New releases last two weeks: Coldwave/Synth

Review: DFA Records prime mysterious new Brighton signees Proper Monday Number with a sure start, flicking the proverbial Rube Goldberg machine into gear with a banging remix of their otherwise unreleased debut track 'High Horse'. Here, of course, it's LCD Soundsystem / DFA's very own James Murphy at the remix controls, together with resident DFA DJ and "decent human" Matt Cash. Toolroom dance moods extend over a lusciously simple seven minutes, bringing home FM stabs and LinnDrum faceslaps aplenty. And the lyrics: "stop what you're doing now... you ain't got no crown! get off your high horse! turn this ship around!" In our day and age, we need more anti-stagnation, ego-teardown anthems like this, so we welcome the sentiment by the masked duo.

Review: Back by popular demand comes this four track revisitation of the famous 80s synthpop classic, which emerged in December 2024 with the kind of slightly Euro twist in the vocal department you might expect from the Netherlands-based Random Vinyl stable. The Master Mix is perhaos the most poignant, given that its airy, lush pads were put together by the late producer Marc Hartman who very sadly passed away in August 2024 at the far too young age of 58. But all four show due reverence to this monolithic moment in electronic music history, without resisting the temptation to add a little new. Grey-t stuff.

Review: 11 years after it first appeared in stores, sometime Kill Laura amd Misty Dixon member Jane Weaver's sixth solo album Silver Globe has been given the reissue treatment. This is undoubtedly a good thing, as it remains one of Weaver's most magical and consistent full length excursions - an inspired blend of neo-psych-folk, Elizabeth Fraser style vocals, kosmiche-influenced "motorik" grooves and cosmic effects. Lightly conceptual, it's packed with highlights, not least the driving and spaced-out 'Argent', the twisted cosmic pop meets jangly indie-pop of 'The Electric Mountain', the dubbed-out and densely layered 'Arrows', the glassy-eyed lo-fi dream pop of 'Mission Desire' and the effects-laden pastoral dreaminess of 'Your Time In This Life is Just Temporary'.