Back catalogue: Coldwave/Synth

Review: Dusseldorf-based trio Folie 2 return on Themes For Great Cities to follow up their debut long-player from earlier this year. Eingriffe features yet more genre bending experimental pop by Gregor Darman, Marlene Kollender and Sebastian Welicki. Local legend Tolouse Low Trax kicks things off with his Scissor Jazz Hat mix of 'Fullness Of My Heart' before they get stuck into some low-slung cosmic funk on 'Disco' (TBZ Weired Disco) and on side B there's the neon-lit night moves of deep cut 'Universal Sucker'.

Review: Italian producer Heinrich Dressel has made a name for himself in a very focused pursuit of 70s and 80s synth wave soundtracks. Relishing in the horror and keeping one hand on the schlocky funk, he's graced the likes of Cyberdance, Strange Life and Mannequin with his Giallo-rooted sound, and now he's returning to Slow Motion with an exquisite EP of brooding, creepy crawlies that kick down low and keep it chilly up top. Paying tribute to iconic synth chips on 'CEM 8220' and exploring sweeter tones on the cascading 'Arpeggio Jawa', this is Dressel at his best.

Review: The iconic North London dance music duo Idjut Boys are famed for their nostalgia fueled offerings of dub, disco and house and join forces again for this 4 track single featuring 4 completely different takes on the track 'Speedball'. The 'Full Whip' version is an 80s powersynth with powerful kicks and synth perfection, an authentic use of a commodified sound used in the past couple of years. 'Severe Itching' takes the party downstairs into an acid techno rave, the liquid bass seeping through your ear canal into your skull - an utterly extraterrestrial experience. 'Strip Off Dub' is just that: a stripped back dub version of 'Full Whip'. Focusing on the heftier synths and bass, with the rushing wind effects that compromised 'Full Whip'. 'Whizbang Mix' invites you back into the bassment for another slice of acid house pie, the meeting point between 'Full Whip' and 'Severe Itching' that feels like trying to listen to the former after the laters aforementioned liquid has blocked your eardrums. This one's for the messy afterparty.

Review: Leipzig based Riotvan, run by Peter Invasion and Panthera Krause, welcomes Kalexis and Paulor for this collaborative four track that mines techno's deepest depths. 'Going Through The Void' is a moody and slow motion opener that rides on an undulating bassline with plenty of ambient pads for company. 'Energy' is more edgy, a stomper with fractured vocals and wonky synths that builds a darker mood. On the flipside there is the brilliantly unhinged and unusual melodies of 'Lashes' which sounds like a marching band on acid and 'Magnetic' closes down with haunting low ends and spooky pads.

Review: The birth point of ecstasy in British music is usually credited to acid house and the second summer of love: a cemented vision of kids sweating and vibrating in clubs, fields and warehouses in 1988, united by universal empathy and mind-popping sounds. However, in 1981, a couple of young men from Leeds went to New York, discovered the drug in its infancy, fused its' gritty synth pop to acid house's squelchy 303 groove and recorded an album - Soft Cell's Non-Stop Erotic Cabaret. The rest, as they say, is history.

Review: Not content with merely being one of the biggest selling indie bands of right now, Yard Act are busy carving themselves a tasty side hustle as A&R men, with their Zen FC label scooping up some of the most exciting other music around as well as their own. This album from Sheffield's long serving synth maverick Adrian Flanagan (Kings Have Long Arms, Eccentronic Research Council, International Teachers Of Pop) is not an obvious choice for the guitar slingers, being closer to electro pop than indie, but it's a compulsive and ingenious listen all the same. Written during lockdown, it follows the rise and fall of an imaginary superstar DJ, each song pushing the narrative along and featuring a plethora of guests, including Richard Hawley and Maxine Peake, both of whom feature at the album's 'comedown' conclusion.

Review: If you've not seen Gabrielle Provaas' innovative and heartfelt documentary Onzinchtbaar we implore you to do so. The film hones in on 'invisible heroes' responsible for keeping a country clean on a day-to-day basis. From hospitals to streets, schools to offices, this is the workforce that ensures the cogs can move and many more people can get stuff done. So what exactly does that sound like when Fatima Yamaha is drafted for the score? Opening on 'Het Begrijpt Je' might suggest the kind of patient music that accentuates attention to detail. That's certainly true at times, like the staggeringly beautiful piano number 'Hooikoorts' or the drones and twinkles of 'Hotel Haast'. But then we also have more hyperactive moments, and noises to accompany those - 'Veeg Life' and its bouncy, club-ready elec-tech, 'Kissey's leftfield deep house, 'Schiet Zo In Je Rug' and its strange, fidgety epic-ness.

Review: Following up great efforts by the likes of Van Bonn & Luis Baltes, Unknown and Shadow-Area, here is the debut LP from Hamburg's Achim Maerz on Berlin-based Freund der Familie. Relief features a wide selections of moods and grooves; from the cavernous and glacial deep house of 'Black Hole', the contemplative ambient journey of 'Dream', plus there's more deepness of the emotive variety offered up on 'Changing Weather', the understated late night mood of 'Memories' and the mesmerising closer 'On The Way' awash in dazzling layers of rich synth tones in the vein of classic Chicago sounds. Mastering by Sven Weisemann.