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Notes: The Oceans Abyss expands on Electro-Harmonix's highly acclaimed reverb technology to deliver a truly immersive effects workstation. The pedal is centered around dual reverb engines that are independently programmable with full-stereo algorithms including Hall, Spring, Shimmer and more. Place these reverbs into a customizable signal path with additional FX blocks like Delay, Chorus, Tremolo, or Bit Crusher for a completely unique soundscape building experience.

Electro-Harmonix has paved the way for powerful, accessible reverbs since the release of the original Holy Grail and now we've pushed the envelope deeper with the fully-equipped Oceans Abyss. Featuring a customizable signal path with up to 8 effects blocks, the Oceans Abyss can be configured as individual reverb, modulation, EQ, delay, bit crusher, saturation or volume effects, or as countless combinations for incredibly creative effect shaping. From a simple Spring reverb to a lush stereo field featuring stereo hall and shimmer reverbs, chorus, delay, overdrive, and tremolo, you can go from surf to shoegaze instantly, without breaking a sweat.

Deep parameter editing is accessible via the high-visibility OLED display with multiple graphical views and easy-to-read designs. Expression/CV control over nearly every parameter gives artful control of your effects and dynamics. Fully-stereo I/O plus an FX Loop allows for use with any instrument, recording set up, or live rig. 128 programmable presets via onboard footswitching or MIDI ensure perfect recall in all performance situations. MIDI IN/OUT ports with MIDI IN support of PC, CC, and Tempo Clock expand the already immense talents of the Oceans Abyss. Connect with UBS-C to Windows or Mac for effects editing, preset management, and more with the free EHXport™ app

Notes: COSMOS is a drifting memory station designed to work with meditative states through music. The design of the controls, functions and generated soundscapes are intended to evoke, in both performer and listener, states and experiences inherent in meditation, such as limitless space, fluidity, spontaneous development, presence, the ability to hear, tranquility, the experience of subtle harmony and happiness enveloping the whole world.

From a functional point of view, COSMOS is a large array of sound memory, in which recorded sounds undergo constant recombinations, spontaneously generating an ever-changing soundscape. This is achieved in three ways - by a mathematical shift based on the relationships between large prime numbers (the size of all delay lines are different primes), an asynchronous operation of the LFO, and modulation with a slowly changing chaotic signal. As a result, it allows the endless layering and processing of various sounds, as in a looper, but without an intrusive, repetitive loop.

COSMOS generates rich, fluid and evolving soundscapes perfect for ambient music. Using COSMOS, you can play an entire meditative solo concert while being in a spontaneous flow and without using studio-prepared sequences, backing tracks and other things that can't be a reflection of the "here and now".

Notes: How many times have you sat in front of your favorite ambient pedal and felt like you need weeks of training at NASA to use it? Knobs, switches, sliders - It's often SO hard and frustrating to find a usable tone on those things quickly - Keeping that firmly in mind, when Wampler first considered making an ambient pedal, ease of use was a top priority, right up there with top tier quality tone on par with pedals at twice the price.

How do you describe a pedal like the Wampler Ethereal? Does ambient heaven cover it? Is it the gateway between real life and the astral plane? Or is it just gorgeous? It's hard to know which phrase to use when talking about it, because they all match it perfectly - plus, of course, so easy to use you'll be getting those perfectly Ethereal tones instantly.

When designing the Ethereal these were the EXACT thoughts running through the mind of Brian Wampler. He wanted to make a delay that is as pure as you could want, with a time of up to 1s, a reverb that is thick and then have the option to mix them all up and put them together in one glorious effect that will send you away - all the way away while making it as easy to use and easy to find those perfect tones as possible.

Oh, and did we tell you - it's been a bit of a secret, there isn't one delay lurking within the Ethereal, there are two! The first delay constantly sits there like a heartbeat, coming back at you at quarter notes, Wampler then layer another over the top - that one can be put into a triplet pattern, or a dotted 8th (so you can get that beautiful quarter + dotted 8th mix) and even a self-oscillating dotted eighth pattern that just takes you away and leads you over the edge and down the rabbit hole into perfect ambience - Things can get a little crazy when that one is selected, so you know, knock yourself out - it's there to make some incredibly strange yet beautiful sounds - See that little switch down there? Yep, that's the one, just to the right of the stomp - that's a trails button. When this is used the delay patterns and reverbs sing out after the pedal has been deactivated, so you can even control what you want to come back at you.

While you are enjoying the delay patterns, sitting underneath is that beautifully cavernous plate style reverb that is alive with character and shape, that can be brought in to exactly the right level (whether that be under your guitar, the same level - unity, or even considerably louder) to compliment the delay.

As you can imagine, this has been some feat of engineering (definitely worth waiting for) as we wanted all this to happen from a regular sized box, with the purity of tone and response you would expect from a Wampler. So, as with our other time pedals, we split the signal going in, the effected signal is then laid back on top of the original base tone, making sure that YOUR guitar sounds exactly how it does going in.

The Wampler Ethereal. Not only can it be used a stand alone reverb or delay pedal, it can be combined for you to worship, to get lost in, to even help you inspect your shoes - but most of all, it was designed to inspire.

Notes: The Faux Spring Reverb has been a staple on many players boards for many years now, and when it was discontinued a few years ago Brian Wampler received numerous requests to bring it back since then. Not being one to be content with just reissuing something, Brian decided to take all of the feedback from players he had received and give it a bit if an upgrade.

The result was the birth of the Mini Faux Spring Reverb. Following the idea of - If it's not broke, don't fix it - he just added more of what players love. More decay, more drippiness and more of that bouncy spring tone players love in the bigger Reverb tanks. Despite sounding bigger and fuller, he decided to condense it down into a mini enclosure to fit perfectly at the end if any chain to grab and go.

When the moment calls for the sound of spring reverb, you'll be glad you have this little guy. With an extended decay time, the Mini Faux Spring Reverb pedal serves up authentic tones that drip with boing (Don't you love spring reverb adjectives?) just like a great spring tank. And thanks to an easy-to-navigate control layout, you'll have your perfect tone pulled up in no time.

For years, the Wampler Faux Spring Reverb was the very best spring reverb pedal available, Brian Wampler updated it, made it smaller, made it bouncier - made it even more perfect for your rig!

There no denying the popularity and convenience of this pedal's mini design. Not only does it fit wonderfully on even the most cramped pedalboards, but it's easy to throw in the back of your open-back combo when running in the amp's effects loop.

Brian Wampler's attention to detail and commitment to bringing you the best-sounding & most usable Effects Boxes on the market is nothing new. Those qualities are on full display within the Mini Faux Spring Reverb. We're all tone-freaks, and we're always trying new things, but we hope this pedal finds it's forever home on your pedalboard, so we built it to last that long.

Notes: When Wampler decides to jump into the multiFX market, they do it in style. 11 custom designed effects blocks, from Flanger to Phaser, Chorus to U-Vibe, Harmonic Tremolo to Envelope Filter, you know everything about it is going to be perfect.

In one incredibly small package, you can control any of the 8 presets via midi, you can assign an expression pedal to control ANY of the main five controls, you can run it in full glorious stereo or keep it in mono - you can even split that mono signal to route some effects to go before your drive pedals, or amp gain, and have the rest follow behind or in your effects loop!

When you put the Terraform into your rig, you know that not only will you get that legendary Wampler tone, but you will get the most easy to use, hugely versatile and best sounding collection of modulations you could ever want.

Each of the 11 effect blocks have been designed and realized in-house by the tone chasing freaks at Wampler. Each one has been inspired by many individual stomps, both modern and vintage, to bring you the best version of them all.

There are 8 presets to store your favorite sounds - you can recall them via the fully mappable midi, via the button on the front and even from the stomps! The expression pedal can control ANY of the 5 controls and you can even set the heel and toe point!

If you want true Stereo, you got it - You want basic mono, you got it.. You can even split that mono signal so you can put some effects in front of your drive section and the others behind, or going into the front of your amp with the rest in the effects loop. However you like to route your signal, the Terraform has you covered.

Brian Wampler's attention to detail and commitment to bringing you the best-sounding & most usable Effects Boxes on the market is nothing new. Those qualities are on full display within the Terraform. We're all tone-freaks, and we're always trying new things, but we hope this pedal finds it's forever home on your pedalboard, so we built it to last that long.

Notes: The concept for Diamond Pedals' Boost/EQ began in the early 2000s, with a request for a 'compression-less' version of the famed Diamond Compressor - combining a clean boost circuit with the Compressor's Tilt EQ.

Nearly 20 years after the resulting original pedal's launch, we've re-imagined this idea on the same platform as the Comp/EQ. Introducing the next-generation Diamond Boost/EQ. This versatile, low-noise pedal delivers a punchy, dynamic sound that's ideal for any set-up

Taking the lively, high-fidelity gain stages of the Comp/EQ, the Boost/EQ offers plenty of punch while maintaining clarity and transparency. While the Tilt and Mid controls give you complete freedom to sculpt your tone. Need more sparkle? Dial it in with the Tilt knob. Looking for a midrange boost to cut through your solos? The Mid control has you covered. Want to make your Marshall tone a bit more Fenderesque? It's all possible with Diamond's Boost/EQ.

In addition, the Boost/EQ features a second mode that provides a low-gain overdrive - transparent, yet full of character. This makes the Boost/EQ the ultimate Swiss Army knife for your pedalboard, combining clean boost, tone shaping and overdrive, into one powerful and versatile pedal.

The Boost/EO offers 2 distinct modes of operation. The first is a clean boost mode designed to increase the output of your signal enabling you to beef-up low-output pickups, drive tube amps and dirt pedals for increased sustain and saturation or simply have your solos jump out in the mix.

Set to the OD mode, the gain structure of the pedal is modified and soft clipping diodes are added to the circuit. This provides smooth, transparent, musical distortion that ranges from just a touch of hair and harmonic overtones, to a nice low to mid gain overdrive. Depending on where your Boost/EO is placed in your signal chain, it will either deliver an increase in volume or distortion/saturation. Place it at the end of your pedal chain or in an amp's series FX loop for a volume boost. Put it in front of your drives and fuzzes for more gain and distortion.