's in the box
1 x mioXM
1 x USB cable
1x Ethernet cable
1 x mioXM 12V 36W Power Power Supply with interchangeable blades (NA, EU, UK and AU (Australia only)).

Device Specifications:

Width: 214 mm/8.43 in
Height (1U): 37 mm/1.46 in
Depth: 140 mm/5.51 in
Weight: 992g/2.13 lbs

mioXM fits comfortably in iConnectivity's iCRS Interface Rack Shelf

System Requirements

Macintosh
Mac OS X 10.11 or greater
1 free ethernet or USB port

Windows
Windows 10 or greater
1 free ethernet or USB port

iOS
iOS 8 or greater with Camera Connection Kit (CCK)*
CoreMIDI compatible app

Notes: The Studio 1824c 192 kHz USB-C audio interface is ideal for producers interested in recording full bands, including multi-channel drums. It records up to 18 simultaneous inputs and features 8 XMAX Class A mic preamps, as well as MIDI I/O. Its 20 outputs offer flexible routing with zero-latency DSP-based monitor mixing and control-room integration with included Studio One Artist music production software and UC Surface control software.

World-class recording software included:

Seamlessly integrated with the included PreSonus UC Surface control software for macOS, Windows, iPad, and Android tablet and Studio One Artist music production software, the Studio 1824c audio interface works with virtually all macOS and Windows recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment - including powerful extensions for Studio One like the CTC-1 Console Shaper and Presence XT Editor.

Take the tour:

The Studio 1824c audio interface features USB-C computer connectivity and records up to 18 simultaneous inputs, including two combo mic and switchable line/instrument inputs and six mic/line inputs, all with XMAX mic preamps and +48V phantom power. Digital inputs include eight channels of ADAT Optical I/O (four channels at 96 kHz) and stereo S/PDIF I/O. In addition to the main L/R outputs, you get eight DC-coupled line-level outputs that can send control voltages. You also get two headphone outputs. A built-in MIDI interface enables connection to a keyboard, sound module, or control surface.

Superior sound:

The Studio 1824c audio interface operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output and PreSonus' professional-grade XMAX mic preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound.

Designed for producers who need more:

With ample connectivity, onboard monitor mixing, pristine mic preamps, and up to a 192 kHz sample rate, the Studio 1824c audio interface will give you the ultra-high-definition sound and versatile connectivity you need to make state-of-the-art recordings. The perfect companion for any recording software, the Studio 1824c's integration with Studio One and remote control with UC Surface provide a complete and thoroughly professional recording studio.

Includes Studio Magic Plug-in Suite:

This suite of plug-ins adds a wealth of fresh sounds and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavour of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies - these are real-deal workhorses that you'll rely on for countless mixes.

Notes: High-end interface specialists RME deliver another winner. Amazing sound quality in a compact package, with TotalMix control, ADAT expansion and built-in MIDI interface.

*** Complimentary warranty on this product for 5 years if purchased from Juno- UK warranty only***

Supplier's notes:
Four years ago the Babyface Pro again demonstrated RME's absolute commitment to superior craftsmanship, not only in audio circuits and driver development, but also in mechanics. Created with the highest precision from a block of aluminium, this high-end portable interface incorporated newly designed analogue and digital circuits. Its innovative energy saving technologies provided supreme fidelity with no compromises in level, noise or distortion.
The two headphone outputs, offering TRS and mini-jack sockets in parallel, have completely separate driver stages to perfectly match low and high impedance headphones, guaranteeing pristine sonic results no matter what type of headphone is used.
For the main I/O RME have designed an XLR socket, which integrates seamlessly into the housing and saves space.
Two digitally controlled preamps provide individually switchable 48V phantom power. These circuits feature a gain range of 76 dB, adjustable in steps of 1 dB, including a relay-driven PAD, resulting in exceptional EIN (Equivalent Input Noise) performance as well as line overload protection, and enough gain for even the lowest level microphones.
Babyface Pro's incredibly efficient design almost never requires an external power supply - it's perfectly stable on USB 3 bus power, and also most USB 2 ports, with no degradation in any technical specification. This makes it perfect for mobile recording, even with a pair of your favourite condenser microphones.
The comprehensive feature set continues with an optical TOSLINK I/O; use as either an ADAT port with SMUX support or SPDIF for sessions up to 192 kHz. In combination with an external ADAT converter, the Babyface Pro fully supports 12 analogue inputs as well as 12 outputs, making it ideal for both live and studio multi-track applications. You can plug any instrument, line or high impedance, into Babyface Pro's jack inputs 3 & 4. Record your guitar on the go, with no additional hardware required. MIDI I/O via an included breakout cable completes the package.
In digital audio, the clock frequency is an essential factor, as it creates the correlation between the audio bits and the time reference. Unfortunately, the clock frequency is not always as stable as desired. The Babyface Pro FS offers the full SteadyClock FS circuit as in the ADI-2 Pro FS for lowest jitter and highest jitter immunity. Excellent performance in all clock modes and High Quality Analog Conversion to hear your mix as it is. Digital format conversion in RME products are done without any loss or degradation, and SteadyClock FS ensures your sonic image will never experience degradation. This helps to optimize recordings and mixes because the soundstage has more depth and clarity.
Like all the latest RME interfaces, the Babyface Pro FS also includes the powerful digital real-time mixer TotalMix FX. It allows fully independent routing and mixing of input and playback channels to all physical outputs. Independent stereo submixes plus a comprehensive Control Room section offer unrivalled monitoring capabilities and unsurpassed routing flexibility.
Babyface Pro FS ships with RME's TotalMix FX, available for Windows and Mac OS X. An iOS version is available as well. This amazingly versatile software allows you to use Babyface Pro in any situation. For example, mixing your guitar and vocals to headphones has never been easier. The FPGA-based DSP mixer adds a flexible, 3-band parametric equalizer to all inputs and outputs. Reverb and delay FX are also available.
The FPGA-based DSP mixer adds a flexible, 3-band parametric equalizer to all inputs and outputs. Reverb and delay FX are also available. Latest generation low latency AD/DA converters, combined with RME's unique SteadyClock FS technology, result in exceptional specifications that will satisfy the most demanding of professionals. Combining a huge feature set with sonic excellence and intuitive control, whether for the studio or on the move, the RME Babyface Pro is the most comprehensive and versatile compact audio interface ever built.
Straight to the core without interference: the reference design of the Babyface Pro leaves nothing to be desired. RME devices are designed to conserve music as it is. Audio signals are passed in their entirety, nothing added, nothing taken. For the new Babyface, the audio circuits have been improved to meet even highest gain levels with best dynamic range. The clever user interface is informative and clearly laid out. It makes access to every feature and configuration mode of the Babyface Pro intuitive and easy to use.

Notes: WIDI Master is your virtual MIDI cable.
Bluetooth MIDI is the new wireless standard as approved by the MMA.
Now you can connect all your MIDI devices - without computers - without cables - with MIDI over Bluetooth!

Smart Connectivity Algorithms
WIDI distinguishes itself from any other Bluetooth MIDI technology available through its unique SCA technology. SCA is a collection of highly effective algorithms that optimise the performance of WIDI in any given situation. SCA stands for Dual Role Automation, Automatic Pairing Mode, Smart Hub Functionality, Latency Reduction Optimisation and Range Performance Optimisation!

Point to point BLE MIDI connectivity
Simply replace your MIDI cables- rearrange your studio and enjoy the freedom of WIDI.

Bluetooth 5: Go Faster, Go Further
Trusted technology for live and on stage- secure connection with twice the speed and four times the range

Ultra low latency
Go pro with ground-breaking latency reduction as low as 3ms- Smart algorithmic transmission optimization

Automatic pairing
Setup instantly. Operate easily.
Automatic master/slave switch and automatic paring.

MIDI Clock and SysEx
Sync your drum machines, step sequencers and arpeggiators- transmit all MIDI messages over Bluetooth

Detachable design
Only connect what you need- separated adapter design for MIDI OUT only

Versatile application
Connect with even the rarest instruments- 45 degree bridge cable design for vertical DIN connector setup

No external power
Enjoy the fully standalone wireless solution- supports both 5V and 3.3V via MIDI OUT DIN

Lifetime updates
Always benefit from the latest developments- new features updatable via using WIDI App (iOS/Android)

Wireless upgrade via Bluetooth
The easiest way to upgrade your firmware- firmware upgradeable by air via WIDI application software for Android & iOS.

What can you do with MIDI over Bluetooth?
Fully Standalone. Completely Wireless. 100% MIDI.

MIDI to MIDI
Connect two standalone MIDI hardware devices with two (2) WIDI Masters.

Bluetooth (BLE) to MIDI
Pair your bluetooth MIDI controller with any standalone MIDI hardware device using one (1) WIDI Master.

MacOS/iOS BLE to MIDI
Play your standalone MIDI hardware and pair it with your iOS device or Mac with one (1) WIDI Master using smart auto switch mode. About Windows/Android.

Specifications

Wireless technology
Bluetooth 4/5, MIDI over Bluetooth Low Energy-Compliant

Connectors
1x MIDI IN (5pin-DIN)
1x MIDI OUT (5pin-DIN)

Switch, indicator
1x switch, 1x Multicolor LED

Compatible devices
WIDI Master, WIDI BUD, Bluetooth MIDI controllers, iPhone/iPad/iPod Touch, Mac with Bluetooth 4.0 or later

Compatible OS
iOS 8 or later, OSX Yosemite or later

Firmware update
By air using WIDI App (iOS/Android)

Power supply
5V/3.3V compatibility MIDI OUT DIN

Power consumption
37 mW

Dimensions
Main: 21mm (W) x 21mm (H) x 49mm (D)
Sub: 18mm (W) x 18mm (H) x 24mm (D)

Notes: White version of Arturia's excellent entry-level interface. Standard 2-in/2-out design with built-in MIDI interface and intuitive controls. Excellent quality and value for money.

Supplier's Notes:
MiniFuse 2's inputs and outputs bridge the gap between your ideas and the finished product. Record 2 instrument or mic sources simultaneously with dual combo inputs, sync and record your MIDI devices with 5-pin DIN connections, and connect extra devices with the additional USB hub socket - all via universal USB-C computer connectivity.

Simply the best sound

On paper, MiniFuse 2 gives you a 110db dynamic range and a top-tier equivalent input noise of -129dB. Put more simply, that means unbelievably great sound that can compete with even the finest studios. Enjoy responsive dynamics, a clear noise-free signal, and quality that you can really feel. Tough, portable design MiniFuse 2 is designed to accompany you for those last-minute sessions, quick deadlines, and spontaneous musical moments. It's not only compact and lightweight; its rugged aluminium ca-ing can handle the mobile producer's lifestyle. Take your sound with you, wherever you go. Fully operational Whether you're using a laptop or desktop, MiniFuse can work for you. PC or Mac, connect it and enjoy total recording freedom. Better still, with the MiniFuse Control Center app, you can control its inputs, outputs, settings, and firmware updates in one place. Inspiration on the house Keep your creativity fresh and your inspiration flowing with step-by-step music production tutorials, mixing hacks, and Ableton project templates designed by artists, producers, and beatmakers, featuring the software that's included with MiniFuse. Updated frequently, no subscription re-quired, and free with your MiniFuse. MiniFuse comes with an exclusive selection of software titles offering everything you need to give your sound the professional edge. Arturia FX Color your sound with 4 premium FX plugin recreations of studio classics; a lush plate reverb, a gritty analogue preamp, a classic tape echo, and a rich stereo chorus. Ableton Live Lite Compose, record, perform, and produce anything with an introduction to one of the most widely-used musical software titles in the business - yours with MiniFuse. Analog Lab Intro Instantly add inspiring sounds from Arturia's award-winning keyboard emulations to your mix with hundreds of presets to explore, from vintage '80s synths to fat modern sounds. Auto-Tune Unlimited 3-months free subscription Refine your vocal parts for perfect harmony or go full trap-style autotune with a 3-month sub-scription to the industry's favourite voice tuning plugin.

Guitar rig LE

An inspiring selection of amps, cabs, delays, reverbs, stompboxes and compressors, so you can build your own processing chains and customize your perfect guitar tones. Splice Creator Plan 3-months free subscription Access millions of hi-def royalty-free samples and plugin presets, from lo-fi drum loops to punchy vocal one-shots, and add them to your personal collection for life.

Line Inputs

Input impedance: 16kO
Maximum input level: +22dBu
Gain range: 56dB
Frequency response 20Hz to 20kHz: +/-0.05dB (min gain)
Dynamic range: 110dB typical (A-weighted)
THD+N @ 1kHz: -100dB typical (un-weighted)

Instrument Input
Input impedance: 1MO on Tip
Maximum input level: +11.5dBu
Gain range: 56dB
Frequency response 20Hz to 20kHz: +/-0.06dB (min gain)
Dynamic range: 110dB typical (A-weighted)
THD+N @ 1kHz: -91dB typical (un-weighted)

Microphone Preamps
Input impedance: 2.5kO
Maximum input level: +9dBu
Gain range: 56dB
Equivalent Input Noise (EIN): -129dB typical (A-weighted)
Frequency response 20Hz to 20kHz: +/-0.06dB (min gain)
Dynamic range: 110dB typical (A-weighted)
THD+N @ 1kHz: -100dB typical (un-weighted)

Speakers
Output impedance: 94O
Maximum output level: +12dBu
Frequency response 20-20kHz: +/-0.09dB
Dynamic range: 107.5dB typical (A-weighted)
THD+N @ 1kHz: -101dB typical (un-weighted)

Phones
Output impedance: 10O
Maximum output level: +11.4dBu
Frequency response 20-20kHz: +/-0.09dB
Dynamic range: 104dB typical (A-weighted)
Power @ 33ohm: 137mW

Supported Sample rates
44.1kHz, 48kHz, 88.2 kHz,
96kHz, 176.4kHz, 192 kHz

Platforms requirements

Windows
Windows 7 (SP1) or later (64-bit)
4 GB RAM (8 GB+ recommended)
64-bit Intelr Core or AMD multi-core processor (i5 processor or faster recommended)

Apple
OS X 10.10 or later (64 bit)
4 GB RAM (8 GB+ recommended)
64-bit Intelr Core or AMD multi-core processor (i5 processor or faster recommended)

Size & weight
Size : 7.9 x 3.9 x 1.65 inches (200 x 100 x 43mm)

Notes: Arturia MiniFuse 1 is a portable 1 in / 2 out audio interface audio interface designed to work for you, whatever your style. Record your vocals, guitar, podcast, or produce your track at the highest studio quality. A complete software bundle with instruments, recording software, and effects is included - recording and producing has never been easier.

MiniFuse comes from the award winning Arturia AudioFuse line of studio audio interfaces. Class-compliant & Bus-powered means you can plug in and go, and you won't need an additional power supply as it's USB powered. Recording has never been easier.

MiniFuse 1 fits right into your setup with a straightforward set of ins and outs. Its single combo input lets you easily connect either XLR or 1/4" jack cables. Plug into your computer with quick & compact USB-C compatibility. Finally, connect USB devices like your MIDI keyboard with the additional USB hub socket.

For audiophiles, MiniFuse boasts a 110db dynamic range and a class-leading equivalent input noise of -129dB. For everyone else, that means that every recording you make sounds incredible, with rich dynamics, clear noise-free signal, and studio-grade quality - you can't go wrong.

Break the mold and take your studio on the go. MiniFuse is not only compact and lightweight; its rugged aluminium casing can handle the mobile producer's lifestyle. Put it in your bag, get out there, and find the sound you've been looking for.

Whether you're using a laptop or desktop, MiniFuse can work for you. PC or Mac, connect it and enjoy total recording freedom. Better still, with the MiniFuse Control Center app, you can control its inputs, outputs, settings, and firmware updates in one place

Keep your creativity fresh and your inspiration flowing with step-by-step music production tutori-als, mixing hacks, and Ableton project templates designed by artists, producers, and beatmakers, featuring the software that's included with MiniFuse. Updated frequently, no subscription re-quired, and free with your MiniFuse. MiniFuse comes with an exclusive selection of software titles offering everything you need to give your sound the professional edge.

Arturia FX

Colour your sound with 4 premium FX plugin recreations of studio classics; a lush plate reverb, a gritty analogue preamp, a classic tape echo, and a rich stereo chorus.

Ableton Live Lite

Compose, record, perform, and produce anything with an introduction to one of the most widely-used musical software titles in the business - yours with MiniFuse.

Analog Lab Intro

Instantly add inspiring sounds from Arturia's award-winning keyboard emulations to your mix with hundreds of presets to explore, from vintage '80s synths to fat modern sounds.

Auto-Tune Unlimited 3-months free subscription

Refine your vocal parts for perfect harmony or go full trap-style autotune with a 3-month sub-scription to the industry's favorite voice tuning plugin.

GUITAR RIG 6 LE

An inspiring selection of amps, cabs, delays, reverbs, stompboxes and compressors, so you can build your own processing chains and customize your perfect guitar tones.

Splice Creator Plan

3-months free subscription Access millions of hi-def royalty-free samples and plugin presets, from lo-fi drum loops to punchy vocal one-shots, and add them to your personal collection for life.

Huge software bundle includes: Ableton Live Lite, Analog Lag Intro, 4 x Arturia FX, Auto-Tune 3-month subscription, GUITAR RIG 6 LE, Splice 3-month subscription, and more...

Included Software

Ableton Live Lite: For your recording and mixing needs

Analog Lab Intro: Classic and modern synthesizer and keyboard sounds

4 x Arturia FX: A world-class preamp, plate reverb, tape echo and chorus effects

Auto-Tune Unlimited: 3-month subscription to the leading pitch tuning software

GUITAR RIG 6 LE for guitar amplification emulations and guitar

Line Inputs
Input impedance: 16kO
Maximum input level: +22dBu
Gain range: 56dB
Frequency response 20Hz to 20kHz: +/-0.05dB (min gain)
Dynamic range: 110dB typical (A-weighted)
THD+N @ 1kHz: -100dB typical (un-weighted)
Instrument Input
Input impedance: 1MO on Tip
Maximum input level: +11.5dBu
Gain range: 56dB
Frequency response 20Hz to 20kHz: +/-0.06dB (min gain)
Dynamic range: 110dB typical (A-weighted)
THD+N @ 1kHz: -91dB typical (un-weighted)
Microphone Preamps
Input impedance: 2.5kO
Maximum input level: +9dBu
Gain range: 56dB
Equivalent Input Noise (EIN): -129dB typical (A-weighted)
Frequency response 20Hz to 20kHz: +/-0.06dB (min gain)
Dynamic range: 110dB typical (A-weighted)
THD+N @ 1kHz: -100dB typical (un-weighted)
Speakers
Output impedance: 94O
Maximum output level: +12dBu
Frequency response 20-20kHz: +/-0.09dB
Dynamic range: 107.5dB typical (A-weighted)
THD+N @ 1kHz: -101dB typical (un-weighted)
Phones
Output impedance: 10O
Maximum output level: +11.4dBu
Frequency response 20-20kHz: +/-0.09dB
Dynamic range: 104dB

Notes: mio- the perfect 1 in 1 out MIDI to USB interface

mio is a 1 in 1 out USB 16 channel MIDI interface to connect your MIDI compatible controller, keyboard, synthesizer, or drum machine to your computer. mio is USB bus powered and is plug and play compatible with Windows and Mac computers.

What Makes mio Unique?

Even the most basic tasks need to be done right. So iConnectivity engineered a new basic MIDI interface from the ground up that does everything right.

Not one of iConnectivity's competitors' 1x1 MIDI interfaces could pass all these tests:

Indestructible drivers - Interfaces that use their own drivers have to be updated all the time, or they stop working properly. Or they were USB Class-Compliant years ago, but today they aren't anymore. mio is engineered to today's strict guidelines to ensure compatibility for years to come.

Stellar MIDI Management - When the MIDI datastream gets heavy, other interfaces choke. iConnectivity interfaces deliver MIDI reliably no matter what.

Immaculate Electrical Design - You don't want a MIDI interface that introduces noise or even crashes your system, like some do. mio is engineered properly.

Performance Optimized - A MIDI interface that works too slowly is useless. mio is optimized for the highest performance.

The iConnectivity Advantage: iConnectivity's name on your interface means that time was taken to do it right, whether it's the simple 1 x 1 models to the uniquely sophisticated high-end interfaces.

System Requirements

Macintosh
Mac OS X
1 free USB port

Windows
Windows 7 or later
1 free USB port

iOS
iOS 8 or greater with Camera Connection Kit (CCK)*
CoreMIDI compatible app

Notes: Professional-standard 6-in/4-out interface from the trusted team at MOTU. Pristine sound courtesy of the high-end ESS Sabre32 Ultra DAC, with the versatility of MIDI in/out, dual headphone outputs and A/B monitor control.

Supplier's Notes:
Introducing the M6; Four mic inputs with best in class audio quality, speed, and metering

Audio Quality

Equipped with the same ESS Sabre32 Ultra DAC Technology found in audio interfaces costing thousands, the M6 delivers an astonishing 120 dB Dynamic Range on its main outputs. ESS converters also drive the headphone outputs, which rivals dedicated headphone amplifiers costing hundreds. Ultra-clean preamp circuits produce a measured -129 dBu EIN on the mic inputs. Capture and monitor your audio with pristine clarity.
ESS Sabre32 Ultra DAC Technology for superb analog sound

The same converter technology used in audio interfaces costing thousands

Measured 120 dB dynamic range on outputs

Measured -129 dBu EIN on mic inputs

ESS-driven headphone outputs

Speed

The M6 provides best-in-class speed for monitoring live inputs (mic, guitar or keyboard) through your computer, thanks to MOTU's expertly engineered USB drivers, which deliver class-leading, ultra-low 2.5 ms Round Trip Latency (at 96 kHz with a 32 sample buffer).

Metering

When recording and mixing, nothing is more critical than achieving optimum levels. The M6 is the only audio interface in its class with a full color LCD featuring clear, detailed level meters for all inputs and outputs. Enjoy professional-level volume control and feedback to get your sound just right.

Loopback

The M6 driver

provides convenient loopback channels to your host computer, so you can easily route computer output back to the computer, where you can mix it with up to four mics (and/or guitars) from the M6 in your host software for live streaming or podcasting. Streaming and podcasting has never been easier and better-sounding!

A/B Monitor Switch

The M6 is the only audio interface in its class to offer A/B monitor switching. Connect two pairs of monitors and quickly check your mixes on each pair with the push of a button.

Stand-alone operation

With the included multi-blade international DC power adapter connected, you can power the M6 when the computer is turned off (or completely disconnected from the M6). This allows you to monitor any live inputs you may have (mics, guitars, keyboards, etc.) without a host computer or iOS device needed.

A tradition of engineering excellence

Decades of award-winning product engineering for hit songs, mega tours, primetime shows and blockbuster movies goes into every MOTU audio interface.

Workstation software, virtual instruments and loops to get you making music right away

Connect the M6 to your Mac or PC and start laying down tracks with the included Performer Lite or Live Lite production software, plus hundreds of loops, one-shots and sounds from industry leaders Big Fish Audio, Lucidsamples and Loopmasters.

Technical Specifications

Sample rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz
Mic/line/guitar: 4 x XLR/TRS "combo jack" mic/line/Hi-Z guitar inputs Independent preamp gain, 48V phantom power and monitor switch for each input
Analogue inputs: 2 x 1/4" line in
Analogue outputs: 4 x 1/4" TRS line out (balanced, DC coupled) 2 x 1/4" TRS stereo headphone with independent volume
Computer I/O: 1 x USB-C 2.0 audio class compliant Compatible with USB Type A host (*see power below) USB C-to-C and C-to-A cables included
MIDI I/O 1 x MIDI IN 1 x MIDI OUT 16 MIDI channels to/from computer host
Headphones: 2 x 1/4" TRS stereo headphone with independent volume 1 x 3-4 switch for optional monitoring of Line Out 3-4
Phantom power: 4 x individual +48V
Front panel: 2 x 1/4" TRS headphone output 1 x potentiometer - monitor vol 2 x potentiometer - phone vol 1 x potentiometer - input monitor mix 4 x potentiometer - mic/line/guitar input gain 11 x switches - (4) 48V, (5) MON, (1) A/B and (1) 3-4 160 x 120 pixel full-colored LCD with input and output level meters
Power: Bus-powered through USB* Optional multi-blade international 15V DC power adapter (included) *USB bus power available with USB-C hosts only. For other hosts, use the included DC power adapter. For iOS devices with a Lightning port, an Apple Lightning to USB3 Camera Adapter is required (sold separately).
Dimensions and weight (width x depth x height, enclosure only) 9.21 x 4.75 x 1.8 inches 23.4 x 12.0 x 4.57 cm 2.15 lbs / 0.975 kg


System Requirements

Mac System Requirements
Intel Core i3 Mac or faster (including Apple silicon Macs) 4 GB RAM; 8 GB or more recommended macOS version 10.11 or later (Optional driver requires 10.13 or later) Available USB port A large hard drive (at least 500 GB for recording)

Windows System Requirements:
1 GHz Pentium-based PC compatible or faster 2 GB RAM; 4 GB or more recommended Windows 10 or later (x64 only) Available USB port A large hard drive (at least 500 GB for recording)

Class-Compliant Support:
USB audio class compliant for plug-and-play operation on Mac or iOS (no driver required)

Included Software:
MOTU Performer Lite Ableton Live Lite 11 6 GB of loops and sounds from Big Fish Audio, LucidSamples, Loopmasters and MOTU

Line output:

Connector type: 1/4" TRS, balanced, tip hot, Dynamic range (A-weighted): 120 dB, THD+N (unweighted): -110 dB, Max level: +16 dBu

Line Input:
Connector type: 1/4" TRS, bal/unbal, tip hot, Dynamic range (A-weighted): 115 dB, THD+N (unweighted): -110 dB, Max level: +16 dBu

Mic input:
Connector type: XLR, balanced, pin 2 hot, Dynamic range (A-weighted): 115 dB, THD+N (unweighted): 129 dBu EIN, Max level: +10 dBu (at minimum gain)

Phones
Connector type: 1/4", TRS stereo, Dynamic range (A-weighted): 115 dB, THD+N (unweighted): -110 dB, Max level: +12.5 dBu

Notes: MAYA44 USB+ is a powerful, affordable and very stylish USB audio solution for home recording - a perfect solution for mobile live and recording applications!

Beside standard recording and playback functionality, MAYA44 USB+ provides everything that is needed for professional music production. In its compact aluminium case MAYA44 USB+ provides 4 analog input and 4 analog output channels with RCA connectors and a combined optical S/PDIF digital output / stereo headphone output. The headphone output provides a separate stereo output signal, making it perfect for DJs.

With support for ASIO 2.0, CoreAudio and MME / WDM, MAYA44 USB+ is compatible to all major music and DJ applications like Cubase, Logic, Sonar, Reason, Reaktor, MixVibes, Traktor DJ Studio, BPM Studio and much more.

Features
4 input channels and 4 output channels with RCA connectors
-10dBV input / output level (unbalanced) with improved performance
optical S/PDIF digital output with Miniplug connector
headphone output (1/8" connector) with 60mW amplifier, sends out signal from channel 1 / 2 only
MME, WDM, ASIO 2.0 and CoreAudio support
EWDM driver with DirectWIRE support under Windows
standard USB connection to PC or Mac
compatible with Windows XP, Vista, 7, 8.1, 10, 11 (32-bit / 64-bit) and Mac OS X
compatible with all important DJ software applications
compatible with all important professional audio applications
compact and portable design with around 12 cm x 7 cm x 2 cm

Notes: mioXC - The USB Type-C 1x1 MIDI interface for Mac, PC, iOS, or Android

Tiny in size and price, yet big on connectivity! mioXC is a pocket-sized powerhouse! mioXC is a fuss-free and simple 1x1, 16 channel MIDI interface you can use to connect your MIDI compatible gear. Whether you have a controller keyboard, synthesizer, drum machine or whatever; mioXC lets you connect them to your Mac, PC, iOS, or Android computing device.

What Makes mioXC Unique?

Even the most basic tasks need to be done right; it's surprising how many of iConnectivity's competitors' interfaces get it wrong. mioXC has been engineered, from the ground up to, to be the interface that its manufacturers would want to use themselves.

Modern USB Connectivity - Equipped with both USB Type-C and USB Type-A connectivity, mioXC lets you enjoy easy connectivity with most modern computing devices.

Driver Compatibility - Interfaces that use their own drivers have to be updated all the time, or they stop working properly. Likewise some designs were USB Class-Compliant years ago, but today they aren't anymore. iConnectivity's drivers have been engineered to today's strict guidelines, and keep them updated, to ensure compatibility for years to come.

MIDI Management - iConnectivity interfaces deliver MIDI reliably no matter what. When the MIDI data-stream gets heavy, these interfaces plough on where other interfaces choke.

Rock-Solid Electrical Design

- Some MIDI interfaces introduce noise, or worse, crash your system. You'll never get that from an iConnectivity interface.

Performance Optimized - A MIDI interface that works too slowly is useless. mioXC uses a powerful 32-bit ARM Cortex processor, ensuring dense MIDI and SysEx streams are managed with ease.

The iConnectivity Advantage: iConnectivity's name on your interface means that time was taken to do it right, whether it's the simple 1 x 1 models to iConnectivity's uniquely sophisticated high-end interfaces.

What's in the box
One mioXC MIDI Interface.
One USB Type-C to USB Type-A adapter

Macintosh
Mac OS X
1 free USB port

Windows
Windows 7 or later
1 free USB port

iOS
iOS 8 or greater*
CoreMIDI compatible app
*Apple Lightning to USB Camera adapter required for use with Lightning equipped iOS devices (adapter not included)

Android
Android 8.0 or higher with USB-C connector

Notes: Serious mastering-grade kit. Stereo interface with high-end converters and headphone amp circuit for pristine sound quality. Proper clarity for critical listening.

*** Complimentary warranty on this product for 5 years if purchased from Juno- UK warranty only***

Supplier's notes:
The RME ADI-2 Pro FS is a two channel 24-bit / 768kHz AD/DA converter and USB 2 Digital Audio Converter, audio interface and high-end headphone amp with new jitter rejection SteadyClock FS technology.

The RME ADI-2 Pro FS is the most flexible converter available with balanced and unbalanced I/O, two headphone outputs, DSP-based signal processing and RME's latest Steady Clock FS jitter rejection technology. It offers Class Compliant USB compatibility, sample rates up to 768kHz as well as DSD record and Direct DSD playback.

It boasts a raft of analogue and digital I/O, including two servo-balanced analogue XLR/TRS Jack inputs, two separate balanced and unbalanced outputs on XLR and TS as well as two headphone outputs. Digital I/O include optical ADAT, Optical and coaxial SPDIF and AES accessible via a breakout cable.

Furthermore, its Class Compliant UAC 2 USB 2.0 port offers iOS compatibility and is necessary for firmware updates. It can also work as a 6-in / 8-out audio on Mac OSX and Windows via WDM and ASIO.

Using the latest in A-to-D technology the ADI-2 Pro FS offers best possible sound with highest signal-to-noise ratio, super low THD and noise. It supports sample rates up to 786kHz PCM and DSD recording in dual mono design, with 3dB improved signal to noise ratio. Two digital-to-analogue converters are used for the separate stereo outputs. The latest Integrated Sample Rate converter takes care of clocking issues between S/PDIF and AES thanks to RME's latest SteadyClock FS technology.

A high-resolution display shows controls for the ADI-2 Pro FS unique features including DSP effects like 5-band parametric EQ, binaural crossfeed, adjustable loudness filter, selectable AD/DA filters and four analogue reference levels. Furthermore, M/S processing is provided with stereo width control as well as phase loop. The display also shows RME's famous Spectral Analyser and 30-band bi-quad filtered analysis tool.

Notes: Arturia's flagship audio interface is designed for maximum versatility as well as top quality sound. With 16 analogue inputs, 12 analogue outputs and an array of digital I/O including ADAT, MIDI and clock, your creative process won't be interrupted by reconfiguring your hardware.

Supplier's Notes:
AudioFuse 16Rig

Studio mastermind interface

AudioFuse 16Rig is a high-density audio interface that combines an unmatched array of connections with a creativity-first workflow, built to handle a hardware-focused setup and keep your devices always in sync, always sounding pristine, and always ready to go.

Make your sound count

Introducing an interface that lets you leave everything connected, route anything to anything, and be more creative with your projects.

A workhorse hub of connections and smart features designed to get the job done, no matter the complexity. A powerful, reliable production tool that can be moulded to suit your audio setup, your workflow, and your sound.

A standalone mixer

For DAWless recording, live mixing, and outside-the-box audio configuration, AudioFuse 16Rig just works. Fire up its two low-latency internal mixers for sessions away from the studio, process audio & MIDI without a computer connection, and save your configurations for instant recall and quick setup switching.

Intricate audio routing

Get hands-on with an interface that lets you configure its connections to suit any need, including multiple sends/returns for effects, quick A/B speaker monitoring, and more. The included AudioFuse Control Center even features a matrix for quick 'connect anything and everything' configuration.

Quantity, meet quality

Give every recording the shine, clarity, and projection it deserves with two high-quality digitally-controlled preamps and 24-bit AD/DA converters from ESS and Cirrus Logic. Whether it's red-hot synths, dynamic guitars, delicate vocals, or any combination of inputs, expect top-notch sound across the board.

Choose your workflow

Your interface should adjust to suit your setup, not the other way around. Control AudioFuse 16Rig's settings via the display or the included software, configure it for desktop or 1U rackmount operation, use the DC-coupled outputs to send signals to synth modules, and connect your high-impedance headphones.

It's time your music had an upgrade

x16 ADAT I/O
x8 Analog Line DC coupled Outputs
x16 Analog Line Inputs
x1 MIDI In & 2x MIDI Out/Thru
Wordclock I/O
24-bit AD/DA 192kHz
Creative FX Bundle Included

Smart design

Sometimes it's the little things that matter most. You need your gear to complement and enhance the way you work, and that's the driving force behind AudioFuse 16Rig.

See how every piece of the AudioFuse 16Rig puzzle fits together to deliver a dream interface for audio & music hardware lovers.

Premium FX included

Every AudioFuse interface comes with an ever-evolving suite of creative plugins curated from Arturia's award-winning FX Collection. Refine any incoming audio with vintage studio tools, get experimental with contemporary effects, and embark on a journey through classic & modern sounds with Analog Lab.

AudioFuse Range

The new studio reference

The AudioFuse interface range connects your computer to the world of music. Record with the highest quality, monitor with absolute precision, and bring all of your gear together to create the music you always wanted to.

Analogue signal path

The highest quality components are used in the input and output signal paths of the AudioFuse series, giving you an audiophile-quality experience with no compromise.

Powerful monitoring

Multiple outputs, integrated A/B switching, monitor mix options, and even headphone outputs with both 3.5mm and 6.35mm connectors. The AudioFuse makes monitoring a joy.

Huge versatility

Each AudioFuse interface has its own unique set of features designed to make recording as fun and easy as possible.

Main Features

16 x TRS analogue inputs
Includes 2 x high-quality digitally-controlled preamps
Inputs 3 & 4 also available as 3.5mm stereo input

12 x analogue outputs
Includes 8 x DC-coupled TRS line outputs
Stereo monitor outputs
6.35mm front-panel outputs for reamping, dual-headphones

2 x ADAT in, 2 x ADAT out

Up to 16 channels of I/O at 48kHz, 8 channels at 88.2/96kHz

Wordclock in & out

1 x MIDI in, 2 x MIDI out/thru
5-pin DIN connectors
Route MIDI standalone

Low-latency USB-C connection

Class-compliant MIDI
3 x USB hub connections

Two internal standalone mixers

No computer connection needed
Cue mixer for sub-mixing and added flexibility
Main mixer controllable by MIDI

Color display with rotary control & menu buttons
Desktop or 1U rackmount configuration
Includes AudioFuse Control Center
Includes AudioFuse Creative Suite

Analog Lab Intro
Comp DIODE-609* NEW
Pre 1973
Pre V76
Pre TridA
Filter MINI
Chorus JUN-6
Comp FET-76
Delay TAPE-201
Rev PLATE-140
Phaser BI-TRON

What's in the box

Box content
AudioFuse 16Rig unit
Power supply
2x USB cable

Instrument dimensions
size : 17.3 x 11.6 x 1.7 inches (493 x 294 x 43mm)

Platform requirements

Windows
Win 10+ PC: 4 GB RAM; Intel i5 CPU or faster
1GB free hard disk space
OpenGL 2.0 compatible GPU

Apple
10.13+: 4 GB RAM; Intel i5 CPU or Apple Silicon CPU
1GB free hard disk space
OpenGL 2.0 compatible GPU

Notes: The AudioFuse X8 IN is an essential tool for recording producers and sound engineers who are looking for additional high-quality analogue inputs. By extending digital connectivity, AudioFuse X8 IN provides more channels for instruments and outboard gear. It enhances studio flexibility and scalability while preserving audio quality, accommodating the demands of modern music production and sound design. More specifically, an 8 Analog-to-ADAT input expander enables you to extend your synth and instrument array and have all your gear connected at once and ready to record in your DAW.

Efficient expansion

AudioFuse X8 IN provides 8 additional analogue line inputs, enhancing the connectivity of your existing audio setup without the unnecessary cost and clutter of a fully-featured audio interface.

Professional audio quality

AudioFuse X8 IN supports 8 channels of premium analogue-to-ADAT conversion up to 96 kHz and utilizes the best components available, ensuring your recordings maintain the highest fidelity.

Versatile installation

Designed as half-sized rack units, X8 IN comes with removable rack ears for flexible installation. This allows them to be used as desktop units or mounted in a standard rack setup, accommodating up to two units side by side for expanded setups.

Ease of use

Front-panel controls offer direct access to channel management, making setup and adjustments straightforward. Colourful VU meters provide clear visual feedback for monitoring levels.

Notes: One of the most trustworthy brands in the industry delivers another winner. Proper high-end business, with 12 analogue inputs and 12 outputs, plus an extensive array of digital connections. Great value at this price point.

Supplier's Notes:
Next-gen 28 x 32 USB3 audio interface - Builds on 22 years of proven success as an industry-leading audio interface brand.

New 3.9-inch TFT display - The bright, 24-bit RGB LCD provides 480 x 128 pixel high-resolution metering for all analogue and digital I/O, plus detailed status info and access to hardware settings from a simple and convenient menu.

Superb analogue audio quality and high-end converters - Renowned ESS Sabre32 DAC technology delivers 125 dB dynamic range. Support for all standard sample rates up to 192 kHz.

Ultra-low latency and proven, high-performance MOTU drivers - Round-trip latency (RTL) performance as low as 2 ms at 96kHz with high-performance DAW hosts.

Universal connectivity - Connects to your computer with 5 Gbps USB3 (compatible with USB2) for up to 60 audio channels. Class-compliant firmware and industry standard drivers work with any audio apps. Connects to an iPad™ with USB-C or a Lightning adapter kit (sold separately).

60 simultaneous audio channels - 28 inputs and 32 outputs, including two combo XLR/TRS mic/line/hi-Z guitar inputs with send/return inserts, 8 TRS analogue (line-level) in/out, separate main outs on XLR jacks, two banks of 8-channel optical I/O, stereo RCA S/PDIF digital I/O, and two front-panel headphone outputs.

Advanced mic channels - Cutting-edge components deliver ultra-transparent sound with -114 dB THD+N, 118 dB dynamic range and -129 dBu EIN. Each mic channel provides individual controls for +74 dB of preamp gain, -20 dB pad, 48V phantom power, and phase invert. All settings can be controlled remotely from a computer or iOS device. Each mic channel includes a dedicated send/return insert for outboard gear processing.

Flexible insert returns - When nothing is connected to the front-panel mic inputs, the two rear-panel returns function as additional line inputs with identical signal path characteristics as the other eight line inputs.

DSP mixing and effects processing - Flexible 24-input digital mixer with 8 stereo busses and DSP effects, including reverb, 4-band EQ, gate and compression.

Wi-Fi control - If the 828 is connected to a computer on your Wi-Fi network, you can control everything wirelessly from the CueMix 5 app running on mobile devices or other computers on the same network - even multiple devices at the same time. Manage access to the 828 with network discovery and password protection.

Precision boost/trim for analogue I/O - Calibrate analogue input and output signals in precise 1 dB increments. Apply phase invert individually to analogue inputs.

Control room features - Control your sessions with front-panel "talk" button and "A/B" speaker select buttons to quickly compare your mixes on two sets of studio monitors.

Two flexible headphone outputs - With independent volume control, each headphone output can mirror each other, the Main Outs, any other analogue output pair, any CueMix bus, or any USB output channels. Or you can create a completely customized mix for each headphone that includes live 828 inputs and built-in reverb.

Two banks of optical I/O - Connect outboard digital processors, digital mixers or other gear with 16 channels of ADAT at 44.1/48 kHz or 8 channels of SMUX at 88.2/96 kHz. Bank A can optionally provide stereo TOSLink (optical S/PDIF) I/O up to 96 kHz.

Foot switch input - Connect a standard foot pedal switch (sold separately) for hands-free punch-in and punch-out while recording. Or map the pedal to any keystroke function in your host software.

MIDI in/out/thru - connect MIDI gear without the need for a separate MIDI interface.

Word clock in/out/thru - Supports all sample rates up to 192 kHz.

DC-coupled TRS outputs - Use the 828 to manipulate and sequence voltage-controlled modular synthesizers from a host DAW.

Loopback for live streaming and podcasting - Easily route computer output back to the computer, where you can mix it with live mics and/or guitar inputs from the 828 in your host software for live streaming or podcasting.

Guitar re-amping - Connect your guitar to the front-panel input, use CueMix's near-zero latency to loop to any output (with a re-amp adapter, if needed), and record both the dry signal and your mic'd up amp simultaneously. Then re-amp the dry signal later with different amps and cabs - or amp modelling plug-ins - to experiment with different tones.

CueMix 5 app - Control mixing and settings from your Mac, PC or iOS device.

Performer Lite - Workstation software with over 100 included instruments, dozens of effects and 6 GB of included loops to make music right away. Also includes Ableton Live Lite.

Next-gen 28 x 32 USB3 audio interface with DSP, mixing and effects
New 3.9-inch 24-bit RGB LCD with precision metering for all I/O
Superb analogue audio performance driven by ESS Sabre32 Ultra™ DAC Technology
Ultra-low latency and proven, high-performance MOTU drivers (~2 ms RTL with a 32 sample buffer @ 96 kHz)
Universal connectivity with 5 Gbps USB

Technical Specifications
Sample rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz

Mic/line/instr inputs
2 x XLR/TRS "combo" jacks
Individual -20 dB pad and 48V phantom power
Preamp gain: +74 dB in 1 dB increments
1 MO impedance on the line/instr inputs
Independent balanced send/return inserts

Analogue inputs
8 x 1/4-inch TRS line in (balanced/unbalanced)
2 x 1/4-inch insert returns function as balanced TRS line inputs (with no mic inputs connected)
Max level: +21 dBu
+20 dB digital gain on each input

Analogue outputs
8 x 1/4-inch TRS line out (balanced, DC coupled)
2 x male XLR out
Max level: +21 dBu
2 x 1/4-inch TRS stereo headphone
2 x 1/4-inch TRS sends (balanced, pre-converter)

Digital I/O
2 banks (16 ch) of ADAT optical I/O at 1x sample rates
2 banks (8 ch) of S/MUX optical I/O at 2x sample rates
Bank A switchable to stereo TOSLink I/O (optical S/PDIF)
1 x stereo S/PDIF I/O on RCA (up to 96 kHz)

Computer I/O
1 x USB-C 3.2 Gen 1 (5 Gbps) Type C - USB2 compatible USB audio class compliant (no driver needed)
1 x IF-certified USB 3.2 Gen 1 Type C-to-C cable included
Compatible with USB Type A (with a C-to-A cable, sold separately)
Total USB audio channels: see "Total Audio I/O" below
Round Trip Latency (RTL): ~2 ms (32 sample buffer at 96K)

Total audio I/O
28 in / 32 out (60 total channels) at 1x sample rates
20 in / 24 out (44 total channels) at 2x sample rates
10 in / 14 out (24 total channels) at 4x sample rates

MIDI I/O
1 x MIDI In
1 x MIDI Out/Thru
16 MIDI channels to/from computer host

Headphone
2 x 1/4-inch TRS stereo headphones
Output impedance: <1O
Max output: 14.4 dBu

Phantom power: 2 x individual +48V

Foot Switch
1 x 1/4-inch foot switch input
Mapping: pedal up/down to any host keystrokes

Sync I/O
1 x BNC Word Clock In
1 x BNC Word Clock Out/Thru
Sample rates: all (from 44.1 to 192 kHz)

Front panel
2 x XLR/TRS combo inputs
2 x 1/4" TRS headphone outputs
2 x potentiometer - headphone volume
2 x potentiometer - mic/instr input gain
1 x potentiometer - menu navigation
1 x large potentiometer - main volume
12 x switches - (2) 48V, (2) pad, (6) control room, (2) nav
1 x 3.9-inch 480 x 128 pixel 24-bit RGB TFT display
1 x latching power button

Power
Internal 100-240V autoswitching supply
50-60 Hz - 0.5A max

Dimensions and weight
(width x depth x height, enclosure only)
19 x 12.25 x 1.75 inches / 48.26 x 31.1 x 4.44 cm
11 lbs / 5 kgs

Notes: Connect more with the world- The original iRig Stream offered groundbreaking features that made it an overnight must-have for millions of creators. Now iRig Stream Pro takes your podcasting and streaming to an all-new level.

This 24-bit, 96 kHz audio interface for iPhone, iPad, Android and Mac/PC offers an XLR mic preamp, stereo RCA, TRRS and device inputs (loopback) - plus advanced routing, convenient controls and total portability.

It's everything you need for professional quality streaming, right in the palm of your hand.

Mix and stream up to 4 audio sources- iRig Stream Pro makes it easy to connect all your audio sources and route them to a streaming or recording app. Connect your favorite studio microphone or guitar via the XLR / 1/4" combo jack, mix in DJ decks or a keyboard via the stereo RCA inputs, then connect your earbuds to listen back and for a bonus mic/line input. You can even route in the output of your smartphone, tablet or laptop and sing or jam along.

XLR / 1/4" combo input

This input offers a pristine mic preamp with true +48V phantom power to connect studio microphones with stunning sound, switching to Hi-Z for your favorite guitar or bass.

RCA stereo input

Connect a mixer, DJ decks, keyboards and more with this low-noise stereo input.

3.5mm TRRS input/headphone output

A unique headphone/microphone jack is wired just like your smartphone so you can listen and talk over the stereo input simultaneously. It works with most headphones with a built-in mic and also with IK products like iRig Mic Lav, iRig Mic, and iRig Pre 2, giving you a wide range of options for any situation.

Device Loopback

This option routes the audio output of your digital device (iPhone, iPad, Android, Mac or PC) back into iRig Stream Pro to be mixed in with the other audio signals. This is perfect to jam or sing along with backing tracks, or process audio on one app and stream to another, all on a single device.

Each input has its own independent volume control and is then mixed down to your choice of stereo or 4 channels to stream, process or record into all your favourite apps.

Stereo or multichannel? You get both!

iRig Stream Pro offers 2 modes: stereo or multichannel. By default, iRig Stream Pro operates in stereo mode and pre-mixes multiple sources of audio (RCA stereo inputs (+ Loopback), XLR / 1/4" combo input and TRRS microphone) down to a stereo track, which is sent to your choice of streaming apps like Instagram, Facebook, Twitch, etc.

Switching to multichannel mode, the combo and TRRS inputs are routed to channels 3 and 4 respectively giving you 4 channels of audio to send to recording apps such as GarageBand or your favourite DAW.

Specs

Type: 2 in/2out or 4 in/2out
Conversion: 24-bit A/D, 24-bit D/A
Sampling Rate: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz
Power: USB bus powered. 48V operations with iOS devices require battery or DC IN. When connected to an external PSU (iRig PSU 3A, not included), iRig Stream Pro charges the connected iOS lightning device.
Metering: 3x LEDs for overall streaming signal. Peak meter for Mic/Inst input.
Device Connection: mini-DIN
Dimensions: 123 mm/4.84" x 67 mm/2.63" x 40 mm/1.57"
Weight: 146g
Line input
Connector: 2x RCA (unbal.) Left/Right
Nominal Input Level: -10 dBV
Head Room: 10 dB - Level @ max
Input Impedance: 16.5k Ohms
Frequency Response: from 20 Hz to 20 kHz (-1.5 dB)

Microphone Input: balanced, XLR. Pin 2: hot / Pin 3: cold / Pin 1: ground
Microphone Input Level: from 3.8 mV RMS to 388 mV RMS
Microphone Input Impedance: approx 2 kOhms
Analog Gain Range: 40 dB
Phantom Power: +48 V i 4 V
Frequency Response:
from 20 Hz to 20 kHz (-1 dB) Gain @ min
from 20 Hz to 20 kHz (-3 dB) Gain @ max

Instrument Input: unbalanced, Hi-Z, TS 1/4" Jack, Tip: signal / Shield: ground
Instrument Input Level: from 70 mV RMS to 1.8 V RMS
Instrument Input Impedance: 1M Ohms
Analog Gain Range: 28 dB
Frequency Response: from 20 Hz to 20 kHz (-1 dB) Gain @ min, from 20 Hz to 20 kHz (-3 dB) Gain @ max

Headset/Phones
Connector: 1/8" TRRS jack (CTIA wiring standard)
Supply voltage: > 2,5 V
Microphone gain: Adjustable with numbered thumbwheel
Frequency Response: 20 Hz - 20 kHz
Headphone Level control: numbered thumbwheel

Battery Life
Phantom power On with iOS device: up to 20 hours (Alkaline batteries), with mic input connected to 3.1 mA phantom powered load
Note: all measurements made with Stream Level knob at 0dB.

Package includes
iRig Stream Pro interface
Lightning to mini-DIN connection cable with charging features (60cm/23.62")
USB C-Type to mini-DIN connection cable (60cm/23.62")
USB A-Type to mini-DIN connection cable (60cm/23.62")
2x 1.5V AA battery
Velcro strip

Notes: The AI-1 is a professional-grade single-channel audio interface that delivers exceptional audio quality for everything from bedroom music recording to livestreaming and podcasting. Featuring a studio-grade preamp, a high-quality Neutrik™ combo jack for connecting microphones or instruments, and a high-power headphone amplifier for crystal-clear audio monitoring and playback, it's the perfect interface for recording studio-quality audio at home.

Key Features:

Professional-grade single-channel audio interface
Neutrik combo jack for connecting microphones, guitars, synthesisers and other instruments
Studio-grade preamp with level indicator
High-power headphone amplifier

Studio-quality Sound With Ease

With a single input and streamlined controls, the AI-1 is incredibly simple to use - just connect it to your computer, plug in your microphone or instrument, and hit record. Under the hood, the AI-1 packs plenty of punch, including an ultra-low-noise, high-gain studio-grade preamp for recording pristine audio, balanced 14-inch outputs for connecting your favourite speakers, and a high-power headphone amplifier capable of driving professional high-impedance models for flawless monitoring.

Get Connected and Create

The AI-1 features a high-quality Neutrik combo jack for connecting both XLR and 14-inch cables, so you can plug in your microphone, guitar, bass, or synthesiser with ease. Switchable phantom power ensures any microphone is accommodated, while the simple indicator LED allows you to monitor your input level for crystal-clear audio every time. Every AI-1 also comes with a free version of Ableton Lite, so you can get recording right away. Whether you're livestreaming or making multi-layered music, the AI-1 will capture your sonic vision in every detail.

RODE Central

RODE Central is an easy-to-use companion app for the AI-1 (and other RODE devices) that allows you to access device information and update to the latest firmware. The latest firmware version adds an extended gain range for enhanced performance with low-output dynamic microphones. To update, download RODE Central below and follow the prompts.

Note: OS Requirements - MacOS 10.13 or later; Windows 10 Version 1803 or later; iOS 14 or later; Android 9.0 or later.

Specifications

Acoustic & Electrical Specifications
Gain Range: 60dB (with firmware version 1.3.1)
Bit Depth: 24-Bit
Sample Rates: 44.1kHz 48kHz 88.2kHz 96kHz
48V Phantom Power: Yes
Simultaneous I/O: 1 x 2
Number of Preamps: 1
Direct Monitor: Yes
Bus Powered: Yes
OS Requirements: Mac OS10.10 or later Windows 7 or later
Power: USB bus-powered

Mechanical Specifications
Form Factor: Desktop
Analogue Inputs: 1 x Neutrik XLR-1/4" combo
Analogue Outputs
2 x 1/4" speaker outputs (impedance balanced) 1 x 1/4" headphone output
USB Connectors: 1 x USB-C
Depth: 100mm total (with knobs), Chassis: 88mm
Width: 124mm
Height: 38mm
Weight: 1lb/3.7oz/560g
Warranty: 1 year (extending to 2 years after product registration)

Box Contains:

1 x AI-1
1 x USB-C to USB-A Cable

Notes: The stylish and very powerful M8U eX is a modern USB 3.0 MIDI interface with a total of 16 MIDI ports in one single device.

Featuring the popular MIDI auto detection technology that was pioneered by ESI, each of these 16 ports can either be used as a MIDI input or as a MIDI output, replacing not only regular MIDI interfaces like our previous popular legacy multi port MIDI interfaces with 8 inputs and 8 outputs, but providing also other possible configurations: for instance, you can use up to 16 outputs at a time or up to 16 inputs, or any other combination, like 12 outputs and 4 inputs. Each automatic input / output configuration is displayed via colored LEDs on the front panel.

If the number of ports is not enough, you can hook up multiple M8U eX to the same computer - a feature that is made easy also via the integrated fast USB 3.0 hub that allows you to connect other USB equipment like software dongles or USB keyboards and others to your computer. This literally turns M8U eX into the central hub for the MIDI and USB devices in your studio or live performance setup.

The 100% fully class compliant device can even be bus powered (or if needed for other USB devices, it is powered via the included 5V DC power supply) and it works out of the box without the installation of additional drivers on Windows 7, Windows 8.1, Windows 10, Windows 11 and macOS systems (both 32-bit and 64-bit). Yet, there is more: it also works as a standalone Thru and Merge solution for your MIDI devices. Selected via a push button on the front panel, M8U eX provides various configurations allowing you to merge multiple MIDI signals and send them out to a single port or to send out signals through multiple ports that are coming in from just one - all based on your individual needs.

All this makes our M8U eX easily the most powerful USB MIDI interface existing on the market today.

If 16 ports are more than what you need, there is also the smaller M4U eX available, with 8 ports.

Features/specifications

USB 3.0 MIDI interface
100% class compliant, works without the installation of a driver
USB bus powered
16 MIDI ports, 8 on the front and 8 on the back
Automatic input and output detection, each port works as a MIDI input or MIDI output
Standalone operation possible
Can be used as MIDI Thru box in standalone mode to send one MIDI signal to 15 outputs
Can be used as MIDI merger in standalone mode to merge 15 MIDI signals to a single output
3-port USB 3.0 hub with external 5V DC power supply to power USB devices (power supply included)
Multiple units can be used with one computer at a time
Downwards compatible to USB 2.0 with a USB 2.0 legacy mode
Optional ESI MIDI Port driver for multi device / multi client operation under Windows available
Dimensions roughly 32.5cm x 14.5cm x 4.5cm

Notes: Arturia MiniFuse 1 is a portable 1 in / 2 out audio interface audio interface designed to work for you, whatever your style. Record your vocals, guitar, podcast, or produce your track at the highest studio quality. A complete software bundle with instruments, recording software, and effects is included - recording and producing has never been easier.

MiniFuse comes from the award winning Arturia AudioFuse line of studio audio interfaces. Class-compliant & Bus-powered means you can plug in and go, and you won't need an additional power supply as it's USB powered. Recording has never been easier.

MiniFuse 1 fits right into your setup with a straightforward set of ins and outs. Its single combo input lets you easily connect either XLR or 1/4" jack cables. Plug into your computer with quick & compact USB-C compatibility. Finally, connect USB devices like your MIDI keyboard with the additional USB hub socket.

Simply the best sound

For audiophiles, MiniFuse boasts a 110db dynamic range and a class-leading equivalent input noise of -129dB. For everyone else, that means that every recording you make sounds incredible, with rich dynamics, clear noise-free signal, and studio-grade quality - you can't go wrong.

Tough, portable design

Break the mold and take your studio on the go. MiniFuse is not only compact and lightweight; its rugged aluminium casing can handle the mobile producer's lifestyle. Put it in your bag, get out there, and find the sound you've been looking for.

Fully operational

Whether you're using a laptop or desktop, MiniFuse can work for you. PC or Mac, connect it and enjoy total recording freedom. Better still, with the MiniFuse Control Center app, you can control its inputs, outputs, settings, and firmware updates in one place

Inspiration on the house

Keep your creativity fresh and your inspiration flowing with step-by-step music production tutori-als, mixing hacks, and Ableton project templates designed by artists, producers, and beatmakers, featuring the software that's included with MiniFuse. Updated frequently, no subscription re-quired, and free with your MiniFuse. MiniFuse comes with an exclusive selection of software titles offering everything you need to give your sound the professional edge.

Arturia FX

Colour your sound with 4 premium FX plugin recreations of studio classics; a lush plate reverb, a gritty analogue preamp, a classic tape echo, and a rich stereo chorus.

Ableton Live Lite

Compose, record, perform, and produce anything with an introduction to one of the most widely-used musical software titles in the business - yours with MiniFuse.

Analog Lab Intro

Instantly add inspiring sounds from Arturia's award-winning keyboard emulations to your mix with hundreds of presets to explore, from vintage '80s synths to fat modern sounds.

Auto-Tune Unlimited 3-months free subscription

Refine your vocal parts for perfect harmony or go full trap-style autotune with a 3-month sub-scription to the industry's favorite voice tuning plugin.

GUITAR RIG 6 LE

An inspiring selection of amps, cabs, delays, reverbs, stompboxes and compressors, so you can build your own processing chains and customize your perfect guitar tones.

Splice Creator Plan

3-months free subscription Access millions of hi-def royalty-free samples and plugin presets, from lo-fi drum loops to punchy vocal one-shots, and add them to your personal collection for life.

Huge software bundle includes: Ableton Live Lite, Analog Lag Intro, 4 x Arturia FX, Auto-Tune 3-month subscription, GUITAR RIG 6 LE, Splice 3-month subscription, and more...

Included Software

Ableton Live Lite: For your recording and mixing needs

Analog Lab Intro: Classic and modern synthesizer and keyboard sounds

4 x Arturia FX: A world-class preamp, plate reverb, tape echo and chorus effects

Auto-Tune Unlimited: 3-month subscription to the leading pitch tuning software

GUITAR RIG 6 LE for guitar amplification emulations and guitar

Notes: Start connecting with the world

The original iRig Stream offered ground-breaking features for today's top apps that made it an overnight must-have for millions of creators. Now iRig Stream Solo brings comparable features and connectivity to a new level of affordability.

iRig Stream Solo is an easy-to-use audio interface for iPhone*, iPad and Android that lets you connect up to 3 distinct sources and mix them into your stream. Connect mixers or keyboards, your earbuds or iRig mics, and even audio played right on your device, and mix them together into a signal that's optimized for streaming and sent straight to your favourite apps.

It's all you need to start streaming in a compact and battery-powered format.

Mix and stream up to 3 audio sources

iRig Stream Solo makes it easy to connect all your audio sources and route them to a streaming or recording app. Send the audio output of your smartphone or tablet into iRig Stream Solo, mix it with external audio sources like mixers, DJ decks, keyboards and more. Add your voice from earbuds (or an iRig Mic) and send all 3 signals back to your device to popular apps like Instagram, or just your built-in camera app.

Plug in all your gear

2 line-level RCA inputs are perfect to connect DJ and multi-channel mixers, but are also great for keyboards, synth and drum machine setups, and more. Whether you're looking to stream your DJ set, record band practice, jam along with your favorite song, or even host a podcast, iRig Stream Solo lets you connect a massive range of gear.

Use a headset or a mic

A unique headphone/microphone jack is wired just like your smartphone so you can listen and talk over the other audio inputs simultaneously. It works with most headphones with a built-in mic and also with IK products like iRig Mic Lav, iRig Mic, and iRig Pre 2, giving you a wide range of options for any situation.
The overall input signal level (line + mic) is controlled with a single thumbwheel and optimized for streaming before being sent to your device and favourite apps.

Mix audio from your device

A special Loopback switch lets you route the audio output of your digital device (iPhone, iPad or Android) back into iRig Stream Solo to be mixed in with the other audio signals. This is perfect to jam or sing along with backing tracks and stream to another app, all on a single device.

Get connected, stay connected

iRig Stream Solo is easy to use with a captive TRRS cable to connect to your iPhone (Requires use of Apple's Lightning to 3.5 mm Headphone Jack Adapter (TRRS), iPad and Android. Its 1/8" mono Thru line output lets you send your audio to additional devices such as cameras, mixers and more. And with two AA batteries, you can enjoy hours of reliable performance anywhere.

Comprehensive compatibility

iRig Stream Solo works with any app that records or streams audio or video, so you'll never stop finding new ways to use it. To get you started, it includes iRig Recorder 3 LE (iPhone/iPad/Android) - an easy-to-use, high-quality audio and video recording app. Record, trim, edit and share, right from your device.

Specifications:

Power: 2x AA batteries
Metering: Battery status LED
Device Connection: captive 1/8" / 3.5 mm TRRS jack - CTIA/AHJ wiring standard
Dimensions: 45 x 105 x 34 mm
Weight (without batteries): 74 g

Line input
Connector: 2x RCA (unbal.) Left/Right
Nominal Input Level: -10 dBV
Head Room: 9 dB
Input Impedance: 15k Ohms
Frequency Response: from 20 Hz to 20 kHz (-3 dB)

Headset/Phones
Connector: 1/8" TRRS jack (CTIA wiring standard)
Supply voltage: >= 2,5 V
Microphone gain: Fixed at 27 dB
Headphone frequency response: from 20 Hz to 20 kHz (-3 dB)
Microphone frequency response: from 50 Hz to 20 kHz (-3 dB)
Headphone Level control: numbered thumbwheel

Thru out
Connector: 1/8" TRS jack
Frequency Response: from 20 Hz to 20 kHz (-3 dB)

Battery Life
50 hours (Alkaline batteries)

Package includes:
iRig Stream Solo interface
2x 1.5V AA battery

Compatibility
iOS and Android Devices
Compatible with iPhone, iPad, iPod touch and Android devices with 1/8" / 3.5mm jack standard headset input (onboard or via adaptor) compliant with the CTIA/AHJ wiring standardformat.

Notes: For the 20th anniversary of the legendary Fireface 800, RME introduces an exclusive special edition ARC USB in a sleek all-black design to complement the limited edition Fireface 802 FS AE.

Overview

This wired remote has been designed for direct access to the most frequently used actions and commands of TotalMix FX, being an indispensable tool in the studio's daily applications. Its extremely flexible configuration through TotalMix FX will simplify workflow and greatly increase the usability of the RME interface in most real-world situations.

The ARC USB is a USB 1.1 (UAC1) MIDI remote control, natively compatible to Windows and Mac OS X. As soon as it is present in the operating system TotaIMix FX will detect it and communicate with it, without disturbing other remote controls. Therefore, it is also not necessary to switch the ARC USB on or off within TotalMix FX - it will just work. And because it communicates with TotalMix FX (via USB) it is compatible to all RME audio interfaces that are detected and supported by TotalMix FX. This goes back to RME interfaces released 2001!

As soon as the ARC USB is connected to a computer any button press or wheel turning will cause the respective action performed by TotalMix FX - and therefore also by the RME audio interface.

With the UFX III and UFX II the ARC USB can also be connected directly to these devices, currently the only RME interfaces having an internal USB 1.1 host with matching connector. This way of connecting is handy in stand-alone mode, where the ARC USB is also supported by the UFX III and UFX II.

The ARC USB is bus powered, but draws only little current. Also, it uses USB 1.1 as bus standard, which these days is uncritical due to its lower frequency and speed demands. USB 2 cables with 5 metre to 10-metre length, and cheap USB 2 cable extensions that usually make a bus-powered interface fail will work perfectly for the ARC USB. Still at higher lengths RME recommends using active USB 2 cables (also called extension or repeater cables), which are not expensive and work over lengths of more than 20 meters.

The ARC USB can control several interfaces simultaneously, which happens automatically as the Key Commands dialog in TotalMix FX is specific to the currently selected audio interface. Just assign only the functions that are desired for each respective interface. After that the ARC USB keys and the encoder wheel remote the respective interface where they have been assigned to, without the need to further switch or select anything in normal operation.

The lower three keys have a useful diagnostic functionality
Talkback: is lit dim as soon as the ARC USB is running on 5 V USB bus power.
Speaker B: is lit dim as soon as a USB communication is possible.
DIM: is lit dim as soon as a communication with TotalMix FX is established.
Therefore, in normal operation all three lower keys are lit dim constantly.

The ARC USB comes with a standard set of Key Commands that already cover most usage scenarios, printed directly beneath the keys:
Row 1 and 2: activating Snapshots 1 to 8.
Row 3: Mono, Volume Phones 1, Volume Phones 2, External Input
Lower keys: Talkback, Speaker B, Dim.

A set of stickers with all currently available TotalMix FX commands is included. These can be used to label all keys reflecting the current user configuration.

The rotary encoder wheel is used to change various parameters, like gain and volume. It is programmable in TotalMix FX as well.

Configuration of the ARC USB

The Advanced Remote Control is configured in the Options menu via the Key Commands dialog of TotalMix FX, tab ARC USB Settings. As the ARC does not have any memory, all configuration and storage is done via TotalMix FX. All settings of the ARC USB are stored within a Workspace, and are therefore identical in all Snapshots of that current Workspace.

More than 36 different commands can be assigned to the 15 keys. The behaviour of each individual button can be changed between push, toggle, enable and disable, depending on the base function.

Current list of available functions:

Global Mute
Global Solo
Mute Group 1 to 4
Solo Group 1 to 4
Fader Group 1 to 4
Link Main AB
Speaker B Select
DIM (Main Out)
Mute (Main Out)
Mute FX (Main Out)
Mono (Main Out)
Talkback
External Input
Reverb

Echo
Cue Phones 1 to 4
Snapshot 1 to 8
Layout Preset 1 to 8
Volume Main
Volume Phones 1 to 4
Mic Gain 1, Mic Gain 2, Mic Gain 1+2
Inst. Gain 3, Inst. Gain 4, Inst. Gain 3+4
Mic/Inst. Gain 9, Mic/Inst. Gain 10, Mic/Inst. Gain 9+10
Mic/Inst. Gain 11, Mic/Inst. Gain 12, Mic/Inst. Gain 11+12

Some commands are not available at certain interfaces, or slightly changed due to different functionality. Fireface UFX, UFX II and UFX III have additional commands for DURec: Record, Play and Stop.

Several functions can be activated at the same time. Example: Button 1 is set to Cue Phones 1. That means the phones submix is heard via the Main output (the studio monitors). To be able to also change the volume of the phones submix itself, set button 2 to Volume Phones 1. Activating both will allow you to listen to the phones submix via the main output, and also to change its volume (the fader in the third row) by turning the encoder knob.

A standard footswitch (with switch, sustain pedals with pot are not supported) can be connected to the 1/4" TS jack on the left side. In Key Commands Settings the same options are available for the footswitch as for the 15 keys.

Remote control the RME Fireface UFX III, UFX II, UCX II and 802 FS in Stand-Alone Mode

As mentioned above, the RME Fireface 802 FX, UCX II, UFX II and UFX III interfaces all feature a dedicated connection for the ARC USB, with the remote offering an additional level of control when using either device in Stand-Alone Mode.

When used with any of these interfaces standalone, a fixed set of functions is activated on the keys:
Row 1: Setup 1-4
Row 2: Setup 5-6 x x
Row 3: Mono, Volume Phones 1, Volume Phones 2, DIM
Lower keys: DURec: Rec, Play/Pause, Stop
x = no function

The included stickers also offer the stand-alone layout.

In the 802 FS, UCX II, UFX II and UFX III display's menu the way of operating the ARC USB can be configured for standalone mode. Those options are found under SETUP/REV, Options, Hardware/Diagnosis:

Standalone ARC Volume

Deactivates all keys. Only the encoder wheel works, with a fixed assignment to Main Volume. This option is also a safety function in case the ARC USB is connected to the 802 FS / UCX II / UFX II / UFX III, but operated online (with a computer). When the system goes offline (computer removed, sleep state...) the functions on the keys change, because online mode changed to stand-alone mode. Operating the keys then could activate unintended functionality or changes.

Standalone ARC 1 second operation

Each key has to be pressed for one second to activate the programmed functionality. This safety function prevents unintentional changes. It can be stored within the Setups, activating this mode automatically when such a Setup is loaded. When loading a Setup where this function had not been active this mode is automatically deactivated at the interface.

Notes: Desktop USB soundcard for a computer-based recording studio. Featuring 2 independent microphone inputs on XLR/jack sockets and a separate 6.3mm instrument input. Each input has a gain control and there is an optional echo effect with separate control. Monitoring is via a stereo 6.3mm headphone jack or L+R RCA line output on the rear of the unit for connecting monitor speakers. Power to the interface and two-way digital audio is connected via a USB type-C socket at the rear. Simple yet versatile operation for project studios and DAW recording setups.

Power supply: 5Vdc (from USB)
Connection: USB type-C
Controls: Mic1, Mic2, Inst3, Effect, Monitor
Input connections: 2 x mic XLR/Jack, 1 x 6.3mm instrument jack
Phantom power: +48V switchable to XLR inputs
Frequency response: 10Hz - 30kHz (-0.5dB)
Input impedance: instrument1M Ohm
Input impedance: mic3k Ohm
Max. input sound level: Mic or Instrument +2dBu, Line +22dBu
Dynamic range: 100dB (A-weighted)
Sampling format: 48kHz, 16-bit
Monitor outputs: Headphones (stereo 6.3mm jack), Line out (L+R RCA)
Dimensions: 160 x 110 x 57mm
Weight: 529g

In the box

The box for this item contains:

USB2+1 Audio Interface
1.5m USB C to A lead

Notes: GIGAPORT eX is not like any other USB audio interface ... it's simply the multichannel playback solution with the best price value ratio on the market due to its unique set of features providing 8 independent outputs (and full 7.1 surround sound support), 2 independent stereo headphone outputs and excellent audio quality supporting up to 24-bit and 192 kHz.

The upgrade of the famous GIGAPORT HD+ provides ASIO 2.0 drivers for professional audio mixing and playback under Windows 7, Windows 8.1 and Windows 10. The hardware is also CoreAudio compatible and natively works under OS X / macOS even without the installation of a special driver.

This makes GIGAPORT eX perfect for digital DJs on the road working with notebook computers. Simply use your favourite DJ software and the eight outputs as up to 4 different stereo channels, enabling you to mix, cue and add effects! Monitor and pre-listen to your signals via the two built-in headphone outputs. GIGAPORT eX of course also works on your desktop computer and is compatible with all important professional audio DAW software applications. The hardware also works with consumer programs such as DVD playback software.

Features

USB 3.1 Audio Interface with USB-C connector (different connection cables included)
USB 2.0 compatible
24-bit / 192 kHz D/A converter with 114dB dynamic range (A-weighted), available on all output channels
8 independent output channels with -10dBV RCA connectors
2 independent stereo headphone outputs: 1st output sends l out mixed signal of all playback channels, 2nd output l sends out different signal from playback channel 1/2
Compatible with Windows 7 / 8.1 / 10 / 11 and OS X / macOS
Supports ASIO 2.0, WDM, MME with EWDM drivers as well as CoreAudio
100% class compliant
Works with OS X / mac OS (10.9 and above) with native CoreAudio support (32-bit and 64-bit)
EWDM driver for Windows 7 / 8 / 8.1 / 10 / 11 with ASIO 2.0, MME, WDM and DirectSound (32-bit and 64-bit)
DirectWIRE Loopback support under OS X / mac OS / Windows
DirectWIRE Output Channels support under Windows for dynamic output routing
compact and portable design with around 12 cm x 7 cm x 2 cm

Bundled Software

In order to get you started right out of the box, GIGAPORT eX ships with a powerful software package for professional recording, creation of your own songs, mixing of any audio content and much more. The following applications are currently included:

inTone 2 ESI Edition by Audified is a powerful jamming tool to produce mixes of multiple audio signals and instruments, play files, change tracks, prepare streams for podcasts and recordings. As an effects host you can use it with the included GK Amplification 2 LE and ampLion Free as a bass and guitar amp simulator and much more - anything you need for your creativity!

Cubasis LE is the compact version of Steinberg's mobile multitouch sequencer, providing the same look and feel of its bigger brother Cubasis. Specially designed for quick and easy operation, Cubasis LE makes recording, editing and mixing a breeze, no matter where you are, right there on an iPhone or iPad when connecting GIGAPORT eX.

Notes: For Solo Musicians

AMS-22 | 2-In, 2-Out

Perfect for mobile recording or streaming, the AMS-22 includes an XLR/TRS combo input, plus a stereo line in. It also includes a headphone output and 2 TRS outputs for external monitors.

Quick Control

With onboard hardware switches, the AMS-22 is designed to simplify common streaming challenges without the need for additional software.

Onboard Monitoring

Use the Direct Monitor Switch to directly send the input signal to your headphones while routing the same signal to your DAW or streaming software.

Loop It Back

The Loopback Switch combines the input audio with playback from your computer and routes it to your streaming software. This is perfect for adding background music to your stream or singing live with an instrumental track.

Power Options

All three AMS interfaces can be powered from your PC or Mac via USB-C. Use external power when working from a tablet or mobile phone.

Plug it in...

Use the AMS Series on any device thanks to its support for Mac and PC, along with iOS and Android devices.

...And perform

The AMS Series is designed to integrate seamlessly with commonly used software, apps and platforms.

In Streaming mode, connect with your audience by streaming to popular platforms like YouTube, Facebook, Twitch, Instagram and Patreon.

In Music mode, record with software like Adobe Audition, Pro Tools, Cubase and GarageBand.

What's in the box

AMS-22 USB Audio Interface
USB-C Cable
Quick Tour

Technical Specifications

Input and Output Channels

Number of input channels - Mono (MIC/GUITAR): 1
Stereo (LINE IN): 1
Number of output channels - Stereo (TRS): 1
Stereo (PHONES): 1

Connectors

MIC/GUITAR - Type: XLR/TRS combo jack
(XLR: 2 HOT, TRS: TIP HOT)
Input Gain: +8 - +54 dB (MIC) / +8 - +54 dB (GUITAR)
Input impedance: XLR: 2 kO (MIC)
TS: 1 MO (GUITAR)
Maximum input level: XLR: +0.6 dBu (MIC)
TS: +11 dBu (GUITAR)
Phantom power: +48 V

OUTPUT (standard phone jacks - Type: TRS phone jacks (impedance balanced)
Maximum output level: -2 dBu (at 0 dBFS)
Output impedance: 100 O
OUTPUT (headphone jack) - Type: 3.5mm stereo mini jack
20 mW + 20 mW (32 O load)
Output impedance: 10 O
USB: USB Type-C (audio interface function)
Use a USB cable that supports data transfer. USB bus power is supported.
DC 5V: USB Type-C (for power supply)
LINE IN Type: 3.5mm stereo mini jack
Input impedance: 20 kO
Maximum input level: +1.5 dBu
Frequency Response: 44.1 kHz: +0/-2 dB (20 Hz - 20 kHz) - 96 kHz: +0/-3 dB (20 Hz - 40 kHz)
Equivalent Input Noise: -120 dBu or less (IHF-A) at +54dB/150O input

Audio Interface

Input and output channels: Recording: 2 channels
Playback: 2 channels
Sampling frequencies: 96 kHz, 88.2 kHz, 48 kHz, 44.1 kHz
Bit Depth: 24-bit
Interface: USB 2.0
Class: USB Audio Class 2.0

Power: AC adapter (ZOOM AD-17): DC 5 V/1A - USB bus power is supported.
Rated Current: USB bus power / DC 5 V power supply: 170 mA
Power Consumption: 1.8 W maximum
Dimensions: 68.0 mm (W) × 57.7 mm (D) × 46.0 mm (H)
Weight (unit only): 85 g
Note: 0 dBu = 0.775 Vrms

Notes: Great value little 4-in/4-out interface, designed for portability when making music or streaming. Dual headphone outputs and four XLR/TRS combo inputs with pre-amps give you plenty of versatility.

Supplier's Notes:
AMS-44 For One or More Musicians

AMS-44 | 4-In, 4-Out

Whether you're recording or streaming, the AMS-44 keeps your setup simple. It features four XLR/TRS combo inputs along with Zoom's high-performance, low-noise preamps. The interface also includes two headphone outputs and two TRS outputs for external monitors.

Quick control

With their onboard hardware switches, the AMS-24 and AMS-44 are designed to simplify common streaming challenges without the need for additional software.

Little switch, big Streams

Toggle from recording to livestreaming with the Music / Streaming Switch. When in Music mode, each input acts independently with individual gain control. It also sends separate mixes to each headphone output.

When in Streaming mode all inputs are combined into one signal to work seamlessly with your streaming software.

Onboard monitoring

Use the Direct Monitor Switch to send the input signal directly to your headphones while routing the same signal to your DAW or streaming software.

Loop it back

The Loopback Switch combines the input audio with playback from your computer and routes it to your streaming software. This is perfect for adding background music to your stream or singing live with an instrumental track.

Mic/line guitar

Switch Input 1 from mic or line level to guitar level (Hi-Z).

Stereo link

Links two inputs for stereo recording or streaming and allows you to control both inputs with one gain knob.

Phantom power

Provides +48V phantom power for condenser microphones.

Power options

All three AMS interfaces can be powered from your PC or Mac via USB-C. Use external power when working from a tablet or mobile phone.

Additionally, the AMS-24 and AMS-44 can also use two AA batteries.

Plug it in...

Use the AMS Series on any device thanks to its support for Mac and PC, along with iOS and Android devices.

...And perform

The AMS Series is designed to integrate seamlessly with commonly used software, apps and platforms.

In Streaming mode, connect with your audience by streaming to popular platforms like YouTube, Facebook, Twitch, Instagram and Patreon.

In Music mode, record with software like Adobe Audition, Pro Tools, Cubase and GarageBand.

What's in the box

AMS-44 USB Audio Interface
USB-C Cable
Quick Tour

Technical Specification

Input and Output Channels
Number of input channels: Mono (MIC/LINE): 4
Number of output channels: Stereo (TRS): 1
Stereo (PHONES): 2

Connectors

INPUT 1-4 - Type: XLR/TRS combo jacks
(XLR: 2 HOT, TRS: TIP HOT) Input gain: -8 - +58 dB / -8 - +50 dB (when set to GUITAR)
Input impedance: XLR: 2.7 kO
TRS: 18 kO / 330 kO (when set to GUITAR)
Maximum input level: XLR: +6 dBu
TRS: +22 dBu / +8.5 dBu (when set to GUITAR)
Phantom power: +48 V
OUTPUT A (standard phone jacks)
Type: TRS phone jacks (impedance balanced)
Maximum output level: +10 dBu (at 0 dBFS)
Output impedance: 100 O
OUTPUT A-B (headphone jacks): Type: 3.5mm stereo mini jacks - 30 mW + 30 mW (32 O load)
Output impedance: 10 O
USB: USB Type-C (audio interface function)
Use a USB cable that supports data transfer. USB bus power is supported.
DC 5V: USB Type-C (for power supply)
Frequency Response: 44.1 kHz: 1 dB (20 Hz - 20 kHz) - 96 kHz: 1.5 dB (20 Hz - 40 kHz)
Equivalent input noise: -120 dBu or less (IHF-A) at +58 dB/150O input

Audio interface

Input and output channels: Recording: 4 channels
Playback: 4 channels
Sampling frequencies: 96 kHz, 88.2 kHz, 48 kHz, 44.1 kHz
Bit depth: 24-bit
Interface: USB 2.0
Class: USB Audio Class 2.0

Power

2 AA batteries (alkaline, lithium, or rechargeable NiMH), AC adapter (ZOOM AD-17): DC 5 V/1 A -USB bus power is supported.
Rated Current
USB/AC adapter (5 V): 350 mA
Batteries (2.4 V): 560 mA
Estimated continuous operation time using batteries
44.1 kHz, 48 V off, with 32O headphone load
Alkaline batteries: about 3 hours
NiMH batteries (1900 mAh): about 4.5 hours
Lithium batteries: about 8.5 hours
The above values are approximate. Continuous battery operation times were determined using in-house testing methods. They could vary greatly according to use conditions.
Power Consumption: 5 W maximum

Dimensions: 129.0 mm (W) × 74.0 mm (D) × 46.0 mm (H)
Weight (unit only): 177 g
Weight (including batteries): 223 g

Notes: MCV4 is a budget-priced MIDI-to-CV-Interface to control vintage monophonic synthesizers via MIDI. MCV4 is provided with 4 analogue control voltage outputs (CV1...4) and one Gate/Trigger output.

These are the most important MCV4 features:
4 analogue control voltages CV1...CV4
Voltage range for CV1...4: 0...+5V, 8 Bit resolution (equivalent to 1/4 semitone resolution)
CV1 for pitch control (normally VCO CV)
CV2...4 for voltage control of other functions (e.g. VCF frequency, loudness, modulation)

MIDI control of CV1..4:
CV1: note on/off with pitch-bend, 1V/octave characteristic
CV2 monophic after-touch
CV3 velocity and/or volumen (controller #7)
CV4 velocity and/or any controller (setting of the controller number via learn button)

Pitch-bend is used for CV1 generation with 1/4 semitone resolution
Gate output type can be selected via jumper inside the device between voltage trigger (+5V or power supply voltage) and S-trigger (switched trigger)
MIDI channel and reference note for CV1=0V adjustable via learn button
Different assign modes for CV1 (highest note, last note, reference note)
Retrigger on/off while playing legato
Gate/trigger polarity normal/inverted
Two 1/4" stereo jack sockets for CV1/2 and CV3/4
1/4" mono jack socket for gate/trigger
Learn button with LED for adjusting MIDI channel, reference note for CV1, controller for CV4
Optical display of gate/trigger via LED
MIDI-In, MIDI-Thru
Non-volatile memory for parameter settings
Stable metal case (about 95x75x35 mm, 1mm sheet steel)

External AC adapter for power supply
AC adapter for 230V AC and European type of mains connector is included within Europe
7...12V/100mA DC required, DC connector with 5.5 mm outer diameter and 2.1 or 2.5 mm inner diameter, polarity: plus = center, minus = ring

*** Adapters for other parts of the world have to be purchased separately. ***

Suitable accessories:

MCV4 special cable (1/4" stereo jack plug -> 2 x 1/4" mono jack plug, length about 90cm, also called "insert cable")

MIDI channel, reference note for CV1 (this is the MIDI note corresponding to 0V of CV1 and thus the lowest possible note of the analogue synthesizer connected to MCV4) and the controller no. for CV4 are adjusted via learn function. For this, the learn button must be pressed and the required MIDI messages sent from the MIDI controlling device (MIDI synthesizer, keyboard, sequencer ...). The other parameters (retrigger, trigger polarity, assign mode ...) are adjusted in learn mode via program-change messages.
The Hz/V mode available in the predecessor model MCV1 is not available with the MCV4 because of the many problems occurring with the non-linear Hz/V characteristic. But some synthesizers normally using Hz/V can be controlled with V/Oct (e.g. Korg MS10/MS20, details you may find in the MCV4 user's guide).

If you want to use all 4 analogue control voltages, you need 2 special cables with a stereo 1/4" jack plug on one end (MCV4 side) and two mono 1/4" jack plugs on the other (synthesizer side). Cables like this can be purchase elsewhere. If you need it, it is recommended to order it together with the MCV4.

Notes: Say goodbye to MIDI connection headaches and hello to limitless possibilities! The H4MIDI WC is your ticket to seamless USB MIDI integration like never before.

Notes: Unleash your creativity!

Whether you're about to stream your story, build your beat, track, or do anything beyond that - with Neva Duo you're ready to go instantly and as easy as never before.

Coming at a super affordable price, Neva Duo offers superior audio quality, elegant design and an extensive software package while retaining a compact form. Equipped with professional pre-amplified microphone and guitar inputs as well as two line inputs, it offers everything you need to get started right away. The USB-C port makes it easy to connect to your computer or mobile device. Neva Duo comes with professional ASIO drivers including DirectWIRE loopback function and more, so you can focus on your creativity.

Features
2 input / 2 output 24-bit / 192kHz USB 3.1 audio interface with USB-C connector
2x XLR microphone preamp with +48V phantom power support
2x Hi-Z inputs with 1/4" connector
USB bus powered (no additional power adapter needed)
Line output with balanced/unbalanced 1/4" TRS connectors
Headphone output with 1/4" Stereo connector and separate volume control
ADC with 97dB(a) dynamic range
DAC with 107dB(a) dynamic range
Zero latency hardware direct input monitoring activated by switch
Master output volume control
Supports Windows 10, Windows 11 with ASIO 2.0, MME, WDM and DirectSound
Supports macOS via the native CoreAudio USB audio driver from Apple
Stereo hardware loopback channel for internal recording
Includes Bitwig Studio 8-Track DAW
Includes Steinberg WaveLab LE audio editor license
Works with Cubasis LE from Steinberg for iPhone / iPad
Includes 3 month (up to 9000 minute) subscription to JackTrip Virtual Studio
Dimensions: 13cm x 9cm x 4cm

Connectors & Functions

LINE HI-Z SWITCH 1 for input 1 to switch between Line / Microphone signals and Hi-Z guitar signals.

LINE HI-Z SWITCH 2 for input 2 to switch between Line / Microphone signals and Hi-Z guitar signals.

+48V PHANTOM POWER SWITCH to provide power for condenser microphones.

DIRECT MONITORING SWITCH to enable or disable input monitoring to listen to the input signals.

GAIN KNOB 1 to change the input gain / input level for input 1. The LED ring indicates the signal level.

GAIN KNOB 2 to change the input gain / input level for input 2. The LED ring indicates the signal level.

HEADPHONE VOLUME KNOB to change the output volume for connected headphones.

MASTER VOLUME KNOB to control the master output volume of the main line output signal.

XLR / TRS COMBO INPUT 1 to connect a microphone via XLR cable, a line signal via 1/4" TRS connector or an electric guitar with 1/4".

XLR / TRS COMBO INPUT 2 to connect a microphone via XLR cable, a line signal via 1/4" TRS connector or an electric guitar with 1/4".

HEADPHONE OUTPUT to connect headphones.

OUTPUT LINE 1/2 to connect the stereo master line level output signal via 1/4" TRS cables for left and right channels.

USB-C CONNECTOR to connect the audio interface to a PC, Mac, tablet or mobile phone.

Small, flexible and ideal for entering the world of digital audio recording

This stylish 24-bit / 192 kHz USB-C audio interface is so small, it will instantly become your new companion on the go and in your studio. Neva Duo is USB bus powered and Plug & Play, just plug it in and start working! It works with any modern Mac (Intel or M1 CPU or better), PC (Windows 10 and higher) and with many portable devices (iPhone, iPad, etc.). No additional AC adapter is needed. You can use the integrated 2 preamps with 48V phantom power for condenser or dynamic microphones with up to 50dB gain using XLR inputs or connect an electric guitars via 1/4" Hi-Z inputs. On the output side, there is an integrated headphone amplifier and there are stereo TRS outputs with master volume control allowing you to connect a mixer, amplifier or active speakers. You can monitor incoming audio signals with zero latency, just push the direct monitor button. The total of 2 inputs with 97dB(a) dynamic range and 2 outputs with 107dB(a) dynamic range can be used for line level signals as well.

Neva Duo is compatible with virtually all common audio software thanks to ESI's professional low latency ASIO 2.0 driver for Windows and CoreAudio compatibility on the Mac. There is even a DirectWIRE hardware loopback function that allows you to route and mix different sound sources internally: perfect for podcasting or live streaming applications.

All this turns Neva Duo into an ideal device to get started in the world of digital audio recording, no matter if you create your own music, if you want to mix and edit audio, if you work on your podcast or even for live streaming. And yet there is more: Bitwig Studio 8-Track and Steinberg WaveLab LE are included. On the iPhone and iPad, you can use Cubasis LE from Steinberg.

An alternative to Neva Duo is ESI's even more compact Neva Uno with one microphone preamp.

Notes: Capture your creativity with the Quantum ES 2 - the recording interface for self-made musicians and audio creators.

The culmination of 30 years of innovation

The ES 2 features two newly redesigned high-definition MAX-HD mic preamps with +75 dB of gain, making it ideally suited for today's most popular microphones. Guitarists and bassists will love the instrument input, co-developed with Fender engineers. An Auto Gain button sets the perfect gain level for your microphones and instruments, while an illuminated push encoder provides flexible control over gain level and output volume. And bright and responsive LED metering provides easy visual feedback for your inputs and outputs, making it great for self-produced recording.

High performance signal flow

The custom low-latency driver provides exceptionally low audio latencies when recording, and high-performance converters complete the front end to ensure that you sound your best throughout your entire signal chain.

All-new Max-HD mic preamps

The Quantum ES 2 features two newly designed mic preamps with +75 dB of gain. The culmination of 30 years of innovation, MAX-HD preamps are transparent, low-noise, and digitally-controlled analogue, making them ideally suited to today's most popular microphones.

Co-developed with Fender

Built by the best ears in the business, guitarists and bassists will love the instrument input co-developed with Fender engineers - industry experts who designed them specifically for guitar and bass.

Professional recording software included

Leap into 6 months of Studio One+ with access to Studio One Professional Edition, add-ons, and more.

Auto gain

An Auto Gain button sets the perfect gain level for your microphones and instruments, so you get the perfect take every time.

Universal control app

Quantum works on any mobile or desktop device, so you're ready to record whenever inspiration strikes - whether on your phone, tablet, or in your home studio. Critical preamp functions like preamp gain, phantom power, and more can be controlled with the Quantum ES 2's top panel, or right from Studio One and the Universal Control app, so you can dial in the perfect gain staging without looking away from your recording session

Technical Specifications

Inputs and Outputs

Microphone Inputs: 2
Guitar Inputs: 1
Line Inputs: 2
Line Outputs (DC coupled): 2
Headphone Outputs: 1
USB-C ports: 1
Aux power ports: 1
AD / DA Conversion
Supported Sample Rates: 44.1, 48, 88.2, 96, 176.4, 192
Bit Depth: 24

Analogue I/O

Inputs
Microphone (CH 1 - 2)
Connector Type: 2x Combo-style, XLR / TRS
Max Input: +14 dBu (balanced, minimum gain)
Gain Range: 0 dB to +75 dB
Frequency Response: 20 Hz to 20 kHz, +/- 0.2 dB (unity gain, reference 1 kHz)
Dynamic Range: 113 dB (A-weighted, minimum gain)
THD+ N: 0.001% (1 kHz, minimum gain)
EIN: -129 dBu (max gain, 150 Ohms, 22 kHz BW, A-weighted)
Input Impedance: 1600 Ohms
Line In: (CH 1 - 2)
Connector Type: 2x Combo-style, XLR / TRS
Max input level: +15 dBu (balanced, minimum gain)
Frequency Response: 20 Hz to 20 kHz, +/- 0.1 dB (unity gain, reference 1 kHz)
Dynamic Range: 114 dB (A-weighted, minimum gain)
THD + N: 0.001% (1 kHz, minimum gain)
Input Impedance: 10K Ohms
Digital Trim: -10 to +10 dB

Instrument In (Ch 1)
Connector Type: 1 x 1/4-inch Female
Gain Range: -7 dB to +68 dB
Max input level: +15 dBu (unbalanced, minimum gain)
Frequency Response: 20 Hz to 20 kHz, +/- 0.2 dB (unity gain, reference 1 kHz)
Dynamic Range: 111 dB (A-weighted, minimum gain)
THD + N: 0.002% (1 kHz, minimum gain)
Input Impedance: 1M Ohms

Outputs

Main Out (CH 1 - 2)
Connector Type: 2x 1/4-inch Female, TRS
Max Output Level: +15 dBu (Balanced)
Frequency Response: 20 Hz to 20 kHz, +/- 0.1 dB (unity gain, reference 1 kHz)
Dynamic Range: 117 dB (A-weighted)
THD + N 0.001% (1 kHz, +4 dBu)
Output Impedance: 51 Ohms
Trim Range: -inf dB to 0 dB

Headphone Out
Connector Type: 1x 14-inch Female, TRS Stereo
Max Output Level: 7.5 dBu (50 Ohms)
Frequency Response 20 Hz to 20 kHz, +/- 0.2 dB (unity gain, reference 1 kHz)
Dynamic Range: 111 dB (A-weighted)
THD + N: 0.02% (1 kHz)
Output Impedance: 22 Ohms
Trim Range: -inf dB to 0 dB

Electrical

Aux Power DC Connector USB-C (USB-C to USB-C cable required, not included)
Aux Power DC Requirements 5VDC, 1.8A

Mechanical

Product Dimensions
Length 6.9'' (175 mm)
Width 6.2'' (157 mm)
Height 1.9'' (48 mm)
Weight 1.5 lb (0.68 kg)

Notes: Capture your creativity with the Quantum ES 4 - the recording interface for self-made musicians and audio creators.

The Culmination Of 30 Years Of Innovation

The ES 4 features four newly redesigned high-definition MAXHD mic preamps with +75 dB of gain - making it ideally suited for today's most popular microphones. Guitarists and bassists will love the instrument inputs, which were co-developed with Fender engineers.

An Auto Gain button sets the perfect gain level for your microphones and instruments, while an illuminated push encoder provides flexible control over gain level and output volume. And bright and responsive LED metering provides easy visual feedback for your inputs and outputs, making it great for self-produced recording.

High Performance Signal Flow

This custom low-latency driver provides exceptionally low audio latencies when recording, and high-performance converters complete the front end to ensure that you sound your best throughout the entire signal chain.

All-New MAX-HD Mic Preamps

The Quantum ES 4 features four newly designed mic preamps with +75 dB of gain. The high-definition MAX-HD preamps are transparent, low-noise, and digitally controlled analogue, making them ideally suited to today's most popular microphones.

Co-Developed With Fender

Built by the best ears in the business, guitarists and bassists will love the instrument input co-developed with Fender engineers - industry experts who designed them specifically for guitar and bass.

Professional Recording Software Included

Leap into 6 months of Studio One+ with access to Studio One Professional Edition, add-ons, and more.

Auto Gain

An Auto Gain button sets the perfect gain level for your microphones and instruments, so you get the perfect take every time.

Universal Control App

Quantum works on any mobile or desktop device, so you're ready to record whenever inspiration strikes - whether on your phone, tablet, or in your home studio. Critical preamp functions like preamp gain, phantom power, and more can be controlled with the Quantum ES 4's top panel, or right from Studio One and the Universal Control app, so you can dial in the perfect gain staging without looking away from your recording session.

Key Features

4 x 4, 24-bit / 192 kHz USB-C Audio Interface
High-performance converters let you hear and capture audio with stunning clarity and fidelity.
Custom low-latency driver provides exceptionally low audio latencies when recording.
All-new, next-generation PreSonus MAX-HD preamp design provides transparency and accuracy across the frequency range with +75 dB of gain to maximize the performance for a wide range of today's most popular microphones for modern recording and broadcast.
Auto Gain button sets the perfect gain level for your microphones and instruments, so you get the perfect take every time.
Control your Quantum ES right from Studio One and the Universal Control app, in addition to hardware, so you can adjust preamp gain, toggle phantom power, adjust channel settings, and more without looking away from your recording session.
Perfect for dialling in optimal gain staging.
Bright and responsive LED metering lets you keep an eye on your input and output meters, perfect when recording alone.
2 balanced 1/4-inch TRS main outputs plus 2 balanced 1/4-inch TRS line outputs and 2 high-power headphone outputs for flexible monitoring. And built-in speaker switching lets you check your mix on multiple sets of studio monitors.
Loopback audio makes creating monitor and streaming mixes quick and easy.

Technical Specifications

Inputs and Outputs

Microphone Inputs: 4
Guitar Inputs: 2
Line Inputs: 4
Line Outputs (DC coupled): 4
Headphone Outputs: 2
USB-C ports: 1
Aux power ports: 1

AD / DA Conversion
Supported Sample Rates: 44.1, 48, 88.2, 96, 176.4, 192
Bit Depth: 24

Analogue I/O

Inputs

Microphone (CH 1 - 4)
Connector Type: 4x Combo-style, XLR / TRS
Max Input: +14 dBu (balanced, minimum gain)
Gain Range: 0 dB to +75 dB
Frequency Response: 20 Hz to 20 kHz, +/- 0.2 dB, (unity gain, reference 1 kHz)
Dynamic Range: 113 dB (A-weighted, minimum gain)
THD+ N: 0.001% (1 kHz, minimum gain)
EIN: -129 dBu (max gain, 150 Ohms, 22 kHz BW, A-weighted)
Input Impedance: 1600 Ohms

Line In (CH 1 - 4)
Connector Type: 4x Combo-style, XLR / TRS
Max input level: +15 dBu (balanced, minimum gain)
Frequency Response: 20 Hz to 20 kHz, +/- 0.1 dB (unity gain, reference 1 kHz)
Dynamic Range: 114 dB (A-weighted, minimum gain)
THD + N: 0.001% (1 kHz, minimum gain)
Input Impedance: 10K Ohms
Digital Trim: -10 to +10 dB

Instrument In (Ch 1-2)
Connector: Type 2 x 1/4-inch Female
Gain Range: -7 dB to +68 dB
Max input level: +15 dBu (unbalanced, minimum gain)
Frequency Response: 20 Hz to 20 kHz, +/- 0.2 dB (unity gain, reference 1 kHz)
Dynamic Range: 111 dB (A-weighted, minimum gain)
THD + N: 0.002% (1 kHz, minimum gain)
Input Impedance: 1M Ohms

Outputs

Main Out (Ch 1 - 2)
Connector Type: 2x 1/4-inch Female, TRS
Max Output Level: +15 dBu (Balanced)
Frequency Response: 20 Hz to 20 kHz, +/- 0.1 dB (unity gain, reference 1 kHz)
Dynamic Range: 117 dB (A-weighted)
THD + N: 0.001% (1 kHz, +4 dBu)
Output Impedance: 51 Ohms
Trim Range: -inf dB to 0 dB

Line Out (Ch 3-4)
Connector Type: 2x 1/4-inch Female, TRS
Max Output Level: +15 dBu (Balanced)
Frequency Response: 20 Hz to 20 kHz, +/- 0.1 dB (unity gain, reference 1 kHz)
Dynamic Range: 117 dB (A-weighted)
THD + N: 0.001% (1 kHz, +4 dBu)
Output Impedance: 51 Ohms
Trim Range: -inf dB to 0 dB

Headphone Out (1-2)
Connector Type: 2x 1/4-inch Female, TRS Stereo
Max Output Level: 7.5 dBu (50 Ohms)
Frequency Response: 20 Hz to 20 kHz, +/- 0.2 dB (unity gain, reference 1 kHz)
Dynamic Range: 111 dB (A-weighted) THD + N 0.02% (1 kHz)
Output Impedance: 22 Ohms Trim Range -inf dB to 0 dB

Electrical

Aux Power DC Connector USB-C (USB-C to USB-C cable required, not included)
Aux Power DC Requirements 5VDC, 2.6A

Mechanical

Product Dimensions

Length: 8.4'' (213 mm)
Width: 6.2'' (157 mm)
Height: 1.9'' (48 mm)
Weight: 1.8 lb (0.81 kg)

Notes: AMS-24 - For One or More Musicians

Flip the switch

The AMS-24 and AMS-44 feature our innovative Music / Streaming Switch.

When switched to Music mode, you can record into your DAW with expanded input and output routing options.

When switched to Streaming mode, all inputs are combined into a single signal so you can easily stream without needing additional complicated software.

Record & stream with ease

AMS Audio Interfaces are designed for musicians who want to record music with their DAW or easily livestream on platforms like YouTube and Twitch, without all the typical complications.

AMS-24 | 2-In, 4-Out

The AMS-24 is perfect for solo streams and multi-instrument sessions. It features two XLR/TRS combo inputs along with Zoom's low-noise preamps. Also included are two headphone outputs and two TRS outputs for external monitors.

Quick control

With their onboard hardware switches, the AMS-24 and AMS-44 are designed to simplify common streaming challenges without the need for additional software.

Little switch, big streams

Toggle from recording to livestreaming with the Music / Streaming Switch. When in Music mode, each input acts independently with individual gain control. It also sends separate mixes to each headphone output.

When in Streaming mode all inputs are combined into one signal to work seamlessly with your streaming software.

Onboard monitoring

Use the Direct Monitor Switch to send the input signal directly to your headphones while routing the same signal to your DAW or streaming software.

Loop it back

The Loopback Switch combines the input audio with playback from your computer and routes it to your streaming software. This is perfect for adding background music to your stream or singing live with an instrumental track.

Mic/line guitar

Switch Input 1 from mic or line level to guitar level (Hi-Z).

Stereo link

Links two inputs for stereo recording or streaming and allows you to control both inputs with one gain knob.

Phantom power

Provides +48V phantom power for condenser microphones.

Power options

All three AMS interfaces can be powered from your PC or Mac via USB-C. Use external power when working from a tablet or mobile phone.
Additionally, the AMS-24 can also use two AA batteries.

Plug it in...

Use the AMS Series on any device thanks to its support for Mac and PC, along with iOS and Android devices.

...And perform

The AMS Series is designed to integrate seamlessly with commonly used software, apps and platforms.

In Streaming mode, connect with your audience by streaming to popular platforms like YouTube, Facebook, Twitch, Instagram and Patreon.

In Music mode, record with software like Adobe Audition, Pro Tools, Cubase and GarageBand.

What's in the box

AMS-24 USB Audio Interface
USB-C Cable
Quick Tour

Technical Specifications

Input and Output Channels

Number of input channels: Mono (MIC/LINE): 2
Number of output channels: Stereo (TRS): 1
Stereo (PHONES): 2

Connectors

Input 1-2 - Type: XLR/TRS combo jacks
(XLR: 2 HOT, TRS: TIP HOT)
Input gain: -8 - +58 dB / -8 - +50 dB (when set to GUITAR)
Input impedance: XLR: 2.7 kO
TRS: 18 kO / 330 kO (when set to GUITAR)
Maximum input level: XLR: +6 dBu
TRS: +22 dBu / +8.5 dBu (when set to GUITAR)
Phantom: +48 V

OUTPUT A (standard phone jacks)
Type: TRS phone jacks (impedance balanced)
Maximum output level: +10 dBu (at 0 dBFS)
Output impedance: 100 O

OUTPUT A-B (headphone jacks) - Type: 3.5mm stereo mini jacks
30 mW + 30 mW (32 O load)
Output impedance: 10 O

USB: USB Type-C (audio interface function)
Use a USB cable that supports data transfer. USB bus power is supported.
DC 5V - USB Type-C (for power supply)

Frequency Response

44.1 kHz: 1 dB (20 Hz - 20 kHz)
96 kHz: 1.5 dB (20 Hz - 40 kHz)
Equivalent Input Noise: -120 dBu or less (IHF-A) at +58dB/150O input

Audio Interface
Input and output channels
Recording: 2 channels
Playback: 4 channels
Sampling frequencies: 96 kHz, 88.2 kHz, 48 kHz, 44.1 kHz
Bit depth 24-bit
Interface: USB 2.0
Class: USB Audio Class 2.0

Power:
2 AA batteries (alkaline, lithium, or rechargeable NiMH)
AC adapter (ZOOM AD-17): DC 5 V/1A
USB bus power is supported.
Rated Current
USB/AC adapter (5 V): 380 mA
Batteries (2.4 V): 470 mA

Estimated continuous operation time using batteries
44.1 kHz, 48 V off, with 32O headphone load
Alkaline batteries: about 4 hours
NiMH batteries (1900 mAh): about 5.5 hours
Lithium batteries: about 11 hours
The above values are approximate. Continuous battery operation times were determined using in-house testing methods. They could vary greatly according to use conditions.
Power Consumption: 5 W maximum

Dimensions: 94.5 mm (W) × 74.0 mm (D) × 46.0 mm (H)
Weight (unit only): 134 g
Weight (including batteries): 180 g

Notes: Whether you're about to become a content streamer or beat maker or anything beyond - with Neva Uno you're ready to go instantly.

Coming at a super affordable price, Neva Uno offers superior audio quality, elegant design and an extensive software package while retaining a compact form. Equipped with professional pre-amplified microphone and guitar inputs as well as two line inputs, it offers everything you need to get started right away. The USB-C port makes it easy to connect to your computer or mobile device. Neva Uno comes with professional ASIO drivers including DirectWIRE loopback function and more, so you can focus on your creativity.

Features

2 input / 2 output 24-bit / 192kHz USB 3.1 audio interface with USB-C connector
XLR combo microphone preamp with +48V phantom power support
Hi-Z instrument input with 1/4" connector
USB bus powered (no additional power adapter needed)
line output with unbalanced RCA connectors
headphone output with 1/4" connector
ADC with 97dB(a) dynamic range
DAC with 107dB(a) dynamic range
Zero latency hardware direct input monitoring activated by switch
Master output volume control
Supports Windows 10, Windows 11 with ASIO 2.0, MME, WDM and DirectSound
Supports macOS via the native CoreAudio USB audio driver from Apple
Stereo hardware loopback channel for internal recording
Includes Bitwig Studio 8-Track DAW
Includes Steinberg WaveLab LE audio editor license
Works with Cubasis LE from Steinberg for iPhone / iPad
Includes 3 month (up to 9000 minute) subscription to JackTrip Virtual Studio
Dimensions: 10.5cm x 9cm x 4cm


Connectors & Functions

+48V PHANTOM POWER SWITCH to provide power for a condenser microphone.

LINE HI-Z SWITCH for input 2 to switch between Line level and Hi-Z guitar signals.

DIRECT MONITORING SWITCH to enable or disable input monitoring to listen to the input signals.

GAIN KNOB 1 to change the input gain / input level for input 1. The LED ring indicates the signal level.

GAIN KNOB 2 to change the gain / input level for input 2. The LED ring indicates the signal level.

VOLUME KNOB to change the main output volume for connected headphones and speakers.

XLR / TRS COMBO INPUT 1 to connect a microphone via XLR cable or a line signal via 1/4" TRS connector.

TRS INPUT 2 to connect a line via 1/4" TS connector.

HEADPHONE OUTPUT to connect headphones.

LINE OUTPUT 1/2 to connect the stereo master line level output signal via RCA cables for left and right channels.

USB-C CONNECTOR to connect the audio interface to a PC, Mac, tablet or mobile phone.

Small, portable and perfect for your podcasting or live streaming applications

This stylish 24-bit / 192 kHz USB-C audio interface is so small, it will instantly become your new companion on the go and in your studio. Neva Uno is USB bus powered and Plug & Play, just plug it in and start working! It works with any modern Mac (Intel or M1 CPU or better), PC (Windows 10 and higher) and with many portable devices (iPhone, iPad, etc.). One XLR/jack combo input will take either your microphone or line signal, while the second 1/4" jack input accepts line or Hi-Z guitar signals. The inputs feature a mic preamp with up to 50dB gain and 48V phantom power support and the analog-to-digital converter provides 97db(a) dynamic range. On the output side, there is an integrated headphone amplifier and stereo line RCA outputs with a digital-to-analog converter with 107dB(a) dynamic range, allowing you to connect a mixer, amplifier or active speakers. You can monitor incoming audio signals with zero latency, just push the direct monitor button.

Neva Uno is compatible with virtually all common audio software thanks to the professional low latency ASIO 2.0 driver for Windows and CoreAudio compatibility on the Mac. There is even a DirectWIRE hardware loopback function that allows you to route and mix different sound sources internally: perfect for podcasting or live streaming applications.

All this turns Neva Uno into an ideal device to get started in the world of digital audio recording, no matter if you create your own music, if you want to mix and edit audio, if you work on your podcast or even for live streaming. And yet there is more: Bitwig Studio 8-Track and Steinberg WaveLab LE are included. On the iPhone and iPad, you can use Cubasis LE from Steinberg.

An alternative to Neva Uno is ESI's larger model Neva Duo with two microphone preamps.

Notes: The entry into the Amber series

Upgrading ESI's legendary U22 XT, this audio interface offers maximum flexibility and excellent audio quality.

Amber i1 features a new modern eye catching design with an amber coloured volume knob that stands out from the green sand main body colour. Hardware loopback, USB-C, a completely newly designed LED display area, separate line inputs, advanced signal source selection and an exceptional audio quality in this class are just a few of the special features by Amber i1.

XLR INPUT to connect a microphone via XLR cable.
INPUT GAIN CONTROL to change the input gain / input level for Microphone and Hi-Z signals.
PEAK / INPUT LEVEL METER to check the input level.
INPUT INDICATOR to show the selected input (Line/Mic/Hi-Z/Mic+Hi-Z).
INPUT SELECTOR to change the input between Line/Mic/Hi-Z/Mic+Hi-Z.
HEADPHONE VOLUME CONTROL to change the output volume for connected headphones.
+48V PHANTOM POWER SWITCH to provide phantom power for condenser microphones.
HI-Z INPUT to connect an electric guitar with 1/4" TRS cable.
+48V INDICATOR indicates +48V phantom power.
DIRECT MONITORING CONTROL to control the monitoring mix.
MASTER VOLUME CONTROL to control the master output volume.
HEADPHONE OUTPUT to connect a headphone.
USB-C SOCKET to to connect the audio interface to a PC, Mac, or tablet.
LINE OUTPUT 1/2 to connect the audio interface to speakers or an amplifier.
LINE INPUT 1/2 to provide a line input for keyboards, synthesizers, CD-Players, etc.

Everything you need to record

Amber i1 provides everything you need to record vocals and instruments in professional studio quality. The bus powered USB-C audio interface provides superb 24-bit / 192 kHz converters and works with ultra-low latency. It features a high quality microphone preamp with 48V phantom power, a Hi-Z guitar input with gain control and dedicated line level inputs for synthesizers or sound modules.

Realtime processing and best performance

Comfortable real-time input monitoring and master volume controls are directly accessible on the front, also there is a powerful headphone output with independent volume control. Studio monitors can be connected to the balanced outputs. Amber i1 is class compliant and works with any modern Mac (Intel or M1 CPU or better), PC (Windows 10 and higher) and with many portable devices (iPhone, iPad, etc. - an optional Apple Lightning to USB adapter is required for devices with Lightning port). It is compatible with virtually all common audio software thanks to the professional low latency ASIO 2.0 driver for Windows and CoreAudio compatibility on the Mac. A powerful software package incl. the Bitwig Studio 8-Track DAW, Steinberg WaveLab LE for stereo audio editing and Steinberg Cubasis LE for iPad/iPhone is included. The package also includes 3 months of 3000 minutes for JackTrip Virtual Studio.

Perfect driver support

Amber i1 is class compliant and works with Windows 10 / 11 with a high performance EWDM driver supporting ASIO 2.0 and DirectWIRE Routing and with macOS / OS X supporting the Apple CoreAudio driver. You can also use it with iPhone or iPad. Via DirectWIRE Loopback, internal signals can be recorded and processed.

Notes: Sound your best anywhere

A great interface is the one that's always there for you. iRig HD X is the new flagship of the iRig guitar interface family, bringing breathtaking sound quality and even more advanced features to guitarists everywhere. Compact enough to store in your gig bag, iRig HD X lets you connect anytime with inspiring new ways to play and sound amazing.

Practice with popular learning apps or favorite songs. Browse and discover thousands of new tones on ToneNET. Record ideas wherever inspiration strikes. Stream videos of you jamming to backing tracks. Warm up before gigs with all your favorite tones. No matter where you are on your musical journey, with iRig HD X the possibilities are endless.

Your new mobile dream rig

iRig HD X + TONEX and AmpliTube for iPhone and iPad gives you an incredibly versatile mobile rig with 2 powerful ways to find your sound: TONEX using IK's AI Machine Modeling technology, and AmpliTube offering the ultimate tone processing and recording studio. Play, practice and record on your mobile device with the most authentic and hyper-realistic gear models ever made.

Ultra-compact, high-quality audio

iRig HD X features a whisper quiet and transparent instrument preamp with wide frequency response and dynamic range that ensures every nuance of your playing is accurately translated while preserving the true tone of your instrument. The Headphone Out and Amp Out are equally high end offering exceptional sound quality in a device this portable.

One knob to do it all

iRig HD X sports an all-new enclosure featuring a LED ring input level indicator that also doubles as an ultra-fast and precise tuner for the connected instrument. Its ergonomic, multi-function knob lets users quickly adjust headphone level, loopback functions, direct monitoring and the tuner.

Reach your guitar goals faster

Practicing should be fun. With iRig HD X you'll be inspired by professional guitar tone while you learn. From anywhere, easily connect to the most popular learning apps while playing through the best amp models. Use the included TONEX and AmpliTube apps to load one of your go-to tones then launch your preferred app to study music, tabs or the original song. It's that easy!

Discover the best tones online

iRig HD X comes with AmpliTube 5 SE with 80 models covering all the "must have" gear. You also get TONEX SE for Mac/PC and iOS, which includes 200 Premium Tone Models plus unlimited user Tone Model downloads from ToneNET. You can browse, demo and download new guitar and bass tones within TONEX or build the ultimate guitar rig with AmpliTube 5.

Have fun playing along

Imagine finding perfect guitar tones from ToneNET for songs you love. Got a few minutes to play? Just plug-in and open up AmpliTube or TONEX and start jamming with incredible tone. No need to plug in a pedalboard or out-board gear. Play along with backing tracks on YouTube or from your music library or streaming service. Staying inspired has never been this easy.

Jamming and performing with friends

With iRig HD X it's easy. No more lugging a pedalboard to rehearsal spaces. All you need is right in your gig bag. Just show up and connect the Amp Out jack to an external amplifier or powered monitor. Everyone will be amazed by your tone as you load favorite AmpliTube presets or TONEX Tone Models from your iOS device (or laptop).

Recording audio tracks

iRig HD X is recognized by all desktop and iOS recording apps. TONEX and AmpliTube for Mac/PC work standalone or as plug-ins inside your favourite DAW so it's easy to record a DI or a processed guitar part. You can use the Loopback+ feature of iRig HD X (which acts like a virtual FX loop) to route your guitar signal first to TONEX or AmpliTube and then into your recording app.

Recording and streaming Video

The same feature that lets you record processed audio on your mobile device also lets you record or stream video with your amazing guitar tones sounding crystal clear. Use the Loopback+ feature of iRig HD X to route your guitar signal first to TONEX or AmpliTube and then into the video recording App on your iPhone or your streaming App of choice. You fans will love how great you sound.

With more ways to connect on more devices and with all your favourite apps, iRig HD X is your all-access pass to limitless musical experiences.

Ideal for all players

Whatever your level and style of music, iRig HD X will keep you connected to the newest and best tools for sounding great, learning new songs, advancing as a player and sharing the music you make with others. Sound better, play more and improve faster throughout a lifetime of guitar with iRig HD X.

Specifications

Common
AD and DA resolution: 24-bit
Sampling rate: 44.1 kHz, 48 kHz, 88.2 kHz and 96 kHz
Host connection: USB Type-C socket

Instrument Input
Input impedance:1 MOhms
Maximum input level: +9 dBu
Frequency response: From 20 Hz to 20 kHz within 3 dB (96 kHz sample rate)
Dynamic range: 115 dB(A)

Amp Output
Configuration: Unbalanced
Output impedance: 3.3 kOhms
Output level: 0 dBFS corresponds to -2 dBu
Frequency response: From 15 Hz to 40 kHz within 1 dB (96 kHz sample rate)
Dynamic range: 97 dB(A)

Headphone Output
Output impedance: 22 Ohms
Maximum output level: approx.. 8 mW into 32 Ohms load
Frequency response: From 15 Hz to 40 kHz within 1 dB (96 kHz sample rate)
Dynamic range: 95 dB(A)

Package includes
iRig HD X interface
USB-C to USB-C cable (60 cm/23.62")
USB-C to Lightning cable (60 cm/23.62")

Dimensions
Size: 99 mm/5.35" x 42 mm/2.27" x 25 mm/1.35"
Weight: 54 g/1.9 oz.

Compatibility

iOS Devices
Made for: iPhone 14 Pro Max, iPhone 14 Pro, iPhone 14 Plus, iPhone 14, iPhone SE (2nd and 3rd generation), iPhone 13 Pro Max, iPhone 13 Pro, iPhone 13, iPhone 13 mini, iPhone 12 Pro Max, iPhone 12 Pro, iPhone 12, iPhone 12 mini, iPhone 11 Pro Max, iPhone 11 Pro, iPhone 11, iPhone XS Max, iPhone XS, iPhone XR, iPhone X, iPhone 8 Plus, iPhone 8, iPhone 7 Plus, iPhone 7, iPhone SE, iPhone 6s Plus, iPhone 6s, iPhone 6 Plus, iPhone 6, iPhone 5s, iPad Air (3rd, 4th and 5th generation), iPad (9th generation), iPad mini (5th and 6th generation), iPad Pro 12.9-inch (1st, 2nd, 3rd, 4th and 5th generation), iPad Pro 11-inch (2nd and 3rd generation), iPad (8th generation), iPad Pro 11-inch, iPad Pro 10.5-inch, iPad Pro 9.7-inch, iPad Air 2, iPad Air, iPad mini 4, iPad mini 3, iPad mini 2, iPad (5th, 6th and 7th generation), iPod touch (6th and 7th generation).
Also compatible with all newer iPhone, iPad and iPod touch models.

Computers
Macr: macOS 10.6 or later. One free USB port.
Windowsr: Windows 10 or later. One free USB port. For low latency, the IK Multimedia's iRig audio driver must be installed.

Notes: One of the most trusted names in audio, MOTU deliver as always with the 16A, offering a whopping 32-in/34-out configuration over Thunderbolt or USB, all with pristine audio quality.

Supplier's Notes:
The 16A Thunderbolt audio interface provides industry-leading dynamic range and large console style mixing. With 64 channels of audio I/O (32 ins and 32 outs), the 16A also supports USB 2.0 audio class compliant connectivity that is USB 3.0 compatible.

As an interface, standalone mixer or patchbay, the 16A provides 32 separate inputs and 32 separate outputs, including sixteen balanced TRS analog inputs, sixteen balanced TRS analog outputs, and two 8-channel banks of ADAT optical digital I/O. Powerful DSP delivers large console style mixing with 48 channels, 12 stereo busses, and 32-bit floating point effects processing, including modeled analog EQ, vintage compression and classic reverb. The unit's extensive routing grid patches ins to outs, or splits inputs to multiple destinations.

Use the 16A as a stand-alone mixer and control everything from the 16A's innovative web app running on your iPad, iPhone, tablet, smart phone, and laptop. Connect a second MOTU AVB interface (1248, 8M or 16A) with a simple Ethernet cable. Add more I/O with the MOTU AVB Switch (sold separately). Build an AVB audio network with multiple switches and sub-millisecond latency, even over long cable runs. Stream hundreds of channels among devices and computers on the network. From initial tracking to final mastering, the 16A delivers superb sound quality, state-of-the-art operation, and reliable performance.

This box contains everything you need to turn your computer into a powerful 24-bit/192 kHz digital audio workstation. As a "hybrid" audio interface, the 16A offers flexible connectivity to your computer via ultra-fast Thunderbolt technology or class compliant, hi-speed USB 2.0, with 32 channels of pristine analog I/O, combined with 32 channels of digital I/O, for a total of 64 simultaneous audio channels.

Connect all of your studio gear, including synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board digital mixer - with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer. Add Classic Reverb with lengths up to 60 seconds. Further sculpt your sound with gating, 4-band parametric EQ, and vintage compression modeled after the legendary LA-2A leveling amplifier.

Add more MOTU interfaces as your needs grow, connected to a state-of-the-art audio network using standard AVB Ethernet switches and CAT-5e cabling, with near-zero network latency, even over long cable runs (several hundred meters). Record and monitor up to 128 audio channels in and out, simultaneously, to a host computer through Thunderbolt. Route hundreds of audio channels among multiple devices and computers on the network.

Control all DSP-based mixing and effects, device settings, and network audio routing using your favorite web browser running on your laptop, tablet or smart phone connected wirelessly or locally to the 16A audio network.

From initial tracking to final mastering, the 16A delivers superb sound quality, state-of-the-art operation, and reliable performance.

Notes: Based on the Digiface Dante but with the added benefit of low-latency Ravenna audio-over-IP, the Digiface Ravenna offers 128 Ravenna channels and 64 MADI channels.

*** Complimentary warranty on this product for 5 years if purchased from Juno- UK warranty only***

Supplier's Notes:
The Digiface Ravenna is a lightweight, portable audio interface, based on the proven Digiface Dante equipped with a RAVENNA module developed by DirectOut and features with everything that RME is famous for: USB 3, MADI, TotalMix FX and outstanding options in both USB and stand-alone operation.

Mobile RAVENNA Solution via USB

The combination of RME's renowned drivers (Mac/Windows) and DirectOut's RAVENNA implementation offer a reliable and flexible networked computer audio interface. Equipped with the latest TotalMix FX it can not only route, but also mix as many independent submixes as outputs are available. The included high quality phones output offers a quick listen to any audio channel, but can also be used as line output to provide an additional analog stereo mixdown.

RAVENNA & MADI

RME made the two BNC sockets for word clock I/O switchable to MADI I/O, with up to 64 channels. The total sum of Ravenna and MADI, 128 channels, are transferred via USB 3.0 and handled via the included RAVENNA web server or RME's TotalMix FX, for full and struggle-free control of all audio.

On the network side, the interface features a full-fledged RAVENNA stack with AES67 and ST2110-30/31 support and redundant audio-over-IP streaming as per ST2022-7. In addition, the interface can also be used as a mobile 64-channel RAVENNA/MADI converter without a USB connection to a computer. The coaxial MADI I/O connectors may also be configured to work as word clock sync I/O.

TotalMix FX and TotalMix Remote

Like all the latest RME interfaces, the Digiface Series also includes the powerful digital real-time mixer TotalMix FX. It allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs.

The Digiface Series includes a dedicated Control Room section with Talkback, Main/Phones, fader groups, mute groups, complete remote controllability via Mackie or OSC protocol, and much more. The Digiface Series does not support DSP based effects (FX) like EQ or reverb.

Additionally RME's latest software, TotalMix Remote, enhances the power of RME interfaces by enabling remote control via iOS, PC or Mac. With a straightforward set up process - simply enter the IP address of the computer you would like to control with TotalMix Remote and get going - users can quickly adjust any aspect of TotalMix FX on a host system while walking around the studio with their tablet, or from a control room located elsewhere in the facility.

TotalMix FX - Mixing/Routing with superior features for Studio and Live Work

Since 2001 TotalMix added unlimited routing and mixing to RME's audio interfaces. Its unique capability to create as many independent submixes as output channels available turned it into the most flexible and powerful mixer of its kind.

RME USB - Transport audio with lowest latency and industry leading stability

Use your RME audio interface on Mac and PC with reliable, stable, and regularly updated drivers for RME products. RME Audio develops its own interface core, it's not dependent on 3rd parties for upgrades, modifications or bug fixes, so customers can use latest operating systems without interruption or delay."

DigiCheck - The Secret Weapon of High Resolution Audio Measurements

RME Audio interfaces not only provide you with a professional digital audio interface, but also with a free available software tool: DigiCheck, for metering, testing, measuring and analyzing digital audio streams.

Specs

Digiface Ravenna
Gigabit Ethernet Port

RJ45

100 Mbit/s, 1 Gbit/s
Standard port LEDs: yellow connected, green data transmission
Supports straight and crossover cables (Auto MDI-X)
Network-based remote control of the unit (TotalMix Remote)

RAVENNA Modul

Supports RAVENNA, AES67, ST 2110-30 / -31, ST 2022-7
Network Layer 3
Modes: Switched and Redundancy according to ST 2022-7
32 streams
128 channels Single Speed, 64 channels Double Speed, 32 channels Quad Speed
Clock sources: PTP, Internal
Sample Rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz, +/-12.5 %
Routing: Channel-based routing matrix
Configuration: Browser GUI, globcon control, NMOS IS-04 / IS-05

MADI Input

Coaxial via BNC, 75 Ohm, according to AES10-1991
High-sensitivity input stage (< 0.2 Vpp)
Accepts 56 channel and 64 channel mode, plus 96k Frame
Standard: up to 64 channels 24 bit 48 kHz
S/MUX: up to 32 channels 24 bit 96 kHz
S/MUX4: up to 16 channels 24 bit 192 kHz
Lock range: 25 kHz - 54 kHz

MADI Output

Coaxial via BNC, 75 Ohm, according to AES10-1991
Output voltage 400 mVpp
Cable length: up to 50 m
Generates 56 channel and 64 channel mode, plus 96k Frame
Standard: up to 64 channels 24 bit 48 kHz
S/MUX / 96k Frame: up to 32 channels 24 bit 96 kHz
S/MUX4: up to 16 channels 24 bit 192 kHz

Output Analog Phones 129/130

Dynamic range (DR): 110 dB RMS unweighted, 113 dBA
Frequency response @ 44.1 kHz, -0.5 dB: 0 Hz - 20.8 kHz
Frequency response @ 96 kHz, -0.5 dB: 0 Hz - 45 kHz
Frequency response @ 192 kHz, -1 dB: 0 Hz - 89 kHz
THD @ -1 dBFS: - 96 dB, 0.0016 %
THD+N @ -1 dBFS: -95 dB, 0.0017 %
Channel separation: > 100 dB
Output: 6.3 mm TRS jack, unbalanced
Output impedance: 2 Ohm
Output level at 0 dBFS, 1 kOhm load: +9.5 dBu
Max power @ 0.1% THD: 50 mW

Word Clock In

BNC, not terminated (10 kOhm)
Switchable internal termination 75 Ohm
Automatic Double/Quad Speed detection and conversion to Single Speed

Word Clock Out

BNC
Max level: 5 Vss
Level with termination 75 Ohm: 4.0 Vss
Internal impedance: 10 Ohm
Output Analog Phones 129/130
Dynamic range (DR): 110 dB RMS unweighted, 113 dBA
Frequency response @ 44.1 kHz, -0.5 dB: 0 Hz - 20.8 kHz
Frequency response @ 96 kHz, -0.5 dB: 0 Hz - 45 kHz
Frequency response @ 192 kHz, -1 dB: 0 Hz - 89 kHz
THD@-1dBFS:-96dB,0.0016%
THD+N @ -1 dBFS: -95 dB, 0.0017 %
Channel separation: > 100 dB
Output: 6.3 mm TRS jack, unbalanced
Output impedance: 2 Ohm
Output level at 0 dBFS, 1 kOhm load: +9.5 dBu
Max power @ 0.1% THD: 50 mW

Digital

Clocks: Internal, RAVENNA (PTP), word, MADI
Supported sample rates: 44.1 kHz up to 192 kHz

Notes: This is the world's most versatile MIDI Interface compatible with all major operating systems via USB. Easily configure MIDI split/thru, merge, reassign and filter out any MIDI message via the free UxMIDI Tools software.

Sync all your MIDI devices with extreme accuracy, transmit any MIDI message without data errors and drop-outs. Connect your computer, laptop, mobile device via USB-C with 48 MIDI channels over 3 virtual MIDI ports.

Enjoy ultra-low 3ms latency and smart connectivity for seamless wireless performance. Benefit from WIDI groups for wireless splitting (1-to-4) and merging (4-to-1) with USB-C or DC external power options.

Master your MIDI setup with precision using the UxMIDI Tools software, available for macOS, Windows, Android, and iOS. Customize routing, apply intelligent MIDI filtering, and perform robust message remapping effortlessly.

Stay ahead of the curve with integration and customizable expansions, ensuring your setup evolves with your needs.

Notes: WIDI Bud Pro is your plug-and-play Bluetooth MIDI interface Simply add advanced wireless MIDI to PC, laptop and mobile devices without installing any drivers. Enjoy ultra-low 3ms latency and secure connectivity via Adaptive Frequency Hopping. Compatible with all major operating systems via USB